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Journal articles on the topic 'Maya textile fabrics'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Samin, Mohd Azhar, Nor Azrin Ramli, and Rafeah Legino. "Block Batik from Natural Material of Soil on Fabric Dyes." Environment-Behaviour Proceedings Journal 6, SI5 (2021): 107–10. http://dx.doi.org/10.21834/ebpj.v6isi5.2934.

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Natural elements of soil are a potential medium for block batik. The local batik producers usually use synthetic dyes, which contributed pollute the environment. There is a need for more natural dye options in block batik fabric dyeing. The practices effectively reduce waste emissions. This option will support an alternative to the batik industries, which is the current issues dealing with environmental challenges that sparked this project. This study employs an experimental textile approach. This study aims to identify soil types that can be used as colourants on fabrics suitable for batik bl

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2

Singh, Neetu, and Vanshika Gupta. "Mata Ni Pachedi: Tales of the goddess on textiles from Gujrat, India." Craft Research 15, no. 1 (2024): 109–26. http://dx.doi.org/10.1386/crre_00121_1.

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India is a land of vibrant culture and heritage. It is home to many diversified craft techniques, most of which have been intensely investigated, recorded, diversified and revived, while a few have languished. This work reflects the origins and process of the Indian craft Mata Ni Pachedi, which means ‘behind the mother goddess’ and is a cloth that constitutes a temple of the goddess. The original creator of Mata Ni Pachedi is the nomadic Vaghari community from Gujarat, the members of which lived along the banks of the Sabarmati River and worshipped the mother goddess in all her forms. The comm

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3

Azuan, Mohamad Fareez, Mohd Azhar Samin, and Rafeah Legino. "Natural Fabric with Pineapple Fibres used as a Batik Medium." Environment-Behaviour Proceedings Journal 7, SI8 (2022): 117–21. http://dx.doi.org/10.21834/ebpj.v7isi8.3923.

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This study is about the pineapple fibre (natural fibre fabric) utilized in Malaysia Batik products. The history of Pineapple Leaf Fibre in Malaya started in 1938s. Along with Malaysia's textile development, pineapple leaf fibres have begun to be used as raw material for textile production. This study aims to identify the sustainability of Pineapple fibre in the Malaysian batik industry. This research used field study methods, library studies, and interviews. The novelty of this study is to create awareness and acceptance among Malay batik producers towards the use of natural Pineapple fabric.

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Boopathiraj, K., and P. Balakrishnan. "A Study on Health Status of Women Workers in Textile Industries of Aruppukottai Block." Shanlax International Journal of Arts, Science and Humanities 9, S1-May (2022): 86–95. http://dx.doi.org/10.34293/sijash.v9is1-may.5940.

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The textile industry is the second-largest worldwide industry after agriculture. One of the largest textile sectors in the world, the Indian textile industry accounts for roughly 14% of the nation’s overall industrial output. Additionally, it makes up about 3% of the nation’s GDP and significantly increases the amount of foreign exchange the nation earns. With more than 35 million people currently employed, India’s textile industry is also the greatest in terms of employment creation. Industrialization is essential for prosperity and occasionally for a country’s existence. Initialization alone

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Fauzi, Irfandhani, Kahfiati Kahdar, and Slamet Riyadi. "ANALISIS PERSEPSI KONSUMEN UNTUK STRATEGI PENGEMBANGAN PRODUK SARUNG DI IKM SARUNG MAJALAYA." Jurnal Dimensi Seni Rupa dan Desain 16, no. 1 (2019): 75. http://dx.doi.org/10.25105/dim.v16i1.6164.

