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Relevant bibliographies by topics / Max Mara (Firm)

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Academic literature on the topic 'Max Mara (Firm)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Max Mara (Firm)"

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Sharke, Paul. "No Run of the Mill." Mechanical Engineering 127, no. 03 (March 1, 2005): 32–35. http://dx.doi.org/10.1115/1.2005-mar-2.

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This article discusses that the business of engineering has challenges of its own. Engineer-to-order (ETO) differs from make-to-stock or make-to-order businesses primarily in the amount of designing that takes place after a firm receives an order. For either of the two make-to systems, post-order engineering is insignificant. ETO firms depend heavily on engineers and designers inside the order cycle because the machine has to be imagined, then designed and detailed, before it can be built. Handling specialty is a typical ETO manufacturer. It builds lifting and turning equipment used by everyone from automakers in Toronto to stage builders in Las Vegas. Although it makes equipment mostly of a particular kind, no two orders are exactly alike. In order to make a transition from entrepreneurial, family-owned firms to professional ones, ETO companies need to make business information available to employees throughout their organizations.

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Magauin, Mukhtar, and Mirgul Kali. "Fire." Massachusetts Review 61, no. 2 (2020): 242–48. http://dx.doi.org/10.1353/mar.2020.0036.

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Schmalz, Sebastian, and Ulrich R. Orth. "Brand Attachment and Consumer Emotional Response to Unethical Firm Behavior." Psychology & Marketing 29, no. 11 (October 11, 2012): 869–84. http://dx.doi.org/10.1002/mar.20570.

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Claffey, Ethel, and Mairead Brady. "Examining Consumers’ Motivations to Engage in Firm-Hosted Virtual Communities." Psychology & Marketing 34, no. 4 (March 9, 2017): 356–75. http://dx.doi.org/10.1002/mar.20994.

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Hernández-Perlines, Felipe, Juan Moreno-García, and Benito Yáñez-Araque. "Family firm performance: The influence of entrepreneurial orientation and absorptive capacity." Psychology & Marketing 34, no. 11 (October 10, 2017): 1057–68. http://dx.doi.org/10.1002/mar.21045.

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Kalamaras, George. "The Day of No Fire." Massachusetts Review 58, no. 2 (2017): 330–31. http://dx.doi.org/10.1353/mar.2017.0053.

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Anderson, Jeffrey E., Silvia L. Martin, and Ruby P. Lee. "Lobbying as a potent political marketing tool for firm performance: A closer look." Psychology & Marketing 35, no. 7 (April 24, 2018): 511–21. http://dx.doi.org/10.1002/mar.21102.

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Thrasher, Corey. "With Knowledge of Fire, and: Medea." Massachusetts Review 56, no. 3 (2015): 416–17. http://dx.doi.org/10.1353/mar.2015.0069.

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Silano, Martha. "Language the Fire in the Bog." Massachusetts Review 56, no. 4 (2015): 708–9. http://dx.doi.org/10.1353/mar.2015.0099.

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Parmenter, Chad. "When I Discovered Sacrifice by Fire." Massachusetts Review 60, no. 3 (2019): 515–17. http://dx.doi.org/10.1353/mar.2019.0091.

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Dissertations / Theses on the topic "Max Mara (Firm)"

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Pietikäinen, Janna. "Soil microbes in boreal forest humus after fire." Helsinki : University of Helsinki, 1999. http://ethesis.helsinki.fi/julkaisut/maa/mekol/vk/pietikainen/.

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Heirston, Bryan. "Terrorism prevention and firefighters where are the information-sharing boundaries? /." Thesis, Monterey, Calif. : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Mar/09Mar%5FHeirston.pdf.

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Thesis (M.A. in Security Studies (Homeland Security and Defense))--Naval Postgraduate School, March 2009.
Thesis Advisor(s): Rollins, John. "March 2009." Description based on title screen as viewed on April 23, 2009. Author(s) subject terms: Firefighters, Terrorism, Prevention, Response, Information Sharing, U.S. Fire Service, Homeland Security, New York City Fire Department Terrorism and Disaster Preparedness Strategy, U.S. Fire Service Intelligence Enterprise, Civil Contingencies Act, Legal, Operations, Cost, Political. Includes bibliographical references (p.109-115). Also available in print.

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Mata, Vinicio R. "The contribution of police and fire consolidation to the homeland security mission." Thesis, Monterey, California : Naval Postgraduate School, 2010. http://edocs.nps.edu/npspubs/scholarly/theses/2010/Mar/10Mar%5FMata.pdf.

