Journal articles: 'Maurice Blanchot'

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Bataille, Georges. "Maurice Blanchot." Lignes 3, no. 3 (2000): 149. http://dx.doi.org/10.3917/lignes1.003.0149.

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Holland, M. "Maurice Blanchot." French Studies 58, no. 4 (October 1, 2004): 533–38. http://dx.doi.org/10.1093/fs/58.4.533.

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Ferguson, Sam. "Maurice Blanchot: ‘Theorist’ of the Diary?" Nottingham French Studies 61, no. 2 (July 2022): 104–18. http://dx.doi.org/10.3366/nfs.2022.0346.

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Maurice Blanchot’s writing on the diary has been presented as ignorant and contemptuous of its object, and as misrepresenting the diary by focusing on its literary qualities. This article rehabilitates Blanchot as a critic and theorist of the diary, and moreover, as a pivotal figure in realising the diary’s literary potential. Blanchot’s discussion of particular diarists (including Benjamin Constant, Joseph Joubert, Søren Kierkegaard, Franz Kafka, and André Gide), together with his critical reflections, were instrumental in his creation of conceptions of literature that exerted a strong influence on the avant-garde movements of the following decades, even though these avant-gardes rejected the introspective aspect of intimate writings. Furthermore, Blanchot produced a programme for how the diary might become a literary work, which was picked up again by Roland Barthes in 1979, and casts light on experimental uses of the diary in recent decades.

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Watt, Calum. "The Uses of Maurice Blanchot in Bernard Stiegler's Technics and Time." Paragraph 39, no. 3 (November 2016): 305–18. http://dx.doi.org/10.3366/para.2016.0203.

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This article argues that Maurice Blanchot is a significant presence in Bernard Stiegler's Technics and Time series. The article first sets out Stiegler's invocation of the Blanchotian ‘change of epoch’ in the first volume, which attempts to situate Blanchot within the horizon of technics. I argue Blanchot's disaster is a hidden element in Stiegler's play on the motifs of the star and catastrophe. The article then traces how these motifs emerge in the second and third volumes, in which the technical forms of photography and cinema become more important and where the motifs are woven together through reference to works by Roland Barthes, D. W. Winnicott and Federico Fellini. Stiegler filters these references to apparently disparate figures through Blanchot's analyses of writing and temporality. Tracing both overt and unacknowledged references to Blanchot in Stiegler's text, I conclude that Stiegler's use of Blanchot destabilizes his conceptions of time and epochality.

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Champagne, Roland A., and Christophe Bident. "Maurice Blanchot: Partenaire invisible." World Literature Today 73, no. 1 (1999): 115. http://dx.doi.org/10.2307/40154503.

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Holland, Michael. "Maurice Blanchot (1907–2003)." Paragraph 26, no. 3 (November 2003): 127–30. http://dx.doi.org/10.3366/para.2003.26.3.127.

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Nancy, Jean-Luc. "Maurice Blanchot, 1907–2003." Paragraph 30, no. 3 (November 2007): 3–4. http://dx.doi.org/10.3366/para.2007.30.3.3.

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Correia, Tyler. "C. Bident, Maurice Blanchot." Phenomenological Reviews 5 (2019): 47. http://dx.doi.org/10.19079/pr.5.47.

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Pimentel, Davi Andrade. "Maurice Blanchot: política e escrita." Aletria: Revista de Estudos de Literatura 24, no. 3 (December 31, 2014): 25–37. http://dx.doi.org/10.17851/2317-2096.24.3.25-37.

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Este artigo analisa o aprimoramento da escrita crítica de Maurice Blanchot a partir de seus textos políticos da década de 1930, textos que muitos pesquisadores avaliam como fascistas ou antissemitas. Ao longo de meu estudo, apresento certas contradições que impossibilitam classificar os escritos blanchotianos de 1930 sob a égide de qualquer doutrina. No processo crescente da escrita de Blanchot, o político, ou a política, nunca deixou de estar presente, seja para defender uma ideia de França utópica, seja para defender uma ideia de literatura, lembrando que no decorrer dos anos as posições políticas mudam e, sobretudo, o que se compreende por política. Como pressuposto teórico, dialogo, além de com os escritos de Blanchot, com os textos de Jean-Luc Nancy, Dionys Mascolo, Philippe Lacoue-Labarthe e Christophe Bident.

