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Relevant bibliographies by topics / Maya textile fabrics

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Journal articles

Academic literature on the topic 'Maya textile fabrics'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Maya textile fabrics"

1

Samin, Mohd Azhar, Nor Azrin Ramli, and Rafeah Legino. "Block Batik from Natural Material of Soil on Fabric Dyes." Environment-Behaviour Proceedings Journal 6, SI5 (2021): 107–10. http://dx.doi.org/10.21834/ebpj.v6isi5.2934.

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Natural elements of soil are a potential medium for block batik. The local batik producers usually use synthetic dyes, which contributed pollute the environment. There is a need for more natural dye options in block batik fabric dyeing. The practices effectively reduce waste emissions. This option will support an alternative to the batik industries, which is the current issues dealing with environmental challenges that sparked this project. This study employs an experimental textile approach. This study aims to identify soil types that can be used as colourants on fabrics suitable for batik bl

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2

Singh, Neetu, and Vanshika Gupta. "Mata Ni Pachedi: Tales of the goddess on textiles from Gujrat, India." Craft Research 15, no. 1 (2024): 109–26. http://dx.doi.org/10.1386/crre_00121_1.

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India is a land of vibrant culture and heritage. It is home to many diversified craft techniques, most of which have been intensely investigated, recorded, diversified and revived, while a few have languished. This work reflects the origins and process of the Indian craft Mata Ni Pachedi, which means ‘behind the mother goddess’ and is a cloth that constitutes a temple of the goddess. The original creator of Mata Ni Pachedi is the nomadic Vaghari community from Gujarat, the members of which lived along the banks of the Sabarmati River and worshipped the mother goddess in all her forms. The comm

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3

Azuan, Mohamad Fareez, Mohd Azhar Samin, and Rafeah Legino. "Natural Fabric with Pineapple Fibres used as a Batik Medium." Environment-Behaviour Proceedings Journal 7, SI8 (2022): 117–21. http://dx.doi.org/10.21834/ebpj.v7isi8.3923.

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This study is about the pineapple fibre (natural fibre fabric) utilized in Malaysia Batik products. The history of Pineapple Leaf Fibre in Malaya started in 1938s. Along with Malaysia's textile development, pineapple leaf fibres have begun to be used as raw material for textile production. This study aims to identify the sustainability of Pineapple fibre in the Malaysian batik industry. This research used field study methods, library studies, and interviews. The novelty of this study is to create awareness and acceptance among Malay batik producers towards the use of natural Pineapple fabric.

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4

Boopathiraj, K., and P. Balakrishnan. "A Study on Health Status of Women Workers in Textile Industries of Aruppukottai Block." Shanlax International Journal of Arts, Science and Humanities 9, S1-May (2022): 86–95. http://dx.doi.org/10.34293/sijash.v9is1-may.5940.

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The textile industry is the second-largest worldwide industry after agriculture. One of the largest textile sectors in the world, the Indian textile industry accounts for roughly 14% of the nation’s overall industrial output. Additionally, it makes up about 3% of the nation’s GDP and significantly increases the amount of foreign exchange the nation earns. With more than 35 million people currently employed, India’s textile industry is also the greatest in terms of employment creation. Industrialization is essential for prosperity and occasionally for a country’s existence. Initialization alone

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5

Fauzi, Irfandhani, Kahfiati Kahdar, and Slamet Riyadi. "ANALISIS PERSEPSI KONSUMEN UNTUK STRATEGI PENGEMBANGAN PRODUK SARUNG DI IKM SARUNG MAJALAYA." Jurnal Dimensi Seni Rupa dan Desain 16, no. 1 (2019): 75. http://dx.doi.org/10.25105/dim.v16i1.6164.

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<p><strong>Abstract</strong></p><p><strong></strong><br />The Majalaya textile industry, at Bandung Regency, is a textile centre prepared by the government as a national textile centre to meet clothing needs. This industry was able to develop and experience its heyday in the 1960s. At that time, this region was able to produce 40% of the total fabric production in Indonesia. Sarong, as its main product, was very popular throughout Indonesia and several other countries in Asia. But the<br />crisis that occurred in 1998 had a major impact on

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6

Wijaya, Karto, and Asep Yudi Permana. "KAWASAN CIGONDEWAH TERKAIT SARANA PRASARANA LINGKUNGAN TERBANGUN SEBAGAI KAWASAN WISATA TEKSTIL DI KOTA BANDUNG." LANGKAU BETANG: JURNAL ARSITEKTUR 4, no. 2 (2017): 79. http://dx.doi.org/10.26418/lantang.v4i2.23247.