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Thesis (M.A. in Security Studies (Homeland Security and Defense))--Naval Postgraduate School, March 2010.
Thesis Advisor: Wollman, Lauren. Second Reader: Miller, Patrick. "March 2010." Author(s) subject terms: Consolidation, police, fire, homeland security mission, collaboration, integration. Includes bibliographical references (p. 71-73). Also available in print.

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Robson, Thomas A. "A burning need to know the use of open source intelligence In the fire service /." Thesis, Monterey, Calif. : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Mar/09Mar%5FRobson.pdf.

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Thesis (M.A. in Security Studies (Homeland Security and Defense))--Naval Postgraduate School, March 2009.
Thesis Advisor(s): Bergin, Richard ; Simeral, Robert. "March 2009." Description based on title screen as viewed on April 24, 2009. Author(s) subject terms: Fire, Intelligence, Firefighter Training, First Responders, Fire Service Intelligence, Open Source Intelligence, Fire Service. Includes bibliographical references (p. 77-79). Also available in print.

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Jones, Dennis D. "Defining the role and responsibility of the fire service within homeland security." Thesis, Monterey, California : Naval Postgraduate School, 2010. http://edocs.nps.edu/npspubs/scholarly/theses/2010/Mar/10Mar%5FJones%5FDennis.pdf.

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Thesis (M.A. in Security Studies (Homeland Security and Defense))--Naval Postgraduate School, March 2010.
Thesis Advisor(s): Morag, Nadav ; Supinski, Stanley. "March 2010." Description based on title screen as viewed on April 28, 2010. Author(s) subject terms: Fire Service, Fire Service Provider (FSP), Fire Department of New York (FDNY), St. Paul Fire Department, Homeland Security, London Fire Brigade (LFB), Holistic, Discipline, Strategy, Doctrine, Collaboration, Planning, Partnering, Megacommunity. Includes bibliographical references (p. 71-74). Also available in print.

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Bianchi, Ronaldo. "MAM, uma historia sem fim." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/1185.

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Made available in DSpace on 2016-04-25T16:44:51Z (GMT). No. of bitstreams: 1 ADM - Ronaldo Bianchi.pdf: 11052972 bytes, checksum: e7120fdf28091e251c58cbc31456ace1 (MD5) Previous issue date: 2006-10-27
The study of branding has gained different concepts and functions by the authors who had studied it. Today, we now that the brand is an important item of market differentiation which has an identity and an environment that the companies must be adapt. The brand identity it encloses not only who consumes it, but also encloses the public who work and sell the brand. The trademark is not only important for the corporative world, in the last few years the mark has became important in the cultural environment as a new form of businesses. In the cultural marketing, notices a procedure standard to start and sell new projects, as well as giving the continuation. Firstly, a unit for the construction of projects is mounted, with the ready project it is important to make a research for sponsors and to present the project with a media plan to close the selling of the business. In this work, we will analyze the Museum of Modern Art of São Paulo (MAM) as an important trademark in the Brazilian cultural scene. The work tells the history of MAM, by means of its different administrations. In the first administration of Ciccillo Matarazzo, the MAM was consecrated by the society, media and artists. In its second administration, the museum survived with few resources, because Ciccillo Matarazzo had left to finance the museum. In its third administration had Dinah Lopes Coelho as a leader who produced the Panoramas de Arte Brasileira and reestablish the brand prestige of The Museum of Modern Art of São Paulo. The fourth administration of MAM was headed by Aparício Basílio Da Silva, in this administration, the museum passed again for financial difficulties that had been only cured in the administration of Eduardo Levy, who inaugurates the phase of professionalism of the museum, which goes to stabilize itself in the management of Milu Villela. The Milu Villela s management has strong corporative characteristics; in this administration the professionalism of MAM is evident which acquired corporative and professional partnerships of diverse areas. We have analyzed the pointers of performance of the museum that we considered basic for the construction of the trademark MAM, are it: the headquarters, the quantity, financing, expositions, public, press repercussion, awards and the application of the brand
A marca ganhou diferentes conceitos e funções pelos diversos autores que a estudaram. Hoje, sabemos que a marca é um importante item de diferenciação de mercado, que possui uma identidade e um ambiente, no qual as empresas precisam se adaptar. A identidade de marca abrange não só quem a consome, mas, também, o público que com ela trabalha e o público que a vende. A marca não é apenas importante para o mundo corporativo, nos últimos anos a marca tornou-se importante no ambiente cultural como forma de novos negócios. E no marketing cultural nota-se um padrão de procedimento para começar e vender novos projetos, assim como dar a continuação. Primeiramente, monta-se uma unidade para a construção de projetos, com o projeto pronto é importante fazer uma pesquisa por patrocinadores e apresentar o projeto com um plano de mídia para fechar a venda. Nesse trabalho vamos analisar o Museu de Arte Moderna de São Paulo (MAM) como uma importante marca no cenário cultural Brasileiro. O trabalho conta a história do MAM, por meio das suas diferentes administrações. A primeira administração de Ciccillo Matarazzo, no qual o MAM foi consagrado pela sociedade, mídia e artistas. A sua segunda administração, o museu sobreviveu com poucos recursos, já que Ciccillo Matarazzo havia deixado de financiar o museu. A terceira administração teve a sua frente Dinah Lopes Coelho que produziu os Panoramas da Arte Brasileira e restabeleceu o prestigio da marca do Museu de Arte Moderna. A quarta administração do MAM foi encabeçada por Aparício Basílio da Silva, o museu voltou a passar por dificuldades financeiras que só foram sanadas na administração de Eduardo Levi, que inaugura a fase de profissionalização do museu, que vai se estabilizar na gestão de Milu Villela. A administração de Milu tem características corporativas mais fortes, nessa administração a profissionalização do MAM fica evidente adquirindo parcerias corporativas e profissionais de diversas áreas. Analisamos ainda os indicadores de desempenho do museu que consideramos fundamentais para a construção da marca MAM: a sede, o acervo, financiamento, grade expositiva, público, repercussão na imprensa, premiações e aplicação da marca