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Pimentel, Davi Andrade. "O estrangeiro de Maurice Blanchot." Alea: Estudos Neolatinos 23, no. 1 (March 2021): 241–59. http://dx.doi.org/10.1590/1517-106x/2021231241259.

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Resumo Com base na leitura da narrativa “L’idylle”, do escritor francês Maurice Blanchot, este artigo analisa a figura do estrangeiro e as cinco principais características que o definem como aquele ser que vem de fora: a tragicidade de seu destino, a hospitalidade que evoca, a desordem que realiza, o suplício que incita e a morte que finaliza a sua trajetória.

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Kyouhyun Park. "Lire Hölderlin chez Maurice Blanchot." Etudes de la Culture Francaise et de Arts en France 41, no. ll (August 2012): 53–78. http://dx.doi.org/10.21651/cfaf.2012.41..53.

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12

Benjelloun, Amine. "Promenade désincarnée avec Maurice Blanchot." Psychosomatique relationnelle 8, no. 1 (2018): 141. http://dx.doi.org/10.3917/psyr.008.0141.

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Nioche-Sibony, Claire. "Maurice Blanchot, déserter le mythe." Topique 124, no. 3 (2013): 135. http://dx.doi.org/10.3917/top.124.0135.

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Nancy, Jean-Luc. "La mort de Maurice Blanchot." Lignes 11, no. 2 (2003): 275. http://dx.doi.org/10.3917/lignes1.011.0275.

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15

Opelz, Hannes. "The Political Share of Literature: Maurice Blanchot, 1931–1937." Paragraph 33, no. 1 (March 2010): 70–89. http://dx.doi.org/10.3366/e0264833409000753.

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From the very beginning, Blanchot's thought on literature was intimately linked to his experience and conception of politics. It is this beginning that this article sets out to explore. In particular, it examines how Blanchot's discourse, insofar as the literature/politics relation is concerned, begins to shift toward the second half of the 1930s. Initially, literature is seen as a propitious ground to prepare what Blanchot terms a ‘healthy’ politics — not in any partisan or programmatic sense but in the more fundamental sense of being the active site of what he refers to as ‘concrete’ values, that is, national, cultural and spiritual values which may call upon writers to commit themselves politically and take action to defend those values in the real world as part of an effort to stimulate national, spiritual renewal. Gradually, however, Blanchot's discourse breaks with this logic of continuity established between literature and the field of political realities. From 1937 onwards, the political element provides Blanchot, this time in the form of a revolutionary force detached from its empirical conditions, with a conceptual framework to theorize literature and to account for the violent, negating force encountered, according to him, in the literary work. As a result, it is no longer — or just — about literature contributing to a revolutionary project in the socio-political world; what is at stake, instead, is how the political, understood (conceptually rather than empirically) as a ‘force of opposition’ or negation, can contribute to literary criticism and thought by offering Blanchot a new language to explore the experience and violence of literature.

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Costa, Erick Gontijo. "Sobrescrito a um poema por vir." Aletria: Revista de Estudos de Literatura 12 (December 31, 2005): 107–14. http://dx.doi.org/10.17851/2317-2096.12..107-114.

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Resumo: Este texto é um estudo sobre a escrita de Maria Gabriela Llansol; uma reflexão fundamentada na teoria de Maurice Blanchot a respeito da experiência da escrita; um relato de uma oficina de criação literária com pacientes de um centro psiquiátrico, Casa Freud, e contém algumas reflexões sobre essa experiência. Essa oficina foi idealizada a partir da escrita de Maria Gabriela Llansol.Palavras-chave: oficina de letras; escrita; psicose; melancolia; Maria Gabriela Llansol; Maurice Blanchot.Résumé: ce texte est une étude de l’écriture de Maria Gabriela Llansol; une réflexion appuyée sur la théorie de Maurice Blanchot à propos de l’expérience de l’écriture elle-même; un rapport d’un atelier d’écriture littéraire avec des patients d’un centre psychiatrique, Casa Freud, et il y en a également quelques réflexions sur cet expérience. Cet atelier a été idéalisé à partir de l’écriture de Maria Gabriela Llansol.Mots-clés: atelier d’écriture; écriture; Maria Gabriela Llansol; Maurice Blanchot.

