Relevant bibliographies by topics / Maya arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Maya arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Maya arts"

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Jr., Samuel Y. Edgerton, and S. D. Houston. "Maya Glyphs." Art Bulletin 73, no. 1 (March 1991): 158. http://dx.doi.org/10.2307/3045786.

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Bernstein, Noga. "Maya Modern." American Art 34, no. 3 (September 1, 2020): 44–71. http://dx.doi.org/10.1086/712750.

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Stepto, G. B. "Maya Alegre." Callaloo 21, no. 1 (1998): 220. http://dx.doi.org/10.1353/cal.1998.0050.

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Miller, Mary. "Molding Maya practice." Res: Anthropology and aesthetics 71-72 (January 2019): 40–51. http://dx.doi.org/10.1086/705387.

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Gonzalez, Anita. "Mambo and the Maya." Dance Research Journal 36, no. 1 (2004): 131–45. http://dx.doi.org/10.1017/s0149767700007609.

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This essay is a descriptive analysis of a 2000 encounter with Mayan “mambo” dancing in a mountain community, an encounter that challenges assumptions about prevalent notions of exoticism, identity, and cultural authenticity. Traveling in Guatemala with a group of international scholars, I witnessed a public performance of the transnational mambo by costumed Guatemalans that was not mambo, not Mayan, and not social. Male performers, in celebration of Corpus Christi, dressed as Disney-style costume characters and executed routines to merengue music while nondancing participants watched the spectacle. This contradictory display of dancing encouraged me to reflect on the impact of popular social dance and to examine the complicated meanings communicated by performers who incorporate body-based art into indigenous social and economic paradigms. The performers' unique interpretation of mambo dance within the context of a public Corpus Christi festival underscored discrepancies between institutional perceptions of the mambo and the popular reuse of dance motifs. At the same time, the performance, which used clowning as a mechanism to engage the audience, inverted the solemnity of the religious feast day.
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Hofling, Charles Andrew. "The Language of Maya Hieroglyphs:The Language of Maya Hieroglyphs." American Anthropologist 103, no. 4 (December 2001): 1190–91. http://dx.doi.org/10.1525/aa.2001.103.4.1190.

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Rowell, Charles H. "Maya Freelon Asante." Callaloo 38, no. 4 (2015): 801–4. http://dx.doi.org/10.1353/cal.2015.0122.

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Shaw, Justine M. "MAYA SACBEOB." Ancient Mesoamerica 12, no. 2 (July 2001): 261–72. http://dx.doi.org/10.1017/s0956536101121048.

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This article reviews currently available data on Lowland Maya sacbeob (raised roadways) to create a tripartite system of road classification and explore why the Maya built such constructions. Rather than simply classify sacbeob as “intrasite” or “intersite,” roads are divided into “local intrasite,” “core–outlier intrasite,” and “intersite” based on length and function. This classification system is then employed on a data set of 190 sacbeob to explore the degree to which it may have been some sort of a reality for the ancient Maya. The practical and symbolic aspects of roadways are also discussed, with the aim of beginning to explain why sacbeob are present at some sites while absent at others. Possibilities from environmental to temporal variation are reviewed, as are the ways in which plazas may or may not have been able to substitute for constructed routes. The Inka road system is also briefly summarized to provide an analogy to better understand Maya systems. Finally, an appeal is made to researchers to view sacbeob not as a single type of artifact, but as a class of features with a range of types and functions.
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Edmonson, Munro S. "La lengua maya." Caravelle 76, no. 1 (2001): 85–94. http://dx.doi.org/10.3406/carav.2001.1286.

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Aimers, James J. "What Maya Collapse? Terminal Classic Variation in the Maya Lowlands." Journal of Archaeological Research 15, no. 4 (August 17, 2007): 329–77. http://dx.doi.org/10.1007/s10814-007-9015-x.

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Dissertations / Theses on the topic "Maya arts"

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Bonnafoux, Patrice. "Étude iconographique des céramiques du Classique ancien dans les basses terres mayas." Paris 1, 2008. http://www.theses.fr/2008PA010693.

