Academic literature on the topic 'Maya textile fabrics'
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Journal articles on the topic "Maya textile fabrics"
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Samin, Mohd Azhar, Nor Azrin Ramli, and Rafeah Legino. "Block Batik from Natural Material of Soil on Fabric Dyes." Environment-Behaviour Proceedings Journal 6, SI5 (August 30, 2021): 107–10. http://dx.doi.org/10.21834/ebpj.v6isi5.2934.
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Natural elements of soil are a potential medium for block batik. The local batik producers usually use synthetic dyes, which contributed pollute the environment. There is a need for more natural dye options in block batik fabric dyeing. The practices effectively reduce waste emissions. This option will support an alternative to the batik industries, which is the current issues dealing with environmental challenges that sparked this project. This study employs an experimental textile approach. This study aims to identify soil types that can be used as colourants on fabrics suitable for batik block printing. This study will introduce eco-friendly dyes to the local batik industry. Keywords: Batik; Block; Dyes; Fabric; Natural material; Soil eISSN: 2398-4287© 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI5.2934
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Singh, Neetu, and Vanshika Gupta. "Mata Ni Pachedi: Tales of the goddess on textiles from Gujrat, India." Craft Research 15, no. 1 (March 1, 2024): 109–26. http://dx.doi.org/10.1386/crre_00121_1.
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India is a land of vibrant culture and heritage. It is home to many diversified craft techniques, most of which have been intensely investigated, recorded, diversified and revived, while a few have languished. This work reflects the origins and process of the Indian craft Mata Ni Pachedi, which means ‘behind the mother goddess’ and is a cloth that constitutes a temple of the goddess. The original creator of Mata Ni Pachedi is the nomadic Vaghari community from Gujarat, the members of which lived along the banks of the Sabarmati River and worshipped the mother goddess in all her forms. The community created these textiles as an ode to the goddess, as sacred wall art pieces that enabled them to worship the goddess when they could not enter temples due to their low caste. Mata Ni Pachedi is a unique textile that has survived modern-day clothing techniques using natural dyes and simple block printing techniques, exploring different forms of gods and goddesses on cloth. Those in the rural community of Gujrat still worship their goddess on a piece of fabric during the festival of Navratri, in March and September. This research aims to investigate and catalogue the evolution, consumption pattern, production process and present-day scenario of the Mata Ni Pachedi craft to aid and sustain its survival and establish its context in contemporary times.
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Azuan, Mohamad Fareez, Mohd Azhar Samin, and Rafeah Legino. "Natural Fabric with Pineapple Fibres used as a Batik Medium." Environment-Behaviour Proceedings Journal 7, SI8 (October 7, 2022): 117–21. http://dx.doi.org/10.21834/ebpj.v7isi8.3923.
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This study is about the pineapple fibre (natural fibre fabric) utilized in Malaysia Batik products. The history of Pineapple Leaf Fibre in Malaya started in 1938s. Along with Malaysia's textile development, pineapple leaf fibres have begun to be used as raw material for textile production. This study aims to identify the sustainability of Pineapple fibre in the Malaysian batik industry. This research used field study methods, library studies, and interviews. The novelty of this study is to create awareness and acceptance among Malay batik producers towards the use of natural Pineapple fabric. Keywords: Batik; Fabric; Pineapple Fibres; Natural; Medium eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI8.3923
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Boopathiraj, K., and P. Balakrishnan. "A Study on Health Status of Women Workers in Textile Industries of Aruppukottai Block." Shanlax International Journal of Arts, Science and Humanities 9, S1-May (May 14, 2022): 86–95. http://dx.doi.org/10.34293/sijash.v9is1-may.5940.
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The textile industry is the second-largest worldwide industry after agriculture. One of the largest textile sectors in the world, the Indian textile industry accounts for roughly 14% of the nation’s overall industrial output. Additionally, it makes up about 3% of the nation’s GDP and significantly increases the amount of foreign exchange the nation earns. With more than 35 million people currently employed, India’s textile industry is also the greatest in terms of employment creation. Industrialization is essential for prosperity and occasionally for a country’s existence. Initialization alone is insufficient; genuine benefits come from workers’ ongoing high performance, which is only made feasible by their good health. Industrial employees are only a small portion of the general population, yet the same factor that affect population health also apply to them The textile industry is the second-largest worldwide industry after agriculture. One of the largest textile sectors in the world, the Indian textile industry accounts for roughly 14% of the nation’s overall industrial output. Additionally, it makes up about 3% of the nation’s GDP and significantly increases the amount of foreign exchange the nation earns. With more than 35 million people currently employed, India’s textile industry is also the greatest in terms of employment creation. Industrialization is essential for prosperity and occasionally for a country’s existence. Initialization alone is insufficient; genuine benefits come from workers’ ongoing high performance, which is only made feasible by their good health. Industrial employees are only a small portion of the general population, yet the same factor that affect population health also apply to them The textile industry is one of the most rapidly expanding sectors for export and has a high labour demand. Numerous individuals in the nation are employed in the textile sector, however in the current environment, it is crucial to place an emphasis on raising awareness of environmental issues like air, water, and noise pollution during the conversion of fibre into fabric. Sorting houses, gins, and gutter sections are all parts of the textile industry. Sorting entails classifying cotton based on quality. In the gin house, the seeds are removed from the cotton and gathered in the gutter. There is a lot of dust in the blow-room where the cotton bales are opened and cleaned. Here, the cotton is repeatedly violently beaten to remove impurities, and then, in the carding area, the cotton laces are dragged by a machine to remove dust, leaves, twigs, and other debris. The carding room is filled with a lot of cotton dust as a result of this procedure. The following step of the project is carried out in the spinning shed, where there is also a lot of dust. A natural fibre called cotton is used to make clothing. When cotton is treated, tiny dust particles are released into the atmosphere. The individual handling the fibre breathes these particles into their lungs, which results in a long-term reduction in respiratory capacity. Brown lung (or byssinosis), a condition caused by exposure to a lot of cotton dust, affects thousands of people working in the textile sector. By inhaling it, textile dust can enter the body, and tiny dust that contains fibres can end up in the alveoli. The fibbers cannot be removed. Lung cancer, fibrosis, pleural plaques, and bronchitis are all caused by the dust that is collected in the lung. After prolonged exposure to textile dust, lung function is compromised. Breathlessness, chest pain, and subsequently bronchitis with increased sputum are the symptoms.
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Fauzi, Irfandhani, Kahfiati Kahdar, and Slamet Riyadi. "ANALISIS PERSEPSI KONSUMEN UNTUK STRATEGI PENGEMBANGAN PRODUK SARUNG DI IKM SARUNG MAJALAYA." Jurnal Dimensi Seni Rupa dan Desain 16, no. 1 (September 1, 2019): 75. http://dx.doi.org/10.25105/dim.v16i1.6164.