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<p><strong>Abstract</strong></p><p><strong></strong><br />The Majalaya textile industry, at Bandung Regency, is a textile centre prepared by the government as a national textile centre to meet clothing needs. This industry was able to develop and experience its heyday in the 1960s. At that time, this region was able to produce 40% of the total fabric production in Indonesia. Sarong, as its main product, was very popular throughout Indonesia and several other countries in Asia. But the<br />crisis that occurred in 1998 had a major impact on

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6

Wijaya, Karto, and Asep Yudi Permana. "KAWASAN CIGONDEWAH TERKAIT SARANA PRASARANA LINGKUNGAN TERBANGUN SEBAGAI KAWASAN WISATA TEKSTIL DI KOTA BANDUNG." LANGKAU BETANG: JURNAL ARSITEKTUR 4, no. 2 (2017): 79. http://dx.doi.org/10.26418/lantang.v4i2.23247.

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Kawasan Cigondewah pada awalnya merupakan kawasan agraris, dan kawasan ini mengalami perkembangan kearah sentra perdagangan kain dan industri tekstil sejak tahun 1960-1976 yang ditandai oleh usaha karung goni oleh masyarakat setempat. Kegiatan ekonomi berbasis home industri ini memberikan kontribusi pendapatan bagi khususnya penduduk setempat, karena tenaga kerja berasal dari sekitar kelurahan Cigondewah sendiri. Mulanya usaha karung goni ini dibeli dari pabrik gula yang kemudian dipasarkan hingga Kawarang dan Banten. Pada tahun 1976 mengalami kejenuhan, yang kemudian masyarakat setempat beral

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7

Fauzi, Muhammad, Yuke Ardhiati, and Ganal Rudiyanto. "SEJOLI VITRIN DAN CAHAYA BUATAN SEBAGAI WADAH PAMER KAIN BATIK KLASIK." Jurnal Dimensi Seni Rupa dan Desain 10, no. 1 (2013): 13–26. http://dx.doi.org/10.25105/dim.v10i1.929.

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AbstractBatik has become a part of Indonesian cukture dating back hundreds of years ago. Batik uniqueness, lies in the coloring process that uses wax as part of a protected cover. Classical Batik is a valuable work of art, which needs to be protected, so therefore batik is also made of organic materials, then it is most vulnerable or damaged. The process of batik fabric damge can be physically or chemically. environmenal influences such as light moisture, temperature and poluttion is a major cause of the damage. And for that, then the batik collection on display using display type vitrin equip

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8

Istikomah, Mangunah, Endang Prasetyaningsih, and Chaznin R. Muhammad. "Usulan Perbaikan Lintasan Produksi untuk Mereduksi Waste pada Departemen Kerja Produksi dengan Kombinasi Lean Manufacturing dan Theory of Constraints." Jurnal Riset Teknik Industri 1, no. 1 (2021): 77–87. http://dx.doi.org/10.29313/jrti.v1i1.233.

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Abstract. CV.Bagus Jaya Textile (BJT) is an industry that produces fabrics with high value. The problem faced by CV.BJT is the imbalance of production flow that results in unmet production targets, so that the throughput obtained is not maximum. The imbalance of production flow occurs because the allocated capacity is not managed and scheduled properly, which is causing Work in Process (WIP) and waiting waste. Basically, CV.BJT has set the standard of WIP which is 30% of the overall WIP. However, in fact, WIP buildup was found by 33,33% at Stenter workstation. The causative factor is capacity

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9

Lestari, Astri Sri, and Ec Mein Kharnolis. "PENERAPAN APLIKASI HEXAGON TIGA DIMENSI PADA BUSANA PESTA MALAM." BAJU: Journal of Fashion & Textile Design Unesa 1, no. 1 (2020): 20–27. http://dx.doi.org/10.26740/baju.v1n1.p20-27.

