Academic literature on the topic 'Mauritian Art'
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Journal articles on the topic "Mauritian Art"
Vencataya, Lomendra, Sharmila Pudaruth, Ganess Dirpal, and Vandisha Narain. "Assessing the Causes & Impacts of Traffic Congestion on the Society, Economy and Individual: A Case of Mauritius as an Emerging Economy." Studies in Business and Economics 13, no. 3 (December 1, 2018): 230–42. http://dx.doi.org/10.2478/sbe-2018-0045.
Full textDawoor, Yagnishsing. "Walking on fire: Limits, transgressions and possibilities in the worlds of literature. An interview with Ananda Devi." French Cultural Studies 32, no. 4 (May 24, 2021): 459–71. http://dx.doi.org/10.1177/09571558211012972.
Full textNewaj, Avinash, and Adjnu Damar-Ladkoo. "Distorted Facets of Marketing Ethics for Alcoholic Beer Marketing." Studies in Business and Economics 11, no. 2 (August 1, 2016): 79–96. http://dx.doi.org/10.1515/sbe-2016-0023.
Full textWu, H., M. Kumar, E. Fray, R. Siliciano, J. Smedley, G. Meyers, R. Maziarz, et al. "OP 6.7 – 00044 Long-term ART-free SIV Remission Following Allogeneic Hematopoietic Cell Transplantation in Mauritian Cynomolgus Macaques." Journal of Virus Eradication 8 (December 2022): 100252. http://dx.doi.org/10.1016/j.jve.2022.100252.
Full textHarwood, Olivia E., Lea M. Matschke, Ryan V. Moriarty, Alexis J. Balgeman, Abigail J. Weaver, Amy L. Ellis-Connell, Andrea M. Weiler, et al. "CD8+ cells and small viral reservoirs facilitate post-ART control of SIV replication in M3+ Mauritian cynomolgus macaques initiated on ART two weeks post-infection." PLOS Pathogens 19, no. 9 (September 25, 2023): e1011676. http://dx.doi.org/10.1371/journal.ppat.1011676.
Full textWaters, Julia. "Lieu de mémoire, lieu d’oubli, lieu de réparation?" Francosphères 10, no. 1 (June 1, 2021): 43–62. http://dx.doi.org/10.3828/franc.2021.4.
Full textToorawa, Shawkat M. "Is Multiculturalism Bad for Art?: Carl de Souza's La Maison qui marchait vers le large and the Mauritian City." L'Esprit Créateur 41, no. 3 (2001): 197–206. http://dx.doi.org/10.1353/esp.2010.0049.
Full textAntonietti Lopes, Tania Mara. "Le livre des fuites, de J.M.G. Le Clézio e a permanência do romance." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, no. 2 (December 30, 2022): 73–85. http://dx.doi.org/10.34019/1982-0836.2022.v26.38948.
Full textGuan, Zhijie, Yue Zhang, and Ip Ping Sheong Jim Kwee Fat. "Trade Relations Between Mauritius and China: A Gravity Model Approach." SAGE Open 11, no. 4 (October 2021): 215824402110581. http://dx.doi.org/10.1177/21582440211058184.
Full textLim Tung, Odile Juliette. "The Adequacy of the Mauritian Biosafety Framework." Journal of African Law 58, no. 1 (January 2, 2014): 109–28. http://dx.doi.org/10.1017/s002185531300017x.
Full textDissertations / Theses on the topic "Mauritian Art"
Abd-El-Moniem, Hamdi Abbas Ahmed. "A new recording of Mauritanian rock art." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444476/.
Full textBunwaree, Sheila S. "Mauritian education in a global economy /." Rose-Hill (Ile Maurice) : Ed. de l'Océan Indien, 1994. http://catalogue.bnf.fr/ark:/12148/cb37162341n.
Full textBerrie, Alexandra Barrett. "Men Are from Mars, Women Are from Mauritius| International Students' Perceptions of Gender in an IEP Classroom." Thesis, California State University, Los Angeles, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10681694.