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Azeroual, Abdellah. "Maurice Blanchot et la question de l’être." Thélème. Revista Complutense de Estudios Franceses 36, no. 1 (May 12, 2021): 9–15. http://dx.doi.org/10.5209/thel.70910.

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Pour Maurice Blanchot, l’indifférence face à l’opacité du monde s’alimente de la conscience avertie de l’homme. Celle-ci l’expose à l’inutilité de concevoir l’être comme une instance profondément active dans le monde. Ce qui inquiète Maurice Blanchot, ce n’est pas la raison elle-même, mais « […] l’accumulation accélérée de dispositifs rationnels, un vertige logique de rationalisations […]. » (Blanchot, 1986 : 32) Afin de vérifier cette hypothèse, il est nécessaire de se pencher sur le rapport qui lie la distanciation et la neutralité à des notions purement blanchotiennes, entre autre le ressassement comme volonté et comme représentation.

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18

Evans, Jonathan. "Translation and Response between Maurice Blanchot and Lydia Davis." TranscUlturAl: A Journal of Translation and Cultural Studies 4, no. 1 (April 2, 2013): 49. http://dx.doi.org/10.21992/t9hs64.

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When an author translates a text by another writer, this translation is one form of a response to that text. Other responses may appear in their own writings that are more inflected with their authorial persona. Lydia Davis translated six books by Maurice Blanchot, including fiction and theoretical writings. Blanchot’s concept of the récit privileges non-conventional forms of narrative and it can be considered to have influenced Davis, a view shared in critical writing about Davis. However, responses to his fiction can also be found in Davis’s work. This article reads Lydia Davis’s story “Story” as a response to Maurice Blanchot’s récit, La Folie du jour, translated by Davis as “The Madness of the Day”. Both texts develop a narrative that questions the possibility of arriving at a single story: Blanchot’s narrator cannot tell the story of how he came to have glass ground into his eyes, while Davis’s narrator must try to understand a contradictory story told to her by her lover. However, Davis responds to Blanchot by reversing the perspective in the story: where Blanchot’s narrator must and cannot create a story that explains his situation in a judicial/medical context, Davis’s narrator is struggling to understand her lover’s story which does not explain the situation that they find themselves in. Davis’s narrator is therefore motivated by an emotional need to find an acceptable story that is absent from Blanchot’s narrator. This difference in motivation is central to the difference between Davis’s and Blanchot’s approach, and complicates any reading of his influence on her because she responds to his text in her own.

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19

Hill, Leslie. "From Deconstruction to Disaster (Derrida, Blanchot, Hegel)." Paragraph 39, no. 2 (July 2016): 187–201. http://dx.doi.org/10.3366/para.2016.0194.

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Derrida's Glas (1974) found one of its most attentive readers in Maurice Blanchot, whose fragmentary volume L'Ecriture du désastre (The Writing of the Disaster) (1980) responds in a number of ways to Derrida's book, in particular to its reading of Hegel. This article retraces the silent dialogue between Derrida and Blanchot as it unfolds in the two texts mentioned as well as in several others, including some of Blanchot's earlier essays and fiction, notably La Folie du jour (The Madness of the Day) and L'Arrêt de mort (Death Sentence).

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20

Hart, Kevin. "From the Star to the Disaster." Paragraph 30, no. 3 (November 2007): 84–103. http://dx.doi.org/10.3366/para.2007.30.3.84.

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Franz Rosenzweig's The Star of Redemption comes before the Shoah and Maurice Blanchot's The Writing of the Disaster comes after it. The one addresses itself with hope to the figure of a star; the other meditates on the state of being without a guiding star. The figure of Emmanuel Levinas stands between these two works, since Totality and Infinity is marked by Rosenzweig's critique of totality and The Writing of the Disaster is in part a response to Levinas's philosophy. Both Rosenzweig and Blanchot propose a new way of thinking, one that calls unity into question. This essay seeks to clarify what ‘thought’ means for Rosenzweig and for Blanchot. In what ways do Rosenzweig and Blanchot converge? In what ways do they diverge?

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21

Saldaña, Alfredo. "Maurice Blanchot. La pasión del errar." EU-topías. Revista de interculturalidad, comunicación y estudios europeos 20 (December 30, 2020): 154. http://dx.doi.org/10.7203/eutopias.20.19396.

