Relevant bibliographies by topics / Mavo (Groups of artists)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mavo (Groups of artists)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Mavo (Groups of artists)"

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Munroe, Alexandra. "Mavo: Japanese Artists and the Avant-Garde 1905-1931 (review)." Journal of Japanese Studies 30, no. 1 (2004): 215–19. http://dx.doi.org/10.1353/jjs.2004.0027.

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Appel, René. "Mustafa op de Mavo." Nederlands als tweede taal 22 (January 1, 1985): 65–72. http://dx.doi.org/10.1075/ttwia.22.06app.

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In this article the results of an explorative study of the Dutch language proficiency of advanced second-language learners are presented. The proficiency in Dutch of a group of 17 students from non-indigeneous linguistic minority groups was compared with the Dutch proficiency of 17 native age-mates. In each group, 16 of the 17 students went to a 'MAV0', an intermediate level of secondary education. Their Dutch language skills were measured by analyzing spontaneous language samples and by administering some tests. In general, the second-language learners (the A-group) were shown to have a lower
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Michelson, Alan. "MAVO JAPANESE ARTISTS AND THE AVANT-GARDE 1905-1931. Gennifer Weisenfeld." Art Documentation: Journal of the Art Libraries Society of North America 21, no. 2 (2002): 51. http://dx.doi.org/10.1086/adx.21.2.27949217.

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Vincent, J. Keith. "Mavo: Japanese Artists and the Avant-Garde, 1905–1931. By Gennifer Weisenfeld. Berkeley and Los Angeles: University of California Press, 2002. 379 pp. $55.00 (cloth)." Journal of Asian Studies 62, no. 2 (2003): 634–35. http://dx.doi.org/10.2307/3096295.

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Vakarina, Elena A. "Psychosemantic Research of the Psychological Well-Being of Artists." Moscow University Psychology Bulletin 47, no. 2 (2024): 116–33. http://dx.doi.org/10.11621/lpj-24-17.

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Background. Psychological well-being ensures the positive functioning of the artist's personality, which includes internal (subjective) and external (objective) factors. The dynamism of the art market, instability of demand and orders, displacement of individuality by mass art lead to emotional tension, increased anxiety and, as a consequence, to a decrease in the level of well-being and to the growth of psychological insecurity of artists. Psychosemantic space reflects social representations that reveal the most significant and prioritised sources of maintaining an optimal level of psychologi
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Дорофеенко, Марина. "Имена деятелей культуры в урбанонимии Беларуси и Франции". Studia Wschodniosłowiańskie 20 (2020): 199–206. http://dx.doi.org/10.15290/sw.2020.20.14.

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In the article anthroponymic urbanonyms of Vitebsk and Reims derived from the names of artists are analyzed. The main lexico-semantic groups of these proper names have been established: urbanonyms, formed from the names of writers, poets, literary critics; artists, architects, sculptors; actors, directors, playwrights; musicians, composers. Similarities and differences in the functioning of Belarusian and French urbanonyms, given in honor of artists, have been revealed.
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Sasin, Magdalena, Tamara Sass, and Monika Modrzejewska-Świgulska. "Processes Stimulating Dynamic Cooperation in Female Art Groups. A Qualitative Research Report." Creativity. Theories – Research - Applications 6, no. 1 (2019): 112–24. http://dx.doi.org/10.1515/ctra-2019-0007.

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AbstractThe subject of the article is the activity of female artistic groups, with a particular focus on development and its dynamics. The aim of the research was to reconstruct the experiences and meanings that professional artists attribute to functioning in such groups. The analysis of the activities of such groups is part of the study of the environmental aspect of creativity. For the purposes of the article, qualitative research was conducted using the technique of free interviews with representatives of four artistic groups representing fine arts, cooperating in Łodz/Poland. The artists
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Styrna, Natasza. "Malarki, rzeźbiarki i graficzki z krakowskiego Zrzeszenia Żydowskich Artystów (1931–1939)." Studia Judaica, no. 2 (48) (2021): 407–35. http://dx.doi.org/10.4467/24500100stj.21.017.15072.

