Academic literature on the topic 'Matteo di Giovanni di Bartolo'

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Journal articles on the topic "Matteo di Giovanni di Bartolo"

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Ogden, Stephen. "Interpreting Averroes: Critical Essays ed. by Peter Adamson and Matteo Di Giovanni." Journal of the History of Philosophy 57, no. 4 (2019): 751–52. http://dx.doi.org/10.1353/hph.2019.0079.

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Leaman, Oliver. "Interpreting Averroes: Critical Essays Edited by Peter Adamson and Matteo Di Giovanni." Journal of Islamic Studies 31, no. 2 (2019): 256–58. http://dx.doi.org/10.1093/jis/etz052.

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Matteo, Vincenzo, Ennio Esposito, and Giuseppe Giovanni. "Editorial [ Neurodegenerative Disorders: From Molecules to Man (Part 2) Guest Editors: Giuseppe Di Giovanni, Vincenzo Di Matteo and Ennio Esposito ]." CNS & Neurological Disorders - Drug Targets 7, no. 1 (2008): 1–2. http://dx.doi.org/10.2174/187152708783885165.

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Matteo, Vincenzo, Ennio Esposito, and Giuseppe Giovanni. "Editorial [Hot Topic:Neurodegenerative Disorders: From Molecules to Man (Part 1) (Guest Editors: Giuseppe Di Giovanni, Vincenzo Di Matteo and Ennio Esposito)]." CNS & Neurological Disorders - Drug Targets 6, no. 6 (2007): 375–76. http://dx.doi.org/10.2174/187152707783399184.

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Villa Prieto, Josué. "Crónicas urbanas e historiografía en la Toscana bajomedieval. Urban chronicles and Historiography in medieval Tuscany." Territorio, Sociedad y Poder 13, no. 13 (2018): 101. http://dx.doi.org/10.17811/tsp.13.2018.101-126.