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Sumber ide yang di ambil terinspirasi dari cyber security, dan munculah ide penerapan aplikasi hexagon tiga dimensi yang berbuat dari tekstil kulit sintesis, yang mana inspirasi tersebut dari pancaran cahaya cyber security yang muncul secara bertabrakan sehingga cahaya tersebut memiliki bentuk menyerupai hexagon tampak timbul dan nyata. Tujuan penulisan ini untuk mengetahui proses pembuatan dan penerapan teknik aplikasi hexagon tiga dimensi pada busana pesta malam serta mengetahui hasil jadi pada pembuatan busana berdasarkan sumber ide. Proses pembuatan aplikasi tiga dimensi meliputi dari memp

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10

Zutiasari, Ika, Wening Patmi Rahayu, Raisa Fitri, Rila Ayu Agnesia, and Siti Zumroh. "Pembuatan Batik Ecoprint Sebagai Upaya Implementasi Industri Hijau." Jurnal KARINOV 6, no. 3 (2023): 156. http://dx.doi.org/10.17977/um045v6i3p156-160.

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Ecoprint merupakan salah satu teknik pewarnaan kain yang saat ini sedang trend dikalangan pelaku usaha busana dan pengrajin tekstil. Dengan memanfaatkan bahan-bahan alami yang mudah diperoleh dan ramah lingkungan, maka ecoprint ini menjadi salah satu peluang usaha busana. Kegiatan ini dilakukan di lapas perempuan Malang, dimana kesediaan SDM berlimpah di lokasi. Berdasarkan analisis kebutuhan, perlu berbagai kegiatan untuk meningkatkan keterampilan warga binaan yang sekaligus dapat menghasilkan produk yang memiliki nilai ekonomis yang tinggi. Kegiatan yang dilakukan tim yaitu memberikan edukas

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11

Sedjati, Djandjang Purwo, and Agung Suhartanto. "TEPUNG MAKANAN SEBAGAI ALTERNATIF PERINTANG DALAM PENCIPTAAN KARYA SENI TEKSTIL." Corak 9, no. 1 (2020): 87–100. http://dx.doi.org/10.24821/corak.v9i1.3573.

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The establishment of batik as a humanitarian legacy for oral and non-material culture (Masterpieces of the Oral and Intangible Heritage of Humanity) by UNESCO on October 2, 2009 and the establishment of Yogyakarta as the World Batik City by the World Craft Council made batik gained enthusiastic in the community. On the other hand, batik has to deal with people's demands for new products that can fulfill their desires. Thus, new creations that are creative and innovative are needed in order to fulfill theconsumers and the market needed. From the description above, there was an interest in creat

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12

Yogo Wira Nursidik and Mohamad Satori. "Usulan Perbaikan Metode Kerja pada Stasiun Kerja Penjahitan Pola di Perusahaan Bedcover Lilysprei." Bandung Conference Series: Industrial Engineering Science 3, no. 2 (2023): 577–84. http://dx.doi.org/10.29313/bcsies.v3i2.8860.

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Abstract The use of effective and efficient work methods is one of the factors that needs to be considered by companies to achieve targets, this requires business actors to set standards for effective and efficient work methods. Lilysprei is a medium-enterprise business which produces bedroom equipment made from recycled fabric wastes from textile industries. The issue currently faced by the company is the difficulty of fulfilling its daily sales quota. The of this issue is the delay in the pattern sewing process that often goes beyond the allocated time. If left alone, this delay could lead t

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13

Ahmad, Asy Syams Elya. "KRITIK SEJARAH BATIK SIDOARJO." Gorga : Jurnal Seni Rupa 10, no. 1 (2021): 137. http://dx.doi.org/10.24114/gr.v10i1.24626.

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The popular historical narrative of the batik Sidoarjo needs to be reexamined based on historical methodology so that there is no historical bias based only on oral stories of the general public. Many studies are trapped in an inaccurate understanding of local historicity. As a result, these various studies have failed to fit batik Sidoarjo into its full context, instead it has become a kind of narrative standardization on its characteristics and history. This study aims to criticize the historical construction that has been popular in relation to the basic understanding of batik Sidoarjo and

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14

Dumamika, Tione Afifaya, and Mochammad Sigit Ramadhan. "PENGAPLIKASIAN TEKNIK BLOCK PRINTING DENGAN MATERIAL KAYU BEKAS KEBAKARAN HUTAN KALIMANTAN BARAT PADA PAKAIAN READY TO WEAR." Gorga : Jurnal Seni Rupa 10, no. 2 (2021): 277. http://dx.doi.org/10.24114/gr.v10i2.27154.

