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Relevant bibliographies by topics / Maya Quiche (Idioma)

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Academic literature on the topic 'Maya Quiche (Idioma)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Maya Quiche (Idioma)"

1

Lewis, M. Paul. "Real Men Don't Speak Quiché." Language Problems and Language Planning 17, no. 1 (1993): 37–54. http://dx.doi.org/10.1075/lplp.17.1.03lew.

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RESUMEN Nuestra gente no hablan el Quiché: la etnicidad Quiché, el movimiento étnico ki-che, y el nacionalismo k'iche' Los alfabetos representan, literalmente y figurativamente, la identidad linguistica y étnica de un grupo. El proceso de cambio de identidad étnica del grupo Quiché en Guatemala, América Central, puede ser detallado a través de las representaciones ortográficas que han sido utilizadas o propuestas durante los últimos cincuenta afios. Usando el marco teôrico de Paulston (1987), se ve que la poblaciôn maya de Guatemala esta en un proceso de cambio pasando de ser una colecciôn de

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2

Camacho Caballero, Luis, and Rodolfo Zevallos Salazar. "Lingüística computacional para la revitalización y el poliglotismo." Letras (Lima) 91, no. 134 (2020): 184–98. http://dx.doi.org/10.30920/letras.91.134.9.

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A pesar de las leyes existentes, en la práctica el Estado peruano ignora la multiculturalidad y se comporta como una entidad monolingüe y monocultural. Dado que este paradigma equivocado todavía vigente, el Estado no ha invertido lo suficiente para desarrollar las habilidades lingüísticas con el fin de servir a todos los ciudadanos por igual. Las consecuencias de ello son la falta de fomento, la discriminación y finalmente el aislamiento que lleva a la extinción de las lenguas autóctonas. Nuestra iniciativa es cambiar el paradigma equivocado, despertar el orgullo nacional por nuestras raíces n

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3

Jiménez, Wilmer, Verónica Loayza, and Eric Metzler. "Mapeo de cangahuas mediante teledetección en el Ecuador." Siembra 5, no. 1 (2018): 038–50. http://dx.doi.org/10.29166/siembra.v5i1.1426.

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Los paisajes de la Sierra de Ecuador están estrechamente ligados a las actividades volcánicas suscitadas hace miles de años. Durante estos eventos se expulsaron materiales volcánicos y cenizas formando lodos volcánicos que se difundieron y endurecieron en las zonas de influencia de los volcanes. Luego el material fue cubierto por ceniza volcánica que desarrollo el suelo superficial. Los habitantes locales llaman a este material endurecido “cangahua”, que en idioma quichua quiere decir “tierra dura”. El mal manejo del suelo provocado por la presión sobre la tierra ha generado un proceso erosivo

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4

"ÑUKANCHIK KICHWA SHIMITA YACHASHUN-APRENDAMOS NUESTRO IDIOMA QUICHUA." EDITORIAL UNACH, August 31, 2020, 1–136. http://dx.doi.org/10.37135/u.editorial.05.02.

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Mashna watakunamanta kay Abya Yala, Ecuador mamallaktakunapi kawsak mashikunaka yalli wakllirishka, ahashka, mutsurishka, sarushka, “runakuna mana nimata yachak”, yallitak wakllirishka, makashka, kawsak warmi, kari runakuna kashka; chaymanta, kay llakikunata hapishpa, shinallatak ña ima pachakunamantami, hatarikunchik, kaparikunchik, ñukanchik kawsay, yachaykunata willakunchik, ñukanchik hatun, sumak yachaykunata ña, manapi mishukuna wakllichinkachu nikunchik. Ashtawanka ñukanchikpak yachaykuna, shinallatak ñukanchikpak kichwa shimika, Ecuador mamallaktapak 2008 mamakamachiypi kayta nikun: “ca

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5

Brito, Tamily Pires de, and Joséli do Nascimento Pinto. "IMPACTOS PSICOLÓGICOS DO DIAGNÓSTICO DE CÂNCER DE MAMA EM MULHERES: REVISÃO INTEGRATIVA." April 12, 2024. https://doi.org/10.5281/zenodo.10966578.