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Painters, Sculptors and Graphic Female Artists From the Kraków Association of Jewish Artists, 1931–1939 Eleven women belonged to the Kraków Association of Jewish Artists, active in the 1930s. They dealt with painting, graphic art and sculpture. Unfortunately, not much has survived from their achievements. One of the most interesting artistic personalities in this group was Henryka Kernerówna, educated in Vienna. From 1918 on, female artists younger than her could benefit from studies at the Academy of Fine Arts in Kraków. In the reviews of the exhibitions of the Association, the gender of arti
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Bukauskaitė, Evelina. "Gatherings of Jewish Artists in Interwar Lithuania." Art History & Criticism 17, no. 1 (2021): 17–30. http://dx.doi.org/10.2478/mik-2021-0002.

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Summary The main subject of this paper is the Jewish artists of interwar Lithuania and their efforts to unite. It analyses the aspirations of Jewish artists to unite into groups, to represent and present their art, and to maintain their national identity. The article introduces the main organisers, participants, circumstances and goals of the artists’ gatherings. It discusses three cases: the cultural policy pursued by National Jewish Council’s Section of Culture at the institutional level; Jewish artists who gathered on a social basis; and the Art Gallery of Neemiya Arbit Blatas as a unique e
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Vakarina, E. A. "ARTISTS' VIEWS OF PSYCHOLOGICAL WELL-BEING." PERSONALITY IN A CHANGING WORLD: HEALTH, ADAPTATION, DEVELOPMENT 11, no. 2 (2023): 175–85. http://dx.doi.org/10.23888/humj2023112175-185.

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The purpose of the study is to identify and describe the sense-groups of artists' views of psychological well-being. Psychological well-being is considered as a multicomponent concept, including cognitive, emotional and behavioral components. 55 artists aged between 19 and 60 took part in the survey. A structured interview about psychological well-being was conducted. Data processing was carried out by means of content analysis. Eight sense-groups related to artists' perceptions of psychological well-being were identified: relationships with others, calm, harmony, mindfulness, satisfaction, me
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Dissertations / Theses on the topic "Mavo (Groups of artists)"

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Broadhurst, Maura Lesley. "Strategic spaces : towards a genealogy of women artists' groups in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0002/MQ40226.pdf.

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Oshima, Hiroko. "Artists' groups in Japan and the UK and their impact on the creative individual." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3340/.

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The aim of this thesis is to give an alternative insight to the existing concept of individuality in visual art through an examination of the meaning of being individual for visual art practitioners, particularly for those who operate in an artists’ group setting. This research project is a critique of the seemingly unchallenged emphasis on the individuality and its strong association with creativity in the current British art schools. Cultivating individuality is one of the most important aims in both British and Japanese institutions where I have trained as an artist. Nevertheless, my group-
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Zhang, Naiyong. "Les femmes artistes d'origine miao, mongole et ouïgoure dans le champ artistique chinois 1950-2010." Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA042.

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Cette thèse est consacrée à l’évolution de la place des femmes artistes d’origine miao, mongole et ouïgoure dans le champ artistique chinois 1950-2010. Son axe central consiste à montrer comment les mutations sociales ont modifié la place des femmes, et, plus précisément, comment leur place a été redéfinie dans un discours identitaire. Si dans les années 1950-1980, les œuvres portant sur l’idéologie collectiviste et la représentation de « la femme d’acier » occupaient une place primordiale, dans les années 1981-2000, les femmes artistes décrivent la situation réelle des femmes et mettent l’acc
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Books on the topic "Mavo (Groups of artists)"

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Alekseĭ, Gan, Ginzburg, M. I︠A︡. (Moiseĭ I︠A︡kovlevich), 1892-1946, Toller Ernst 1893-1939, and Saitō Hideo, eds. Kōsei shugi to Mavo. Yumani Shobō, 2007.

