Relevant bibliographies by topics / May Fourth Movement (China : 1919)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'May Fourth Movement (China : 1919)'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "May Fourth Movement (China : 1919)"

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Yeh, Wen-hsin. "Middle County Radicalism: The May Fourth Movement in Hangzhou." China Quarterly 140 (December 1994): 903–25. http://dx.doi.org/10.1017/s0305741000052838.

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The May Fourth Movement of 1919 occupies a special position in scholars’ consideration of modern China as a result of the convergence of two sets of historical constructions. In China, according to official textbooks explaining the rise of the People's Republic that were first promulgated by the new socialist state in the 1950s, 1919 was identified as the very moment of origin when cultural iconoclasm was joined to a political activism of the anti-imperialist and anti-feudal struggle: the watershed affecting the flow of all subsequent revolutionary history. In the West, as presented in Chow Ts
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Hung, Chang-tai. "The Appropriation of Cultural Capital: China's May Fourth Project. Edited by Milena Dolezˆelová-Velingerová and Oldrˆich Král with Graham Sanders. [Cambridge, MA and London: Harvard University Press, 2001. xv+348 pp. £30.95. ISBN 0-674-00786-7.]". China Quarterly 173 (березень 2003): 214–51. http://dx.doi.org/10.1017/s0009443903360127.

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More than 80 years after the May Fourth movement in 1919, this intellectual revolution continues to fascinate scholars and politicians who ponder the future of modern China. The Appropriation of Cultural Capital is another effort to examine the movement's competing goals of modernity.
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Ma, Li, and Jin Li. "Divergent Paths of Protestantism and Asian Nationalism: A Comparison of Two Social Movements in Korea and China in 1919." International Bulletin of Mission Research 42, no. 4 (2018): 316–25. http://dx.doi.org/10.1177/2396939318775259.

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In Korea, the March First Movement in 1919 fused Christian identity with nationalistic rituals, making Korean Protestants respectable patriots in the eyes of their countrymen. In China, however, the fledgling nationalism nurtured by the May Fourth Movement in the same year soon gave rise to strong anti-Christian sentiments, culminating in major waves of anti-Christian movements in the 1920s. How do we explain these different outcomes? We argue that the encounters between two different types of Protestantism and two variant forms of nationalism led Korea and China on divergent paths.
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PETROVČIČ, Mateja. "The Fifth Milestone in the Development of Chinese Language." Acta Linguistica Asiatica 3, no. 1 (2013): 61–74. http://dx.doi.org/10.4312/ala.3.1.61-74.

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Chinese language has changed drastically in the recent century. Papers on the language development mainly stress four big events in the Chinese history that imposed changes in language, i.e. The May Fourth Movement (1919), establishment of the People’s Republic of China (1949), Cultural Revolution (1966), and China’s reform and opening (1978). According to the features of recent neologisms, we suggest that the widening gap between rich and poor should be considered as the fifth milestone for changes in Chinese language.
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Wang, Peter Chen-main. "Were Christian Members of the Yenching Faculty Unique?: An Examination of the Life Fellowship Movement, 1919–1931." Journal of American-East Asian Relations 14, no. 1-2 (2007): 103–30. http://dx.doi.org/10.1163/187656107793645069.

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AbstractThe May Fourth Movement and the later Anti-Christian Movement of the 1920s posed severe challenges for the Christian church in Republican China. The major elements in that context—science, anti-imperialism, and nationalism—exerted a strong impact on the indigenous Christian community, causing its members, both individually and collectively, to reexamine their respective positions. Christian intellectuals and educators encountered difficulties in that they were obliged to accommodate the conflicting demands of science and Christianity, while also having to deal with the differing demand
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Mair, Victor H. "Buddhism and the Rise of the Written Vernacular in East Asia: The Making of National Languages." Journal of Asian Studies 53, no. 3 (1994): 707–51. http://dx.doi.org/10.2307/2059728.