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Saldaña, Alfredo. "Maurice Blanchot. La pasión del errar." EU-topías. Revista de interculturalidad, comunicación y estudios europeos 20 (December 30, 2020): 154. http://dx.doi.org/10.7203/eutopias.20.19396.

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23

Cabó Rodríguez, Joan. "Escritura e intencionalidad en Maurice Blanchot." Cauriensia. Revista anual de Ciencias Eclesiásticas 17 (December 19, 2022): 25–44. http://dx.doi.org/10.17398/2340-4256.17.25.

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El presente artículo propone un acercamiento a la concepción límite y excéntricamente fenomenológica de la intencionalidad en la obra de Maurice Blanchot. En la estela de algunos estudios que han puesto de relieve las relaciones del escritor francés con la fenomenología y partiendo principalmente de su obra crítica, aunque atendiendo también a algunas de sus obras de ficción, se traza en él un acercamiento a las relaciones entre escritura e intencionalidad en Blanchot, en tres apartados: (1) la escritura como salida de sí o experiencia extática, (2) la intencionalidad límite de la escritura y (3) el fracaso de la intención y el acontecimiento del otro. Más allá de la evidente ruptura de Blanchot con respecto al planteamiento husserliano, su reflexión sobre la intencionalidad propia de la escritura encuentra puntos de contacto con algunas propuestas de la fenomenología contemporánea y, especialmente, con la filosofía de Emmanuel Levinas.

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Espinosa Proa, Guillermo Sergio. "Blanchot y la lógica de la desapropiación." Revista Valenciana. Estudios de filosofía y letras, no. 27 (November 5, 2020): 169–90. http://dx.doi.org/10.15174/rv.v13i27.533.

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Frente a Hegel y la dialéctica, algunos autores como Maurice Blanchot contraponen la amistad como relación humana esencial y la experiencia estética como paradigma de la acción, relegando el trabajo, que es servil siempre, como modelo decaído de la misma. En este ensayo se ahonda en la cuestión privilegiando dos textos, aparecidos en 1969 y 1971, en donde Maurice Blanchot se plantea explícitamente la diferencia entre la dialéctica y la tragedia como formas antitéticas de plantear la realidad de lo humano.

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25

Wang, Lun-Yue Frédéric. "L'image et l'imaginaire chez Maurice Blanchot." Littérature 97, no. 1 (1995): 52–59. http://dx.doi.org/10.3406/litt.1995.2361.

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Hegarty, Paul, and Carolyn Bailey Gill. "Maurice Blanchot: The Demand of Writing." Modern Language Review 94, no. 1 (January 1999): 209. http://dx.doi.org/10.2307/3736058.

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Pimentel, Davi Andrade. "O jogo literário de Maurice Blanchot." Aletria: Revista de Estudos de Literatura 27, no. 3 (December 29, 2017): 57–75. http://dx.doi.org/10.17851/2317-2096.27.3.57-75.

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Este artigo analisa a concepção de literatura do escritor francês Maurice Blanchot a partir de sua própria reflexão teórica sobre o que viria a ser a aposta que o autor faz ao longo do jogo-escrita travado com a literatura, tendo desde o princípio a sorte e o fracasso por horizonte. Como parte estruturante dessa análise, o estudo da narrativa blanchotiana Celui qui ne m’accompagnait pas terá um papel fundamental no diálogo entre a teoria e a ficção de Blanchot, pois, em grande parte de sua obra ficcional, as suas narrativas tendem a ser uma re-escrita, uma re-leitura ou uma re-elaboração de seu pensamento sobre o que seria literatura.

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Pimentel, Davi Andrade. "O tradutor-leitor de Maurice Blanchot." Cadernos de Tradução 37, no. 3 (September 5, 2017): 53. http://dx.doi.org/10.5007/2175-7968.2017v37n3p53.

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Este artigo analisa a relevância do papel do tradutor-leitor na tradução da obra do escritor francês Maurice Blanchot, tomando como base para fins de exemplificação a tradução da narrativa blanchotiana Aminadab. No desenvolvimento deste artigo, serão abordados os seguintes temas: a leitura de Blanchot para a tarefa do tradutor de Walter Benjamin, a questão da recriação e do luto no espaço da tradução, a hospitalidade proposta por Jacques Derrida e o trabalho ético apontado por Emmanuel Levinas na relação que se estabelece com o outro e, por fim, a importância de ser um leitor experiente da obra estrangeira a ser traduzida.

