Log in

Relevant bibliographies by topics / Maximilian voloshin

Contents

Journal articles
Books
Book chapters

Academic literature on the topic 'Maximilian voloshin'

Author: Grafiati

Published: 24 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Maximilian voloshin.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Maximilian voloshin"

1

Karlovsky, Igor. "Maximilian Voloshin's classical metres." Sign Systems Studies 40, no. 1/2 (September 1, 2012): 211–30. http://dx.doi.org/10.12697/sss.2012.1-2.11.

Full text

Abstract:

Maximilian Voloshin turned to classical metres after he moved to Crimea that in his consciousness had associations with Hellas. Also, his friendship with Vyacheslav Ivanov became an important stimulus. Initially, Voloshin used the same metres that can be found in Ivanov's collection of poems Кормчие звезды. However, their form shows that Voloshin was well familiar with classical poetry.

APA, Harvard, Vancouver, ISO, and other styles

2

Kuznetsova, Ekaterina V. "Reception of Henri de Regnier’s Poetry by Maximilian Voloshin and Igor Severyanin." Studia Litterarum 6, no. 1 (2021): 66–87. http://dx.doi.org/10.22455/2500-4247-2021-6-1-66-87.

Full text

Abstract:

The article examines the reception of the poetry by a French poet Henri de Regnier in the works of Maximilian Voloshin and Igor Severyanin. Voloshin was a passionate promoter of Regnier in Russia; he appealed to him in criticism, translated his poems and prose, and considered him to be a forerunner of “neo-realism,” a new stage of development in European and Russian literature. The interest of Severyanin in the work of Regnier develops under the influence of Voloshin’s 1910 article “Henri de Regnier.” The young Severyanin was influenced by this article and used accurate translations of Regner’s two poems included in the article for his own translation experiments: he even made the same mistake as Voloshin when translating one of these poems. Compared to Voloshin’s, Severyanin’s versions are less accurate; they have stylistic shifts and ironic tones absent in the original. Thus, the example of Voloshin’s and Severyanin’s different attitudes to Regnier’s poetry allows me to trace two different tendencies in the reception of Western authors within the culture of the so-called Russian Silver age: enthusiastic discipleship, more typical for Russian symbolists, and stylistic play and ironic distancing, more typical for Russian futurists.

APA, Harvard, Vancouver, ISO, and other styles

3

Shevchuk, Veronika Gennadiyevna. "Symbolic-anthroposophic Intentions and interinfluence of literary texts in the works of Maximilian Voloshin." Культура и искусство, no. 10 (October 2021): 1–12. http://dx.doi.org/10.7256/2454-0625.2021.10.36768.

Full text

Abstract:

This article carries out a culturological analysis of the artistic worldview of the poet, artist, art historian, and art critic Maximilian Voloshin (1877–1932) – one of the prominent representatives of the Silver Age. The object of this research is the diversity of artistic space of M. Voloshin, while the subject is the interinfluence of his literary texts. The author aims to determine the symbolic-anthroposophic intentions in the artistic space of M. Voloshin as a complex semiotic formation that comprises the continuum of various texts: visual, verbal, nonverbal, and others. Maximilam Voloshin’s reasoning on the symbolic nature are reflected in his theoretical works and correspondence with cultural figures. In his articles, Voloshin advanced the idea that the artist refers to the spatial form of art by means intuition and inner consciousness. The poem “Rouen Cathedral” by M. Voloshin is vivid example of the synthesis of poetic and picturesque texts. M. Voloshin’s engagement in construction of the Goetheanum in Dornach headed by the German anthroposophist R. Steiner contributed to the development of the new worldview, which is reflected in the original watercolor “Dornach Album”. The novelty of this research lies in the fact that the personality of M. Voloshin is presented as a metatext, complex semiotic space that intertwined visual (iconic), verbal and other texts that embody the symbolic and anthroposophic intentions. It is established that the use of symbolic and anthroposophic intentions by M. Voloshin, as well as the synthesis of visual, verbal and other texts, characterize the diversity and synthetism of his worldview, although he did not fully apprehended the views of the symbolists and anthroposophists. All these principles formed the artistic space of M. Voloshin as metatext in a single guise – poet, artist, and philosopher.

APA, Harvard, Vancouver, ISO, and other styles

4

Bielniak, Nel. "„Płótno, piołun, sandały...”. Maksymilian Wołoszyn we wspomnieniach." Acta Polono-Ruthenica 1, no. XXIII (March 30, 2018): 7–18. http://dx.doi.org/10.31648/apr.1466.