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Toda, Keita. Tōkyō monokurōmu: Toda Tatsuo, Mavo no koro. Bunsei Shoin, 2016.

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Weisenfeld, Gennifer S. Mavo: Japanese artists and the avant-garde, 1905-1931. University of California Press, 2002.

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1940-, Toda Keita, ed. Watakushi no kakochō: Tsuketari, Kaiga, dōbanga, sōtei sakuhin, mihappyō genkō "Mavo no koto". Bunsei Shoin, 2016.

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Arte, Imago Espacio de, and Fundación OSDE, eds. Los Artistas del Pueblo, 1920-1930: Del 10 de abril al 31 de mayo de 2008. Fundación OSDE, 2008.

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Henning, Marc, and Jonny Bauer. MaJo Brothers: Graffiti art. Edited by Henning Joe. Kerber, 2015.

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Welsh, Eduardo. Portraits, figures, couples, groups. Modern Chinese Art Foundation, 2001.

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Szymański, Michał, and Mirosław M. Markowski. Obok, albo, Ile procent Babilonu? Wydawnictwo "W moich oczach", 2010.

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Taylor, Derek. Country music artists: Directory of their backing groups : 1920's to the present day. British Archive of Country Music, 2000.

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Menconi, Al. The hot 200: 200 insightful profiles from a Christian perspective of the hottest secular music artists and groups. New Song Pub., 1987.

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Book chapters on the topic "Mavo (Groups of artists)"

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Magazzini, Tina. "In the Eye of the Beholder? Minority Representation and the Politics of Culture." In IMISCOE Research Series. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_15.

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AbstractThe debate(s) on the relationship between art, activism and academia is as old as knowledge-production itself. In keeping with this volume’s focus on reflexivity and representation, this contribution asks what role filmmakers, curators and artists play as knowledge producers and as knowledge-brokers when working on politicized issues such migration and/or ethnicity. This chapter looks at three European experiences that sit on the seam of curatorial practice, testimony and activism and address the (visual) narratives of minority groups. Exploring the emergence of these initiatives and d
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Cuyler, Antonio C. "4. Until George Floyd." In Classical Music Futures. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.04.

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The previous chapter advanced discourses about practical solutions to classical music’s exclusion problem relative to women, neurodiverse, and cultural workers from low socioeconomic backgrounds. In Moving Beyond @operaisracist: Exploring Blacktivism as a Pathway to Antiracism and Creative Justice in Opera and (Un)Silencing Blacktivism in Opera: A Conversation about the Letter to the Opera Field from Black Administrators, I document how the Black Opera Alliance and Black Administrators of Opera have compelled opera companies to sign a pledge for racial equity as the first step towards racial j
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Ferrara, Maria Teresa. "Reimagining Art Practice, Recasting Myths: The Story of Two Groups of Feminist Artists in Southern Italy in the Late 1970s." In Female Cultural Production in Modern Italy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14816-3_14.

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Meanwell, Peter, Tine Rude, and Brandon Farnsworth. "“We Started Expanding the ‘Us,’ Rather Than Including Someone Else”—Peter Meanwell and Tine Rude Interviewed by Brandon Farnsworth." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_12.

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AbstractThe festival Borealis—a festival for experimental music in Bergen, Norway, whose artistic director Peter Meanwell and former managing director Tine Rude are being interviewed by Brandon Farnsworth, works with an expanded definition of experimentation in both programming and how it is organised. It focusses on including artists pushing boundaries in a variety of contexts, trying to move beyond being a festival for any one genre. The festival also extends its concept of experimentation to include how it is organised, linking the act of hearing other’s perspectives that experimental music
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Piekut, Benjamin. "Black Music’s Institutional Critique." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_6.