Full textThis study examines the role of gender and its relationship to communication. It is motivated by two research questions: first, how do adult international students in an intensive English program (IEP) at a public university in Southern California perceive the impact of gender on communicative patterns? Second, in discussing gender, do these students depict gender as a binary, a spectrum, or something else? Previous scholarship has theorized that gender is a performative process wherein individuals, by adopting traits such as gait, vocal range, style of dress, and so on, call upon a cultural code that marks them along a continuum from masculine to feminine. Individuals construct their genders dialectically through their gender performances and other people's reactions to them. Furthermore, gender, as a crucial component of identity, plays a major role in learning. This research addresses two major gaps in the literature by examining how international students perceive gender and how they identify their own gender. Data are derived using qualitative methods, including an open-ended questionnaire and semi-structured interviews. The findings from the research illustrate that the binary gender categories of male and female are salient to the international students investigated, and that many identify their own gender as within a binary. Moreover, the students overwhelmingly depicted women as more talkative than men, and some findings suggested that women's speech is regarded as less valuable than men's. In addition, some students appeared sympathetic toward members of nonbinary genders, while others denied their existence. Pedagogical implications are discussed.
Rungien, Siven Pillay. "Mauritian competition law optimising the 'object or effect' test of the Unilateral Conduct Rules under the Competition Act 2007." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/422200/.
Full textCarter, Marina D. "Servants, sirdars and settlers : Indians in Mauritius 1834-1874 /." Delhi : Oxford university press, 1995. http://catalogue.bnf.fr/ark:/12148/cb366917546.
Full textHesse, Christian. "St. Mauritius in Zofingen : Verfassungs- und sozialgeschichtliche Aspekte eines mittelalterlichen Chorherrenstiftes /." Aarau : Sauerländer, 1992. http://catalogue.bnf.fr/ark:/12148/cb35689942b.
Full textPereira, Daniela de Almeida. "The challenges of the small insular developing states: are the Mauritius and Seychelles examples for Cape Verde?" Master's thesis, Instituto Superior de Economia e Gestão, 2005. http://hdl.handle.net/10400.5/630.
Full textThis dissertation attempts to review the critical theoretical issues concerning Small States and Small Insular Developing States, while aiming to answer some crucial related questions and to distinguish between these two notions. Additionally we attempt to spotlight some issues related to the development of Cape Verde having in consideration a possible comparison with two of the most successful African SIDS, namely Mauritius and Seychelles. A brief analysis of the social and economical situation of the three countries is made, seeking to underline their key development elements and assessing their economical and social structure. This dissertation mainly aims at assessing what Cape Verde can apprehend from the Mauritian and Seychellois experience, in an attempt to draw some useful conclusions to its development.
Esta dissertação procura rever as questões teóricas essenciais que dizem respeito aos Pequenos Estados e aos Pequenos Estados Insulares em Desenvolvimento e, simultaneamente, responder a algumas questões relacionadas com este âmbito. Adicionalmente, pretendem-se destacar algumas questões relacionadas com o desenvolvimento de Cabo Verde, tendo em consideração uma possível comparação com dois dos SIDS Africanos mais bem sucedidos, nomeadamente as Maurícias e as Seicheles. Com este intuito, é efectuada uma breve apreciação da situação económica e social destes países, numa tentativa de sublinhar os seus elementos fundamentais e de analisar a sua estrutura económica e social. Esta dissertação tem como seu objectivo fundamental a apreciação do que Cabo Verde poderá apreender da experiência de desenvolvimento das Maurícias e das Seicheles, numa tentativa de elaborar conclusões frutuosas para Cabo Verde.
Nucci, Francesca. "El mundo del arte contemporáneo en Mauritania: encuentros y desencuentros entre los artistas locales, la sociedad mauritana y las comunidades extranjeras." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/144524.
Full textThe subject matter of this thesis is the dynamics that characterize the socio-cultural context of the contemporary artistic practices in Nouakchott, the capital of Mauritania. In particular, the main field of interest is the consequences and the “products” of the relations between local artists and certain presences which we can call “post or neocolonial”: embassies, cooperation agencies, ONG, expatriated artists, patrons and clients. In fact, these presences are the main interlocutors of the local plastic artists. They are relations of economic and professional dependence, since the artists’ present and future depend on the links that they arrive to establish with the foreigners, as well institutions as private actors, for the realization of their projects. These relationships generate a process of “co-shaping” of artistic identities and productions, specifically made to enter in the international art market, that always looking for “African authenticity”. The first three chapters are dedicated to a theoretical introduction. Particularly, the first one is consecrated to the characteristics and the difficulties of a very marginal field of the anthropology, that is the anthropology of “art”. The second chapter analyses some questions about the relationship between Muslim religion and plastic arts. In chapter three, we deal with the process of formation and development of what it is actually known as “contemporary African art” and its introduction in the international art world. Chapter four is about some geographic, historical and socio-cultural characteristics of the research’s context: Mauritania and Nouakchott. With chapters five and six, we enter into the Mauritanian contemporary plastic arts’ world, starting with a reconstruction of the history of this particular African artistic context. Chapter seven is reserved to the special situation of the African artists with another nationality who live and work in Mauritania for a long time. In chapter eight, I make an analysis of the art works, most of all paintings, and, finally, the last chapter is dedicated to the description of the “marginal situation” of the local plastic artists and their dependence on some foreign presences for the realization of their projects. Through the presentation of different artistic practices, I try to show how the foreigners represent a kind of “customs” who decide the entry of contemporary African artists into the international art market or their exclusion.