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Este trabajo propone una aproximación a la historiografía urbana en Toscana durante la Baja Edad Media. Su cronística se interpreta como resultado de dos fenómenos: la consolidación de Florencia como autoridad política hegemónica en la región y como principal foco cultural del humanismo italiano. Cada epígrafe está dedicado a las historias realizadas sobre una ciudad concreta, interpretándose el contexto de su elaboración, la relación existente entre el autor y los hechos narrados, las características literarias de la obra, su contenido, y las posibilidades y límites que ofrecen para el conocimiento histórico. El catálogo de autores y obras incluye una tipología de las mismas en función de la cronología abordada (periodizaciones acotadas, historias universales y sucesos concretos). Asimismo se precisa los métodos y técnicas de elaboración histórica empleados por los cronistas, y sus esfuerzos humanistas en el tratamiento de las fuentes y por conseguir un estilo literario de inspiración clásica.The aim of this article is to offer a closest view of the urban chronicles made in the Toscana during the transition from the Middle Ages to the Renaissance. The analysis is both historiographic and historic in order to achieve a better comprehension of these Works, taking into account the political evolution of the region and the cultural background that defines it. There for it must be kept in mind that during the Late Medieval Ages Florence gradually grows stronger as the govern authority within the region, as well as the main role in the Italian Humanism.Each one of the sections in this article studies one city. The first one studies the case of Florence, followed by the other cities in the Toscana: Arezzo, Pisa, Pistoia, Prat, San Miniato, Sienna (only city that stays away from the Florentine sovereignty, remaining as a republic) and Volterra. In each case it is studied the historic, institutional and cultural reality surrounding the redaction of the chronicles, the relation between the author and the facts he relates, the literary aspect of the chronicles, in addition its content is summarized, and finally the opportunities and boundaries that the chronicles can offer to the historic knowledge is valued.The chronicles are also classified attending to its characterization. A first differentiation appears when focusing into the way the chronicles deal with the information: some offer just statements that contain the news, with no explanatory recounting, in order to achieve objectivity (Annali Fiorentini, Annali Pisani, Annali Arretonirum); other are detailed essay containing the author’s most intimate feelings (Giovanni de Bonis, Baldasarre Boniaiuti, Antonio Ivani da Sarzana); and there are also Works that join together the explanatory narration with the transcription of public documents from the Comune (Giovanni Villani, Leonardo Bruni, Matteo Palmieri). In order to study this last type of chronicles its been followed the methodology by G. Arnaldi and M. Zabbia about the notary-chronicler, his academic education and notarial work, which leads them to act as attestor and to recount History based in reliable documentation.Another classification can be made according to the chronological period in each chronicle. The Universal Histories go back to the city founding during mythological era and ancient times; they have the most original historical conception, offering chronological frameworks, interpretations and purely humanistic styles (Ricordano Malispini, Baldasarre Bonaiuti, Giovanni Villano, Leonardo Bruni, Niccolò Machiavelli). On the other hand, the cronache cittadine focus in a very precise period and, mostly, contemporary to the writing (Bartolomeo di ser Gorello, Raniero Granchi, Gregorio Dati, Paolo di Tommaso Montauri, Domenico Buoninsegni, Sozomeno da Pistoia, Tommaso Fecini, Francesco Guicciardini). Finally, the ricordanze analyse a very specific and exceptional event (Alamanno Acciaioli, Luigi Guicciardini, Simone Peruzzi, Guccio Benvenuti, Antonio Ivani da Sarzana, Bastiano, Francesco Pezzati, Guasparri Spadari); belonging to this last group there are also some rhymed pieces (Carmen in victoriam Pisanorum, Ricordi di Firenze in 1459, Sacco di Prato de Stefano Guizzalotti). Besides all these chronicle types there are some others in the form of diaries and domestic chronicles (Ugolino di Niccolò Martelli, Matteo Castellani, Filippo Rinuccini).Finally the study focus in the methods and techniques used by the chroniclers in the elaboration of History. They make a record of what they see or know through probative testimonies (oral or written), valuing the document as a source for the elaboration of History. Besides the humanistic way in which the chroniclers handle the sources, they also make an effort to achieve a literary style of classic inspiration.
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Pissavino, Paolo Costantino. "IMMAGINI DELLA CINA NEL PENSIERO POLITICO ITALIANO IN ETÀ MODERNA." Istituto Lombardo - Accademia di Scienze e Lettere - Rendiconti di Lettere, December 12, 2019. http://dx.doi.org/10.4081/let.2019.515.

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The present study aims at analyzing the relationship between the image of the Chinese Empire in the writings of travellers and Jesuits and the main themes (Reason of State, Utopianism, Mixed Constitution) of the Italian political thought during the XVIth and XVIIth centuries. The writings of travellers and Jesuits presented a complex view of the Empire, which impacts in various ways the spread of the Chinese myth in the political treatises of the Counter-Reformation era. The complexity is evident in the description the relations provide of sovereignty and the behaviour of the emperor. From the very beginning of Della entrata della Compagnia di Giesù e Christianità nella Cina is presented a complex image of the Chinese government: along with the absolutist delineation of the imperial power, there are conflicting images that, regarding either a distant past or current government practice, recognized other forms: a feudal style of monarchy, a sort of mixed constitution, or a form of dispotic govetrnment. Matteo Ricci and other Jesuits, as Martino Martini and Athanasius Kircher, presented the Mandarins as a slort of Kings-Philosophers of Plato’s Republic. Following the works composed by Jesuits, some authors pf Reason of State and utopist (Giovanni Botero and Ludovico Zuccolo) pointed out that the perfec tion of the Chinese political and social institutions could really preserve the Empire from corruption, an Empire that had to be considered a paradigm of a well ordered state, as another Jesuit, Daniello Bartoli, wrote in his book on China.
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7

Pissavino, Paolo Costantino. "IMMAGINI DELLA CINA NEL PENSIERO POLITICO ITALIANO IN ETÀ MODERNA." Istituto Lombardo - Accademia di Scienze e Lettere • Rendiconti di Lettere, December 12, 2019. http://dx.doi.org/10.4081/let.2017.515.