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La question formulée au début de cette thèse porte sur les raisons de l'essor au début du Classique ancien d'une céramique somptuaire aux décors complexes. Du point de vue chronologique, dès le Préclassique récent les peintures murales de San Bartolo (Guatemala) indiquent en effet que le talent artistique et le programme iconographique existaient dans les sociétés mayas des basses terres du Peten. Du point de vue de la décoration céramique, les pièces olmèques provenant d'une région de la côte du Golfe voisine des Mayas témoignent de la précocité de l'innovation déjà au Préclassique moyen. II est donc légitime de se demander pourquoi, dans les basses terres mayas, les décors figuratifs ne sont apparus sur les céramiques qu'à partir du IIe siècle de notre ère. Ou, en d'autres termes, pourquoi les Mayas anciens ont-ils jugé nécessaire, ou utile, à cette époque, d'évoquer sur de simples ustensiles de la vie quotidienne une iconographie complexe exprimant une philosophie, une cosmographie, une vision du monde et des valeurs qui leurs étaient propres ? C'est pour tenter de répondre à cette question que nous proposons une étude de l'iconographie des poteries décorées du Classique ancien. Cette problématique est abordée selon plusieurs angles d'attaque : la nature du complexe culturel classique ancien, son contexte socio-politique dans les basses terres du Classique ancien et le contenu de l'iconographie céramique.
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Smith, Kaitlan. "Spanish, Nahua, and Maya Narratives on the 1585 Relación Geográfica Map of Santiago Atitlán." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/428.

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The 1585 Relación Geográfica Map of Santiago Atitlán, Guatemala gives scholars a rare glimpse of sixteenth- century southern Guatemala. The map displays the use of Spanish, Nahua, and Maya perspectives. The coexistence of indigenous Nahua versus Spanish or European iconographies and narratives is a theme constantly explored in the studies of the Relaciones Geográficas maps. However, the opposition of two different indigenous narratives and iconographies, as well as Spanish, is not. This project examines the convergences and conflicts among these narratives and iconographies as evidenced on the map and in the accompanying text. The individual discussion of each narrative is followed by a critical discussion to provide theoretical and authorial contexts for the map. In effect, this study complicates the view of sixteenth-century Mesoamerican Relaciones Geográficas maps.
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Broughton, Katherine. "Cuentos de resistencia y supervivencia: Revitalizando la cultura maya a traves del arte publico en Guatemala." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556561584195135.

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Reeser, Douglas Carl. "Gardens at Home, Gardens at School: Diet and Food Crop Diversity in Two Q'eqchi' Communities in Southern Belize." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002599.

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Arjunan, Dorai Raj. "3D Animation: Creating an Experiential Environment." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0719104-174201/unrestricted/Arj%20with%20animation%2017KB.pdf.

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Thesis (M.F.A.)--East Tennessee State University, 2004.
Title from electronic submission form. ETSU ETD database URN: etd-0719104-174201 Includes bibliographical references. Also available via Internet at the UMI web site.
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Kettunen, Harri J. "Nasal motifs in Maya iconography." Diss., Helsinki : Helsinki University Printing House, 2005. http://ethesis.helsinki.fi/julkaisut/hum/renva/vk/kettunen/.

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González, Austria Noguez Liliana. "El arte funerario en el periodo clásico tardío maya: una interpretación del destino de las entidades anímicas después de la muerte." Doctoral thesis, Universitat Autònoma de Barcelona, 2018. http://hdl.handle.net/10803/666700.