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29

Patouet, Jacqueline. "Maurice Blanchot ou mourir la mort." L'en-je lacanien 15, no. 2 (2010): 59. http://dx.doi.org/10.3917/enje.015.0059.

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30

Villegas, Constantino. "La máquina literaria de Maurice Blanchot." Universitas Philosophica 37, no. 74 (February 18, 2020): 197–230. http://dx.doi.org/10.11144/javeriana.uph37-74.mlmb.

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A diferencia de muchas imágenes del pensamiento dominantes en la filosofía y centradas en la búsqueda de fundamentos cuya coherencia se encuentra en lógicas binarias o relaciones biunívocas, la filosofía de Gilles Deleuze y Félix Guattari es un pensamiento por máquinas que producen multiplicidades puras en virtud de diferencias intensivas. Lo importante con las máquinas no es definirlas –no son delimitables– ni comprenderlas –son asignificantes–, sino que funcionen en la medida en que varios flujos circulan en ellas, entremezclándose o cortándose. Aun cuando toda máquina reúne elementos heterogéneos, las máquinas literarias son interesantes en cuanto pueden alcanzar un nivel de lo fragmentario tal que se exprese la potencia determinante de las diferencias intensivas. El artículo experimenta con la máquina literaria de Maurice Blanchot –en especial con su idea de lo neutro– en busca de operaciones que permitan desarticular los fundamentos (paradigmas, bivalencias, binarismos) de las imágenes del pensamiento dominantes.

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31

Pinat, Étienne. "La décennie phénoménologique de Maurice Blanchot." Philosophie N° 151, no. 4 (August 24, 2021): 23–35. http://dx.doi.org/10.3917/philo.151.0023.

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Marques, Elisabete. "Maurice Blanchot e a exigência fragmentária." outra travessia, no. 18 (June 6, 2015): 87. http://dx.doi.org/10.5007/2176-8552.2015n18p87.

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33

McKeane, John. "Maurice Blanchot, Thomas L’Obscur, Chapter I." French Studies Bulletin 41, no. 153 (January 1, 2020): 1–4. http://dx.doi.org/10.1093/frebul/ktz014.

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Burcu, CANAR. "Maurice Blanchot düsüncesi’nde sessizliği yazıya çekmek." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 52, no. 1 (2012): 83–110. http://dx.doi.org/10.1501/dtcfder_0000001288.

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Del Lungo, Andrea. "Maurice Blanchot : la folie du commencement." Cahiers de l'Association internationale des études francaises 50, no. 1 (1998): 343–75. http://dx.doi.org/10.3406/caief.1998.1329.

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36

Ferraz, Adriano H. S. "Literature and Philosophy in Maurice Blanchot." Sofia 13, no. 1 (July 1, 2024): e13144336. http://dx.doi.org/10.47456/sofia.v13i1.44336.

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O presente trabalho busca reconstituir os momentos nos quais a primeira obra literária de Blanchot se abre para o pensamento filosófico. Em Thomás, L´Obscur, os temas de um vitalismo a contrapelo, que segue de perto os problemas colocados pela morte imanente à vida, se transpõem numa caracterização importante do que compreende como espaço literário. Tentamos mostrar como sua criação se estende para além do campo literário, dando a ver uma ontologia da linguagem e uma experiência intensiva do real. Apesar de serem incorporados criticamente alguns conceitos bergsonianos (ao invés de vida, duração e memória, o que se passa em Blanchot é morte, instante e esquecimento), não se trata propriamente de ir numa contramão. Tal inversão é ambígua, pois não se falseia propriamente o tipo de realidade para a qual o bergsonismo apontava, mas sim para aprofundá-la.

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37

Neto, João Alves Rocha. "A escrita do desastre." Em Tese 21, no. 2 (January 29, 2016): 147. http://dx.doi.org/10.17851/1982-0739.21.2.147-151.

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38

Bident, Christophe. "Maurice Blanchot: de la chronique à la théorisation." Alea : Estudos Neolatinos 10, no. 1 (June 2008): 13–28. http://dx.doi.org/10.1590/s1517-106x2008000100002.