Full text

Abstract:

Maximilian Kirienko-Voloshin (known as Maximilian Voloshin), a Russian poet and painter, was a colourful, maverick person; it is not possible to assess him unequivocally. He made a strong impression on people around him, which is reflected in abundant literary memoirs. When the opinions of Ivan Bunin, Marina Tsvetaeva, Eugenia Gertsyk, Nadezhda Teffi and Boris Sadovskoy are analysed, a heterogenetic picture of the artist emerges. His unusual demeanor and clothing, and surprising beliefs - often perceived as iconoclastic - attracted attention or even led to controversy.

APA, Harvard, Vancouver, ISO, and other styles

5

Buzhor, Vadim I., and Yevgeniya S. Buzhor. "The ethical conception of Leo Tolstoy in the interpretation of Maximilian Voloshin." SHS Web of Conferences 103 (2021): 01013. http://dx.doi.org/10.1051/shsconf/202110301013.

Full text

Abstract:

The article examines the interpretation of Leo Tolstoy’s ethical conception provided by a Russian poet Maximilian Voloshin. A brief exposition of Tolstoy’s ethical conception position of a person’s concern for their soul is provided. In this regard, the requirements of love and nonviolence are not of value in and of themselves but are subordinate to the main cause of salvation, the improvement of a person’s soul. This is the point on which Voloshin focuses his criticism reproaching Tolstoy for selfishness. Non-resistance to evil by violence is paradoxically interpreted by Voloshin as evasion from evil. Voloshin emphasizes that Tolstoy’s understanding of evil is simplified due to his failure to understand the sinful nature of mankind. Voloshin opposes Tolstoy’s ethics interpreted by him in this manner with his own ethical conception suggesting that it is necessary to not move away from evil in the world but, on the contrary, take it into oneself and strive to transform it with the internal forces of good. In conclusion, it is examined that despite their differences both thinkers agreed that responding with evil to evil is unacceptable from the point of ethics. Both Tolstoy and Voloshin were also characterized by the implementation of their ethical provisions in their personal lives.

APA, Harvard, Vancouver, ISO, and other styles

6

Shuneyko, Alexander A., and Olga V. Chibisova. "The Poetic Heritage of Maximilian Voloshin and Buddhism." Current Issues in Philology and Pedagogical Linguistics, no. 4 (2018): 156–63. http://dx.doi.org/10.29025/2079-6021-2018-4(32)-156-163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Burmistrov, K. Yu. "“The Lord Breathed On The Face Of Underworld”: Maximilian Voloshin and Kabbala." Solov’evskie issledovaniya, no. 1 (March 31, 2021): 125–49. http://dx.doi.org/10.17588/2076-9210.2021.1.125-149.

Full text

Abstract:

The acquaintance of Maximilian Aleksandrovich Voloshin (1877–1932), one of the central figures in the history of Russian culture in the first third of the twentieth century, with the tradition of Western European esotericism, as well as with the concepts of Jewish Kabbalah, is still poorly understood. At the same time, it is known that they played an important role in his worldview and creativity. The article offers an analysis of several topics related to Kabbalah, which had a noticeable impact on the work of Voloshin. Particular attention is paid to the problem of establishing written sources of borrowings and interpretations of Kabbalistic ideas, clarifying concepts, as well as ways of transmitting elements of Kabbalah among European and Russian esotericists. Through the study of various works of Voloshin, his diary entries, drafts and correspondence, the names of esoteric authors who are especially important for the study of this topic have been identified (E.P. Blavatsky, A. Fabre d'Olivet, A. Franck, Eliphas Levi and etc.). Through a thorough analysis of the methods of perception and transmission of the ideas of Kabbalah among European esotericists, it was shown that, strange as it may seem, the result of studying such sources and their interpretation by Voloshin was a fairly accurate and adequate use of Kabbalistic concepts both in theoretical works and in poetry.

APA, Harvard, Vancouver, ISO, and other styles

8

Levichev, I. "Memorial Library of Maximilian Voloshin - National Pride of Ukraine." Ukraïnsʹka bìografìstika, no. 15 (April 30, 2018): 326–41. http://dx.doi.org/10.15407/ub.15.326.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Generaliuk, Lesia. "LES NABIS AND MAX VOLOSHIN: GAME MODELS." CONTEMPORARY LITERARY STUDIES, no. 18 (December 13, 2021): 21–29. http://dx.doi.org/10.32589/2411-3883.18.2021.246753.