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AbstractTo consider institutional critique within the music field requires some alteration of its fundamental terms, because music had developed a second aesthetic system surrounding Black art and had institutionalised it much earlier than modern or contemporary art had. This de-universalisation of the European fine arts has consequences for the theory of critique. Black music’s governing institutions in the 1960s were the recording label, the night club, the summer festival, and the mass periodical, and artists such as Charles Mingus, Bill Dixon, Rahsaan Roland Kirk, Ornette Coleman, Don Cher
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Hampson, Jamie, and Sam Challis. "Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation." In Deep-Time Images in the Age of Globalization. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_19.

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AbstractBoth on and off the rocks, it is clear that many pictographs and petroglyphs are powerful cultural and social ‘tools’ as well as sacred beings. Indeed, in certain regions of many countries, cultural and socio-political identity is shaped, manipulated, and presented through rock paintings and engravings. In this chapter, we focus on re-contextualised and appropriated Indigenous heritage and rock art motifs, in commercial settings, in sports team mascots, and as integral components of political and national symbols—there are illuminating similarities (as well as differences) that span th
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de-Miguel-Molina, María, and Virginia Santamarina-Campos. "Conclusions: Music as an Economic, Social, Cultural, Creative and Resilient Activity." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_9.

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AbstractMusic, like many cultural and creative industries, can be analysed from symbolic, political and economic dimensions. It is a vibrant, highly resilient sector that has continued to evolve over time from prehistory to the present. Moreover, the music industry has developed in lockstep with technology, creating fascinating business models since the inception of the Internet, forcing companies and artists to adapt continuously to the new environment. This is also related to music customers, who change their preferences as new genres and trends appear. Governments are well aware of the oppo
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Saha, Sharmistha. "From Communities of Belief to Artists in Performance: ‘Clear Enigma’ of Odin Teatret and the Pulluvas of Kerala, or Three Movements of Community Heritage." In Heritage Studies. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-72123-6_26.

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AbstractThis paper looks at the transformative nature of intangible cultural heritage and its co-relation to the evolution of a community. In order to do so the paper looks at the caste labour of *Naga Kalam Pulluvan Pattu* which is a form of *Kalamezhuth Pattu* where *Kala* means art or picture and *mezuth* is the act of making, and *pattu* is to sing i.e. it is *the song of making art*. It is performed primarily by the Pulluva caste community. Although different regions of Kerala, where this ritual art practice is found often sees other caste groups associated to this practice. Naga Kalam Pu
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Bedrosian, Daniel. "INDEX OF ARTISTS, GROUPS, AND BANDS." In The Authorized P-Funk Song Reference. Rowman & Littlefield Publishers, 2023. https://doi.org/10.5771/9781538183434-451.

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"Individual artists/groups: primarily noncommercial recordings." In Traditional Anglo-American Folk Music. Routledge, 2015. http://dx.doi.org/10.4324/9781315659398-13.

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Conference papers on the topic "Mavo (Groups of artists)"

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Barbosa, Gabriel R. G., Bruna C. Melo, Gabriel P. Oliveira, Mariana O. Silva, Danilo B. Seufitelli, and Mirella M. Moro. "Hot Streaks in the Brazilian Music Market: A Comparison Between Physical and Digital Eras." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19440.

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Consuming music through streams has made huge volumes of data available. We collect a part of such data and perform cross-era comparative analyses between physical and digital media for successful artists within the music market in Brazil. Given an artist’s career, we focus on hot streak periods defined as high-impact bursts occurring in sequence. Specifically, we construct artists’ success time series to detect and characterize hot streak periods for both physical and digital eras. Then, we assess their features, analyze them in the genre scale, and perform a cluster analysis to identify grou
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Yee Janet Fong, Man, Jimmy Lee, and Gloria Mak. "Empowering Asian Artists: The Art Futures Award Initiative." In 16th International Conference on Applied Human Factors and Ergonomics (AHFE 2025). AHFE International, 2025. https://doi.org/10.54941/ahfe1006338.