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Kawasan Cigondewah pada awalnya merupakan kawasan agraris, dan kawasan ini mengalami perkembangan kearah sentra perdagangan kain dan industri tekstil sejak tahun 1960-1976 yang ditandai oleh usaha karung goni oleh masyarakat setempat. Kegiatan ekonomi berbasis home industri ini memberikan kontribusi pendapatan bagi khususnya penduduk setempat, karena tenaga kerja berasal dari sekitar kelurahan Cigondewah sendiri. Mulanya usaha karung goni ini dibeli dari pabrik gula yang kemudian dipasarkan hingga Kawarang dan Banten. Pada tahun 1976 mengalami kejenuhan, yang kemudian masyarakat setempat beral

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7

Fauzi, Muhammad, Yuke Ardhiati, and Ganal Rudiyanto. "SEJOLI VITRIN DAN CAHAYA BUATAN SEBAGAI WADAH PAMER KAIN BATIK KLASIK." Jurnal Dimensi Seni Rupa dan Desain 10, no. 1 (2013): 13–26. http://dx.doi.org/10.25105/dim.v10i1.929.

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AbstractBatik has become a part of Indonesian cukture dating back hundreds of years ago. Batik uniqueness, lies in the coloring process that uses wax as part of a protected cover. Classical Batik is a valuable work of art, which needs to be protected, so therefore batik is also made of organic materials, then it is most vulnerable or damaged. The process of batik fabric damge can be physically or chemically. environmenal influences such as light moisture, temperature and poluttion is a major cause of the damage. And for that, then the batik collection on display using display type vitrin equip

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8

Istikomah, Mangunah, Endang Prasetyaningsih, and Chaznin R. Muhammad. "Usulan Perbaikan Lintasan Produksi untuk Mereduksi Waste pada Departemen Kerja Produksi dengan Kombinasi Lean Manufacturing dan Theory of Constraints." Jurnal Riset Teknik Industri 1, no. 1 (2021): 77–87. http://dx.doi.org/10.29313/jrti.v1i1.233.

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Abstract. CV.Bagus Jaya Textile (BJT) is an industry that produces fabrics with high value. The problem faced by CV.BJT is the imbalance of production flow that results in unmet production targets, so that the throughput obtained is not maximum. The imbalance of production flow occurs because the allocated capacity is not managed and scheduled properly, which is causing Work in Process (WIP) and waiting waste. Basically, CV.BJT has set the standard of WIP which is 30% of the overall WIP. However, in fact, WIP buildup was found by 33,33% at Stenter workstation. The causative factor is capacity

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9

Lestari, Astri Sri, and Ec Mein Kharnolis. "PENERAPAN APLIKASI HEXAGON TIGA DIMENSI PADA BUSANA PESTA MALAM." BAJU: Journal of Fashion & Textile Design Unesa 1, no. 1 (2020): 20–27. http://dx.doi.org/10.26740/baju.v1n1.p20-27.

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Sumber ide yang di ambil terinspirasi dari cyber security, dan munculah ide penerapan aplikasi hexagon tiga dimensi yang berbuat dari tekstil kulit sintesis, yang mana inspirasi tersebut dari pancaran cahaya cyber security yang muncul secara bertabrakan sehingga cahaya tersebut memiliki bentuk menyerupai hexagon tampak timbul dan nyata. Tujuan penulisan ini untuk mengetahui proses pembuatan dan penerapan teknik aplikasi hexagon tiga dimensi pada busana pesta malam serta mengetahui hasil jadi pada pembuatan busana berdasarkan sumber ide. Proses pembuatan aplikasi tiga dimensi meliputi dari memp

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10

Zutiasari, Ika, Wening Patmi Rahayu, Raisa Fitri, Rila Ayu Agnesia, and Siti Zumroh. "Pembuatan Batik Ecoprint Sebagai Upaya Implementasi Industri Hijau." Jurnal KARINOV 6, no. 3 (2023): 156. http://dx.doi.org/10.17977/um045v6i3p156-160.

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Ecoprint merupakan salah satu teknik pewarnaan kain yang saat ini sedang trend dikalangan pelaku usaha busana dan pengrajin tekstil. Dengan memanfaatkan bahan-bahan alami yang mudah diperoleh dan ramah lingkungan, maka ecoprint ini menjadi salah satu peluang usaha busana. Kegiatan ini dilakukan di lapas perempuan Malang, dimana kesediaan SDM berlimpah di lokasi. Berdasarkan analisis kebutuhan, perlu berbagai kegiatan untuk meningkatkan keterampilan warga binaan yang sekaligus dapat menghasilkan produk yang memiliki nilai ekonomis yang tinggi. Kegiatan yang dilakukan tim yaitu memberikan edukas

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