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La presente investigación es acerca del arte funerario relacionado con dos tumbas de gobernantes mayas del periodo Clásico Tardío, es decir, entre el 600 y 900 d.C. Los gobernantes son K’ihnich Janaab’ Pakal de Palenque en Chiapas y el otro es Yuhkno’m Yihch’aak K’ahk’ de Calakmul, en Campeche, ambos sitios en México. El marco teórico de esta investigación es la cosmovisión, es decir, la manera en que una cultura aprehende y explica el universo en un momento determinado y en un lugar determinado de Mesoamérica. La metodología es la integración plástica de todo el arte funerario relacionado con sus tumbas, es decir, la arquitectura, escultura, cerámica, pintura, escritura, joyería, etc. También se aplica el paradigma del Monte Sagrado a cada una de las pirámides que contienen las tumbas de cada uno de los dos estudios de caso. El objetivo principal es entender el concepto de la vida y de la composición de la persona y a partir de ellos acercarnos a comprender el concepto de muerte y qué pasa con las partes intangibles que conformaron a esos gobernantes después de su fallecimiento. Se plantea que las diferentes almas son encapsuladas por los descendientes en objetos que le son afines tanto en sentido material como formal.
The present investigation is about the funerary art related with two tombs of Maya rulers of the Late Classic period, that is, between 600 to 900 AD. The rulers are K’ihnich Janaab’ Pakal de Palenque in Chiapas and the other is Yuhkno’m Yihch’aak K’ahk’ from Calakmul, in Campeche, both sites in Mexico. The theoretical framework of this research is cosmovision, this mean, the way in which a culture apprehends and explains the universe at a specific moment and in a specific place at Mesoamerica, in this case, in maya culture. The methodology is the ‘plastic integration’ of all the funerary art related to the tombs of two maya rulers: architecture, sculpture, ceramics, painting, writing, jewelry, etc. In this investigation is applied the paradigm of the Sacred Mount to each of the two pyramids that contain the tombs: Temple of the Inscripcions at Palenque and the Structure II at Calakmul. The main objective is to understand the concept of life and the definition of the person and, from there, to get closer to understand the concept of the death and what happens to the intangible parts of the body. It is stated that the different souls are encapsulated by the descendants in objects that are very similar physically and materially.
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Bardsley, Sandra Eleanor. "Inaugural art of Bird Jaguar IV : rewriting history at Yaxchilan." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26781.

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Monumental art of the Maya incorporates figural imagery and hieroglyphic texts to document dynastic and mythical history. One particular monument tells us that near the end of April in 752 A.D., Bird Jaguar IV was inaugurated as ruler of the Mayan city now known as Yaxchilan. Investigation of his sculptural programmes reveals a multiplicity of innovative solutions for Bird Jaguar's unparalleled problems in validating a tenuous claim to rulership of Yaxchilan. It appears that in order to compensate for his insufficient genealogical claim, Bird Jaguar fabricated a series of ritual events which proclaimed his political legitimacy. This study examines the intended integration of two parallel systems of communication: the visual and hieroglyphic languages of the Maya. Analysis shows how Bird Jaguar's artists presented symbolic references which manipulated the past history, justified the current history, and established the future political history of Yaxchilan.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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Huckert, Chantal. "Constellations textiles : la leçon Maya." Paris, EHESS, 1992. http://www.theses.fr/1991EHES0319.

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L'objectif de ce travail est d'analyser et interpreter les figures textiles mayas (c'est a dire, les representations de certains decors textiles), de l'epoque classique. Ayant-disparu physiquement, les tissus existent sous la forme de representations sur les monuments et les ceramiques. L'interet est de connaitre la fonction et la signification de leurs decors en tant qu'ils font partie de la representation dans son ensemble. J'ai choisi des exemples qui me permettent d'etudier les figures textiles dans un contexte epigraphique. La these comprend six chapitres organises conformement au reperage et a la classification des figures. Chaque chapitre est centre sur des figures repetees selon un patron specifique. Dans chacun des chapitres j'examine le cas des figures qu'il comprend et les materiaux iconographiques, stela, linteau, ceramique, qui leur sont rattaches. J'analyse ces representations en tant que plan et tableau et je signale les donnees historiques. Par consequent je puis lire ou rapporter les figures aux entites divines, aux toponymes et aux rituels, indiques dans l'iconographie et l'epigraphie correspondantes. Dans la conclusion a chaque fin de chapitre je reprends les resultats des enquetes specifiques et ebauche ce qui constituera un lexique de figures textiles. Une conclusion commune aux six chapitres preconise l'etude particuliere de chaque site de provenance
This work takes as its central objective the interpretation and analysis of mayan textiles figures (that is, representations of various patterns of textiles), of the classic epoch. Not having survived as actual fabrics, the textiles appear primarily in the form of monumental and ceramic representations. My interest is to know what are the function and the meaning of the textiles figures within the representation as a whole. Have selected examples which permit me to study the figures within an epigraphic context. The dissertation comprises six chapters which are organized according to the location and classification of the figures. Each chapter focuses on designs repeated in a specific pattern. In each one examine the case of the respective figures and the iconographic materials-stela, lintel, ceramic, which pertain to them. Analysed these representations as a plan, as a picture and as an object having historical significance. Consequently am able to read or reference the figures in terms of their relationship to the divines entities, toponymes and rituals, indicated in the iconography and epigraphy to which they correspond. In the conclusion of each chapter review the results of these specific studies and then outline what will constitute a lexicon of textiles figures. A comprehensive conclusion of the six chapters recommend the particular study of each site of provenance
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Díaz, González Hilda Lucia. "Approche ethno-sémiotique de l'image précolombienne : la gestuelle maya dans le rituel de l'auto-sacrifice." Paris, EHESS, 1993. http://www.theses.fr/1993EHES0083.