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Spišáková, Katarína. "Implementace pilotního řešení Business Intelligence v obchodní firmě." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-163915.

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Main objective of the theses is pilot solution for implementations of Business Intelligence in to the Business company. The company is selling gastronomic appliances and realizes complete functioning of public alimentation , including services. The theses is devided in two parts. First part is theoretical summary of methods Balanced Scorecard and Business Intelligence. Theoretical part includes the chapter which explain operation and possibilities of Business Intelligent in small companies. The second part is practical solution, where is in the beginning introduction of the company. In the following chapters the main objective is to establish the key indicators in chosen company by using method of strategic operation of Balanced Scorecard. Next is to create strategic map, which make model for company behavior and model for usage of outputs in the course of real implementation of Business Intelligence.

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Musil, Jiří. "Business intelligence v laboratorní firmě." Master's thesis, Vysoká škola ekonomická v Praze, 2016. http://www.nusl.cz/ntk/nusl-204855.

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The main objective of this diploma thesis is the implementation of a pilot solution of Business intelligence in the laboratory company. This company is providing tests of samples of blood and urine. The diploma thesis is divided into two main parts. The first part contains theory. It describes the usage and components of the Business intelligence. Additionaly it describes the method Balanced scorecard and its usage in laboratory companies. The second part contains practical solution. At first there is a description of the company where is the solution implemented. In the next step the goals and metrics are determined on basis of the application of the method Balanced scorecard. The strategic map is created based on company goals. The last chapter contains a description of the implementation of the pilot solution and the description of created reports.

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Marx, Vera Maria [Verfasser], Gerhard [Akademischer Betreuer] Dehm, and Alfred [Akademischer Betreuer] Ludwig. "The mechanical behavior of thin metallic films on flexible polymer substrate / Vera Maria Marx. Gutachter: Gerhard Dehm ; Alfred Ludwig." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1099703530/34.

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Hofman, Lukáš. "Implementace Business Intelligence ve firmě ČON s.r.o." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-10456.

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This dissertation thesis deals with the topic of Business Intelligence and Balanced Scorecard and its use in České odborné nakladatelství, s.r.o., a relatively small company of 29 employees, which publishes magazines about business, gastronomy, textile, foods, hotels etc. The first part of my thesis describes the BI and BSC theoretically and offers a methodical basis for the following chapters. It gives the reader a definition and structure of BI, with access to a Data Warehouse including the fundamentals of building an OLAP database. It furthermore explains what BSC is, which perspectives use and what a strategic map is. The theoretical chapters of my paper will draw conclusions about the use of BI and BSC and the links between them. The practical, hands-on, chapters continue with the actual application of BI and BSC in the afore-mentioned ČON, s.r.o. It describes the goals and ambitions of the company, which are further on divided into individual strategic goals and metrics, fragmented into perspectives of the BSC and portrayed in a strategic map. Upon analyzing the demands of the company a BI framework is created, data sources are identified, Data Warehouse are designed and brought into effect. In the end a multidimensional OLAP cube is created with MS SQL Server 2008. Finally, there is a MS Excel 2007 explanation and interpretation of the measured values (reporting), which is taken from the available sources of ČON, s.r.o. and is compared against the set strategic goals and metrics of the company. The results of this thesis are based on actual demands of the company and are ready to be implemented and used in real-life.