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Jamais Blanchot n'a écrit autant de critiques littéraires que pendant les années de guerre. Or ces textes, pour la plupart, restaient inconnus du public. Ils sont désormais accessibles sous le titre Chroniques littéraires du Journal des débats, 1941-1944 (Paris: Gallimard, 2007). On y trouve des pages sur Dante, Rabelais, Descartes, Montesquieu, Blake, Hoffmann, Jarry ou Joyce: autant d'auteurs sur lesquels Blanchot, ensuite, n'écrira plus. On y voit revenir quelques idoles: Giraudoux, Mallarmé, Valéry, les surréalistes français et les romantiques allemands. La critique de Blanchot n'est pas une critique universitaire. C'est d'abord une critique de jugement, qui ouvre la voie à une critique d'interprétation. C'est aussi une critique d'écrivain, qui se tient au plus près de l'acte de création. Et ce sont déjà les théories que Blanchot développera parfois bien plus tard, de La Part du feu à L'Entretien infini, qui se trouvent esquissées. Non sans contradictions ni pas de côté, et dans la certitude fiévreuse d'une oeuvre qui commence.

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Ferraz, Adriano. "Tradução: "L´ Attente, L´ Oubli" de Maurice Blanchot, 1962, parte 1." Revista Araticum 25, no. 1 (April 24, 2024): 252–80. http://dx.doi.org/10.46551/issn2179-6793ra2023v25n1_a16.

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40

Arce Álvarez, María Laura. "Translation as influence: A dialogue between Maurice Blanchot’s literary theory and Lydia Davis’ short fiction." Short Fiction in Theory & Practice 9, no. 2 (October 1, 2019): 89–101. http://dx.doi.org/10.1386/fict_00003_1.

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The intention of this article is to analyse the intertextual influence between the American writer Lydia Davis and the French philosopher and critic Maurice Blanchot. This literary dialogue occurs as a result of Davis’ experience translating Blanchot’s most relevant critical and fictional texts. Davis’ role as a translator influenced her short fiction in which she discusses the limits of the literary space and therefore constantly challenges the genre as a way of fictionalizing Blanchot’s literary theory.

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41

Noys, Benjamin. "Political Writings, 1953-1993." Historical Materialism 19, no. 3 (2011): 196–204. http://dx.doi.org/10.1163/156920611x592436.

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AbstractThis review considers the collection Political Writings, 1953-1993 by Maurice Blanchot as a means to assess the relatively little-known political odyssey of this writer and theorist. Noting the absence of his earlier right-wing political texts from the 1930s in this collection, it attempts to probe Blanchot’s idiosyncratic ‘ultra-left’ turn represented in his texts of the 1950s and 1960s. In particular, I analyse how Blanchot develops a communism that focuses on the problem of abstraction: both the abstraction intrinsic to social reality, and the necessity to negate and contest that abstraction through a ‘communist writing’. The review reconstitutes this unusual form of Marxism, and analyses the possible resources it offers and its limits.

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Menezes, Magali Mendes de. "Emmanuel Levinas e Maurice Blanchot: a amizade (nos) permite sobreviver." Revista Ética e Filosofia Política 1, no. 25 (January 5, 2023): 25–39. http://dx.doi.org/10.34019/2448-2137.2022.39956.

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O texto fala da amizade como inspiração filosófica, mas também como inspiração da vida. Os filósofos e filósofas são “amigos da sabedoria”, mas não necessariamente sábios. Contudo, ao nos aproximarmos do pensamento de Emmanuel Lévinas e Maurice Blanchot, percebemos o exercício profundo do pensamento, feito de cumplicidade intelectual. A amizade entre Lévinas e Blanchot é o fio condutor da escrita. Durante muito tempo foram distantes politicamente. Blanchot apoiou o nazismo enquanto Lévinas escrevia e vivia sobre as consequências do nazismo. Diante de uma admiração filosófica que ambos passam a nutrir, Blanchot muda suas posições. Percebe um tempo de morte, tema que atravessa seus escritos. Entre proximidades e distanciamentos acompanhamos suas conversas infinitas que trazem a filosofia e a literatura como matéria-prima para os inúmeros diálogos tecidos. Suas obras erguem questões e respostas aos estes diálogos. A linguagem torna-se não somente o meio pelo qual se constitui e se faz a defesa do pensamento, mas é ética, filosofia primeira, único caminho possível para existirmos enquanto comunidade. Palavras-chaves: Lévinas, Blanchot, Amizade, Linguagem, Ética.