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L'image precolombienne a ete le sujet de plusieurs formes d'approche, selon divers points de vue et divers interets d'etude. C'est ainsi que l'on a essaye de repondre par des voies differentes, aux nombreuses questions que souleve l'analyse de l'art maya, donnant origine a diverses methodes, utilisees pour la comprehension des images. Nous considerons que pour envisager l'etude de l'imagerie maya et en general de l'image precolombienne, il est important d'avoir une optique pluridisciplinaire qui puisse rendre compte de la complexite des differents elements qui la forment. C'est pourquoi, notre travail se situe a la croisee des apports offerts par l'ethnologie et la semiotique, en ce qui concerne l'etude de l'image, et plus particulierement, l'analyse des gestes dans un contexte code. Ainsi, notre recherche vise a interpreter l'image a partir de sa fonction autonome, c'est-a-dire, a partir des elements qui la constituent, de meme qu'elle envisage d'etudier sa fonction communicative a travers les gestes. Nous etudions la gestuelle des mayas a partir de leurs signifies narratifs, et non a partir d'une description de leurs elements corporels signifiants, en raison du manque d'un systeme de notation adequat, qui nous permettait d'aborder la description du corps humain d'une facon appropriee. C'est pourquoi, le point de depart de notre etude de la gestuelle des mayas est l'etablissement d'une typologie destuelle a partir des signifies narratifs du geste. En outre, ces gestes ont ete analyses selon deux classifications : l'une pragmatique et l'autre symbolique, dans
The study of precolumbian imagery had been developped from different points of view and different points of interest. Consequently, we find different methods that try to explain and to interpretate the images in various ways. We consider that in the comprehension and the interpretation of the precolumbian imagery, in general, and the maya pictorial symbols, in particular, it is necessary to apply a pluridisciplinary approach because of the big complexity of this iconography. Our research is based on the big complexity of this iconography. Our research is based on the contributions of ethnology and semiotics in the interpretation of visual sign, and more particularly on the study of the maya gestures in a code context. Thus, this work focus on the meaning of the maya imagery from its autonomus function, that is, we take account of the co-text that form the visual sign and also the communicatif function. Of the gesture of the fugures. We study the maya gestures from their narrative signification but not from a description of the signifying elements of the body, because we consider that it doesn't exist an adequate system that leads the description of human body in a proper way yet. That's
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Books on the topic "Maya arts"

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Morris, Ting. Arts and crafts of the Aztecs and Maya. North Mankato, Minn: Smart Apple Media, 2007.

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Scott, Wells, and Beckmann Patricia, eds. Exploring 3D modeling with Maya 7. Clifton Park, NY: Thomson Delmar Learning, 2007.

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Scott, Wells, ed. Exploring 3D animation with Maya 7. 2nd ed. Clifton Park, NY: Delmar Thomson Learning, 2007.

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Thompson, Susan Conklin. Mayan folktales =: Cuentos folklóricos mayas. Westport, Conn: Libraries Unlimited, 2007.

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Chichén Itzá: Historia, arte y monumentos. México, D.F: Monclem Ediciones, 1993.

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Laughton, Timothy. Los Mayas: Vida, mitología y arte. Madrid: Ediciones Jaguar, 1998.

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Vogel, Susana. Guía de Tulum: Historia, arte y monumentos. México, D.F: Monclem Ediciones, 1994.

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Montemayor, Carlos. Arte y composición en los rezos sacerdotales mayas. [México]: Universidad Autónoma de Yucatán, Facultad de Ciencias Antropológicas, 1995.