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Books on the topic "Max Mara (Firm)"

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(Firm), Max Mara. Max Mara, 50: Anniversary press book, 1951-2001. [Reggio Emilia, Italy?: Max Mara?, 2001.

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Margherita, Bellezza Rosina, Max Mara, and Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia), eds. Coats!: Max Mara, 60 years of Italian fashion. Milan: Skira, 2011.

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Khoo, Gaik Cheng. Mau dibawa ke mana sinema kita?: Beberapa wacana seputar film Indonesia. Jakarta: Salemba Humanika, 2010.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2009.

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Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Constantakis, Sara. Short stories for students: Presenting analysis, context, and criticism on commonly studied short stories. Detroit, Mich: Gale, 2010.

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Singer, Abraham A. The Classical Theories of the Corporation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190698348.003.0003.

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This chapter reviews the theories of the corporation offered by Adam Smith, John Stuart Mill, and Karl Marx, looking at how they would answer the questions posed in the first chapter. We see that for the same reasons that Smith celebrated the “invisible hand” of the market, he was deeply skeptical of the joint-stock company. Mill and Marx, on the other hand, see in the joint-stock company the possibility of moral progress; Mill contended that joint-stock companies would give way to an economy dominated by worker cooperatives, and Marx accorded it a crucial role in the transcendence of capitalism. In the process of this overview we begin to see how firms and corporations are distinct from markets, and how one’s normative appraisal of the latter will affect the way they understand and assess the former.

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Shuback, Alan. Hollywood at the Races. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178295.001.0001.

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An examination of the symbiotic relationship that existed between the Hollywood film community and horse racing, primarily between 1930 and 1960, Hollywood at the Races explores the extraordinary participation of producers, directors, and actors in the sport of kings. All three of Southern California’s major racetracks were founded in part or in whole by Hollywood luminaries: Hal Roach was cofounder of SantaAnita; Bing Crosby founded Del Mar with help from Pat O’Brien; and the Warner brother founded Hollywood Park with assistance from dozens of people in the film community. Moreover, people like Crosby, Betty Grable, Mervyn LeRoy, and Don Ameche owned racehorses, while MGM’s chief of production, Louis B. Mayer, was one of the nation’s leading owner-breeders. Racing also had an interest in Hollywood, as evidenced by the exploits of breeder-owner Jock Whitney, who helped finance David O. Selznick’s productions of GonewiththeWind and Rebecca. A horse owned by Rita Hayworth (aka the Princess Aly Khan) nearly won Europe’smost important race, the Prix de l’Arc de Triomphe, and screenwriter- producer Gene Markey became the co-owner of Calumet Farm when he married his fourth wife.During this period, Hollywood produced at least 120 racing-themed films, among them A Day at the Races, National Velvet, and Thoroughbreds Don’t Cry. Thelast two starred Mickey Rooney, an inveterate horseplayer who, like Chico Marx and Jimmy Durante, lost a fortune at the track.The book concludes with an analysis of the twin declines of racing and cinema in America in recent decades.

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Harmes, Marcus K. The Curse of Frankenstein. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733858.001.0001.

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Critics abhorred it, audiences loved it, and Hammer executives were thrilled with the box office returns: The Curse of Frankenstein was big business. The 1957 film is the first to bring together in a horror movie the 'unholy two', Christopher Lee and Peter Cushing, together with the Hammer company, and director Terence Fisher, combinations now legendary among horror fans. This book goes back to where the Hammer horror production started, looking at the film from a variety of perspectives: as a loose literary adaptation of Mary Shelley's novel; as a film that had, for legal reasons, to avoid adapting from James Whale's 1931 film for Universal Pictures; and as one which found immediate sources of inspiration in the Gainsborough bodice rippers of the 1940s and the poverty row horrors of the 1950s. Later Hammer horrors may have consolidated the reputation of the company and the stars, but these works had their starting point in the creative and commercial choices made by the team behind The Curse of Frankenstein. In the film sparks fly, new life is created and horrors unleashed, but the film itself was a jolt to 1950s cinemagoing that has never been entirely surpassed.