Full text

Abstract:

The article draws parallels between the variants of the play-drama and the forms of self-representation of the Les Nabis and the «Parisian» Maximilian Voloshin. All of them tested the concepts of play, performance, and artistic transformation of reality, which are organic in the aesthetics of symbolism, based on the tradition of French culture from T. Gauthier, J. Barbey d’Aurevilly to J. Péladan, F. Khnopff. In the stream of theatrical utopia of the late XIX – early XX centuries Les Nabis and Voloshin used the style of symbolism in everyday life and creativity. They were united by an understanding of art as an emanation of the absolute, a perception of phenomena as a «door to eternity», an invisible reality, a specific «sense of the mystery of things pregnant with an event» (Edouard Vuillard). The thesaurus of forms they possessed included signs of self-manifestation. But, although all of them have an increased attention to the synthesis of religions, mysticism, transchronological excursions, their models of life creation, as well as self-realization, have a number of differences in the ways of objectification of the spiritual. The sublime drama of the Nabis – «Language of Nabis», created by P. Sérusier, paraphernalia, clothes in the form of a felony, weekly ritualsin the Temple of Nabis on Boulevard Montparnasse, 25 – shows their commitment to the spiritualist model of thegame. And the semi-humorous atmosphere of the «Order of the Spins» in the house of Voloshin in Koktebel, jokes andhoaxes of the owner tend to laugh culture. Voloshin claimed: «Everything that is not a game is not art». He relied on the reception of art as a game and life as art – the newly created world en variante locale by the artist, the conjurer of things. Together with the fraternity, which arose spontaneously every summer and spontaneously formed its own laws and rituals, the poet realized an improvisational model of the game, close to children’s games. In contrast to the pathos of the Les Nabis, Voloshin’s game was a frontier against society and the then (1905-1924) Russian reality. If the theater of nabis in the manifestations of Art nouveau realized their goal to aestheticize space, then Voloshin’s game, which became his lifestyle, led to the creation of a new person and new relationships. It contributed not only to the creative development of its members, but also to saving lives during the Bolshevik terror and famine. Late Voloshin, with his analysis of the Сainite civilization and the historiosophical conception of Russia, consistent with modern assessments of geopolitical realities, can be positioned as a seer who predicted the course of events for centuries to come.

APA, Harvard, Vancouver, ISO, and other styles

10

Soloviev, Erikh Yu. "“Bless Thy Blue Panorama …”: The Cosmopersonalism and Historiosophic Irony of Maximilian Voloshin." Russian Studies in Philosophy 56, no. 4 (July 4, 2018): 346–59. http://dx.doi.org/10.1080/10611967.2018.1473681.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Maximilian voloshin"

1

I bodalsi︠a︡ poėt s komussarom: Maksimillian Voloshin - Bela Kun = Duel in crimea : Maximilian Voloshin - Bela Kun. New York, NY: Liberty Publishing House, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Maximilian Voloshin and the Russian literary circle: Culture and survival in revolutionary times. Bloomington: Indiana University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Walker, Barbara. Maximilian Voloshin and the Russian literary circle: Culture and survival in revolutionary times. Bloomington, IN: Indiana University Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Maximilian Voloshin's poetic legacy and the post-Soviet Russian identity. New York: Palgrave Macmillan, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Landa, Marianna S. Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Landa, M. Maximilian Voloshin's Poetic Legacy and the Post-Soviet Russian Identity. Palgrave Macmillan, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Maximilian voloshin"

1

Landa, Marianna S. "Voloshin and the Soviet Past." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 155–65. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Landa, Marianna S. "Voloshin and Russia’s Religious Revival." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 177–87. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Landa, Marianna S. "The Revolution: Voloshin as the Poet of Russia." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 59–107. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Landa, Marianna S. "Introduction." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 1–20. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Landa, Marianna S. "The Years of Apprenticeship." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 23–58. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Landa, Marianna S. "Conclusion." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 189–92. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Landa, Marianna S. "Dreaming of a Free Russia." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 167–76. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Landa, Marianna S. "Poems on the Red Terror in Crimea: Never Forget." In Maximilian Voloshin’s Poetic Legacy and the Post-Soviet Russian Identity, 109–50. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477859_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Maximilian Voloshin." In Russian Silver Age Poetry, 237–39. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618113634-036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Letter to Maximilian Voloshin (1909)." In Russian Silver Age Poetry, 525–26. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618113634-075.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!