Le sujet d’étude de cette thèse est l’analyse des dynamiques qui caractérisent le contexte socioculturel qui entoure les pratiques artistiques contemporaines à Nouakchott, capitale de Mauritanie. En particulier, je me suis intéressée aux conséquences et aux « produits » des relations qui, depuis le début, se sont crées entre artistes locaux et certaines présences que nous pouvons appeler « post o néocoloniales », c'est-à-dire, les ambassades, les agences de coopération, les ONG, les artistes, les « mécènes » et les clients expatriés, etc. De fait, dans une société locale plutôt familiarisée avec d’autres formes artistiques comme la musique, la poésie et l’artisanat traditionnel, et dans laquelle le monde des arts plastiques se retrouve dans une situation de précarité et marginalisation, lesdites présences « post o néocoloniales » sont les principaux interlocuteurs des artistes plasticiens contemporains, peintres et sculpteurs. Il s’agit de relations de dépendance, économique et professionnelle, presque totales, vu que le présent et le futur des carrières des artistes locaux dépendent des liens qu’ils arrivent à établir avec les étrangers. Les premiers trois chapitres sont dédiés à une introduction théorique qui a été construite en dialogue constant avec le travail de terrain et qui a guidé l’analyse des données ethnographiques. En particulier, le premier chapitre a été consacré à une réflexion relative aux caractéristiques et problématiques d’un domaine très particulier de l’anthropologie sociale, celui de l’anthropologie de l’« art ». Le deuxième chapitre analyse la relation entre religion islamique et arts plastiques à partir des origines et jusqu'à arriver aux productions artistiques contemporaines dans les pays à majorité islamique comme la Mauritanie. Le troisième chapitre est consacré à l'analyse de la formation de ce qu’aujourd’hui on connaît comme « art africain contemporain », des dynamiques qui ont caractérisé son introduction dans le monde de l'art international et des conséquences de cette introduction. Dans le quatrième chapitre, on trouve une description des principales caractéristiques du contexte géographique, urbain et socioculturel de la recherche. La Mauritanie et sa capitale, Nouakchott, présentent des caractéristiques historiques et urbaines très particulières qui ont eu, et qui continuent à avoir, une certaine influence sur l’origine et le développement du contexte artistique contemporain. Avec les chapitres cinq, six et sept on rentre dans le « monde » des arts plastiques contemporains de Mauritanie, en commençant avec la reconstruction de l’histoire de la formation et du développement de ce contexte artistique. Le premier des trois chapitres est dédié aux débuts de cette histoire et à la présentation de la première génération d’artistes, en mettant en évidence le rôle joué par les étrangers dans ce processus. Dans le chapitre six, on arrive finalement à connaître les artistes, hommes et femmes, avec lesquels j’ai travaillé, en partant d’une réflexion autour de la figure et du statut social de l’artiste contemporain dans la société mauritanienne actuelle. Au long de ce chapitre, j’insiste sur le rôle joué par certaines présences étrangères dans un vrai processus de « co-construction » de figures artistiques. Le chapitre sept est réservé à la situation des artistes africains de nationalité étrangère, qui résident et travaillent en Mauritanie depuis longtemps. La réalité vécue par ces artistes met en évidence la concurrence qui existe entre les artistes dans un contexte très petit et avec des possibilités de réussite professionnelle très limitées. Dans le chapitre huit, je fais une analyse des oeuvres d’art, en particulier la peinture qui représente encore la technique artistique la plus exprimée. Le principal objectif de cette analyse est de mettre en évidence les raisons qui sont à la base de la répétition constante de certaines thématiques et l’absence systématique d’autres. Finalement, dans le dernier chapitre, je décris la « situation marginale » locale des artistes et leur dépendance totale de certaines présences étrangères, institutions et acteurs privés pour la réalisation de tous leurs projets. À travers la description de différentes activités artistiques, je montre comment les étrangers représentent une espèce de « douaniers » qui décident de l’entrée ou pas des artistes locaux dans le « monde » de l’art international. Et c’est à travers ces relations qu’il se génère un processus de « co-moulage » d’identités et productions artistiques « authentiquement africaines », fabriquées pour rentrer dans le marché de l’art.