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Book chapters on the topic "Max Mara (Firm)"

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Rothermel, Dennis. "Workerist Film Humour." In Marx at the Movies, 123–46. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137378613_7.

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Siebers, Johan. "The Utopian Function of Film Music." In Marx at the Movies, 46–61. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137378613_3.

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Ladegaard, Jakob. "Laughing Matters: Four Marxist Takes on Film Comedy." In Marx at the Movies, 102–22. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137378613_6.

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Fraser, Ian. "Bloch on Film as Utopia: Terence Davies’ Distant Voices, Still Lives." In Marx at the Movies, 62–81. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137378613_4.

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Conterio, Martyn. "Give ‘Em Back Their Heroes." In Mad Max, 15–30. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781911325864.003.0002.

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This chapter discusses the development of George Miller's Mad Max (1979). The first iteration of Mad Max did not involve a cops-and-robbers setup; nor the bleak dystopian future setting or car chases. A vital aspect n the construction of the film's dystopian vision was Miller's medical background and years working as a doctor, as well as his exposure to road accidents growing up, which were frequent enough to leave a lasting mark. Another specific influence on the film was the 1973 oil crisis. The pervading mood of Mad Max is Australia decaying, going wrong, heading towards calamity, losing its way fast. The chapter then details the casting of Mel Gibson for the role of Max Rockatansky, as well as the shooting process of Mad Max.

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"The Firm of Ermen & Engels." In Marx and Engels and the English Workers, 35–49. Routledge, 2005. http://dx.doi.org/10.4324/9780203988053-9.

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Scott, Allen J. "Geography, Entrepreneurship, and Innovation." In Geography and Economy. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780199284306.003.0006.

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Throughout his voluminous writings, Marx insisted on the notion of capitalism as a turbulent scene of production and exchange, gripped by the forces of competition in an endless process of self-transformation. In these circumstances, every firm faces a stark choice between the continual need to upgrade its process and product configurations or eventually going out of business. The result is what Schumpeter (1942), in an explicit invocation of Marx, called ‘creative destruction’, that is, the periodic abandonment of old equipment, production methods, and product designs in favour of newer and more economically performative assets. At the same time, as both Marx and Schumpeter recognized, creative destruction is inscribed within an ever-expanding sphere of economic activity due to the growth of existing firms, the extension of entrepreneurship, and the appearance of new products on final markets. Capitalism, in brief, is a complex Weld of forces spurring constant qualitative and quantitative readjustments across all its multiple dimensions of operation (cf. Baumol 2002). Sometimes these readjustments are of cataclysmic proportions, as when steam replaced water-power in the nineteenth century; more often than not, as Rosenberg (1982) points out, they take the form of small, incremental steps, many of which may be minuscule, but which collectively produce the incessant instability descried by Marx and Schumpeter. Of late years, there has been a considerable outpouring of literature devoted to these themes, much of it partaking of institutionalist and evolutionary economic theory (e.g. Archibugi et al. 1999; Arthur 1990; David 1985; Edquist 1997; Foray and Lundvall 1996; Freeman 1995; Lundvall and Johnson 1994; Nelson 1993; Von Hippel 1988). An important aspect of this literature is the emphasis that much of it assigns to geography—and above all to the region—as an active force in moulding industrial performance qua new firm formation, learning, invention, and growth (cf. Acs et al. 2002; Antonelli 2003; Audretsch and Feldman 1996; Cooke and Morgan 1998; Feldman 1994; Howells 1999; Maskell and Malmberg 1999; Oinas and Malecki 1999; Simmie 2003; Storper 1995).

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Michie, Jonathan. "The Impact of Mutuality on Ownership." In Putting Purpose Into Practice, 221–30. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870708.003.0017.

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Chapter 17 describes how the concept of mutuality extends well beyond that of mutually owned businesses. Mars itself is entirely owned by the Mars family. Many of the companies described in the book are stock corporations with external shareholders. One of the ways in which family firms can retain a focus on the common purpose of the business after the family has withdrawn or sold out to other shareholders is through ‘industrial foundations’ that confer a substantial fraction of the ownership of firms on foundations. These are particularly commonplace in Denmark and Germany, and some of the most successful companies in the world, such as the shipping company Maersk and the media firm Bertelsmann have these ownership forms. The principle of the Economics of Mutuality is about aligning the interests of diverse parties to a common purpose. This can be adopted in companies with any type of ownership but where it takes the form of, for example, mutuals or foundations, then it creates a commitment to the common purpose that may not be observed to the same degree elsewhere.