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Hidalgo, Max. "Túa BLESA, "Maurice Blanchot. La pasión del errar", Barcelona, Edicions Universitat de Barcelona (“Figura”), 2020, 300 pp." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 35 (January 30, 2021): 393–99. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2021355081.

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Didi-Huberman, Georges. "De semelhança a semelhança." Alea : Estudos Neolatinos 13, no. 1 (June 2011): 26–51. http://dx.doi.org/10.1590/s1517-106x2011000100003.

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O artigo analisa a imagem e a semelhança como condições essenciais na experiência literária de Maurice Blanchot, discutindo, a partir de várias obras do escritor, as relações entre linguagem e imagem. Trabalha-se em especial a noção de "meio absoluto", invocada por Blanchot para descrever o devir-imagem da linguagem na literatura.

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Vianna Neto, Arnaldo Rosa. "L’écriture cyborg: un bricolage (im)possible? Le (dés)astre: une genèse pour l’écriture? Un dialogue discursif entre Maurice Blanchot et Réjean Ducharme." Gragoatá 25, no. 51 (April 27, 2020): 145–66. http://dx.doi.org/10.22409/gragoata.v25i51.39899.

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Les réflexions développées dans cet article se constituent à partir d’études centrées sur l’analyse de mécanismes qui engendrent des inversions herméneutiques dans la déconstruction de certaines structures figées, de certitudes et de discours qui ne correspondent plus à ce qu’ils énoncent ou représentent. L’écriture fragmentaire de l’écrivain québécois Réjean Ducharme, la déconstruction derridienne et la conception du (dés)astre du philosophe français Maurice Blanchot nous invitent à établir un possible dialogue discursif entre les œuvres La fille de Christophe Colomb et L’écriture du désastre.------------------------------------------------------------------------------------------A ESCRITA CIBORGUE: UMA BRICOLAGEM (IM)POSSÍVEL? O DESASTRE: UMA GÊNESE PARA A ESCRITA? UM DIÁLOGO DISCURSIVO ENTRE MAURICE BLANCHOT E RÉJEAN DUCHARMEAs reflexões desenvolvidas neste artigo se constituem de a partir de estudos centrados na análise de mecanismos que engendram inversões hermenêuticas na desconstrução de certas estruturas fixas, certezas e discursos que não correspondem mais ao que enunciam ou representam. A escrita fragmentária do escritor quebequense Réjean Ducharme, a desconstrução e a concepção do desastre do filósofo francês Maurice Blanchot nos convidam a estabelecer um possível diálogo discursivo entre as obras La fille de Christophe Colomb e L’écriture du désastre.---Original em francês.

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Valenti, Simonetta. "Hadrien Buclin, Maurice Blanchot ou l’autonomie littéraire." Studi Francesi, no. 176 (LIX | II) (August 1, 2015): 409. http://dx.doi.org/10.4000/studifrancesi.958.

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Marty, Éric. "Maurice Blanchot, Roland Barthes, une « ancienne conversation »." Les Temps Modernes 654, no. 3 (2009): 74. http://dx.doi.org/10.3917/ltm.654.0074.

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Mehlman, Jeffrey. "Maurice Blanchot et la figure du Juif." Pardès 45, no. 1 (2009): 97. http://dx.doi.org/10.3917/parde.045.0097.

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Hand, Sean, and Anne-Lise Schulte Nordholt. "Maurice Blanchot: L'Ecriture comme experience du dehors." Modern Language Review 91, no. 3 (July 1996): 739. http://dx.doi.org/10.2307/3734143.

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Pimentel, Davi Andrade. "Maurice Blanchot: reflexões (em desastre) sobre "Aminadab"." Gragoatá 25, no. 51 (April 27, 2020): 88–111. http://dx.doi.org/10.22409/gragoata.v25i51.38050.

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Com base na análise da narrativa Aminadab, do escritor Maurice Blanchot, são propostas algumas reflexões em torno da ideia de desastre apresentada pelo próprio escritor em seu livro L’écriture du désastre. O objetivo desse diálogo é observar como este livro em desastre retoma, reafirma e ressignifica grande parte do pensamento blanchotiano sobre literatura que acompanhamos ao longo de sua carreira literária, tanto crítica quanto ficcional.

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Journal articles on the topic 'Maurice Blanchot'

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