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This conference paper introduces the Art Futures Awards Initiatives as an innovative framework designed to restore academic rigor to art award evaluation processes and empower Asian artists within the international art community. It systematically presents the literature review, methodology, framework design, scope of influence, assessment methods, outcomes, and data analysis, offering a comprehensive model applicable for art practitioners, artists, curators, and educators.Art awards significantly influence contemporary art by affecting artists' recognition, career development, and creative ex
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Brennan, Annmarie, and Jonathan Lovell. "PULSA: The Affective Art of Novel Intelligent Environments." In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.78.

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Most histories of digital design in architecture are limited, and begin with the initial investigations into artificial intelligence by the Architecture Machine Group at MIT during the 1960s, and end with a mention of the Evolutionary Architecture at the ArchitectureAssociation during the late 1980s and early 1990s. However if one was to examine many of the artworks created during this time, several artists were working with similar ideas, concepts, and technologies on artificial intelligence. This paper is a media archaeology of responsive environments in contemporary practice.It endeavors to
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Гарусова, Ольга. "Professional occupations of the Russian population during the interwar period in Kishinev." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.20.

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Being one of the most urbanized ethnic groups in Bessarabia, the majority of Russian population was engaged in professional activities. Th e article analyzes the specialized occupations of the Russian-speaking intellectuals from Kishinev when this region was a part of Royal Romania. Changes taken place in the labor market during this transitional historical period have transformed the formerly existing hierarchy of employment, moving the Russians from managerial and administrative structures to economic and cultural spheres of activity. Based on the materials that deal with the life trajectori
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Salgado Cofré, Daniela, and Álvaro Mercado Jara. "Going to the Clay: Exploring Conflicts and Values of the Soil in Valparaiso." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.60.

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This proposition presents a design and artistic research focused on the soil that aims to generate active and poetic forms of reflection around the fragile interdependence of human and non-human lives in an increasingly precarious urban environment, emphasised by the current ecological crisis. In order to engage in such reflections, this practice-oriented research —led by designers, architects, artists and educators— collects relational modes of material interdependence in the region of Valparaíso, Chile, by exploring veins and clay pits for pottery making that are relevant and known by artisa
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J Lin, Jessica, and Tongchen He. "An Intelligent Mobile Program to Generate Scripts and Images using Artificial Intelligence." In 5th International Conference on Advanced Natural Language Processing. Academy & Industry Research Collaboration Center, 2024. http://dx.doi.org/10.5121/csit.2024.141008.

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This paper explores the problem of creative block in writing and art and aims to improve the efficiency and inspiration of brainstorming through AI-powered script and image generation [7]. We propose a solution that integrates artificial intelligence into a user-friendly app, capable of generating diverse scripts and images to inspire creativity. Our program leverages natural language processing and image synthesis algorithms to create original content from user prompts [8]. Challenges encountered included ensuring the coherence and originality of AI-generated scripts and optimizing the speed
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Morik, Marco, Ashudeep Singh, Jessica Hong, and Thorsten Joachims. "Controlling Fairness and Bias in Dynamic Learning-to-Rank (Extended Abstract)." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/655.

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Rankings are the primary interface through which many online platforms match users to items (e.g. news, products, music, video). In these two-sided markets, not only do the users draw utility from the rankings, but the rankings also determine the utility (e.g. exposure, revenue) for the item providers (e.g. publishers, sellers, artists, studios). It has already been noted that myopically optimizing utility to the users -- as done by virtually all learning-to-rank algorithms -- can be unfair to the item providers. We, therefore, present a learning-to-rank approach for explicitly enforcing merit
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Abbas, Naqaa, and Hend Taher. "Celebrating Culture - Literary Communities of Practice in Doha." In Qatar University Annual Research Forum & Exhibition. Qatar University Press, 2020. http://dx.doi.org/10.29117/quarfe.2020.0264.