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"Part 3. In Quest of Meaning in A Spiritual Void: Film and Video." In Children of Marx and Coca-Cola, 145–204. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824837631-005.

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Kluge, Alexander. "A Plan with the Force of a Battleship." In Difference and Orientation, edited by Richard Langston, 208–17. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739200.003.0013.

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This chapter explores Alexander Kluge's retrospective evaluation of Soviet avant-garde cinema practices. Kluge recounts Sergei Eisenstein's plan in 1927 to film Capital, “based on the scenario by Karl Marx.” During the following two years, Eisenstein pursues his plan, which no one is willing to finance. Kluge sees Eisenstein's grand plan to film Capital as a kind of imaginary quarry. One can find fragments there, but one may also discover that there is nothing to be found. Dealing in a respectful way with the plans of a great master like Eisenstein is similar to excavating an ancient site; one discovers more about oneself than actual shards and treasures. Kluge suggests that “today we experience the proliferation of existent conditions. Objective reality has outstripped us, but we also have reason to fear the mass of subjectivity that eludes our consciousness.” In 2008, it is dangerous to confront this reality with the method and the expectations of Marx: one becomes discouraged. Kluge then provides a definition of images.

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Conference papers on the topic "Max Mara (Firm)"

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Lana Alkhan, Muhammad, Atikah Marwa, and Muhammad Hasyim. "The Representation of Poverty in the “Tanah Mama” Film by Asrida Elisabeth based on Max Weber’s Perspective." In Proceedings of the 3rd English Language and Literature International Conference, ELLiC, 27th April 2019, Semarang, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2285309.

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Baker, Daniel C., Gloria Johnson, and Randall P. Bane. "Analysis of film reflectivity and its impact on photolithographic processing." In Microlithography '90, 4-9 Mar, San Jose, edited by William H. Arnold. SPIE, 1990. http://dx.doi.org/10.1117/12.20074.

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Sartore, Richard G. "Use of scanning thickness mapping technique to perform precision measurements of thin film thickness." In Microlithography '90, 4-9 Mar, San Jose, edited by William H. Arnold. SPIE, 1990. http://dx.doi.org/10.1117/12.20029.

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Fukushima, Hiroshi, Hitomi Yamada, Teruyuki Matsui, Takashi Tagawa, Shinzo Morita, and Shuzo Hattori. "X-ray absorbing and mechanical properties of Au-C film for x-ray mask absorber." In Microlithography '90, 4-9 Mar, San Jose, edited by Douglas J. Resnick. SPIE, 1990. http://dx.doi.org/10.1117/12.20165.

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Vieira, Zaira. "Crítica do trabalho, trabalho imaterial e tempo livre: considerações sobre Marx e o capitalismo atual." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.0706.

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As últimas décadas trouxeram rápidas e bruscas transformações no mundo do trabalho. A caracterização dos Grundrisse segundo a qual a base de apropriação a partir do valor ou da exploração do tempo de trabalho imediato dos indivíduos tornar-se-ia impotente frente à imensa riqueza alcançada pelas forças produtivas, e segundo a qual alcançar-se-ia, com isto, as condições para uma drástica redução do tempo de trabalho dos indivíduos, são traços que se têm visto concretizar, tanto no que diz respeito ao desenvolvimento, sob a égide da informática, de forças produtivas de uma riqueza e potencialidade incomparáveis, quanto no que concerne ao anacronismo da propriedade privada, simbolizado, entre outras coisas, pelas disputas com vistas à subsistência e renovação da propriedade intelectual. Tais transformações deram lugar a análises de diferentes tipos no interior da sociologia, da filosofia e das ciências humanas de modo geral: seria este o fim do trabalho e o nascedouro de outro tipo de atividade; tratar-se-ia do chamado trabalho imaterial ou da centralidade de atividades de cunho comunicacional e não mais instrumental ou, em outra perspectiva, tratar-se-ia de uma crise do próprio capitalismo em que o trabalho deveria ser encarado como algo a ser superado tanto quanto o capital? Nesta comunicação, apresentaremos alguns aspectos deste debate, em especial no que concerne ao trabalho imaterial e as passagens em que Marx tratou do ´intelecto coletivo´, buscando propor uma leitura do mundo do trabalho na contemporaneidade.

