Relevant bibliographies by topics / Matsuo, Bashåo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Matsuo, Bashåo'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Matsuo, Bashåo"

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Shirane, Haruo. "Matsuo Basho and The Poetics of Scent." Harvard Journal of Asiatic Studies 52, no. 1 (1992): 77. http://dx.doi.org/10.2307/2719329.

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Jamasaki-Vukelic, Hirosi. "Matsuo Basho: The Narrow Road to the Deep North." Kultura, no. 138 (2013): 190–98. http://dx.doi.org/10.5937/kultura1338190j.

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Kang, Kyung-Ha. "Poems of Songgang Jeongcheol and Matsuo Basho study the image of the wind." Korean Journal of Japanese Language and Literature 64 (March 31, 2015): 217. http://dx.doi.org/10.18704/kjjll.2015.03.64.217.

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Kang, kyung-Ha. "Poems of Songgang Jeongcheol and Matsuo Basho Study the Image of the Water." Korean Journal of Japanese Language and Literature 66 (September 30, 2015): 151. http://dx.doi.org/10.18704/kjjll.2015.09.66.151.

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Ardiansyah, Rahmad Novianto. "ANALISIS SEMIOTIKA RIFFATERRE PADA HAIKU MUSIM PANAS DALAM BUKU OKU NO HOSOMICHI KARYA MATSUO BASHO." SUAR BETANG 12, no. 2 (2018): 173. http://dx.doi.org/10.26499/surbet.v12i2.29.

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Haiku is a literary kind of poetry that originated in Japan. Haiku initially have three major streams namely Teimon, Danrin, and Basho. Haiku has rules in writing that is using the 5-7-5 syllable construction, using kireji, and Kigo included therein. This study will use ten haiku of Matsuo Basho summer work in the book Oku no Hosomichi drawn randomly. This study uses structural semiotics, a method that examines the content of literature and semiotic approach. The semiotic approach used here is Riffaterre semiotic, namely heuristic reading, hermeneutic reading, matrices seeking, models, and variants, as well as the hipogram. The results of this study are the meaning of ten haiku is Basho sense of awe, gratitude, joy, serenity, solitude and sadness
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Kang, Kyung-Ha. "SongGang Jeongcheol and Matuo Basho, A Comparative Study of the Hermit." Korean Journal of Japanese Language and Literature 62 (September 30, 2014): 279. http://dx.doi.org/10.18704/kjjll.2014.09.62.279.

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KURIHARA, Yutaka. "The Motif of Children in Toson Shimazaki : A Comparison of Tsuda Sokichi's Evaluation of Basho Matsuo and Issa Kobayashi." Border Crossings: The Journal of Japanese-Language Literature Studies 8, no. 1 (2019): 75–94. http://dx.doi.org/10.22628/bcjjl.2019.8.1.75.

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Che Man, Siti Hajar, and Ratna Roshida Ab Razak. "Japanese Culture in Modern Malay Literature: Experiences and Observations of Malay Writers." Malay Literature 28, no. 1 (2015): 91–106. http://dx.doi.org/10.37052/ml.28(1)no4.