Massengale, Laura, and Laura Massengale. "Where We Come From and Where We Are Going: Negotiating Identity Politics in Haalpulaar Mauritanian Communities in Paris, France." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12511.
Full textDauguet, Kathleen, and res cand@acu edu au. "Understanding the ‘Mixed Ability’ Program in Catholic Secondary Schools in Mauritius: Perceptions of educators for best practice in the middle years of schooling." Australian Catholic University. School of Education, 2007. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp181.20112008.
Full textBooks on the topic "Mauritian Art"
Juge, Alix Le. Striker: Alix le Juge, Nalini Treebhoobun, Firoz Ghanty, Ismet Ganti. [Port Louis, Mauritius]: Blue Penny Museum, 2015.
Find full textJürgenson, Olga. The national pavilion of Mauritius: From one citizen you gather an idea. Falciano]: Maretti editore, 2016.
Find full textDecotter, G. André. Port-Louis: Visions d'artistes : entretiens avec Serge Constantin ... [et al.]. Rose-Hill, Ile Maurice: Editions de l'océan Indien, 1991.
Find full textBlue Penny Museum (Port Louis, Mauritius), ed. Goni. Port Louis, Mauritius: Blue Penny Museum, 2015.
Find full textDecotter, G. André. Port-Louis, visions d'artistes: Entretiens avec Serge Constantin, Roger Charoux, Yves David, Jocelyn Thomasse, Marcel Lagesse, Fabien Cango, Elsie Britter, France Staub, Hervé Decotter ... Rose-Hill, Ile Maurice: Editions de l'Océan indien, 1991.
Find full texttravayer, Ledikasyon pu, and Public Service International, eds. Artists against war, for peace: Art exhibition, Mauritius, January 2003. Port Louis: Ledikasyon pu travayer, 2003.
Find full text1947-, Vaisse Christian, Desvaux de Marigny, Isabelle, 1955-, and Valentin Lagesse Henriette 1961-, eds. Living in Mauritius: Traditional architecture of Mauritius. New York, N.Y: Thames and Hudson, 1990.
Find full textBook chapters on the topic "Mauritian Art"
Darga, L. A. "Why are institutions key determinants in the development of emerging economies?" In Mauritius: A Successful Small Island Developing State, 40–48. First edition | New York : Routledge, 2019. |: Routledge, 2019. http://dx.doi.org/10.4324/9780429262357-3.
Full textObika, Alpha. "Exploring ICT Governance in Small Island Developing States: Trinidad and Tobago and Mauritius." In Global Communication Governance at the Crossroads, 91–107. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29616-1_6.
Full textJhurree-Dussoruth, Babita. "Low-Cost In Vitro Options for Banana Mutation Breeding." In Efficient Screening Techniques to Identify Mutants with TR4 Resistance in Banana, 151–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-64915-2_10.
Full textBongaarts, John, and Dennis Hodgson. "Country Fertility Transition Patterns." In Fertility Transition in the Developing World, 15–27. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11840-1_2.
Full textGunness, Sandhya, Karen Ferreira-Meyers, and Thanasis Daradoumis. "Learning Design for Future Skills Development in Small State Contexts." In Creating the University of the Future, 283–311. Wiesbaden: Springer Fachmedien Wiesbaden, 2024. http://dx.doi.org/10.1007/978-3-658-42948-5_14.
Full textMagraw, Kendra. "Trends and ISDS Backlash Related to Non-Disputing Treaty Party Submissions." In Public Actors in International Investment Law, 79–96. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58916-5_5.
Full textTomlinson, Maria Kathryn. "Multiculturalism and the legacy of colonialism." In From Menstruation to the Menopause, 141–80. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348462.003.0005.