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Block printing is a technique of producing images repeatedly on a surface that produces original and unique work because it was done manually. However, as time goes by, block printing is still less well known and less developed in Indonesia. In addition to the newly used wood, block printing plates can be replaced by various alternative materials, such as wood from forest fires. Unfortunately, wood from forest fires often has no selling value and can only be used as charcoal or firewood by the surroundingcommunity. This research aims to find a solution to utilize and increase the value of unus

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15

Alamo, Enrico, Meria Eliza, and Giat Syailillah. "MAKNA DAN FUNGSI KAIN ULOS PADA PUSAT LATIHAN OPERA BATAK PEMATANG SIANTAR (PLOt) DI PEMATANG SIANTAR PROVINSI SUMATERA UTARA." Gorga : Jurnal Seni Rupa 10, no. 1 (2021): 94. http://dx.doi.org/10.24114/gr.v10i1.24824.

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Ulos is a traditional Batak clothing that we can find in traditional events; birth, marriage, death and other Batak traditional ceremonies such as: Mandailing, Pakpak, Dairi, Sipirok-Angkola and Karo. Apart from being a typical cloth in the Batak community, Ulos is believed to be able to create a feeling of warmth and raise tondi (raga) because of the 'sacred' element inherent in Ulos. In the past, Ulos cloth was woven by 'spiritual' weavers using natural dyes. Ulos cloth is also a regional marker cloth; social level, and clan (surname). So not just any Ulos cloth can be given to someone or th

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16

Aisyah, Siti, Ferdian Ondira Asa, Zubaidah Zubaidah, and Dwi Mutia Sari. "KELAYAKAN MEDIA PEMBELAJARAN BERBASIS VIDEO TUTORIAL PADA MATERI BATIK DI PROGRAM STUDI PENDIDIKAN SENI RUPA." Gorga : Jurnal Seni Rupa 12, no. 2 (2023): 287. http://dx.doi.org/10.24114/gr.v12i2.50690.

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The problems that arise in this study are in batik material in basic textile craft courses, which during the implementation of learning takes quite a long time to explain the material, as well as the work process. Work process in batik consists of making a design, transferring the design to the fabric base, canting process, colet process, menembok process, dyeing and the last process is melorod process. The purpose of the research is to determine the level of validity and practicality of video tutorial-based learning media in the Fine Arts Education Study Program. The method used (Research and

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17

Dumamika, Tione Afifaya, Rani Asisah, Fathan Aldhitama, and Riksa Belasunda. "STRATEGI PERANCANGAN DESAIN MOTIF SEBAGAI IDENTITAS BORDIR TASIKMALAYA." Gorga : Jurnal Seni Rupa 12, no. 2 (2023): 394. http://dx.doi.org/10.24114/gr.v12i2.50990.

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Embroidery is a form of handicraft that is done manually and by machine to decorate textile surfaces. One of the largest embroidery producing areas in Indonesia is Tasikmalaya, because embroidery has been passed down from generation to generation since ancient times and is a source of livelihood for the local community. Tasikmalaya is one of the cities in the Creative KaTa (Creative District/City) with superior handicraft products that have the potential to go global, if the right design assistance is carried out. This is because the actors are creative and always try to create something innov

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18

Sahputri, Andriani, Nadya Maulidya Manurung, and Siti Aisyah. "Analysis of Clothing Supply Chain Strategy at Lina Stores." Jurnal Ekonomi, Manajemen, Akuntansi dan Keuangan 3, no. 3 (2022). http://dx.doi.org/10.53697/emak.v3i3.803.