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This article aims to examine the beauty of the values still adhered to in Japanese society as traceable in creative works based on the experiences and observations of Malay writers. Values such as beauty, silence, refinement, internal strength and civilized living have been adapted from the ontological transformations and pathetic beauty inherited from the glory days of Matsuo Basho (1644- 1694) and Yasunari Kawabata (1899-1972). This study draws on the cultural studies theory of Chris Barker. The discussion is centred on the experiences of several Malay writers who have fictionalized their experiences of life in Japan. Muhammad Haji Salleh follows Basho’s footsteps and is inspired by a love for nature and the soul and character of the Japanese, as recorded in his poems in the anthology Salju Shibuya ( The Snows of Shibuya ), while Arena Wati delves into the national pride and social history of the Japanese and Malays in his novel Sakura Mengorak Kelopak ( The Sakura Sheds its Petals ), and Abu Yazid Abidin shares the ups and downs of immigrant Malays in Japan in his own novel, Sejuk-sejuk Tokyo ( Frosty Tokyo ). Keywords: Japanese culture, modern Malay Literature, Malay writers, experience, observation Abstrak Makalah ini bertujuan untuk melihat keindahan nilai murni yang diamalkan oleh masyarakat Jepun sebagai gaya hidup yang dapat dikesan menerusi karya kreatif hasil pengamatan dan pengalaman pengarang Melayu. Nilai keindahan, kesunyian, kehalusan, semangat dalaman, kesantunan gaya hidup yang diamalkan merupakan adaptasi daripada unsur transformasi ontologikal dan keindahan patetik yang diwarisi sejak zaman keagungan Matsuo Basho (1644-1694) dan Yasunari Kawabata (1899-1972). Penelitian ini disandarkan pada teori kajian budaya yang disarankan oleh Chris Barker. Perbincangan bertunjangkan pengalaman yang pernah dilalui oleh beberapa orang pengarang Melayu yang pernah mengilhamkan pengalaman hidup mereka sewaktu berada di Jepun. Muhammad Haji Salleh mengilhami rasa percintaan alam, jiwa dan budi bangsa Jepun dengan mengikut langkah Basho menerusi puisinya dalam antologi Salju Shibuya , Arena Wati menyelami maruah bangsa, sejarah sosial bangsa Jepun dan Melayu dalam novel Sakura Mengorak Kelopak , dan Abu Yazid Abidin berkongsi rencah hidup orang Melayu di perantauan daerah Jepun dalam Sejuk-sejuk Tokyo . Kata kunci: budaya Jepun, sastera Melayu moden, pengarang Melayu, pengalaman, pengamatan
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Pazó Espinosa, José. "Donald Keene: una vida dedicada a la literatura japonesa." Mirai. Estudios Japoneses 3 (June 19, 2019): 1–21. http://dx.doi.org/10.5209/mira.64774.

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Donald Keene ha sido seguramente el estudioso de la literatura japonesa más importante de la segunda mitad del siglo XX. Neoyorquino por origen, se formó en la Universidad de Columbia y en la escuela de lenguas del ejército de los EE.UU. La segunda guerra mundial, lo llevó a Hawai primero, y de allí pasó a Japón. Continuó su formación en Cambridge (UK), y tras dos años en Japón se convirtió en el mayor especialista occidental en literatura japonesa, y uno de sus mejores traductores. En su obra destacan las traducciones de Chikamatsu, Matsuo Basho, Osamu Dazai o Yukio Mishima, por citar algunos ejemplos. Al pasar gran parte de su vida profesional entre Nueva York y Japón, contribuyó en gran medida a dar a conocer la literatura japonesa en los círculos intelectuales y editoriales estadounidenses e internacionales en general. En este artículo efectuamos un repaso de su vida y su obra y argumentamos que el reconocimiento del lugar de la literatura japonesa en el canon universal se debe en gran parte a su aportación como estudioso y divulgador. De forma paralela, se convirtió en un referente para el mundo literario japonés y en uno de los puentes de la cultura nipona con el exterior.
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Suhendar, Badai Tris, and Umul Khasanah. "MAJAS DALAM HAIKU KARYA MATSUO BASHO." mezurashii 2, no. 2 (2020). http://dx.doi.org/10.30996/mezurashii.v2i2.4600.

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Abstrak: Tulisan ini memaparkan hasil analisis majas yang terkandung dalam Haiku (puisi Jepang) karya Matsuo Basho dalam buku Basho’s Haiku: Selected Poems of Matsuo Basho. Haiku-haiku tersebut sebagian merupakan catatan perjalanan semasa hidupnya. Di dalam 40 haiku yang dianalisis, didapati bahwa majas perbandingan adalah yang paling banyak digunakan. Di dalamnya, metafora adalah majas yang paling banyak digunakan, yakni 15 kali. Selain itu ada pula majas personifikasi (6), hiperbola (5), alegori (4), dan simile (3). Selain itu ditemukan pula bahwa dalam beberapa haiku, Basho menggunakan lebih dari satu majas.Kata kunci: Stilistika, Majas, Haiku, Matsuo Basho Abstract: This paper discussed about figure of speech in Haiku (Japanese poems) written by Matsuo Basho in Basho’s Haiku: Selected Poems of Matsuo Basho. Some of his haiku are the record of journey during his life. In 40 haiku analyzed, metaphor is the most used figure of speech, that is 15 times. Aside from that, personification 6 times, hyperbole 5 times, allegory 4 times, and simile 3 times. It is also found that in some of haiku, Basho used more then one figure of speech. Keywords: stylistics, figure of speech, haiku, Matsuo Basho
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Dissertations / Theses on the topic "Matsuo, Bashåo"