Full textRavi, Srilata. "Ananda Devi’s Laughing Goddesses and the Limitless Possibilities of Transnational Fiction." In The Oxford Handbook of Modern Indian Literatures, C35S1—C35N8. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.35.
Full textSzkonter-Bochniak, Anna. "La post-mémoire et le problème de l’identité nationale et individuelle présentés dans la littérature mauricienne contemporaine d’expression française." In L’art de vivre, de survivre, de revivre. Approches littéraires. Le 50e anniversaire des études romanes à l’Université de Łódź. Wydawnictwo Uniwersytetu Łódzkiego, 2022. http://dx.doi.org/10.18778/8220-877-1.20.
Full textSchneider, Marius, and Vanessa Ferguson. "Mauritius." In Enforcement of Intellectual Property Rights in Africa. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198837336.003.0037.
Full textConference papers on the topic "Mauritian Art"
Sukhoo, Aneerav, Andries Barnard, Mariki M. Eloff, and John A. Van der Poll. "An Assessment of Software Project Management Maturity in Mauritius." In InSITE 2005: Informing Science + IT Education Conference. Informing Science Institute, 2005. http://dx.doi.org/10.28945/2922.
Full textRamsamy-Iranah, Sabrina, Santaram Venkannah, Deepa Gokulsing, Vishwanath Pooneeth, and Yovesh Bhiwoo. "Understanding the Mauritian Kitchen History Through Primary and Secondary Sources." In – The European Conference on Arts & Humanities 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2188-1111.2020.9.
Full textNarrainen, Gundeea. "When the Massive Open Online Courses, MOOC, become Hybrid at the Open University of Mauritius." In Fourth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/head18.2018.8068.
Full textRamkissoon, Bhima, Radha Rani Baichoo, Ajeevsing Bholoa, and Steve Sider. "A Novel Competency Framework for Effective Mentoring." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.9197.
Full textGungea, Meera, and Sangeetah Seetulparsad. "My Voice, Your Voice: Using the Concept of Men-to-Men to Reach Out Women in the Community to Build Resilience in Education." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.1672.
Full textKadell, Manzarany, Sameer Sunhaloo, and Jeetendre Narsoo. "Developing an Online Tool for Sales Representatives of Cosmetic Products." In InSITE 2008: Informing Science + IT Education Conference. Informing Science Institute, 2008. http://dx.doi.org/10.28945/3285.
Full textSider, Steve, Ajeevsing Bholoa, and Deewakarsingh Authelsingh. "Fostering Inclusion for Learners with Special Educational Needs through Teacher Education: Comparing Educators’ Experiences from Canada and Mauritius to Consider the Future of Inclusive Education." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.9824.
Full textChamel, Olivier. "Virtual Reality as Collaborative Design Pedagogy on 3 Continents." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.29.
Full textNarsoo, Jeetendre, W. Muslun, and Sameer Sunhaloo. "A Radio Frequency Identification (RFID) Container Tracking System for Port Louis Harbor: The Case of Mauritius." In InSITE 2009: Informing Science + IT Education Conference. Informing Science Institute, 2009. http://dx.doi.org/10.28945/3305.
Full textTotaram, Sanjana Devi. "Tech or Teach or Both? A Case Study of Digitalisation of Vocational Education and Training in Mauritius." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.646.
Full textReports on the topic "Mauritian Art"
Gunness, Sandhya, Rubina D. Rampersad, and Tomal K. Chadeea. Technology-Enabled Learning at the Four Public Higher Education Institutions of Mauritius. Commonwealth of Learning (COL), May 2023. http://dx.doi.org/10.56059/11599/5359.
Full textGungadeen, Anuradha. Report on the Baseline Study of Technology-Enabled Learning at the Mauritius Institute of Education. Commonwealth of Learning (COL), March 2023. http://dx.doi.org/10.56059/11599/5256.
Full textFitzpatrick, Rachael. Secondary Education Provision and Impacts of Low Secondary Uptake on Wider Societal Outcomes. Institute of Development Studies, August 2022. http://dx.doi.org/10.19088/k4d.2022.122.
Full textAfrican Open Science Platform Part 1: Landscape Study. Academy of Science of South Africa (ASSAf), 2019. http://dx.doi.org/10.17159/assaf.2019/0047.
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