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Journal articles on the topic 'Maugham, W. Somerset'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Holden, P. "An Undocumented Short Story by W. Somerset Maugham." Notes and Queries 58, no. 4 (November 22, 2011): 590–91. http://dx.doi.org/10.1093/notesj/gjr217.

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2

Mortimer, Armine Kotin, and Stanley Archer. "W. Somerset Maugham: A Study of the Short Fiction." South Central Review 11, no. 3 (1994): 71. http://dx.doi.org/10.2307/3190252.

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3

Holden, Philip. "Selves in Dialogue: W. Somerset Maugham and Dementia's Stories." a/b: Auto/Biography Studies 30, no. 2 (July 3, 2015): 249–69. http://dx.doi.org/10.1080/08989575.2015.1086944.

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4

Beattie, Munro. "Willie: The Life of W. Somerset Maugham by Robert Calder." ESC: English Studies in Canada 16, no. 1 (1990): 114–19. http://dx.doi.org/10.1353/esc.1990.0042.

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5

Setiawan, Rahmat, and Sri Nurhidayah. "PEREMPUAN DAN KEMATIAN: DEKONSTRUKSI DALAM CERPEN APPOINTMENT IN SAMARRA KARYA W. S. MAUGHAM." ATAVISME 22, no. 2 (December 31, 2019): 159–71. http://dx.doi.org/10.24257/atavisme.v22i2.576.159-171.

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William Somerset Maugham's short story “The Appointment in Samarra” (1933) narrates a theme of how someone cannot avoid death, but the death is represented through a female figure. The research aims to expose a critic toward the representation of death through female character which is a cultivation of patriarchal ideas through literary works. This research used deconstruction framework as a reference to expose the paradox between woman and death. This was a qualitative research with an intertextuality approach. The data were in the form of quotations in the text and the source of the data was William Somerset Maugham’s short story “The Appointment in Samarra”. The data were collected through documentation technique and analysed with interpretation method. The results showed that the representation of death through woman was a patriarchal discourse and, with deconstructive reading, the narrative presented a paradoxical side; on one side, it presented that woman had horrible character, but on the other side, the horrible character implied power. Dismantling of the patriarchal discourse made the decon-structive process in this text became study of feminist deconstruction.

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6

Mitina (Petrushova), Evgeniya Aleksandrovna. "DOSTOEVSKY’S TRADITION IN THE NOVEL “CHRISTMAS HOLIDAY” BY W. SOMERSET MAUGHAM." Philological Sciences. Issues of Theory and Practice, no. 1 (January 2019): 255–58. http://dx.doi.org/10.30853/filnauki.2019.1.53.

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7

Obletsova, Elena, and Vladimir Gurin. "Metaphorical representation of the emotional concept of LOVE in W. S. Maugham’s artistic worldview." Litera, no. 2 (February 2020): 37–44. http://dx.doi.org/10.25136/2409-8698.2020.2.29326.

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This article is dedicated to examination of metaphorical nomination of the emotional concept of LOVE in the works of William Somerset Maugham. The novels “Mrs. Craddock”, “The Hero”, “The Theatre” and “Of Human Bondage” served as the material for this research. Emotional component serves as organizing core of the literary work; while metaphor is the means for representation of emotions. It is based on the shift of the existing knowledge on the world onto the emotional sphere of a person. The goal of this study is to describe metaphors used by W. S. Maugham for designation and representation of the concept of LOVE. The research is carried out in the context of cognitive linguistics. Despite a vast number of studies dedicated to cognitive metaphor, it remains relevant as it helps comprehending complicated abstract concepts. Metaphor becomes the means for accessing the emotional concepts. Analysis of metaphorical representation of the emotional concept of LOVE in the works of W. S. Maugham allowed revealing metaphorical models that are realized through cognitive metaphors: love is water, love is fire, love is illness, love is madness, love is pain, love is a person, love is a beast, love is a parasite, love is a construction, love is fetters, love is a valuable thing.

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8

Conn, P. Michael, Jo Ann Janovick, Shaun P. Brothers, and Paul E. Knollman. "‘Effective inefficiency’: cellular control of protein trafficking as a mechanism of post-translational regulation." Journal of Endocrinology 190, no. 1 (July 2006): 13–16. http://dx.doi.org/10.1677/joe.1.06771.

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The great writer and polyglot, W Somerset Maugham said, ‘I’ll give you my opinion of the human race in a nutshell...their heart’s in the right place, but their head is a thoroughly inefficient organ.’ If his words are applied to trafficking of the human pituitary gonadotropin-releasing hormone receptor, it turns out that he was more right than he knew. Paradoxically, the inefficiency of receptor trafficking to the plasma membrane can bring regulatory advantages to cells. Understanding the mechanism by which cells recognize correctly folded proteins in health and disease opens doors to new therapeutic approaches and provides a more accurate view of mechanisms of normal cell function than is presently available.