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Penelitian ini bertujuan untuk mengetahui strategi rantai pasokan pakaian pada Toko Lina. Penelitian ini merupakan penelitian deskriptif dengan pendekatan kualitatif. Teknik pengumpulan data yang digunakan adalah dengan cara penelitian kepustakaan dan wawancara. Hasil penelitian menunjukkan bahwa model manajemen pasokan di industri Toko Pakaian Lina yaitu meliputi dari beberapa pemasok pakaian/kain lainnya. Dan juga Toko Pakaian Lina menggunakan tiga macam aliran dalam suatu proses melakukan rantai pasokan, yaitu Aliran produk, Aliran keuangan dan juga Aliran informasi. Tentunya Toko Pakaian L

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19

Oktavian, Friedo Irwan, and Aviasti. "Perbaikan Kualitas untuk Mengurangi Tingkat Kecacatan pada Produk Kain Grey dengan Menggunakan Metode Teoriya Resheniya Izobreatatelskikh Zadatch (TRIZ) di PT. Dewy Textile Factory." Bandung Conference Series: Industrial Engineering Science 3, no. 1 (2023). http://dx.doi.org/10.29313/bcsies.v3i1.6073.

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Abstract. PT Dewy Textile Factory is a textile company that manufactures greige fabric products. Greige fabric is unfinished knitted fabric. The total production of greige fabric in the period January - October 2021 is 17,694 rolls. The average rate of defective products produced is 5.36% of total production which exceeds the tolerance limit set by the company at 5%. To overcome this problem, it is necessary to conduct research on quality improvement to identify the causes of defects and provide recommendations for improvements to reduce the rate of defects in greige fabric products. The basic

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20

Yusuf, Wiyana, Rahma Witri, and Christina Juliane. "Model Prediksi Penjualan Jenis Produk Tekstil Menggunakan Algoritma K-Nearest Neighbor (K-NN)." IJCIT (Indonesian Journal on Computer and Information Technology) 7, no. 1 (2022). http://dx.doi.org/10.31294/ijcit.v7i1.11973.

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Indonesia merupakan negara yang memiliki industri tekstil yang besar, mulai dari industri pembuatan serat sintetis (fiber making), industri pemintalan benang (spinning), industri pertenunan (weaving), industri perajutan (knitting), industri pencelupan, pencetakan dan penyempurnaan sampai dengan industri pakaian jadi (garment). Dalam dunia perstekstilan kita perlu memperhatikan pasar terhadap jenis kain yang akan diproduksi secara luas kepada masyarakat. Akan tetapi, tidak ada proses survey pasar pada perusahaan ini yang diakibatkan oleh kurangnya karyawan sehingga perusahaan hanya memproduksi

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21

Team, Editorial. "Editorial Foreword." IKAT : The Indonesian Journal of Southeast Asian Studies 1, no. 1 (2017). http://dx.doi.org/10.22146/ikat.v1i1.33297.

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Undeniably a region in change, interest in Southeast Asia is growing. With this growth comes an increase in academic works written about the region, adding to an already impressive canon. With this background in mind, the Center for Southeast Asian Social Studies (CESASS) at the Universitas Gadjah Mada, Yogyakarta, Indonesia is proud to publish IKAT: The Indonesian Journal of Southeast Asian Studies. This journal welcomes and facilitates exchange in academics and disseminates knowledge produced through this growing interest in Southeast Asia.The name IKAT was adopted to reflect a shared practi

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22

ÖNDOĞAN, Ece Nüket, Ziynet ÖNDOĞAN, and Berru TOPUZOĞLU. "A Study on the Investigation of Sustainability Practices of Global Brands in the Fashion Market." Ege Akademik Bakis (Ege Academic Review), May 10, 2022. http://dx.doi.org/10.21121/eab.1104962.

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Due to the careless use of natural resources, developments in technology, industrialization and population growth, environmental pollution and resource depletion are experienced in the world. The garment clothing and fashion industry has a significant impact on the rapid depletion of natural resources. The rapid change in fashion, especially in the garment clothing industry, negatively affects sustainability in the use of resources. Besides these; the careless use of large amounts of water and chemicals in production, and the release of waste to nature also harm the sustainability of life. The

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