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Oliva, Dante. "El haiku. Camino de matsuo bashoo." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77958.

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Hedenmo, Adam. "A Journey to the Inner World : A Hermeneutic Analysis of Matsuo Bashō’s Prose from a Transcendent-Immanent Perspective." Thesis, Uppsala universitet, Religionshistoria, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-411295.

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The following study investigates the impact of the secular processes present in Early Modern Japan on Matsuo Bashō's prose. The theoretical basis for exploring this development is found in Durkheim’s distinction between the transcendent and the immanent, as well as the theoretical framework for secularism. The exploration of Bashō's writings is conducted through several key themes: self-presentation, people, religious concepts, nature and aestheticisms. From these categories a complex pattern emerges. It illustrates the enduring nature of the contemporary world-views through numerous references to and descriptions of existing systems of thought. Bashō's response to the dynamic societal changes of his time is an outright rejection of the new developments; instead he turns to nature and romanticism steeped in existing tradition.
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Machado, Daniel dos Santos. "Haicai, uma análise da produção em língua portuguesa : tema, forma e conteúdo." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/10992.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Pós-Graduação em Literatura, Mestrado em Teoria Literária e Literaturas, 2011.<br>Submitted by Jaqueline Ferreira de Souza (jaquefs.braz@gmail.com) on 2012-07-20T10:22:55Z No. of bitstreams: 1 2012_DanieldoSantosMachado.pdf: 661255 bytes, checksum: 2ff742c9fd4e97d219780271dea9833f (MD5)<br>Approved for entry into archive by Jaqueline Ferreira de Souza(jaquefs.braz@gmail.com) on 2012-07-20T10:24:01Z (GMT) No. of bitstreams: 1 2012_DanieldoSantosMachado.pdf: 661255 bytes, checksum: 2ff742c9fd4e97d219780271dea9833f (MD5)<br>Made available in DSpace on 2012-07-20T10:24:01Z (GMT). No. of bitstreams: 1 2012_DanieldoSantosMachado.pdf: 661255 bytes, checksum: 2ff742c9fd4e97d219780271dea9833f (MD5)<br>Este trabalho traça um histórico do haicai no Japão, da evolução do renga ao haikai, enfocando suas características e dando ênfase à biografia de Bashô, o mais representativo poeta do gênero. Ao mesmo tempo, relata a forma como o pequeno poema se tornou conhecido no ocidente e como ele foi introduzido na América Latina e no Brasil e adotado pelos poetas nacionais, levando em consideração autores como José Juan Tablada e Afrânio Peixoto. Compõe, também, um panorama da produção destes poemas em língua portuguesa brasileira, apontando poetas expressivos como Guilherme de Almeida, Leminski e Millôr Fernandes. Disserta, ainda, a respeito da chegada do haicai ao Brasil por meio da imigração, dando ênfase ao papel do poeta Nenpuku Sato na tarefa de manter o haicai vivo entre os colonos nipônicos. Traz uma análise quantitativa com relação à forma e ao conteúdo de haicais extraídos de coletâneas que abrangem mais de 100 haicaístas. Por fim, analisa qualitativamente essa produção a fim de traçar um perfil para estes pequenos poemas, ressaltando como principal característica a sinceridade contida nos 3 versos que o compõem. _________________________________________________________________________________ ABSTRACT<br>This article traces a history timeline of haiku in Japan, the evolution of tanka to haiku, focusing on its features, emphasizing the biography of Basho, the most representative poet of the genre. At the same time, relates how the little poem became known in the occidental countries and how it was introduced in Latin America and Brazil being adopted by poets, considering authors like José Juan Tablada and Afrânio Peixoto. Composed also, a panorama of the production of these poems in Brazilian Portuguese, pointing expressive poets as Guilherme de Almeida, Paulo Leminski and Millor Fernandes. Discourses, though, about the arrival of the haiku in Brazil through the immigration from Japan, emphasizing the role of the poet Nenpuku Sato in the task of keeping alive the haiku among Japanese people living here. Bring a quantitative analysis regarding the form and content of haiku, extracted from collections that span more than 100 haiku writers. Finally, this production looks qualitatively in order to draw a profile for these small poems, highlighting the main characteristic the sincerity contained in three verses that compose it.
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Shibuta, Suzanne Noelle. "Brazil and Bashō: Negotiating Japanese-Brazilian Hybrid Identity Through Mujōkan in Adriana Lisboa’s Rakushisha." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/8281.