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<p><strong>Abstract</strong></p><p><strong></strong><br />The Majalaya textile industry, at Bandung Regency, is a textile centre prepared by the government as a national textile centre to meet clothing needs. This industry was able to develop and experience its heyday in the 1960s. At that time, this region was able to produce 40% of the total fabric production in Indonesia. Sarong, as its main product, was very popular throughout Indonesia and several other countries in Asia. But the<br />crisis that occurred in 1998 had a major impact on the textile industry in Majalaya. Many textile entrepreneurs are forced to close their production sites because of the declining purchasing power of the people and also the increasing cost of raw material for production. Only a handful of Majalaya sarong entrepreneurs have survived until now. In the midst of their efforts to survive, the problem that occurs at this time is the onslaught of imported textiles that flooded the market which impacted the sale of<br />Majalaya sarongs falling dramatically.These problems must be overcome with the aim of returning the Majalaya textile industry as the people’s economic power. Design in relation to this is aimed at producing products that are interested in consumers. Design is an important aspect of product development, also as one of the main criteria in the product selection process by buyers. To produce an interesting product it is necessary<br />to analyze consumer perceptions. The purpose is to know what aspects that affect consumer interest in buying products. These can be applied as a strategy for developing a product of Majalaya sarong. The survey method using a questionnaire to Majalaya sarong consumers can be done to determine consumer perceptions of Majalaya sarong products. By analyzing consumer perceptions, producers can develop a Majalaya sarong<br />product design strategy that suits consumer interest.</p><p> </p><p><br /><strong>Abstrak </strong><br />Industri tekstil Majalaya, di Kabupaten Bandung, merupakan sentra tekstil yang disiapkan pemerintah sebagai pusat tekstil nasional guna memenuhi kebutuhan sandang. Industri ini mampu berkembang dan mengalami puncak kejayaannya pada tahun 1960-an. Saat itu, wilayah ini mampu memproduksi 40% dari total produksi kain di Indonesia. Sarung, sebagai produk utamanya, sangat popular di seluruh Indonesia serta beberapa Negara di Asia. Namun krisis yang terjadi pada tahun 1998 berdampak besar bagi industri tekstil di Majalaya. Banyak pengusaha tekstil yang terpaksa menutup tempat produksinya karena daya beli masyarakat yang menurun dan juga kenaikan biaya bahan baku produksi. Hanya segelintir pengusaha sarung Majalaya yang masih bertahan menjalankan usahanya hingga sekarang. Di tengah usahanya untuk bertahan, permasalahan yang juga dialami pengusaha tekstil Majalaya saat ini adalah gempuran tekstil impor yang membanjiri pasar yang mengakibatkan penjualan sarung Majalaya turun drastis.Permasalahan yang dialami industri tekstil Majalaya tersebut harus diatasi dengan tujuan untuk mengembalikan industri tekstil Majalaya sebagai penggerak ekonomi rakyat. Peran desain dalam kaitannya dengan hal ini bertujuan untuk menghasilkan produk yang diminati masyarakat. Desain merupakan aspek yang penting bagi pengembangan produk, juga sebagai salah satu kriteria utama dalam proses pemilihan produk oleh pembeli. Salah satu cara yang dapat dilakukan untuk menghasilkan produk yang diminati adalah dengan menganalisis persepsi konsumen. Hal ini dilakukan karena tujuan dari analisis persepsi konsumen adalah untuk mengetahui aspek-aspek apa saja yang mempengaruhi minat konsumen untuk membeli produk. Aspek-aspek tersebut dapat diterapkan sebagai strategi untuk pengembangan produk sarung Majalaya. Metode survey dengan menggunakan kuisioner kepada konsumen sarung Majalaya dapat dilakukan untuk mengetahui persepsi konsumen terhadap produk sarung Majalaya. Dengan menganalisis persepsi konsumen, maka produsen dapat membuat strategi desain produk sarung Majalaya yang sesuai dengan minat konsumen.</p>
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Wijaya, Karto, and Asep Yudi Permana. "KAWASAN CIGONDEWAH TERKAIT SARANA PRASARANA LINGKUNGAN TERBANGUN SEBAGAI KAWASAN WISATA TEKSTIL DI KOTA BANDUNG." LANGKAU BETANG: JURNAL ARSITEKTUR 4, no. 2 (December 28, 2017): 79. http://dx.doi.org/10.26418/lantang.v4i2.23247.
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Kawasan Cigondewah pada awalnya merupakan kawasan agraris, dan kawasan ini mengalami perkembangan kearah sentra perdagangan kain dan industri tekstil sejak tahun 1960-1976 yang ditandai oleh usaha karung goni oleh masyarakat setempat. Kegiatan ekonomi berbasis home industri ini memberikan kontribusi pendapatan bagi khususnya penduduk setempat, karena tenaga kerja berasal dari sekitar kelurahan Cigondewah sendiri. Mulanya usaha karung goni ini dibeli dari pabrik gula yang kemudian dipasarkan hingga Kawarang dan Banten. Pada tahun 1976 mengalami kejenuhan, yang kemudian masyarakat setempat beralih dari usaha karung goni ke imbah industri (karung plastik dan kain bekas). Pada awal 1997 kawasan cigondewah mampu berperan sebagai sentra perdagangan kain. Sentra ini melayani pembeli-pembeli yang berasal dari Bandung dan sekitasrnya. Bahan baku dari tekstil berasal dari pabrik yang ada di wilayah tersebut, namun sebagian lagi berasal dari Jakarta melalui pelabuhan Tanjung Priok. Kawasan ini dalam RTRW Kota Bandung adalah kawasan industri berwawasan lingkungan. Perkembangan kawasan ini memberikan potensi yang luas terutama dalam pengembangannya sebagai sebuah kawasan yang memiliki produk unggulan/spesialisasi dalam cakupan rencana pengembangan pariwisata Kota Bandung. Penelitian ini merupakan studi penelitian deskriptif dengan menggunakan pendekatan kualitatif, di mana melalui pendekatan ini bertujuan untuk memberikan gambaran mengenai fakta dan fenomena yang terjadi dilapangan. Berdasarkan hasil analisis penelitian ditemukan potensi dan karakteristik kawasan yang mendukung dalam pengembangan Kawasan Cigondewah sebagai Kawasan Wisata Tesktil di Kota Bandung. Terkait dengan prasarana dan sarana lingkungan ditemukan permasalahan, antara lain: ketersediaan sarana parkir dan jalur pedestrian yang kurang memadai, kondisi kawasan yang belum tertata secara maksimal.Kata-kata Kunci: Lingkungan Terbangun, Perkembangan KawasanCIGONDEWAH AREA RELATED TO ENVIRONMENT BUILT INFRASTRUCTURE FACILITIES AS SENTRA CLOTH IN BANDUNG CITY The Cigondewah area was originally an agrarian area, and the region has been progressing towards the trading center of textile fabrics and industry since 1960-1976 which is marked by the burlap sack by the local community. This home industry-based economic activity contributes the income to the locals in particular, since the labor comes from around Cigondewah urban village itself. Initially, this sack business was purchased from a sugar factory which was then marketed to Kawarang and Banten. In 1976 experienced saturation, which then the local community shifted from the business of burlap sack to