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Books on the topic 'Matsuo, Bashåo'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Jordi, Coca. Versions de Matsuo Bashō. Editorial Empúries, 1992.

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2

Tsujimura, Mizuki. Hikari matsu basho e. Kōdansha, 2010.

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3

1946-, Glaisher Dawn, ed. Echō of Bashō: Haiku voices of the Caribbean : [Matsuo Bashō]. Chikichong Pub., 2007.

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4

Nakanomyō, Masaaki. Oku no hosomichi no nazo o yomu. Nanʾundō, 1998.

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5

Matsuo Bashō to sono monryū: Kaga Komatsu no baai. 8th ed. Tsukuba Daigaku Shuppankai, 2008.

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6

Steve, McCaffery, ed. The Basho variations. BookThug, 2007.

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7

"Oku no hosomichi" to Tsunayoshi saron. Ōfū, 2014.

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8

Myers, Tim. Basho and the fox. Marshall Cavendish, 2000.

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9

Robert, Aitken. A Zen wave: Basho's haiku and Zen. Shoemaker & Hoard, 2003.

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10

Traces of dreams: Landscape, cultural memory, and the poetry of Bashō. Stanford University Press, 1998.

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11

Poesie und Revolution im Werk Edward Bonds: Die Lyriker-Viten John Clares und Matsuo Bashos als Prolegomena einer sozialistischen Gattungsutopie. P. Lang, 1992.

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12

Barnhill, David Landis, and Bashō Matsuo. Basho's Journey: The Literary Prose Of Matsuo Basho. State University of New York Press, 2005.

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13

Ueda, Makoto. Matsuo Basho (Illustrated Japanese Classics). Kodansha International, 1997.

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14

Akahane, Manabu. Matsuo Basho (Kagyu haiku bunko). Kagyusha, 1993.

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15

Hideo, Takahashi. Mikurokosumosu: Matsuo Basho ni mukatte. Kodansha, 1989.

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16

Matsuo, Bashō. Basho's Haiku: Selected Poems of Matsuo Basho. State University of New York Press, 2004.

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17

(Introduction), David Landis Bamhill, ed. Basho's Haiku: Selected Poems of Matsuo Basho. State University of New York Press, 2004.

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18

Hamill, Sam, and Matsuo Basho. Narrow Road to the Interior: And Other Writings. Shambhala Publications, Incorporated, 2019.

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19

Mikurokosumosu: Matsuo Basho ni mukatte (Kodansha gakujutsu bunko). Kodansha, 1992.

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20

Barnhill, David Landis, and Bashō Matsuo. Basho's Journey: The Literary Prose Of Matsuo Basho. State University of New York Press, 2005.

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21

Matsuo Basho: Eien no tabibito (Nihon no sakka). Shintensha, 1991.

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22

Basho, Matsuo. Basho's Journey: The Literary Prose of Matsuo Basho. SUNY Press, 2010.

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23

Complete Haiku. Kodansha America, Incorporated, 2017.

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24

Henry, Gill Stephen, and Gerstle C. Andrew 1951-, eds. Rediscovering Basho: A 300th anniversary celebration. Global Oriental, 1999.

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25

(Translator), Sam Hamill, ed. Narrow Road to the Interior: And Other Writings (Shambhala Classics). Shambhala, 2000.

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26

Basho and His Interpreters: Selected Hokku with Commentary. Stanford University Press, 1995.

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27

Ueda, Makoto. Basho and His Interpreters: Selected Hokku with Commentary. Stanford University Press, 1992.

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28

Morning mist: Through the seasons with Matsuo Basho and Henry David Thoreau. Weatherhill, 1993.

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29

Hiroko, Takenishi. Takenishi Hiroko no Matsuo Basho shu, Yosa Buson shu (Watashi no koten). Shueisha, 1987.

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30

Qiu, Peipei. Basho and the Dao: The Zhuangzi and the Transformation of Haikai. University of Hawaii Press, 2005.

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31

Basho And The Dao: The Zhuangzi And The Transformation Of Haikai. University of Hawaii Press, 2005.

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32

Myers, Tim. Basho and the Fox. Marshall Cavendish Corporation, 2004.

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33

Thoreau, Henry David, and Bashō Matsuo. Morning Mist: Through the Seasons With Matsuo Basho and Henry David Thoreau (Inklings). Weatherhill, 1993.

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34

Lips Too Chilled. Penguin Books, Limited, 2015.

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35

Bashō, Matsuo, and Kawai Sora. Sendas hacia el interior y Diario de Sora. Translated by Luis Manuel López Gómez. Universidad Autónoma de Madrid, 2020. http://dx.doi.org/10.15366/9788483447758.cj.5.

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Sendas hacia el interior es el diario poético del poeta que dio forma al haiku como lo conocemos hoy: Matsuo Bashō. A lo largo de páginas marcadas por el diálogo de la prosa y el verso, el norte de Japón encarna en la palabra al mismo tiempo que sus ríos y montañas nacen en los partos de agua y piedra. En este trabajo, se presenta una nueva traducción de este clásico japonés, que ha tenido una gran acogida en nuestra lengua, arropada por un estudio crítico para apoyo de los lectores. Se aporta, también, la primera traducción completa a un alengua occidental del diario de viaje del discípulo de Matsuo Bashō, Sora, que muestra el verdadero recorrido y los acontecimientos que vivieron con mayor rigor y veracidad. Juntos, los dos diarios muestran la belleza de la verdad en la conjugación natural de la historia y de la poesía.

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36

Bannister, Mike. Nine Days : A Prose Poem in the Manner of Matsuo Basho: Inscribed to My Brother David Older and Wiser. Unknown Publisher, 2019.

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37

Bollig, Benjamin. Music for Unknown Journeys by Cristian Aliaga. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348097.001.0001.

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What is the purpose of travel in an age when millions are displaced against their will or have no home to speak of in the first place? How can we travel without being tourists, without erasing the stories of those who live where we visit? These are some of the questions addressed in Cristian Aliaga’s compelling collection of prose poems, Music for Unknown Journeys. This collection contains Aliaga’s “travelling sketches,” in the tradition of Matsuo Bashō, John Berger, or W.G. Sebald. Each prose poem is geographically situated in his travels across Patagonia or his more recent journeys around the edge-lands of Europe. His work is politically acute, exploring struggles over territory, resources, and culture, in the places he visits. There is an intense emotional charge as he records the stories of those who globalization and contemporary capitalism have used and left behind. This volume brings together a generous selection of Aliaga’s prose poems, the majority previously unseen in English, as well as a substantial introduction to the author’s work and its context, both literary and political, by the editor and translator. Cristian Aliaga (b. 1962, Tres Cuervos, Province of Buenos Aires) is one of Argentina’s foremost contemporary poets. His work has been highly praised in the TLS and elsewhere. “No poet has been as intrepid as Aliaga in exploring that outer edge of modern consciousness at which the individual mind and the macroeconomic order meet,” Michael Kerrigan, TLS.

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