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Hybrid identities occupy a unique space within the field of identity and culture. Due to the instability and transitory nature of hybrid identities, individuals who fall within the category of hybridity often struggle to recognize and accept their identities. Do such individuals identify with one culture, the other, neither, or both? Adriana Lisboa’s novel Rakushisha offers new insight into the realm of hybridity through the exploration of mujōkan, a uniquely Japanese awareness of impermanence that also helps to explain the cycle of suffering, continuity, and regeneration that Lisboa’s characters experience. Although hybrid identities by nature are unstable, constantly in motion and imbalanced, mujōkan presents a conceptual framework that allows for the possibility of accepting this instability and impermanence as a way of being, allowing Japanese-Brazilians to untangle the web of uncertainty surrounding their identity and embrace the transience of their culture and hybridity. Lisboa’s novel and the concept of mujōkan work together to show not only the possibility of Japanese-Brazilians to accept and understand the transitivity of their identity but also to expand this concept to contemporary Brazilians, regardless of whether they claim Japanese heritage or not.
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Jonsson, Herbert. "Haikai Poetics : Buson, Kitō and the Interpretation of Renku Poetry." Doctoral thesis, Stockholm University, Department of Oriental Languages, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1322.

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<p>The dissertation is a study of the poetics of haikai in eighteenth-century Japan. It is more specifically concerned with the works of Yosa Buson and some of his followers. Rather than being a study of certain poems, it is an investigation of theories of aesthetics and composition, and of criticism. Most studies of haikai focus on the short haiku (or hokku) form, but the present study is more concerned with the core form of this poetry, the long chains of verses called "renku" or "haikai no renga".</p><p>One important object of this study is to challenge some of the established views of haikai found in modern scholarship. For this purpose, many standpoints of haikai theory have been found useful, since they often approach questions of interpretation from new and unexpected angles. Theoretical stances that stress convention and traditionalism are criticized and the spirit of haikai is found to be more in concord with theories of cognitive poetics.</p><p>The dissertation consists of three parts. The first is a study of general haikai theory. In this part are discussed theories of aesthetics, theories of creativity, and a few questions related to the interpretation of this kind of poetry. This discussion focuses on those questions that are central in Buson’s own writing on poetics and puts them into a broader context.</p><p>The second part deals with practical theories of renku composing. An introductory chapter gives a historical background to many concepts used in Buson’s age, and this is followed by a full translation and critical study of a renku treatise written by his disciple Takai Kitō.</p><p>The last part is an investigation of modern criticism written on Buson’s renku. All existing full-length studies of these poems are discussed in comparison. The absence of a long critical tradition concerning Buson’s renku has, in many cases, prevented the formation of established interpretations, and this is ideal for a study of this kind.</p>
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Alfarrobinha, Leonilda Isidoro Cavaco. "Ao encontro da natureza através da poesia Haiku de Matsuo Bashô." Master's thesis, 2015. http://hdl.handle.net/10400.14/19227.