industrial waste (plastic bags and used cloth). In early 1997 the cigondewah area was able to serve as a fabric trading center. This center serves buyers who come from Bandung and sekitasrnya. Textile raw materials come from existing factories in the area, but some come from Jakarta through the port of Tanjung Priok. This area in RTRW Bandung is environmentally friendly industrial area. The development of this area provides a wide potential especially in its development as an area that has excellent products / specialization in coverage of tourism development plan of Bandung City. This research is a descriptive research study using a qualitative approach, which through this approach aims to provide an overview of the facts and phenomena that occur in the field. Based on the results of research analysis found the potential and characteristics of the area that supports the development of Cigondewah Area as Tourism Area Tesktil in Bandung. Related to infrastructure and environmental facilities found problems, among others: the availability of parking facilities and pedestrian paths are inadequate, the condition of the area that has not been set up optimally. The Cigondewah area was originally an agrarian area, and the region has been progressing towards the trading center of textile fabrics and industry since 1960-1976 which is marked by the burlap sack by the Keywords: Built Environment, Regional DevelopmentREFERENCESCreswell, J. W. (2010). Research Design: Pendekatan Kualitatif, Kuantitatif, dan Mired. Yogyakarta: Pustaka Pelajar.Hadi, S. P. (2001). Manusia dan Lingkungan. Semarang: Badan Penerbit Universitas Diponegoro.Jaya, I. (2007). Pengelolaan Lingkungan Kawasan Wisata Danau Lebo Kecamatan Taliwang Kabupaten Sumbawa Barat. Universitas Diponegoro.Sudjarto, D. (1985). Diktat Kuliah Perencanaan Kota Baru. Bandung: ITB.Sugandhy, A. (1999). Penataan Ruang dalam Pengelolaan Lingkungan hidup. Jakarta: PT. Gramedia Pustaka Utama.Undang-undang No. 9 tahun 1990. (1990). Undang-undang Republik Indonesia Nomo 9 tahun 1990.Wijaya, K., Setioko, B., & Murtini, T. W. (2015). Pengaruh Perubahan Fungsi Lingkungan Binaan terhadap Citra Kawasan Wisata Tekstil Cigondewah Kota Bandung. Jurnal Arsitektur Komposisi, 11(2), 67–75. Retrieved from ojs.uay.ac.id
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Fauzi, Muhammad, Yuke Ardhiati, and Ganal Rudiyanto. "SEJOLI VITRIN DAN CAHAYA BUATAN SEBAGAI WADAH PAMER KAIN BATIK KLASIK." Jurnal Dimensi Seni Rupa dan Desain 10, no. 1 (February 1, 2013): 13–26. http://dx.doi.org/10.25105/dim.v10i1.929.
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AbstractBatik has become a part of Indonesian cukture dating back hundreds of years ago. Batik uniqueness, lies in the coloring process that uses wax as part of a protected cover. Classical Batik is a valuable work of art, which needs to be protected, so therefore batik is also made of organic materials, then it is most vulnerable or damaged. The process of batik fabric damge can be physically or chemically. environmenal influences such as light moisture, temperature and poluttion is a major cause of the damage. And for that, then the batik collection on display using display type vitrin equipped as protective glass.Observation data is done in the Textile Museum ( Galllery Batik) , Pekalongan Batik Museum and National Museum of Singapore that shows some of the less ideal in order to show off vitrin. This will in trying to analysis of those aspects of teh display and lighting aspects.The result of analysis followed in the drafting process vitrin and artificial Light with design concepts from batik geometry and the philosaphy of one motif with similar meaning as the container. SO that the design is expected to improved the image galleries and museum in the public eye in terms of aesthetics, comfort and Protectuion of the collection can be improved AbstrakBatik sudah menjadi bagian dari budaya Indonesia sejak ratusan tahun yang lalu. Keunikan batik terletak pada proses pewarnaan dengan menggunakan lilin sebagai penutup bagian yang terlindungi. Batik tulis klasik merupakan karya adiluhung yang perlu dilindungi, oleh karena itu batik tulis juga terbuat dari bahan-bahan organik, maka hal ini sangat rentan atau mengalami kerusakan. Proses kerusakan kain batik dapat secara fisik maupun kimiawi. Pengaruh lingkungan seperti cahaya kelembabab suhu udara dan polusi merupakan penyebab utamanay terjadinya proses kerusakan itu, untuk itulah maka koleksi batik yang dipamerkan menggunakan display jenis vitrin yang dilengkapi kaca sebagai pelindung.Data observasi yang dilakukan di Museum Tekstil ( Galeri Batik) , Museum Batik Pekalongan dan Museum Nasional Singapura. Menunjukk=ka beberapa kurang idealnya tata pamer pada vitrin. Hal ini akan dicoba analisis dari aspek-aspek display dan aspek pencahayaan. Hasil dari analisa dilanjutkan dalam proses perancangan vitrin dan cahaya buatan denga konsep perancagan yang berasal dari transformasi motif batik geometri dan dipilih motif yang memiliki filosofi serupa dengan fungsi vitrin. Sehingga hasil perancangan ini diharapkan dapt meningkatkan citra galeri dan museum di mata masyarakat dari segi estetika, kenyamanan dan perlindungan terhadap koleksi dapat ditingkatkan.
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Istikomah, Mangunah, Endang Prasetyaningsih, and Chaznin R. Muhammad. "Usulan Perbaikan Lintasan Produksi untuk Mereduksi Waste pada Departemen Kerja Produksi dengan Kombinasi Lean Manufacturing dan Theory of Constraints." Jurnal Riset Teknik Industri 1, no. 1 (October 25, 2021): 77–87. http://dx.doi.org/10.29313/jrti.v1i1.233.
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Abstract. CV.Bagus Jaya Textile (BJT) is an industry that produces fabrics with high value. The problem faced by CV.BJT is the imbalance of production flow that results in unmet production targets, so that the throughput obtained is not maximum. The imbalance of production flow occurs because the allocated capacity is not managed and scheduled properly, which is causing Work in Process (WIP) and waiting waste. Basically, CV.BJT has set the standard of WIP which is 30% of the overall WIP. However, in fact, WIP buildup was found by 33,33% at Stenter workstation. The causative factor is capacity constraints. Therefore, improvement efforts are needed to overcome the problems faced by CV.BJT. This research aims to reduce waste also manage and schedule constraint workstations. Improvement efforts are made by implementing a combination of Lean Manufacturing and Theory of Constraints. The improvements can reduce waiting time from 406,51 to 182,65 minutes /batch. This is due to the implementation of conWIP system that makes WIP decreased by 31,25% from the initial condition. While the constraints workstation is managed and scheduled by Drum Buffer Rope method, so that the capacity of future conditions can meet production targets. When the production target is met, the throughput increases from Rp 9.255.067.125 to Rp 10.297.640.532. The impact of improvement efforts can reduce production lead time from 2.229,48 to 2.005,62 minutes /batch.