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The Maya: Life, myth and art. London: Duncan Baird Publishers, 2003.

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Art and writing in the Maya cities, AD 600-800: A poetics of line. Cambridge: Cambridge University Press, 2005.

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Book chapters on the topic "Maya arts"

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Baglioni, P., R. Carrasco Vargas, M. Cordeiro Baqueiro, and David Chelazzi. "CHAPTER 4. Maya Mural Paintings in Calakmul: Pictorial Technique and Conservation." In Science and Art, 68–93. Cambridge: Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00068.

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O'Hailey, Tina. "Arms, elbows, and clavicles: Single-chain, triple-chain with wrist twist (SDK or cluster)." In Rig it Right! Maya Animation Rigging Concepts, 177–96. 2nd edition. | Boca Raton : Taylor & Francis, CRC Press, 2018.: Routledge, 2018. http://dx.doi.org/10.1201/9780429461453-12.

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Robertson, Natalie. "Activating Photographic Mana Rangatiratanga Through Kōrero." In Animism in Art and Performance, 45–65. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66550-4_3.

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Wilner, Alex, and Casey Babb. "New Technologies and Deterrence: Artificial Intelligence and Adversarial Behaviour." In NL ARMS, 401–17. The Hague: T.M.C. Asser Press, 2020. http://dx.doi.org/10.1007/978-94-6265-419-8_21.

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AbstractOffering a critical synthesis of extant insights into technological developments in AI and their potential ramifications for international relations and deterrence postures, this chapter argues that AI risks influencing military deterrence and coercion in unique ways: it may alter cost-benefit calculations by removing the fog of war, by superficially imposing rationality on political decisions, and by diminishing the human cost of military engagement. It may recalibrate the balance between offensive and defensive measures, tipping the scales in favour of pre-emption, and undermine existing assumptions imbedded in both conventional and nuclear deterrence. AI might altogether remove human emotions and eliminate other biological limitations from the practice of coercion. It may provide users the ability to collect, synthesize, and act upon real-time intelligence from several disparate sources, augmenting the certainty and severity of punishment strategies, both in theatre and online, compressing the distance between intelligence, political decisions, and coercive action. As a result, AI may quicken the overall pace of action across all domains of coercion, in conflict, crisis, and war, and within the related subfields of national security, counterterrorism, counter-crime, and counter-espionage.
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Knochel, Aaron D. "Post Scripts in the Present Future: Conjuring the Post-conditions of Digital Objects." In Post-Digital, Post-Internet Art and Education, 99–113. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73770-2_6.

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AbstractNavigating the post-conditions of digital objects, from post media to post-internet, this chapter explores how might making and learning in art and media education respond to pervasive connectivity that blurs online and offline distinctions. In an attempt to anticipate a future of algorithms, connectivity, and issues of access, an argument to advance a range of theoretical tools that may provide insight as to the immanent qualities of data and connectivity that impact making and learning in the arts is made. Focusing on posthumanism and post-theories constructed to provoke the dynamism of materiality, digital objects are conceptualized to understand new opportunities for contemplating how artists working in 3D modeling and digital fabrication may offer insights into the possibility of making meaning at this moment.
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Baharum, Mohd Amli Abdullah, Sri Yusmawati Mohd Yunus, Zurah Abu, and Khairunisa Nikman. "Innovation Culture: An Evaluation of Academicians in Universiti Teknologi MARA Branch Campuses." In International Colloquium of Art and Design Education Research (i-CADER 2014), 25–33. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-332-3_3.

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"Introduction." In Maya Narrative Arts, 3–26. University Press of Colorado, 2019. http://dx.doi.org/10.5876/9781607327424.c000.

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"The Creator Grandparents and the Place of Duality." In Maya Narrative Arts, 27–67. University Press of Colorado, 2019. http://dx.doi.org/10.5876/9781607327424.c001.

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"The Family of the Creator Grandparents and Complementary Opposition." In Maya Narrative Arts, 68–88. University Press of Colorado, 2019. http://dx.doi.org/10.5876/9781607327424.c002.

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"The Calendar and the Narrative Time Frame." In Maya Narrative Arts, 89–108. University Press of Colorado, 2019. http://dx.doi.org/10.5876/9781607327424.c003.