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The vast majority of premodern chinese literature, certainly all of the most famous works of the classical tradition, were composed in one form or another of Literary Sinitic (hereafter LS,wen-yen[-wen], also often somewhat ambiguously called “Classical Chinese” or “Literary Chinese”). Beginning in the medieval period, however, an undercurrent of written Vernacular Sinitic (hereafter VS,pai-hua[-wen])started to develop. The written vernacular came to full maturity in China only with the May Fourth Movement of 1919, after the final collapse during the 1911 revolution of the dynastic, bureaucrat
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Wang, David Der-wei. "“Standing Alone atop the Mountain, Walking Freely under the Sea”." Prism 17, no. 1 (2020): 143–56. http://dx.doi.org/10.1215/25783491-8163833.

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Abstract Liu Zaifu is one of the most influential critics in the New Era after the Cultural Revolution. His works, such as On Literary Subjectivity (1985) and A Treatise of Character Composition (1986), inspired a generation of Chinese youth yearning for intellectual breakthroughs. After June 4, 1989, however, Liu's life took unexpected twists and turns. He exiled himself overseas, finally settling down in the United States. In the ensuing three decades, he has produced dozens of books, articles, and essays, some of which—including Farwell to Revolution (1995)—have become instant classics. How
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Wakeman, Carolyn. "Beyond Gentility: The Mission of Women Educators at Yenching." Journal of American-East Asian Relations 14, no. 1-2 (2007): 143–71. http://dx.doi.org/10.1163/187656107793645113.

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AbstractAmerican missionaries in the early years of the twentieth century viewed China’s women as a vast resource for conversion and for leadership.“The only college for women in the northern half of China,”proclaims the brochure North China Union Women’s College in 1919.“The only chance of 200,000,000 people to secure a higher education for their daughters; the only institution to which an ancient but newly awakening people can look for highly trained leadership for its womanhood just now in the throes of confusion because of the passing of the old and the imperfect understanding of the new.”
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Im,Hyung-Teak. "East Asia in 1919, March First Movement and May Fourth Movement." DAEDONG MUNHWA YEON'GU ll, no. 66 (2009): 175–203. http://dx.doi.org/10.18219/ddmh..66.200906.175.

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Natalya MAMAYEVA. "The 100th Anniversary of 1919's May Fourth Movement." Far Eastern Affairs 48, no. 001 (2020): 127–36. http://dx.doi.org/10.21557/fea.58785241.

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Dissertations / Theses on the topic "May Fourth Movement (China : 1919)"

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Ling-yin, Lynn Ang. "A question of 'Chineseness' : the Chinese diaspora in Singapore 1819-1950s." Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/2393.

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This thesis is a study of the Chinese diaspora in Singapore from 1819 to the 1950s. It begins by situating the diasporic subject in a historical context, highlighting some of the key moments in the diaspora's development, such as the advent of colonialism during the nineteenth century, and the formation of an ethnic enclave in the settlement. The discussion then calls into question the construction of the Chinese subject in colonial discourses, and interrogates the ways in which the diasporic population was constituted within the framework of colonialism. The main purpose has been to examine h
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Chao, Nancy Hao-Ming. "Twentieth-century Chinese vocal music with particular reference to its development an nationalistic characteristics from the May Fourth Movement (1919) to 1945 /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb400345473.

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Ergenc, Ceren. "Chinese Nation-building And Sun Yat-sen." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606376/index.pdf.

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The intellectual and political roots of present-day China lie in the late imperial era and the transition to modern statehood. As the last chain of the thousands years of dynastic rule in China, the Qing Dynasty ended in 1911 with a revolution. Even though the Republican regime was immediately established after their revolution, it took three decades until thenew government (People&rsquo<br>s Republic of China) achieved full sovereignty on the territory. The thesis argues that the 1911 Revolution is a major turning point in Chinese transformation not only because of the regime change but also
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Wang, Bo. "Inventing a Discourse of Resistance: Rhetorical Women in Early Twentieth-Century China." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1188%5F1%5Fm.pdf&type=application/pdf.