Abstrak. CV.Bagus Jaya Textile (BJT) merupakan industri yang menghasilkan kain dengan value tinggi. Permasalahan yang dihadapi oleh CV.BJT yaitu ketidakseimbangan aliran produksi yang mengakibatkan target produksi tidak terpenuhi, sehingga throughput yang diperoleh tidak maksimum. Ketidakseimbangan aliran produksi terjadi karena kapasitas yang dialokasikan tidak dikelola dan dijadwalkan dengan baik, sehingga menimbulkan Work in Process (WIP) dan waiting waste. Pada dasarnya, CV.BJT sudah menetapkan standar adanya WIP yakni sebesar 30% dari WIP keseluruhan. Namun, kenyataanya masih ditemukan penumpukan WIP sebesar 33,33% di stasiun kerja Stenter. Faktor penyebabnya yaitu capacity constraints. Oleh karena itu, perlu adanya upaya perbaikan untuk mengatasi permasalahan yang dihadapi oleh CV.BJT. Penelitian ini bertujuan untuk mereduksi waste dan mengelola serta menjadwalkan stasiun kerja constraints. Upaya perbaikan dilakukan dengan menerapkan kombinasi Lean Manufacturing dan Theory of Constraints. Perbaikan tersebut dapat mereduksi waktu tunggu dari 406,51 menjadi 182,65 menit/batch. Hal tersebut karena adanya pemberlakuan sistem ConWIP yang membuat WIP menurun sebesar 31,25% dari kondisi awal. Sementara stasiun kerja constraints dikelola dan dijadwalkan dengan metode Drum Buffer Rope, sehingga kapasitas kondisi future dapat memenuhi target produksi. Ketika target produksi terpenuhi, maka throughput meningkat dari Rp. 9.255.067.125 menjadi Rp. 10.297.640.532. Dampak dari upaya perbaikan dapat mereduksi production lead time dari 2.229,48 menjadi 2.005,62 menit/batch.
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Lestari, Astri Sri, and Ec Mein Kharnolis. "PENERAPAN APLIKASI HEXAGON TIGA DIMENSI PADA BUSANA PESTA MALAM." BAJU: Journal of Fashion & Textile Design Unesa 1, no. 1 (November 5, 2020): 20–27. http://dx.doi.org/10.26740/baju.v1n1.p20-27.
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Sumber ide yang di ambil terinspirasi dari cyber security, dan munculah ide penerapan aplikasi hexagon tiga dimensi yang berbuat dari tekstil kulit sintesis, yang mana inspirasi tersebut dari pancaran cahaya cyber security yang muncul secara bertabrakan sehingga cahaya tersebut memiliki bentuk menyerupai hexagon tampak timbul dan nyata. Tujuan penulisan ini untuk mengetahui proses pembuatan dan penerapan teknik aplikasi hexagon tiga dimensi pada busana pesta malam serta mengetahui hasil jadi pada pembuatan busana berdasarkan sumber ide. Proses pembuatan aplikasi tiga dimensi meliputi dari mempersiapkan mannequin sebagai alat cetak pada bagian bahu, membentuk kain flannel sesuai dengan ukuran bahu, mengukur dan memotong kertas duplek sesuai dengan tinggi, rendah, besar, dan kecil ukuran hexagon, memasang duplek yang telah di potong, dan merekatkan tekstil sintetis dengan lem tembak sebagai cover bangun tersebut. Penerapan aplikasi hexagon tiga dimensi pada busana pesta dimulai dari mempersiapkan aplikasi hexagon tiga dimensi yang telah di buat, mempersiapkan velcro ukuran 3 cm, mengukur panjang dan pendek velcro yang akan digunakan, menyemat velcro dengan jarum pentul pada bagian bahu sebagai penguat perekat velcro, menjahit velcro dengan jarum tangan sebagai penguat tumpuhan. Hasil jadi busana yang menerapkan aplikasi hexagon tiga dimensi pada busana pesta terlihat indah, unik, futuristic dan elegant.
The source of ideas taken was inspiring by cyber security, and the idea of applying a three-dimensional hexagon application that made from synthetic leather textiles, which was inspired by the collapsing cyber security light that appeared in a collision so that the light has a shape that resembles a hexagon seemed to arise and be real. The purpose of this paper is to determine the manufacturing process and application of three-dimensional hexagon application techniques in evening party outfits and to find out the finished results on fashion making based on the source of ideas. The process of making three-dimensional applications includes preparing mannequin as a printing tool on the shoulder, forming a flannel fabric according to shoulder size, measuring and cutting duplex paper in accordance with high, low, large, and small hexagon sizes, installing duplexes that have been cut, and glue synthetic textiles with firing glue as a cover. The application of three-dimensional hexagon in a party dress starts from preparing the three-dimensional hexagon application that has been made, preparing velcro size 3 cm, measuring the length and short velcro to be used, embedding velcro with a pin on the shoulder as a reinforcement for velcro adhesive, sewing velcro with hand needles as reinforcement. The results become fashion that applies a three-dimensional hexagon application to a party outfit that looks beautiful, unique, futuristic and elegant.
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Zutiasari, Ika, Wening Patmi Rahayu, Raisa Fitri, Rila Ayu Agnesia, and Siti Zumroh. "Pembuatan Batik Ecoprint Sebagai Upaya Implementasi Industri Hijau." Jurnal KARINOV 6, no. 3 (September 17, 2023): 156. http://dx.doi.org/10.17977/um045v6i3p156-160.
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Ecoprint merupakan salah satu teknik pewarnaan kain yang saat ini sedang trend dikalangan pelaku usaha busana dan pengrajin tekstil. Dengan memanfaatkan bahan-bahan alami yang mudah diperoleh dan ramah lingkungan, maka ecoprint ini menjadi salah satu peluang usaha busana. Kegiatan ini dilakukan di lapas perempuan Malang, dimana kesediaan SDM berlimpah di lokasi. Berdasarkan analisis kebutuhan, perlu berbagai kegiatan untuk meningkatkan keterampilan warga binaan yang sekaligus dapat menghasilkan produk yang memiliki nilai ekonomis yang tinggi. Kegiatan yang dilakukan tim yaitu memberikan edukasi terkait pengenalan batik ecoprint. Peserta mengikuti sesi penyampaian materi hingga selesai. Materi harus dipahami sebagai dasar atau wawasan untuk praktik baik membuat batik ecoprint yang baik dan benar. Kegiatan selanjutnya adalah praktik pembuatan batik menggunakan teknik ecoprint. Pada saat pelaksanaan kegiatan, seluruh peserta melaksanakan praktik langsung bersama dengan tenaga ahli yang mendampingi para peserta. Program ini memberikan dampak positif diantaranya, bagi warga binaan untuk menambah keterampilan yang dapat mereka manfaatkan setelah membaur kembali di lingkungan masyarakat. dampak lainnya kegiatan ini yaitu bentuk pelestarian terhadap lingkungan dengan memanfaatkan bahan-bahan dasar batik yang ramah lingkungan. Kata kunci— Batik, Ecoprint, Industri hijau, Warga binaan Abstract Ecoprint is one of the fabrics dyeing techniques that is currently trending among fashion businesses and textile craftsmen. By utilizing natural materials that are easily obtained and environmentally friendly, this eco-print becomes one of the fashion business opportunities. This activity was carried out in Malang women's prison, where human resources were abundant. Based on the needs analysis, various activities are needed to improve the skills of fostered citizens who can, at the same time, produce products that have high economic value. The activities carried out by the team are providing education related to the introduction of ecoprint batik. Participants attended the material delivery session to completion. The material must be understood as a basis or insight for good practices (best practice) in making excellent and correct ecoprint batik. The next activity is the practice of making batik using ecoprint techniques. During the implementation of the activity, all participants carry out direct practice together with experts accompanying the participants. This program has a positive impact, among others, for fostered residents to increase skills they can use after reintegrating into the community. Another impact of this activity is a form of preservation of the environment by utilizing basic materials of environmentally friendly batik. Keywords—Batik, Ecoprint, Green industry, Fostered citizens
Books on the topic "Maya textile fabrics"
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author, Langley James C., Miralbés de Polanco, Rosario, author, Rowe Ann Pollard author, Shaughnessy Roxane curator, Stewart, Donna E., 1943- author, Wise Mary Anne author, Textile Museum of Canada, and Textile Museum of Canada, eds. Ancestry and artistry: Maya textiles from Guatemala. Toronto, ON: Textile Museum of Canada, 2013.