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Pacheco, Aryane Ferraz Cardoso. "Apresentação clínica, técnicas diagnósticas e manejo terapêutico no tumor filoide." In 44° Congresso da SGORJ - XXIII Trocando Ideias. Zeppelini Editorial e Comunicação, 2020. http://dx.doi.org/10.5327/jbg-0368-1416-2020130210.

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Introdução: O tumor filoide da mama é uma neoplasia fibroepitelial rara, responsável por menos de 1% dos tumores de mama e incide geralmente em mulheres de 35 a 55 anos. Diferentes estudos o relacionam à rápida globalização, ao sedentarismo, às dietas inadequadas e ao consumo de tabaco e álcool. O tumor filoide pode ser classificado como benigno, limítrofe ou maligno, dependendo do grau de celularidade do estroma, atipia, contagem mitótica e a natureza das bordas do tumor. Objetivos: Relatar a apresentação clínica, as possíveis técnicas diagnósticas e o manejo terapêutico mais recente realizado em casos de tumor filoide e, assim, orientar a classe médica sobre a forma de abordar essa patologia. Material e Métodos: Revisão sistemática retrospectiva da literatura usando os principais bancos de dados on-line. Foram investigadas diferentes publicações sobre tumor filoide, com clínica, abordagem diagnóstica e manejo. Resultados e Conclusão: Os tumores filoides geralmente são indolores, manifestam-se como uma massa mamária lisa, móvel, com bordas bem definidas, de consistência firme. Seu crescimento é lento no início, mas acelera à medida que avança, e é rara a disseminação linfática. Seu diagnóstico pode ser por meio do exame clínico das mamas, quando a massa se torna perceptível ao exame físico. A abordagem inicial é feita por mamografia, mas não permite diferenciação de um fibroadenoma, por isso é feito o diagnóstico histopatológico por biópsia com agulha grossa. A alta celularidade estromal diferencia o tumor do fibroadenoma. O diagnóstico precoce favorece o estadiamento e o tratamento adequado com bom prognóstico. Atualmente, o manejo recomendado é o tratamento cirúrgico, realizando a ressecção do tumor com margens ≥10 mm, pois o tumor filoide não responde bem à terapia sistêmica. Recomenda-se um período de acompanhamento rigoroso, em razão do risco de recorrência.

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García Casado, Margarita. "De Mektoub (1970) de Ali Ghanem à Harragas de Merzak Allouache: ce Mare nostrum, mer porteuse de civilisations à une mer tombeau." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3050.

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Partant de Mektoub (1970) de Ali Ghanem, premier film portant sur l’immigration maghrébine en France et sur les difficiles conditions de vie des immigrés, à Harragas (2010) de Merzak Allouache, cette communication se propose d’aborder l’évolution et la transformation de la figure de l’immigré telle que la présente Ghanem dans son film phare à celle de l’image de ces «brûleurs ou harragas de Allouache. Alors que dans Mektoub, la traversée de la Méditerranée ne constitue qu’une étape dans le chemin vers l’exil, les difficultés et les obstacles à vaincre survenant par la suite, l’immigré est un homme pauvre et humble mais plein d’espoir et prêt à tout pour se construire une vie meilleure avant de revenir finir ses jours au pays, Harragas dénonce la fermeture de l’Europe et l’incurie d’un pays qui ne peut empêcher ses jeunes de prendre la fuite dans ces barques ou pateras de fortune. Comme le montre Harragas, les brûleurs sont des jeunes prêts à tout afin de fuir un pays qui n’a rien à leur offrir, un pays qui est devenu une prison. Si l’immigré de Mektoub ne fuyait que la misère, les brûleurs de Harragas représentent, chacun dans leur individualité, les causes du mal de vivre régnant en Algérie. En effet, la barque où ils se trouvent représente un pays laissé à l’incurie, un gouvernement qui a trahi les rêves de ceux qui ont lutté pour l’indépendance et qui n’a pas su répondre aux attentes de son peuple.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3050

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Moreira, Wagner Elias de Melo, Larissa Mirelle de Oliveira Pereira, Samyra Giarola Cecílio, and Jasiara Carla de Oliveira Coelho. "MIND MAP PHYSIO GAME: UMA PROPOSTA DE GAMIFICAÇÃO NO ENSINO REMOTO DE UM CURSO DE FISIOTERAPIA DURANTE A PANDEMIA DA COVID-19." In I Congresso Brasileiro de Educação a Distância On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/847.