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A poesia japonesa não é muito conhecida em Portugal apesar da ligação entre o nosso país e o Japão datar do século XVI. Na sociedade japonesa, o apreço pela poesia e a sua prática têm-se manifestado desde tempos remotos. O género poético haiku com raízes em géneros anteriores, desenvolveu-se no século XVII por acção do poeta Matsuo Bashô que o aperfeiçoou e lhe deu dignidade literária. A presença da Natureza no haiku é uma das suas características fundamentais. Através do conhecimento profundo da Natureza e da arte do haiku, Bashô procurou um sentido para a vida. A nossa tradução e análise de cem dos seus poemas, permitiu-nos acompanhar o seu percurso, a sua filosofia de vida e a dedicação à sua arte. Actualmente, no Japão, continua o interesse por este género poético. No estrangeiro, o seu conhecimento e a sua prática têm-se difundido em inúmeros países.<br>The japanese poetry is not very known in Portugal in spite of the connection between our country and Japan dating from the 16th century. In the Japanese society, the interest for poetry and its practice have been expressed since old times. The poetic genre haiku that has its sources in former genres, developed in the 17th century thanks to the poet Matsuo Bashô who improved it and gave it literary value. The presence of Nature in the haiku it is one of its main features. By searching a deep knowledge of Nature and of the haiku’s art, Bashô looked for a life´s meaning. Our translation and our study of one hundred of his poems, allowed us to follow his course, his life’s philosophy and the devotion to his art. Nowadays, the interest for this poetic genre continues in Japan. Abroad its knowledge and its practice have spread in many countries
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Reis, Lauro. "À sombra da bananeira : uma abordagem à obra de Matsuo Bashô." Master's thesis, 2019. http://hdl.handle.net/10451/39742.

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O caminho poético que o poeta Matsuo Bashô (1644-1694) aparenta ter percorrido, sobretudo na última década de vida, demonstra uma curiosa viragem pragmática. Após atingir fama e renome, resolve mudar-se para uma humilde choupana construída pelos seus discípulos nos arredores da capital, adoptar o nome de uma árvore quebradiça que não produz fruto para seu pseudónimo, e vaguear por vários pontos do Japão. Ao contrário do que seria esperado, a sua viragem pragmática não significou o abandono de certas dimensões da existência em prol de outras, como por exemplo em certas atitudes eremíticas ou ascéticas. A sua viragem implicou, sobretudo, actuar de modo a emular a inclusividade e mutabilidade da natureza enquanto processo criativo e holístico. Isso significa actuar como se a viagem fosse o estado primordial da existência. A sua peculiar atitude adopta assim uma disposição semelhante à água que corre pelos rios mas que não se encontra necessariamente restrita ao percurso ou estado actual.<br>The poetic way that poet Matsuo Bashô (1644-1694) appears to have gone through, especially in the last decade of his life, shows a curious pragmatic turn. After achieving fame and reputation, Bashô decides to move to a humble hut built by his disciples on the outskirts of the capital, adopt the name of a fruitless tree for his pseudonym, and wander around various points of Japan. Contrary to what would be expected, this pragmatic turn did not mean abandoning certain dimensions of existence for the sake of others, as for example in certain eremitic or ascetic embodiments. Its main implication was to act in such a way as to emulate the inclusiveness and mutability of nature as a creative and holistic process. This means acting as if the journey is the primordial state of existence. This peculiar attitude thus adopts a disposition similar to water flowing through the rivers: as a natural element that isn't necessarily restricted to its current path or even present state.
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Hsu, Chia-Yu, and 許家瑜. "Two Silhouettes of Du Fu\'s Poetry in the Edo Period-Centered on Matsuo Basho and Ishikawa Jyouzan." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jh69rd.