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葉翠蓮 and Chui-lin Yip. "Women's movement in Tianjin during the May Fourth Era=." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.

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Forster, Elisabeth. "The invention of the new culture movement in 1919." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:81342b7c-7015-4968-8c42-a6aff6e4eab8.

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The expression ‘New Culture Movement’ was born in summer 1919, in the intersections of academic debate, political activism, media coverage and intellectual marketing strategies. I have traced the emergence of the phrase and the discourses around it, using sources like journals, newspapers, student essays, advertisements and conference protocols. The New Culture Movement was a buzzword, deployed by practically-minded but lesser-known intellectuals to promote agendas they had held long before its invention. Many notions we associate with the Movement until today already surrounded it in 1919: fo
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Yuan, Ziqi. "“Isms” and the Refractions of World Literature in May Fourth China." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437559868.

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Yip, Chui-lin. "Women's movement in Tianjin during the May Fourth era Wu si shi qi Tianjin fu nü yun dong /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31641453.

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Xu, Dongxiang. "Du nationalisme au conservatisme : les groupes intellectuels associés à l’« essence nationale » en Chine (vers 1890-1940)." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH154.

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Cette recherche étudie les trois associations « conservatrices » du cercle de l’« essence nationale » : l’École d’essence nationale fondée en 1905, la Société du Sud créée en 1909 et le groupe Critical Review établi en 1921. L’essence nationale désigne la quintessence de la culture traditionnelle. Dans le contexte révolutionnaire de la fin des Qing, l’École d’essence nationale et la Société du Sud ont recours à ce concept pour façonner leur nationalisme autour de deux directions. Au niveau sociétal, les deux s’engagent dans les mouvements sociaux et les associations intermédiaires pour exprime
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CAPISANI, LORENZO MARCO. "La Cina da impero a Stato nazionale: la definizione di uno spazio politico negli anni Venti." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/20588.

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La tesi si concentra sul Partito Nazionalista Cinese negli anni Venti come punto privilegiato di osservazione del cambiamento politico della Cina dopo la Prima guerra mondiale. Questo decennio rappresentò un momento di definizione identitaria sia per i comunisti sia per i nazionalisti. La storiografia ne ha sottolineato numerosi aspetti, ma si è finora occupata del periodo 1919-1928 come una preistoria degli anni Trenta piuttosto che come un autonomo segmento di storia cinese. Studi recenti hanno superato implicitamente questo approccio criticando due date periodizzanti fondamentali per il Nov
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Books on the topic "May Fourth Movement (China : 1919)"

1

The Chinese enlightenment: Intellectuals and the legacy of the May Fourth movement of 1919. University of California Press, 1986.

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2

Henry, Kevin. May Fourth and Translation. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-465-3.

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The May 4th Movement in 1919 – and more broadly the so-called New Culture movement in the 1910s and 1920s, – a landmark in the history of China, was marked by a great wave of translations, without precedent other than the one inspired by the Buddhist faith more than 1000 years before. This volume, which includes five papers presented at the conference 4 May 1919: History in Motion (Université de Mons, Belgium, 2-4 May 2019), seeks to define and measure, in all its dimensions and complexity (from tragic theatre to revolutionary novels to literary journals), the impact of this intense translatio
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Between tradition and change: The hermeneutics of May Fourth literature. University Press of America, 1997.

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International Sinological Symposium (1st 1989 Smolenice Castle). Interliterary and intraliterary aspects of the May fourth movement 1919 in China: Proceedings of the International Sinological Symposium, Smolenice Castle, March 13-17, 1989. Veda, Pub. House of the Slovak Academy of Sciences, 1990.

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Women in the Chinese enlightenment: Oral and textual histories. University of California Press, 1999.