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Centro de Textiles del Mundo Maya (San Cristóbal de Las Casas, Mexico), Fomento Cultural Banamex, Fundación Televisa, and Americas Society, eds. Maya textile art: Collections of the Centro de Textiles del Mundo Maya. 2nd ed. México, D.F: Fomento Cultural Banamex, 2006.
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Schevill, Margot. Maya textiles of Guatemala: The Gustavus A. Eisen collection, 1902, the Hearst Museum of Anthropology, the University of California at Berkeley. Austin: University of Texas Press, 1993.
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Corredor, Claudia Adelaida Gil. El arte textil maya en los Altos de Chiapas: Devenir de una práctica cultural. Tuxtla Gutiœrrez, Chiapas: Universidad de Ciencias y Artes de Chiapas, 2020.
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Arne, Eggebrecht, Asturias de Barrios Linda, Fernández García Dina, Miralbés de Polanco Rosario, and Roemer und Pelizaeus-Museum, eds. Webkunst der Maya aus Guatemala. Mainz: P. von Zabern, 1992.
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Randall, Jeanne L. Bibliography of Mayan textiles. Guatemala: Museo Ixchel del Traje Indígena de Guatemala, 1993.
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H, Hempstead William, Miralbés de Polanco Rosario, and Museo Ixchel del Traje Indígena de Guatemala, eds. Huipiles mayas de Guatemala: Expresiones tradicionales de identidad = Maya huipiles de Guatemala : traditional expressions of identity. Guatemala City, Guatemala: Museo Ixchel del Traje Indígena, 2011.
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Museo Ixchel del Traje Indígena de Guatemala. Hilos de identidad: Tradición textil Maya-Guatemalteca. Guatemala]: Museo Ixchel del Traje Indígena, 2006.
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Hoenes, Ron. Los tejidos de mi vida =: The weavings of my life. Edited by Hoenes Carola, Dunlop Art Gallery, and Mount Saint Vincent University. Art Gallery. Regina: Dunlop Art Gallery, 1995.
Find full textBook chapters on the topic "Maya textile fabrics"
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Xing, Bo, Qingqing Shao, Xianyi Zeng, and Jun Wang. "Fabric Texture Reconstruction Via Multilayer Dictionary Learning." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 267–74. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_24.
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Koleva, Tashka Ivanova, and Ivelin Rahnev. "An Algorithm at Incoming Quality Control of Raw Woven Fabrics—Cottonade Jacquard." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 305–12. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_27.
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Saad, Fredj, Ayda Baffoun, and Mohamed Hamdaoui. "Dyeing of the Polyester Fabric with the Fluorescein Molecule." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 65–72. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_6.
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Elamri, Adel, Imed Feki, Mohamed Amine Touati, Mohamed Hamdaoui, and Omar Harzallah. "Investigation of an Eco-Friendly Acid Dyeing Process of Cotton Fabric." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 51–63. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_5.
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Taieb, Amine Hadj, and Wouroud Turki. "Using Fabric Warping in Architecture: A Contemporary Conception for Technical Use." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 137–46. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_13.
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Said, Sarra, Imed Feki, Mohamed Hamdaoui, Sabri Halaoua, and Walid Sahraoui. "Investigation and Optimization of a New Bleaching Process for Sulfur-Dyed Denim Fabric." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 37–50. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_4.
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Najjar, Walid, Mondher Nasri, Philippe Dal Santo, Xavier Legrand, and Damien Soulat. "Numerical Investigations of the Tribological Behavior of G1151 Fabric Through Frictional Sensitivity Study During Drawing Using a Hybrid Elastic Discrete Model." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 183–92. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_17.
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Słomska-Bolonek, Joanna, and Łukasz Antosik. "http://www.profil-archeo.pl/swibie2022-2-11/." In Cmentarzysko w wczesnej epoki żelaza w Świbiu na Górnym Śląsku. Tom 2, 216–37. Wydawnictwo Profil-Archeo, 2022. http://dx.doi.org/10.33547/swibie2022.2.12.
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In the course of many seasons of research, as many as 192 fragments of textile products were recovered from 51 graves at the necropolis in Świbie, Gliwice District. Today they form the most numerous and diverse group of prehistoric textile objects from Poland. The assemblage includes not only woven fabrics, but also plaited materials, those made using the sprang technique, and threads. Most of the material survived on bone destructs, wooden elements of biers/coffins, and iron and bronze elements of grave furnishings, typically as fragments a few centimetres in length. This situation often made it impossible to carry out all analyses and measurements. Nevertheless, the results obtained should be considered highly important for the study of prehistoric textiles. Woven fabrics comprise the largest group in the assemblage (see catalogue). All of them were made in plain weave, either from animal or plant material, and they represent products of medium, good, and in a few cases even of very good quality. Some were made of dyed yarn and finished with tassels, and these should be considered the oldest evidence of the use of these techniques in the Vistula and Oder basins. Textiles typical of the Lusatian culture population make up the vast majority of the material. However, the very delicate, densely woven pieces undoubtedly go beyond this framework and are closer to the products known from the circle of the Hallstatt culture. Apart from woven fabrics, the cemetery also produced examples of sprang, which belong to the group of delicate products. Products of this type were recorded in three graves, and they were made from woollen yarn (see catalogue). In addition, 38 plaited fragments were found (see catalogue), preserved next to bronze ornaments, with which they originally formed decorative elements of costume. As they were made using the simplest plaiting technique, it can be assumed that they are examples of local manufacture. Less spectacular, although indicative of the development of tailoring, were the finds of threads. Twenty-one fragments of these were found, which were made from plant material, with doubled yarn (see catalogue). They were mainly used for sewing bronze buttons to headbands, as evidenced by their presence in the eyes of bronze appliqués and in the places where fabrics were joined to leather straps. With regard to the function of the materials in question, they should be considered remains of ceremonial costume associated with funeral ceremony. It included elements of clothing, as well as accessories complementing the whole, such as necklaces, hairnets or headbands (diadems). It can be presumed that the deceased may have been dressed in tunics, coats, trousers, skirts, or dresses. It seems that they had more than one item of clothing. However, the possibility of using shrouds, which we cannot distinguish from pieces of clothing, cannot be ruled out. Although the textile material recovered at Świbie is very rich and varied, it should be remembered that these products were elements of funerary costume. Thus, they are not a fully authoritative source of information about the level of Early Iron Age textile making. It can nevertheless be concluded that there was a clear, albeit slow, increase in the quality of textiles manufactured in the region during the Hallstatt period. While the population of the Lusatian culture still did not weave their cloth in more complex twill weaves, the quality of yarn and linen fabrics was very good. However, the influence and transfer of knowledge from the Alpine zone and southern Europe to southern Poland is evident.