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碩士<br>國立清華大學<br>中國文學系<br>107<br>Abstract       Through the records of literary history and traffic history, this essay crosses the importance and influence of Du Fu in the history of literature, from the original tradition in the history of Chinese literature to overseas, and discusses the poems of Du Fu’s poem  through the exchanges between China and Japan, and Du Fu’s poem‘s influence after it entered Japan.       This reasearch first compares the corresponding eras between China and Japan, and through the records of traffic history and literary history, discusses the cultural exchanges between China and Japan at that time, and through the historical context, it is more likely to introduce Du Fu’s poem enter to Japan. The time points are clarified; the second is about the influence of Du Fu’s poem from the Heian period to the Edo period after being introduced to Japan, and then using it as a background to analyze Du Fu’s poem’s differenct influence between Haiku poet Matsuo Basho and Japanese Chinses poets Ishikawa Jyouzan.       As literati in different eras and different literary fields, Matsuo Basho and Ishikawa Jyouzan have different writing styles. In addition, the literary beauty of Haiku and Han poetry is different, but we can still use a chronicle of Matsuo Basho’s life and Ishikawa Jyouzan’s life, literature and other points, find out what they are affected by Du Fu’s poem.       As a poet with an important position in the history of Chinese literature, Du Fu's influence is far more than that. In the cultural communication across time and space and nationality, we not only opened our eyes to Du Fu’s poem,, but also use it as a base to explore more and more aspect.
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Zarza, López Miguel Angel. "Desarrollo económico local basado en el sistema productivo de muebles en San Mateo, Amanalco, Estado de México." Tesis de Licenciatura, 2014. http://ri.uaemex.mx/handle/20.500.11799/30966.

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Mota, Anabela Antunes Alves 1965. "Que luz é esta que nos faz ver através do tempo : o mistério do visível." Master's thesis, 2017. http://hdl.handle.net/10451/28008.

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Possuiu um CD com Videos apenas consultável na Biblioteca da FBAUL, com a cota CDA 188<br>What light is this that makes our sight... This is a research about light and time, about the relevance of a certain way of looking and the mystery of the visible. It is about the usual way of looking (the every-day view) and the look that is inhabited (the look-that-sees). In short, it is about how visibility – and more generally, existence - can be affected by a certain look. I purpose to walk this path through the evocation of some artists that approached these issues and from it they made art. They are: Gérard Castello-Lopes, Samuel Beckett, Paul Cézanne and James Turrell. Through art I propose to inquire visibility itself asserting that there it is unveiled (and hidden) the Mystery. That the mystery at the distant stars is the heaven on earth – and the ground beneath our feet
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Books on the topic "Matsuo, Bashåo"

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Jordi, Coca. Versions de Matsuo Bashō. Editorial Empúries, 1992.

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Tsujimura, Mizuki. Hikari matsu basho e. Kōdansha, 2010.

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1946-, Glaisher Dawn, ed. Echō of Bashō: Haiku voices of the Caribbean : [Matsuo Bashō]. Chikichong Pub., 2007.

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Nakanomyō, Masaaki. Oku no hosomichi no nazo o yomu. Nanʾundō, 1998.

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Matsuo Bashō to sono monryū: Kaga Komatsu no baai. 8th ed. Tsukuba Daigaku Shuppankai, 2008.

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Steve, McCaffery, ed. The Basho variations. BookThug, 2007.

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"Oku no hosomichi" to Tsunayoshi saron. Ōfū, 2014.

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Myers, Tim. Basho and the fox. Marshall Cavendish, 2000.

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Robert, Aitken. A Zen wave: Basho's haiku and Zen. Shoemaker & Hoard, 2003.

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Traces of dreams: Landscape, cultural memory, and the poetry of Bashō. Stanford University Press, 1998.

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Book chapters on the topic "Matsuo, Bashåo"

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Keene, Donald. "Matsuo Bashō." In Finding Wisdom in East Asian Classics. Columbia University Press, 2011. http://dx.doi.org/10.7312/columbia/9780231153973.003.0025.

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"Today Matsuo Bashō Cooks." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.5.

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Keene, Donald. "21(b). Matsuo Bashō." In Finding Wisdom in East Asian Classics, edited by Wm Theodore de Bary. Columbia University Press, 2011. http://dx.doi.org/10.7312/deba15396-025.

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"Front Matter." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.1.

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"Weil Brothers." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.10.

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"Zafra." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.11.

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"Back Matter." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.12.

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8

"Table of Contents." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.2.

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9

"Silenus at the Railway Station." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.3.

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10

"What the Sea Is." In Today Matsuo Bashō Cooks. The Chinese University of Hong Kong Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmbqp.4.

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