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9

Neilson, Keith. "Tsars and Commissars: W. Somerset Maugham, Ashenden and Images of Russia in British Adventure Fiction, 1890-1930." Canadian Journal of History 27, no. 3 (December 1992): 475–500. http://dx.doi.org/10.3138/cjh.27.3.475.

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10

O’Mahony, Seamus. "W Somerset Maugham (1874–1965) and St Thomas’s Hospital: Medical School and the making of a writer." Journal of Medical Biography 22, no. 1 (October 8, 2013): 53–57. http://dx.doi.org/10.1177/0967772013506819.

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11

Malo, Antonio. "La visión femenina de una vida auténtica en la novela El velo pintado de W. Somerset Maugham." Church, Communication and Culture 4, no. 2 (May 4, 2019): 216–34. http://dx.doi.org/10.1080/23753234.2019.1616576.

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12

Turuk, Didimus Estanto. "DECONSTRUCTIVE HEGEMONY ON THE MARGINAL GENDER AND IDENTITY SEEN IN MAUGHAM’S “THE LOTUS EATER” AND HEAD’S “THE PRISONER WHO WORE GLASSES”." Lire Journal (Journal of Linguistics and Literature) 3, no. 2 (November 27, 2019): 127–33. http://dx.doi.org/10.33019/lire.v3i2.50.

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Hegemony is one of the Marxist applicative concepts employed during the European colonial period. The colonization constructed a power domination of the European countries toward the colonized. The constructed hegemony performed by the European colonizers is the center of discussion in this essay. This essay aims to examine the hegemony lies within the two short stories which are “The Lotus Eater” by W. Somerset Maugham and “The Prisoner Who Wore Glasses” by Bessie Head through Post-Colonial perspectives and accompanied by the gender perspectives. The constructed hegemony is the major theory of the analysis to scrutinize the oppressions both racial and gender base, however the further analysis is going to scrutinize the abrogation of the hegemony. On scrutinizing the hegemony, Derridian deconstruction is employed to construct the analysis on the abrogation of the European constructed hegemony. Keywords: Hegemony, Deconstruction, Post-colonial, Gender, Abrogation

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13

Rowell, George. "W. Somerset Maugham: The Critical Heritage. Edited by Anthony Curtis and John Whitehead. London: Routledge & Kegan Paul, 1987. Pp. xvii + 470." Theatre Research International 14, no. 1 (1989): 100–101. http://dx.doi.org/10.1017/s0307883300005691.

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14

Calder, Robert L. "Orienting Masculinity, Orienting Nation: W. Somerset Maugham’s Exotic Fiction by Philip Holden." ESC: English Studies in Canada 24, no. 2 (1998): 212–14. http://dx.doi.org/10.1353/esc.1998.0052.

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15

Holden, Philip. "A Life as a Work of Art: W. Somerset Maugham’s Intimate Publics." Literature Compass 8, no. 12 (December 2011): 972–81. http://dx.doi.org/10.1111/j.1741-4113.2011.00853.x.

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16

McGuire, John Thomas. "Rending the Veils of Illusion: W. Somerset Maugham’s The Letter and Its Two Definitive Film Interpretations." Framework: The Journal of Cinema and Media 53, no. 1 (2012): 7–21. http://dx.doi.org/10.1353/frm.2012.0013.

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17

Sanders, Lise Shapiro. "The Failures of the Romance: Boredom, Class, and Desire in George Gissing's The Odd Women and W. Somerset Maugham's Of Human Bondage." MFS Modern Fiction Studies 47, no. 1 (2001): 190–228. http://dx.doi.org/10.1353/mfs.2001.0011.

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18

"W. Somerset Maugham: a study of the short fiction." Choice Reviews Online 31, no. 02 (October 1, 1993): 31–0748. http://dx.doi.org/10.5860/choice.31-0748.

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19

Archibald, Alison. "The Soul All Raw: Physician-Patient Encounters in the Writings of W. Somerset Maugham." Dalhousie Medical Journal 34, no. 2 (October 12, 2006). http://dx.doi.org/10.15273/dmj.vol34no2.4041.

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20

"A companion to the characters in the fiction and drama of W. Somerset Maugham." Choice Reviews Online 34, no. 03 (November 1, 1996): 34–1301. http://dx.doi.org/10.5860/choice.34-1301.

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21

"Orienting masculinity, orienting nation: W. Somerset Maugham's exotic fiction." Choice Reviews Online 34, no. 05 (January 1, 1997): 34–2623. http://dx.doi.org/10.5860/choice.34-2623.

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22

Shabrang, Hoda, and Mahsa Razh. "Winnicottian Holding Environment, False Self and Play in W. Somerset Maugham’s Of Human Bondage." SSRN Electronic Journal, 2019. http://dx.doi.org/10.2139/ssrn.3513790.

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23

Kosecki, Krzysztof. "The British Empire as a Family in W. Somerset Maugham’s “The Force of Circumstance”." Forum for Contemporary Issues and Literature 1, no. 1 (November 24, 2020). http://dx.doi.org/10.34739/fci.2020.01.04.

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