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Razvan Radulescu, Ion, Lilioara Surdu, Emilia Visileanu, Cristian Morari, and Marian Costea. "Modeling and Validating Analytic Relations for Electromagnetic Shielding Effectiveness of Fabrics with Conductive Yarns." In Textiles for Functional Applications [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.95524.
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Electromagnetic (EM) radiation may be harmful for human’s health and for functioning of electronic equipment. The field of Electromagnetic Compatibility approaches various solutions to tackle this problem, while shielding of the radiation is one of the main solutions. Since the development of spinning technology for producing conductive yarns for fabrics, textile electromagnetic shields have become a valuable alternative to metallic shields. Their main advantages are given by the flexibility, the low weight and the good mechanical resistance, as well as by the possibility to precisely design the shield. The scientific literature includes several analytic relations for estimating the electromagnetic shielding effectiveness (EMSE), in case of woven fabrics with conductive yarns, which may be modeled as a grid of electric conductors. This book chapter tackles three different analytic models for estimating EMSE, which are useful to predict this functionality in the design phase of fabrics. The analytic relations are subsequently comparatively validated by EMSE measurements via TEM cell equipment of two woven fabrics with conductive yarns out of stainless steel and silver with a grid of 4 mm. Results of validated analytic relations are used for the approach of designing textile shields with regard to final application requirements.
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Islam, Tarikul, Kazi Md. Rashedul Islam, Shahin Hossain, M. Abdul Jalil, and M. Mahbubul Bashar. "Understanding the Fastness Issues of Natural Dyes." In Dye Chemistry - Exploring Colour From Nature to Lab [Working Title]. IntechOpen, 2024. http://dx.doi.org/10.5772/intechopen.1005363.
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The utilization of natural dyes in textile production has gained significant attention due to their eco-friendly characteristics and minimal environmental impact. Serving as a sustainable alternative for textile coloring, particularly when derived from native plant species, natural dyes contribute to the promotion of local biodiversity. Obtained from various botanical sources such as flora, flowers, leaves, roots, berries, barks, and wood, they offer a diverse range of hues spanning blues, reds, yellows, browns, and violets. However, achieving consistent and predictable colors with natural dyes presents challenges due to inherent variations in plant sources, growing conditions, and extraction techniques. The integration of mordants, including aluminum potassium sulfate, potassium dichromate, copper sulfate, and others, is crucial to enhance dye absorption and improve colorfastness. Natural dyes are employed across fabrics like cotton, linen, silk, wool, hemp, and blends, each contributing unique qualities to the vibrant and environmentally friendly palette. Yet, the longevity and strength of colors may vary based on factors like dye type, fabric substrate, and mordant effects, impacting chemical bonding between fibers, dyes, and mordants. Hence, meticulous selection of dyes and mordants, considering their compatibility with specific fibers, is essential for achieving optimal colorfastness and durability in natural dyeing processes.
Conference papers on the topic "Maya textile fabrics"
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Gadow, R., and K. von Niessen. "Continuous Coating of Technical Textiles from “Coil to Coil”." In ITSC2005, edited by E. Lugscheider. Verlag für Schweißen und verwandte Verfahren DVS-Verlag GmbH, 2005. http://dx.doi.org/10.31399/asm.cp.itsc2005p0454.
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Abstract A pilot plant equipment for continuous coating of technical textiles is implemented to establish thermal spraying as a new and promising coating technique in the textile industry. In order to apply thermal spraying to temperature sensitive and flexible fiber structures two main difficulties have to be taken into account. First, the flexible structure of a textile fabric has to be fixed and stretched to achieve a sufficient mechanical support. Second, the kinetic and thermal energy of the molten particles and the hot gas jet may damage the fibers and their woven structure both mechanically and chemically. Special winding equipment is designed to allow various fabrics to be fixed and stretched in a way that enables the coating of wound fabrics from “coil to coil”. With this equipment even temperature sensitive fabrics, like cotton or polyester, but also aramide, carbon and oxide ceramic fabrics are coated by atmospheric plasma spraying or electric arc wire spraying in the case that higher deposition rates are required. Fabric coils up to a web width of 1500 mm can be coated continuously with a well-defined pre-stress in one single procedure.
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Radulescu, Ion Razvan, Emilia Visileanu, Razvan Scarlat, Catalin Constantin, and Bogdana Mitu. "Comparative life cycle assessment study for fabric based electromagnetic shielding." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.iv.18.
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Life Cycle Assessment (LCA) studies represent the scientific approach for elaborating modern policies and supporting management decisions in the field of Sustainable Production and Consumption. The goal of many LCA studies undertaken for research are related to an exhaustive comparison of a modern, innovative product or process with respect to an initial, conventional one. This paper deals with such an approach for fabric based electromagnetic shielding. Electrically conductive textile fabrics are used in applications of electromagnetic shielding. Two basic types of technology for imparting electro- conductive properties to textiles are available, namely: insertion of conductive yarns in the fabric structure and coating with conductive layers. Magnetron plasma coating is a modern technology for achieving thin metallic layers on fabrics. Therefore, we focused the LCA study to the comparison between cotton woven fabrics with inserted conductive yarns out of stainless steel in warp and weft direction and cotton fabrics coated with thin layers of copper by magnetron plasma laboratory equipment. Functional unit of the comparative study was one square meter of EM textile shield with 5.2 dB at 1 GHz. A modelling of the fabric with inserted conductive yarns was performed in order to reach same shielding effectiveness at a certain frequency, as in the case of the coated fabric. Inventory data was collected for the fabric with conductive yarns from the textile company SC Majutex SRL, while for the plasma coated fabric from INFLPR. Impact assessment was performed by INCDTP, by using the LCA software SimaPro7 and the data basis EcoInvent 3.0. Interpretation of results shows that weaving of conductive yarns has a smaller impact on the environment than magnetron plasma coating using laboratory equipment, in a ratio of 1:2. This fact is explained by the industrial process of weaving as compared to laboratory process of coating, whereas brings the idea that upon utilization of industrial magnetron equipment for coating one may achieve in the end better environmental impact due to the process optimization for large area plasma processing.