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The present study aims at analyzing the relationship between the image of the Chinese Empire in the writings of travellers and Jesuits and the main themes (Reason of State, Utopianism, Mixed Constitution) of the Italian political thought during the XVIth and XVIIth centuries. The writings of travellers and Jesuits presented a complex view of the Empire, which impacts in various ways the spread of the Chinese myth in the political treatises of the Counter-Reformation era. The complexity is evident in the description the relations provide of sovereignty and the behaviour of the emperor. From the very beginning of Della entrata della Compagnia di Giesù e Christianità nella Cina is presented a complex image of the Chinese government: along with the absolutist delineation of the imperial power, there are conflicting images that, regarding either a distant past or current government practice, recognized other forms: a feudal style of monarchy, a sort of mixed constitution, or a form of dispotic govetrnment. Matteo Ricci and other Jesuits, as Martino Martini and Athanasius Kircher, presented the Mandarins as a slort of Kings-Philosophers of Plato’s Republic. Following the works composed by Jesuits, some authors pf Reason of State and utopist (Giovanni Botero and Ludovico Zuccolo) pointed out that the perfec tion of the Chinese political and social institutions could really preserve the Empire from corruption, an Empire that had to be considered a paradigm of a well ordered state, as another Jesuit, Daniello Bartoli, wrote in his book on China.
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Books on the topic "Matteo di Giovanni di Bartolo"

1

Buricchi, Susanna. Matteo di Giovanni: Opere in Toscana. Fondazione Piero della Francesca, 1998.

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2

Salonius. Commentari alle Parabole all'Ecclesiaste ai Vangeli di Giovanni e di Matteo attributi a Salonio. Centro di studi sull'antico cristianesimo, Università di Catania, 2002.

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Bertazzoni, Giovanni. Giovanni di Matteo Bertazzoni: Pittore Lucensis (Lugo 1805-1884) : catalogo generale. Edit Faenza, 1994.

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Luigi, Mulas Pier, and Ceriana Matteo, eds. Giovanni Matteo Bottigella: Cortigiano, uomo di lettere e committente d'arte : un percorso nella cultura lombarda di metà Quattrocento. L.S. Olschki, 1997.

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Monza memoria o storia?: L'evangelicatorio della basilica di San Giovanni Battista e il problematico percorso artistico di Matteo da Campione. CLEUP, 2014.

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Davide, Gasparotto, and Magnani Serena, eds. Matteo di Giovanni e la pala d'altare nel Senese e nell'Aretino, 1450-1500 : atti del convegno internazionale di studi : Sansepolcro, 9-10 ottobre 1998. Le balze, 2002.

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Diana, Ester. San Matteo e San Giovanni di Dio: Due ospedali nella storia fiorentina : struttura nosocomiale, patrimonio fondiario e assistenza nell Firenze dei secoli 15.-18. Le lettere, 1999.

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8

Tabacco, Giovanni. La relazione fra i concetti di potere temporale e di potere spirituale nella tradizione cristiana fino al secolo XIV. Edited by Laura Gaffuri. Firenze University Press, 2011. http://dx.doi.org/10.36253/978-88-8453-995-3.