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<strong>RESUMO</strong> <strong>Introdução: </strong>Atualmente o Câncer de Mama em mulheres aumenta cada vez mais, sendo o segundo tipo de neoplasia mais comum no mundo. As mulheres, desde seu diagnóstico e tratamentos que acabam tendo que realizar, vivenciam impactos psicológicos desde o seu estado físico e mental. Alguns desses impactos são lutos vividos por elas desde: a existência do câncer, diagnóstico do tumor, tratamento cirúrgico, perda da imagem corporal, limitações, consequências da cirurgi

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Dissertations / Theses on the topic "Maya Quiche (Idioma)"

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Bol, Oscar René Saquil. "A configuração narrativa em idioma maya q'eqchi de Guatemala." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/9911.

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Made available in DSpace on 2016-04-27T14:31:48Z (GMT). No. of bitstreams: 1 Dissertacao Oscar Rene Saquil Bol.pdf: 1528961 bytes, checksum: 00ba8691ee130f21f81954391b221273 (MD5) Previous issue date: 2006-08-22<br>Guatemala é um país que tem um tecido social composto por diferentes culturas (Maya, Xinca, Garifuna y Ladina). Entre elas o Q'eqchi' como idioma e cultura maya, sobre o qual se desenvolve esta investigação, no campo das ciências da linguagem, adotando os aportes da linguística textual. Neste processo participaram mestres (professores) que trabalham em cinco escolas de Xch'ool Ixi

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Books on the topic "Maya Quiche (Idioma)"

1

Raxulew, Weel. Lecto-escritura en idioma maya K'iche': L1. ALMG, Academia de Lenguas Mayas de Guatemala, 2006.

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2

Joel, Sherzer, and Woodbury Anthony C, eds. Native American discourse: Poetics and rhetoric. Cambridge University Press, 1987.

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3

K'ak' taq tzij re k'iche' tzij: Actualización lexical idioma maya k'iche'. Academia de Lenguas Mayas de Guatemala, 2003.

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4

(Editor), Joel Sherzer, and Anthony C. Woodbury (Editor), eds. Native American Discourse: Poetics and Rhetoric (Cambridge Studies in Oral and Literate Culture). Cambridge University Press, 1987.

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Book chapters on the topic "Maya Quiche (Idioma)"

1

Harrison, Bernard. "Instruments and Keyboard Idiom." In Haydn's Keyboard Music Studies in Performance Practice. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198163251.003.0001.

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Abstract Haydn's keyboard music spans the period from the 1750s, when it is assumed he wrote his first solo keyboard works, to 1797, when he produced the keyboard version of the slow movement from the ‘Emperor’ String Quartet. Quite apart from changes in compositional style, this period saw many changes in the music profession, among which we may count the gradual acceptance, by composers, performers, and the musical public, of the fortepiano as the main keyboard instrument and the gradual displacement of the harpsichord and clavichord. Although it is now accepted that Cristofori had invented

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2

Little Wood, Roland. "Moments of Creation: Pregnancy and Parturition as Cosmological Idiom." In Religion, Agency, Restitution. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780199241972.003.0003.

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Abstract An explicit parallel between the human body and the religious cosmos is commonplace in the findings of comparative religion. Dreaming, excretion, pain, and bodily movement, for instance, have long been argued to make possible quite specific local categories as well as more general understandings of creation, causality and space, illness and agency.1 Without attributing ontological or epistemological primacy either to the biological body, or to the cosmic or social order, to bodily experience or to cultural practice, we can certainly note the individual deployment of novel idioms to fi

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3

Givens, John. "A Narrow Escape into Faith." In The Image of Christ in Russian Literature. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9780875807799.003.0004.