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Yeh, Wen-hsin. Provincial passages: Culture, space, and the origins of Chinese communism. University of California Press, 1996.

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Xin wen hua yun dong yu xue sheng zi jue: Lun Xin chao she zai wu si yun dong yi qian de fa zhan. Zhi zhi xue shu chu ban she, 2014.

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Sekai Taisen to kokumin keisei: Goshi Shinbunka Undō. Iwanami Shoten, 2010.

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"Da dao Kong jia dian" yan jiu: Dadao Kongjiadian yanjiu. Ren min chu ban she, 2014.

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Ein Blick ins Frauenleben der ersten 30 Jahre des 20. Jahrhunderts: Das Werk Lu Yins. Peter Lang, 2009.

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Book chapters on the topic "May Fourth Movement (China : 1919)"

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Tang, Yijie. "May Fourth Movement and the Debates on Transitional Culture." In China Academic Library. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1869-5_5.

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Tang, Yijie. "The Anti-traditionalism of the May Fourth Movement and Academic Freedom." In China Academic Library. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1869-5_2.

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"Politics and Culture in the May Fourth Movement." In China in War and Revolution, 1895-1949. Routledge, 2006. http://dx.doi.org/10.4324/9780203015629-18.

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Gardner, Daniel K. "Epilogue: Confucianism in the twentieth and twenty-first centuries." In Confucianism: A Very Short Introduction. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780195398915.003.0007.

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The ‘Epilogue’ considers the harsh condemnation of Confucianism in the early decades of the twentieth century by leaders of the nationalist May Fourth movement. The Chinese Communist Party was founded in Shanghai in 1921 and, despite two decades of struggle with the Nationalist Party under Chiang Kai-shek who believed in the basis of Confucian ideology, the People's Republic of China was established by Mao Zedong in 1949. Confucianism was deemed the enemy of the proletariat and the Communist state. The 1976 Cultural Revolution set China on a course of economic and political reform, and since 2000 the government have endorsed Confucianism. But what does the future hold for Confucianism in China?
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"The May Fourth Movement of 1919." In Like Cattle and Horses. Duke University Press, 2002. http://dx.doi.org/10.1215/9780822380863-006.

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"The May Fourth Movement of 1919." In Like Cattle and Horses. Duke University Press, 2002. http://dx.doi.org/10.2307/j.ctv11sn7f3.9.

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Parker, Franklin, and Betty June Parker. "May 4th Movement: 1919." In Education in the People’s Republic of China, Past and Present. Routledge, 2017. http://dx.doi.org/10.4324/9781315146706-39.

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Kam, Tan See. "Three-Women Fiction, Mandarin Ducks and Butterflies." In Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0006.

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At work in Peking Opera Blues is a deeply intertextual relation to the film adaptations (three-women films) of a popular form of sentimental romance fiction - mandarin duck and butterfly fiction (yuanyang hudie) - which emerged when China, after thousands of years of dynastic rule, first experimented with democracy as an alternative mode of governance and lifestyle. This “fiction of comfort” came under attack by the May Fourth Movement after 1919, and was eventually consigned to the margins of modern Chinese literature. Reading through the lens of “three-women” films like Fate in Tears and Laughters (1932), Three Modern Girls (1933), Sun Moon Star (1960), and The Story of Three Loves (1963), and their women-centered narratives, enables a reading of Peking Opera Blues which reveals some of the ways in which Tsui Hark is able to emphasize the idea of women as narrative images; to highlight female agencies and subjectivities and to explore the rising status of women in the more globally connected, post-Confucian, and post patriarchal consumerist society of Hong Kong.
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"5 The May Fourth Movement of 1919." In Like Cattle and Horses. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822380863-007.

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"THE SEVENTIETH ANNIVERSARY OF THE 1919 MAY FOURTH MOVEMENT." In Cries For Democracy. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1fkgd56.10.

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