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Introdução: A gamificação como método de aprendizagem nas salas de aula em ambiente on-line em tempos de pandemia pela COVID-19, é importante técnica de ensino e deve se tornar elemento componente do processo pedagógico. Objetivo: Desenvolver uma ferramenta lúdica de metodologia ativa de ensino, capaz de estimular o pensamento crítico de alunos de fisioterapia. Material e métodos: Trata-se de um estudo exploratório, que permitiu testar a gamificação como instrumento didático no processo de ensino e aprendizagem de 80 alunos de fisioterapia de um centro universitário. Jogo elaborado em ambiente remoto, por meio da adaptação de um game de mapa mental didático para o ensino superior aplicado em sala de aula presencial. Utilizado o software PowerPoint 2016 e a plataforma Zoom Meetings. Resultados: A aplicação do instrumento detectou que as regras propostas foram bem compreendidas e geraram conhecimento. Os estudantes foram convidados a fazer uma leitura sobre determinado conteúdo e dez perguntas com quatro opções de resposta foram construídas a partir do texto lido. Foi montado o logotipo da roleta de perguntas, sendo usado ao centro o símbolo da fisioterapia. Dez setas saiam em direção a dez números que correspondiam aos territórios. Os estudantes foram alocados em cinco equipes designadas por cores, e a cada acerto, um grupo ganhava um território e o mesmo assumia a cor da equipe respondente, marcando assim o território conquistado. Ao fim, a equipe vencedora foi aquela com a maior quantidade de perguntas conquistadas como território na tela do jogo. Conclusão: Foi construído e elaborado a ferramenta lúdica Mind Map Physio Game, como instrumento de metodologia ativa de aprendizagem para ensino remoto.

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Santos, Thiago Andrade dos. "ESTUDOS URBANOS AVANÇADOS: POR UMA GEOGRAFIA URBANA RADICAL." In I Congresso Nacional de Ensino e Pesquisa em Geografia On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1354.

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Introdução: Discute-se o processo de urbanização a partir de uma perspectiva radical. Uma investigação radical pressupõe o alcance da raiz dos fenômenos estudados, suas leis imanentes e abstratas e que seja rompida a simples descrição das aparências. Evidencia-se a incapacidade de disciplinas parcelares como a Geografia, a Arquitetura, a História, a Engenharia, a Sociologia e as demais ciências ditas modernas de darem conta sozinhas da complexidade dos fenômenos. Objetivo: Firmar as bases para uma compreensão da urbanização capitalista, entendendo suas leis imanentes, contradições e crises. Materiais e métodos: O método dialético de Marx é fundamental para esse fim, pois investiga a realidade em seu movimento, partindo das determinações de formas mais concretas para chegar às suas formas mais abstratas. Resultados: A obra de Henri Lefebvre representa um passo adiante nesse propósito, ao demarcar o papel do “espaço” e de sua produção no entendimento da sociedade que o produziu. Assim, à crítica da “economia política no espaço” deve-se incorporar a “crítica da economia política do espaço”. Nesse contexto, a urbanização é uma parte estrutural da produção do espaço e expressa o modo particular pelo qual a sociedade capitalista está se reproduzindo; a partir da reprodução do espaço socialmente produzido. A urbanização é um desdobramento da tomada das cidades pelas indústrias, em um primeiro momento, porém, atualmente, é comandada pelo capital fictício, que se reproduz a partir da comercialização e capitalização do solo urbanizado. A busca pelas rendas fundiárias urbanas tem redefinido a urbanização para além das indústrias e ditado novas dinâmicas e contradições. O capital em crise encontram na reprodução do espaço urbano formas de se reproduzir “sem passar, diretamente, pelo processo produtivo”, o que causa a falsa impressão de ser esta uma forma de combate efetiva a sua crise de valorização. Na realidade, esse processo amplia a crise e obriga a continuidade do crescimento dos tecidos urbanos de forma desmedida e excludente. Conclusão: Quando se entende a urbanização capitalista de forma radical, a compreensão de processos concretos como a fragmentação e a gentrificação do espaço urbanizado se torna uma entrada não fetichizada para a práxis urbana.

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Reports on the topic "Max Mara (Firm)"

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Health hazard evaluation report: HETA-92-0297-2396, Exxon Chemical Company, Pottsville Film Plant, Polyethylene Film Department, Mar-Lin, Pennsylvania. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, February 1994. http://dx.doi.org/10.26616/nioshheta9202972396.

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