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This chapter argues that one of Dostoevsky's bleakest faith narratives, The Idiot, deploys comedy as an apophatic device that reveals in the actions of its comic Christ figure, Prince Myshkin, the possibility of faith even in the face of the death and tragedy that close the novel. Dostoevsky's exploration of the “ridiculous man” Myshkin is an exercise in negative Christology par excellence. Comedy becomes in The Idiot the unexpected vehicle for a quite serious exploration of the nature and challenges of belief. The truth, Fyodor Dostoevsky implies, must be asserted indirectly, or even negative

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4

Wegman, Rob C. "Towards a New Language." In Born For The Muses. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198163824.003.0008.

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Abstract Obrecht’s mature style seems to have emerged quite suddenly in the late 1480s; watermark evidence indicates that it had reached full bloom by 1491-3, with such works as Fortuna desperata and Rose playsante. The idiom in these and other mature works is so distinct from everything we have seen so far that a break with the past rather than a smooth transition must be suspected. This major turning-point in Obrecht’s creative career cannot be dated with accuracy, but several influences and pressures may have co-operated to bring it about: the fundamental reconsideration of his stylistic pr

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Lewis, C. S. "Drab and Transitional Prose." In Poetry and Prose in The Sixteenth Century. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122319.003.0006.

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Abstract With few exceptions the prose which we were considering two chapters ago was ‘applied’ prose, such as never owed too much and often owed too little to conscious artistry. Of such plain writing some awaits us in the present chapter, but we shall also have to deal with picked prose and even with adorned prose—Kunstprosa as the Germans call it. In order to be fair to the latter we must put considerable constraint upon ourselves. Nothing in literature is so ‘desperately mortal’ as a stylish prose. On the other hand, the prose of men who are intent upon their matter and write only to be un

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Macaulay, Ronald. "Indo-European." In The Social Art. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195187960.003.0027.

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Abstract In 1776 Sir William Jones, the founder of the Royal Asiatic Society and the chief justice of India, gave a lecture in which he drew attention to certain similarities which he had noticed between Sanskrit and European languages: The Sanskrit language, whatever may be its antiquity, is of wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either; yet bearing to both of them a stronger affinity, both in the roots of verbs and in the forms of grammar, than could have been produced by accident; so strong that no philologer could

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7

Hale, Bob. "Can There Be a Logic of Attitudes?" In Reality, Representation, and Projection. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195078787.003.0017.

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Abstract Can we be non-revisionist about morals without embracing moral realism? Can we see our moral talk and thought as philosophically quite in order, but devoid of commitment to any realm of distinctively moral facts or states of affairs. One way to pursue that goal is to argue that moral utterances are not, as their surface form invites us to suppose, genuine assertions, in the market for truth, but have some other role or function, such as to express attitudes of approval and disapproval and to encourage their formation in others. The epistemological and ontological attractions1 of an ex

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8

Brandes, Stanley H. "Excerpt from “The Priest as Agent of Secularization in Rural Spain”." In Anthropology of Catholicism. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520288423.003.0008.

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Stanley Brandes is an American sociocultural anthropologist whose work spans both European and Latin American peasantries. In this article Brandes describes a kind of Catholicism characteristic of peasant villages of the Iberian peninsula: locally inflected by rites and practices particular to specific regions, and organizationally overlapping with kinship and territorial corporate groups. At the broadest level, the essay offers a set of reflections about processes of modernization and secularization, viewed through a classic set of anthropological oppositions: collective/individual, rural/urb

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Conference papers on the topic "Maya Quiche (Idioma)"

1

Wijana, I. Dewa Putu. "Metaphors of Turtle Dove Physical Characteristics in a Javanese Community: A Preliminary Study." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.2-1.

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The Turtle dove (Javanese: perkutut) is one of most popular pets of the Javanese people. Here, they aim to have high quality turtle doves, either in the way that it chirps or in the luck that it may bring. The selection process is quite complex and extensive, one method of which is to carefully observe the physical characteristics of the bird. Accordingly, the community of turtle dove fans and experts has become enriched with a variety of turtle dove registers (words, phrases, idioms, etc.), many of which are metaphorical. This paper intends to study the metaphorical expressions used by the Ja

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