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Mirschel, Gabriele, Olesya Daikos, Carstenq Steckert, Katja Heymann, and Tom Scherzer. "Characterization of sizes on textiles by in-line NIR chemical imaging." In OCM 2017 - 3rd International Conference on Optical Characterization of Materials. KIT Scientific Publishing, 2017. http://dx.doi.org/10.58895/ksp/1000063696-15.
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In the last years, demands on high quality products increases dramatically, e.g. in textile industry. In order to produce high functional textiles a numerous of chemical agents have to be applied to the fabrics, in several wet chemical treatments, in the production process. One auxiliary agent is the size. Sizes are colorless, water soluble substances which improve the mechanically stiffness of threads during weaving process. Usually, sizes have to be wash out of the fabric before further processing since they may affect the following production steps. Up to now, offline process control methods e.g. extraction of the size are the state of the art of process control in textile industry. It is obvious, that the time consuming and punctual analytical methods are no more seasonable for an optimal process control. Thus, alternative process control methods were on demand. This paper presents a study of the potential of NIR hyperspectral imaging for in-line analysis in textile technology. Application weights and spatial distribution of sizes on polyester fabric are investigated by NIR hyperspectral imaging. In a preliminary study a calibration to the application weight of the size was prepared and a PLS model was established. This PLS model was applied for the quantitative monitoring of the colorless size across the fabrics. Additionally, contaminants on the textile were visualized by NIR chemical imaging. Thus, NIR hyperspectral imaging is presented as a fast, precise and powerful analytical method which also fulfills the requirements of textile industry.
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Vanni, Kimmo, Satu Jumisko Pyykko, Xuequn Zhang, Yeye Xu, and Shiqiang Zhu. "Design Challenges and Principles of Hustar Footwear Exoskeleton." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002273.
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The current information society has been reported to have begun in 1976 and has included five different stages of development, from inception to globalization (Nevalainen 1999). Current society is in a new phase of transition, where applications of digitalization such as artificial intelligence and human-centered robotics are becoming a relevant part of every person’s life in working life, school and leisure. There are already concepts for the future society called 5.0 (Sato & Arimoto 2015) where researchers have considered what issues may change and how changes may happen (Cabinet Office 2019).Wearable intelligence can be defined broadly but it combines textiles and technology and includes sensors (traditional, bacteria-based, etc.), software applications, intelligent textile materials (phase change polymers, textiles), smart design (mass customization, value-based design, etc.) and services (platform economy). The products of wearable intelligence can be wearable sensors, smart textiles and shoes, exoskeleton robots, and fabrics, which are smart and connected to sensor networks and services (AI cloud). Currently, the market expects that researchers would develop efficient, lightweight and reliable exoskeleton robots that make use of high-speed 5G mobile networks and AI. However, the greatest part of the developed exoskeletons is for upper body and they are made from traditional materials and with traditional approaches which emphasize technical issues.The aim of the study was to plan a new approach for designing footwear exoskeleton. The objective was to design a footwear exoskeleton design approach which takes into account smart textile materials, smart sensors, sustainable design, testing data and user expectations. We found that smart footwear exoskeleton design requires professionals from design and user experience, ICT and programming, material and textile technology, mechatronics and energy, and biomechanics domains. As conclusion the ecosystem of smart footwear exoskeleton robotics is still in novice stage and new design approaches are needed, especially now when Society 5.0 may increase demand for assistive technology.
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Alam, Rubel, Gaffar Hossain, Günter Grabher, and Mokbul Hossain. "Applications of Low Pressure Plasma in High-tech Textiles." In 13th International Conference on Plasma Surface Engineering September 10 - 14, 2012, in Garmisch-Partenkirchen, Germany. Linköping University Electronic Press, 2013. http://dx.doi.org/10.3384/wcc2.247-250.
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The textile and clothing industries especially in developed countries are facing now-a-days some big challenges largely because of the globalization process. Therefore, the market of a high-functional, added value and technical textiles is deemed to be essential for their sustainable growth. The growing environmental and energy-saving concerns will also lead to the gradual replacement of many traditional wet chemical-based textile processing by various forms of low liquor and dry-finishing processes. The main reason for the increasing interest is that industrially well-established surface finishing processes suffer considerably from environmental demands such as large amount of water, energy and effluents. Plasma technology, when developed at a commercially viable level, has strong potential to offer in an attractive way to obtain new functionalities in textiles. The synthetic fibres such as polypropylene (PP), polyester (PES), Aramid (AR) etc. are widely used in apparel and home furnishings due to their good physical and chemical properties. The demand of these fibres increases greatly for high performance applications such as smart textiles, technical textiles, operation clothing etc. and more recently, for their potential applications in electronic textiles. But these fibres often reveal hydrophobic nature due to the lack of polar functional groups. The hydrophobic nature of such fabrics limits their application to the above mentioned areas. In addition, adhesion is fundamentally a surface property, often governed by a layer of molecular dimensions, which necessarily required for coating, bonding and printing of synthetic textiles. The low surface energy of hydrophobic polymeric materials results in intrinsically poor adhesion. On the other hand, some natural fibres (e.g. cotton, wool, linen) and synthetic fibres (e.g. rayon, viscose, acetate, spun nylon) exhibit to be hydrophilic in nature due to their polar functionalities. Hydrophilicity of such fibres may act as a barrier for their applications in many areas where liquids repellent is necessary. It is a wide-reaching technical effect that is sought after in several industry sectors, from biosciences, healthcare and electronics to industrial filtration, sports and active wear. In addition to water repellency, other liquids such as oils, inks and alcohols repellency often required. Liquids are constantly in use around us, in the majority of cases in the form of rain water and food and beverages. Arguably, the most noticeable, unfavorable interactions of these liquids are with textile products such as clothing, carpets and upholstery, so added value can be provided by protecting these items from interacting with the liquids, enabling the liquids to roll off or be dabbed away, leaving the underlying material unchanged. Furthermore, hydrophobicity of textiles is frequently associated with self-cleaning properties. When a water droplet rolls off the surface, the surface impurities such as dust get carried away by the droplet resulting in a self-cleaning effect. Using plasma technology to modify textile surfaces with precision cleaning, etching, chemical priming for lowering or raising surface energy can be used to obtain a desirable property of an end product. The plasma technology, a dry and eco-friendly technique, avoids waste water production which is a unique advantage over the wet-chemical processes. This benefit extends into all market areas, where the end product can undergo the plasma enhancement process to provide properties such as adhesion, hydrophilic, liquid-repellent etc. However, to transfer this technology from laboratory into industry, both the scale-up and economic aspects have to be regarded. Main objective of this work is to study the possibility of substituting plasma processes for the traditional wet chemical methods using an industrial plasma reactor aiming to produce wash permanent super-hydrophilic, super hydrophobic textile surfaces.
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Bieger, Isabel. "Making Art Through Textile." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001555.