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«Date a Cesare quel che è di Cesare, a Dio ciò che è di Dio»: a partire dalla non facile interpretazione del celeberrimo passo del vangelo di Matteo (22,21), la monografia di Giovanni Tabacco qui riproposta percorre le tappe che definirono e plasmarono le relazioni tra potere civile e potere religioso in Occidente lungo tutto il millennio medievale. Pubblicato una prima volta nel 1950 dalla Facoltà di Lettere e Filosofia dell'Università degli Studi di Torino, lo studio del grande medievista torinese appartiene ai "classici" mai dimenticati della storiografia medievistica italiana. La monografia è preceduta da tre interventi introduttivi (Laura Gaffuri, Giovanni Miccoli, Gian Maria Varanini) dedicati al significato e all'attualità della riflessione di Giovanni Tabacco, e all'importante stagione di studi che, tra primo Novecento e immediato secondo dopoguerra, si interrogò sulle origini delle relazioni stato-chiesa.
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Matteo di Giovanni, ca. 1430-1495., Alessi Cecilia, and Bagnoli Alessandro, eds. Matteo di Giovanni: Cronaca di una strage dipinta. Ali, 2006.

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Commentari alle parabole all'Ecclesiaste ai vangeli di Giovanni e di Matteo attributi a Salonio. Centro studi sull'antico cristianesimo, Università di Catania, 2002.

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Book chapters on the topic "Matteo di Giovanni di Bartolo"

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Cremante, Renzo. "Una tragedia cinquecentesca italo-spagnola: La Reyna Matilda di Giovan Domenico Bevilacqua." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.9.

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The subject of the intervention, a curious example of Italian-Spanish translingualism of the late 16th Century, the tragedy La Reyna Matilda, written in Naples in Spanish by an Italian writer, Giovanni Domenico Bevilacqua, secretary of the Prince of Conca, Matteo di Capua, and preserved in a single, very rare Neapolitan edition of 1597. It necessarily precedes a brief overview of the other few previously printed works by the author, all in Italian, including the renown octave-rhyme translation of the De raptu Proserpinae by Claudiano. Set in the city of Tarragona at the time of Reconquista, the fabula ficta is characterized by the contamination of tragic plot and novelistic themes, the representation and exaltation of Spanish values and customs, with some reflections of contemporary Neapolitan reality, the pietistic and edifying motivations. Through detailed findings, both formal and intertextual, the analysis focuses, in particular, on the debts that the tragedy has, even before the contemporary Spanish developments of the genre, towards the 16th Century Italian tragic grammar, along the entire arc of its codification, from Trissino’s Sofonisba to Tasso’s Re Torrismondo.
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Conference papers on the topic "Matteo di Giovanni di Bartolo"

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Taddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.

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Architectural and structural recovery of “mastio” and its courtyard of the new fortress of VolterraThe recovery of the “mastio” and the surrounding courtyard of the new fortress of Volterra (1472-1474) has as its objective the opening to the public of this fortified work, after 542 years from its construction, with the possibility of being enjoyed without interposing with the prison function of the complex, it also represents the possibility of knowledge and study of a constructive typology in the context of the Renaissance fortified architecture of the Italian school called “transition” with the use of the first artillery. The fortress was born as a military garrison and at the time of Lorenzo the magnificent only a part was used as a prison, it will be definitively transformed into a House of Imprisonment during the Grand Duchy of Lorraine in the middle of the eighteenth century. It is the first work by Francesco di Giovanni di Matteo called the Francione (1428-1495), it has an almost square shape with large cylindrical towers at the corners (rondelle) and at the center of the inner courtyard, a large cylindrical tower like of “mastio” (donjon) and inserted the artillery in the walls. The “mastio” consists of a basement and five floors above ground with a domed roof and connected by a narrow spiral staircase. After the cognitive essays carried out on the internal domes of the “mastio”, placed in the first three floors including the cistern, the presence of “hemispherical domes” emerged, made by workers of the Opera del Duomo in Florence, built entirely in bricks without the carpentry of “centina” (self-supporting), with the system called “alla fiorentina”, as well as the dome of Santa Maria del Fiore in Florence by Filippo Brunelleschi. This construction system is also applied in the fortified structures of Pietrasanta, Poggibonsi, Sarzanello, Castrocaro, Pisa and Terra del Sole.
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