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Conference papers on the topic "Maya arts"

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Wood, Aylish. "Visualizing Maya." In Electronic Visualisation and the Arts (EVA 2012). BCS Learning & Development, 2012. http://dx.doi.org/10.14236/ewic/eva2012.24.

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Ducey, K., T. J. K. Vossler, and S. A. Nonas. "When ARDS May Not Be ARDS." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a1790.

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Fuentes Mata, Irma, and Pablo Parga Parga. "Investigación, formación y creación en la Red Investicreación Artística. México- España." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4909.

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El propósito del trabajo es dar a conocer como la investigación artística ha permitido generar conocimiento entre grupos de investigación multidisciplinarios que han formado redes nacionales e internacionales para establecer intercambios académicos en las líneas de investigación, creación e interpretación de arte y la cultura y en la de metodologías de investigación y formación artística. Eliiot Eisner sostiene que la creación artística es una práctica investigadora (1998).Por otro lado, Ricardo Marín Viadel de la Universidad de Granada, propone un panorama de los diferentes enfoques al respecto, se basa en las artes visuales y para el caso de la educación artística arte-investigación-educativa). Existen varias aproximaciones o tendencias al arte-investigación como documenta la investigación basada en las artes [Arts based-Research], la Investigación que usa habilidades artísticas [Artístically Crafted research], indagación artística [Artful inquiry] y Arte Investigación [Visual Arts Based research]. ( Viadel 2005:233-248). Por nuestra parte, en México hemos denominado el término Investicreación Artística (2012) como la integración necesaria entre investigación y creación artística. (Fuentes Mata Irma y Pablo Parga Parga, 2012 – 2014, 2015). A partir de esto se explicará cómo el enfoque del trabajo colaborativo entre profesores-investigadores y creadores de arte en México y España, articulados en una red de generación de conocimiento, aporta desde distintas visiones a la formación artística y cómo el uso de los sistemas, herramientas y tecnología digital permiten mantener los vínculos académicos. Se presentan algunos productos académico-artísticos que involucran artes visuales como videos, conferencias, publicaciones, espectáculos multidisciplinarios y páginas web, entre otros.http://dx.doi.org/10.4995/ANIAV.2017.4909
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Gomes, José Alberto, and Nuno Hespanhol. "Mini Mapa Sonoro Project." In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359852.3359881.

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Ermanto, David Syasli, and Novia Juita. "Comparing Ustaz Abdul Somad’s Language Style to Ustazah Mama Dedeh’s Language Style." In Ninth International Conference on Language and Arts (ICLA 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210325.012.

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Christoph, E., S. Kay, M. W. Sjoding, J. I. McSparron, S. R. Brown, C. Fung, and S. Jia. "Barotrauma Among Patients with COVID-19 ARDS Versus Historical ARDS." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a2491.

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Brooks, Nicholas. "What dreams may come." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313111.

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Adelinda, Silvia, Ermanto, and Novia Juita. "Order of Directive and Expressive from President Joko Widodo in Mata Najwa TV Program." In Ninth International Conference on Language and Arts (ICLA 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210325.041.

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Hache-Marliere, M., T. Tanner, O. L. Offor, J. Y. You, A. A. Hope, M. N. Gong, and J. T. Chen. "Descriptive Comparison Between Pre-COVID ARDS and COVID-19 Related ARDS." In American Thoracic Society 2021 International Conference, May 14-19, 2021 - San Diego, CA. American Thoracic Society, 2021. http://dx.doi.org/10.1164/ajrccm-conference.2021.203.1_meetingabstracts.a2523.

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Blay, C., C. Butler, and A. Ataya. "ARDS Secondary to Adenovirus." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a1795.

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Reports on the topic "Maya arts"

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Calm, J. M. ARTI refrigerant database. Quarterly report, March--May 1997. Office of Scientific and Technical Information (OSTI), May 1997. http://dx.doi.org/10.2172/525021.

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Khalifa, Hesham. Modular fabrication and characterization of complex silicon carbide composite structures Advanced Reactor Technologies (ART) Research Final Report (Feb 2015 – May 2017). Office of Scientific and Technical Information (OSTI), August 2017. http://dx.doi.org/10.2172/1373739.