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Art is an important point in our life. Show our culture, our ideas, our knowledge, our creativity and our sensibility. Through art we can Know what the people think in the time of history. Art is the manifestation of beliefs, showing what people demonstrating critical capacity of the history that we are living or lived in some time. For doing art artists using different kind of material. Someone paints, others do sculptures, or even many materials are possible to use together for manifestation art and opinions. Here we will talk about textile material. The many facets of the fabric, how it can be transformed in art with creativity.We choose to talk about the work that Daisy May Collingridge do to transform simple textile in real work of art. How she manifests her opinion through art using textile like a base for after, transform into squishier. Sometimes criticized about the impact caused in the public, her brilliant idea of transforming fabric in sculpture show us her personality.
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KÄRGER, L. "Modeling multiaxial stress states in forming simulation of woven fabrics." In Material Forming. Materials Research Forum LLC, 2023. http://dx.doi.org/10.21741/9781644902479-39.
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Abstract. During the forming of woven fabrics, different multiaxial stress states can occur, depending on the given process conditions and the complex deformation mechanisms of the interwoven structure of the textile. Particularly under constrained forming conditions, induced e.g. by blank holders or by adjacent metal layers in fiber-metal-laminate (FML) forming, the multiaxial stress states may include in-plane compression. A hyperelastic, invariant-based constitutive model has been proposed in previous work to consider such biaxial and normal-shear coupling for both positive and also negative strains. In the present work, this constitutive model is applied to forming simulation at component scale to investigate the significance of individual coupling aspects for the prediction of the forming behavior under different multiaxial stress states. For that purpose, FMLs and pure fabric laminates are formed to a tetrahedron geometry. In a comparative simulation study, the individual strain couplings of the invariant-based material model are differently activated or suppressed. The simulation results reveal that biaxial coupling has a significant effect on the draping behavior, if the draping is partially constrained. In contrast, the coupling effects are much smaller for free draping conditions.
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DaSilva, Robert A., and Julie Chen. "Lateral Compaction Effects in Braided Structures." In ASME 2001 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/imece2001/htd-24362.
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Abstract This paper addresses the phenomenology of strand interaction in biaxial non-embedded braided textile structures under uniaxial tension. The specific interest in the development of new braided textile structures is a result of the shortcomings of current rope, belt, and cable performance under large strain controlled conditions. However, this work also holds particular significance in the area of textile composite preforms. In composites forming, the lateral strand compaction mechanism, which drives braid behavior under tension, may be applied to woven fabrics for predicting wrinkling during forming processes. Additionally, manufacturing models produced in this study may be used to predict shape and size limitations of braided composite preforms. In this paper, a generalized model is developed for these structures with the intent of characterizing and predicting mechanical behavior. The methodology consists of a modular framework, which includes the prediction of manufacturing parameters. Lateral strand compaction tests were performed to generate constitutive material curves for use in analytical geometric models. Model predictions correlate well with data generated from braid uniaxial tension tests. Results suggest that lateral strand strain drives braid tensile behavior.
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Strelkova, Dora, and Ruth Jill Urbanic. "Art Meets Automotive: Design of a Curve-Adaptive Origami Gripper for Handling Textiles on Non-Planar Mold Surfaces." In WCX SAE World Congress Experience. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2024. http://dx.doi.org/10.4271/2024-01-2575.
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<div class="section abstract"><div class="htmlview paragraph">The handling of flexible components creates a unique problem set for pick and place automation within automotive production processes. Fabrics and woven textiles are examples of flexible components used in car interiors, for air bags, as liners and in carbon-fiber layups. These textiles differ greatly in geometry, featuring complex shapes and internal slits with varying material properties such as drape characteristics, crimp resistance, friction, and fiber weave. Being inherently flexible and deformable makes these materials difficult to handle with traditional rigid grippers. Current solutions employ adhesive, needle-based, and suction strategies, yet these systems prove a higher risk of leaving residue on the material, damaging the weave, or requiring complex assemblies. Pincer-style grippers are suitable for rigid components and offer strong gripping forces, yet inadvertently may damage the fabric, and introduce wrinkles / folded-over edges during the release process. Non-planar surfaces such as the curvature of a mold, introduce additional placement challenges. Thus, a contour-adapting end-effector able to manipulate textiles without damage is desired. This research explores the feasibility of a Miura-Origami fold for material handling. The geometric tessellation is to create a curve-fitting, self-collapsing gripper. Living hinge elements are integrated to achieve controlled compliance. Variants are built using a material extrusion additive manufacturing process. The design parameters are outlined, and a set of origami grippers are built for experimental testing. The compression forces and deflection are measured. These grippers are spring-like but exhibit some unique characteristics. More research needs to be performed to understand the merits and limitations of this gripper strategy.</div></div>
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Phillips, Lyn. "Pressure Ulcer Prevention: Keep it Safe, Keep it Simple!" In Applied Human Factors and Ergonomics Conference. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe100475.
Full textAbstract:
Pressure Ulcer (PU) Prevention Guidelines typically recommend that vulnerable patients be physically repositioned every 2-4 hours, although the risk of caregiver injury is rarely discussed. Some guidelines, concerned with the fabric and construction of slings, continue to mandate the removal of lift equipment from beneath the patient after use and, despite a weak evidence base, this might lessen repositioning frequency and discourage safe practice. A pragmatic solution may be a flexible, breathable, quick-drying, low-friction lift sheet, designed to work in synergy with a pressure-redistributing mattress and which replaces the standard sheet. A series of standardised laboratory tests compared key performance characteristics of two sheet textiles: a 100% cotton hospital bed sheet and the Maxi Transfer™ sheet, a novel synthetic lift sheet. Results showed that when compared to the cotton sheet, the synthetic sheet was more breathable, had lower heat retention properties, superior wicking and better synergy with the therapeutic mattress. Regular repositioning, the cornerstone of PU prevention, is most likely to occur when clinicians have immediate access to lifting equipment. Replacing the standard bed sheet with an advanced textile, lifting device, may positively impact concordance with repositioning protocols, improve tissue microclimate and so improve patient outcomes and, importantly, caregiver safety.
Reports on the topic "Maya textile fabrics"
1
Clifford, Robert, and Doug Cahn. Best Practices In Chemical Management for Textile Manufacturing. Inter-American Development Bank, December 2014. http://dx.doi.org/10.18235/0009241.
Full textAbstract:
The apparel industry in Haiti is poised to move beyond the "cut and sew" processes which have characterized its operations to the present time. Chemical usage has largely been limited to spot cleaning and some washing activities, but as washing increases and other fabric treatment processes are integrated into the Haitian industry, chemical usage at these factories will increase and become more varied. The factories must be prepared to identify and control the chemical hazards associated with these newly integrated operations which may pose risks to workers, the community and the environment.
2
A Legacy of Gods: Textiles and Woodcarvings. Inter-American Development Bank, October 1998. http://dx.doi.org/10.18235/0006397.
Full textAbstract:
Fifty-six 20th century Mayan objects in fabric and wood from private collections and the permanent collection of the IDB, including photo enlargements of watercolors of indigenous costume by Carmen de Lind Pettersen on permanent exhibition at the Ixchel Museum of Indigenous Clothing in Guatemala City. Textiles included huipiles for daily and ceremonial use, sashes and wraps. Woodcarvings by anonymous artists included masks, toys and religious figurines.