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Our paper focuses on the role of arts and culture in Doha. More specifically, we examine literary circles in Doha (both Arab and English speaking) and regard them as ‘communities of practice.’ According to Etienne Wenger, communities of practice are “groups of people who share a concern or a passion for something they do and learn how to do it better as they interact regularly.” Moreover, such communities are seen as promoting innovation, developing social capital, facilitating and spreading knowledge within a group, and spreading existing knowledge. Recently, there has been a surge of active
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Zhang, Jinmeng, Rui Xu, and Ziqiong Yang. "Research and application of public welfare poster design under the background of perceptual design and digitalization." In 9th International Conference on Kansei Engineering and Emotion Research (KEER2022). Kansei Engineering and Emotion Research (KEER), 2022. http://dx.doi.org/10.5821/conference-9788419184849.61.

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Graphic language has become the information age of today's layout design concept and consciousness. The integration of design and digitization constructs the cultural ecological environment of diversified design, which makes the thinking, concept and aesthetic style of design permeate with unique cultural value. Based on the perceptual image elements under visual innovation and the communication effect of modern public welfare posters, combined with the update of media and the application and iteration of digital technology, emotional graphic elements are equipped in the design of public welfa
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Tsai, Naomi, and Javier Gastón-Greenberg. "Decoding Cultural Narratives through Project-Based Learning." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-029.

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We at Educurious have collaborated with the United States Library of Congress to develop a freely available Ethnic Studies project-based curricular series that uses cultural expression as a lens to navigate complex factors that have shaped diverse identities in the United States, encompassing migration, colonization, imperialism, and the experiences of indigenous and black communities globally. The objective is to facilitate students' comprehension of various groups' origins and efforts to preserve cultural heritage, evolve expressions of identity, and transform society. The project proposes a
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Reports on the topic "Mavo (Groups of artists)"

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Bellwood-Howard, Imogen, Peter Taylor, Julie Doyle, et al. Citizen Voice and the Arts: Opportunities and Challenges for Citizen–Policy Engagement on Environmental Issues in Sahelian West Africa. Institute of Development Studies, 2022. http://dx.doi.org/10.19088/ids.2022.088.

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Citizen and policy groups address environmental challenges in the Sahel, but rarely together. In Sahelian West Africa, including in Mauritania, Senegal, and Mali, artists and citizens have used protest art to make their voices heard, in contexts where this can carry risks of conflict with authorities. Artists sometimes act as engaged citizens, who can draw on their artistic talents to communicate a message. This paper explores how far art may be used as a tool for dialogue between different groups on environmental concerns in the Western Sahel.
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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the
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Heddon, Dee, Claire Hind, Maggie O'Neil, et al. The Walkbook: Recipes for Walking and Wellbeing. Walking Publics/Walking Arts, 2022. http://dx.doi.org/10.36399/gla.pubs.293315.

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Our public survey showed that more people walked during COVID-19, and walked more frequently. However, some people walked less, or their walking reduced over the various lockdowns. Many barriers or challenges to walking were identified by respondents. We have commissioned 30 artists from across the UK to contribute recipes to The Walkbook which address one or more of these research challenges including: bad weather, bored of walking, shielding, anxious, lack confidence, excluded, in pain, nowhere to walk, bored of walking the same route, cannot walk very far, frightened, lack time, can’t be bo
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Case, R., J. Alabakis, K.-A. Bowles, and K. Smith. Suicide prevention in high risk occupations. The Sax Institute, 2020. http://dx.doi.org/10.57022/zfla9501.

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This review aimed to provide a summary of suicide prevention programs/interventions targeting specific occupations and key enablers for their effectiveness. It aimed to identify which occupations in NSW have higher rates of suicide and prevention programs/interventions targeting these groups which of these have been effective in reducing suicide risk. Particularly high rates of suicide risk were found among farmers, construction workers, emergency services personnel, veterinarians, entertainers and artists, and those in the transport industry. However, evidence on the effectiveness of preventi
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5

Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand begun in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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6

Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

Full text
Abstract:
How can a socially defined project facilitate meaningful knowledge transfer between community, corporate, and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand began in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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7

Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len
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