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Scherocman, James A. International State-of-the-Art Colloquium on Low-Temperature Asphalt Pavement Cracking Held in Hanover, New Hampshire on 6-8 May 1987. Fort Belvoir, VA: Defense Technical Information Center, February 1991. http://dx.doi.org/10.21236/ada233663.

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Shannon, Caitlin S., and Beverly Winikoff. Misoprostol: An emerging technology for women's health—Report of a seminar. Population Council, 2004. http://dx.doi.org/10.31899/rh17.1002.

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On May 7–8, 2001, the Population Council and the Center for Reproductive Health Research & Policy of the University of California, San Francisco, convened a technical seminar in New York City on the use of misoprostol for women’s health indications. The seminar was designed to provide a forum for researchers, providers, women’s health advocates, and educators to exchange information with the goal of advancing the potential of misoprostol to improve women’s health. Participants discussed the state of the art in research, examined current clinical use of misoprostol, and created strategies for the future. The first day focused on scientific and clinical aspects of misoprostol use. The second day’s discussion centered on the future of misoprostol for women’s health, including identifying priorities for research and the role of provider groups and women’s health and advocacy organizations in helping to ensure misoprostol’s continued, appropriate use. At the end of each session, the group had an opportunity to share ideas and discuss unanswered questions. This report covers the key issues raised by each speaker and highlights general areas of discussion among participants.
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Winkler-Portmann, Simon. Umsetzung einer wirksamen Compliance in globalen Lieferketten am Beispiel der Anforderungen aus der europäischen Chemikalien-Regulierung an die Automobilindustrie. Sonderforschungsgruppe Institutionenanalyse, August 2020. http://dx.doi.org/10.46850/sofia.9783941627796.

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This publication based on a master thesis explores the challenges of the automotive industry regarding the European chemical regulations REACH and CLP, as well as potential improvements of the current compliance activities and the related incentives and barriers. It answers the research question: "To what extent should the compliance activities of actors in the automotive supply chain be extended in order to meet the requirements of European chemicals regulation; and where would it help to strengthen incentives in enforcement and the legal framework?“. The study’s structure is based on the transdisciplinary delta analysis of the Society for Institutional Analysis at the Darmstadt University of Applied Sciences. It compares the target state of the legal requirements and the requirements for corresponding compliance with the actual state of the actual compliance measures of the automotive players and attempts to identify their weak points (the delta). The main sources for the analysis are the legal texts and relevant court decisions as well as guideline-based expert interviews with automotive players based on Gläser & Laudel. As objects of the analysis, there are in addition answers to random enquiries according to Article 33 (2) REACH as well as the recommendations and guidelines of the industry associations. The analysis identifies the transmission of material information in the supply chain as a key problem. The global database system used for this purpose, the IMDS, shows gaps in the framework conditions. This results in compliance risk due to the dynamically developing regulation. In addition, the study identifies an incompliance of the investigated automobile manufacturers with regard to Art. 33 REACH. In answering the research question, the study recommends solutions to the automotive players that extend the current compliance activities. In addition, it offers tables and process flow diagrams, which structure the duties and required compliance measures and may serve as basic audit criteria. The analysis is carried out from an external perspective and looks at the entire industry. It therefore cannot cover all the individual peculiarities of each automotive player. As a result, the identified gaps serve only as indications for possible further compliance risks.
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Controlled photomosaic of the MTM 20032 Quadrangle, Ares-Maja Valles region of Mars. US Geological Survey, 1993. http://dx.doi.org/10.3133/i2311.

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Controlled photomosaic of the MTM 25032 Quadrangle, Ares-Maja Valles region of Mars. US Geological Survey, 1993. http://dx.doi.org/10.3133/i2312.

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Controlled photomosaic of the MTM 25037 Quadrangle, Ares-Maja Valles region of Mars. US Geological Survey, 1993. http://dx.doi.org/10.3133/i2313.

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Controlled photomosaic of the MTM 20037 Quadrangle, Ares-Maja Valles Region of Mars. US Geological Survey, 1993. http://dx.doi.org/10.3133/i2314.

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Controlled photomosaic of the MTM 25042 Quadrangle, Ares-Maja Valles Region of Mars. US Geological Survey, 1993. http://dx.doi.org/10.3133/i2315.

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