Relevant bibliographies by topics / Mazeppa

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mazeppa'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 June 2025

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Journal articles on the topic "Mazeppa"

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Mainardi, Patricia. "Mazeppa." Word & Image 16, no. 4 (2000): 335–51. http://dx.doi.org/10.1080/02666286.2000.10435690.

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Krol, Tatiana. "The literary portrayals of Ivan Mazepa in Byron’s Mazeppa and Pushkin’s Poltava. A comparative analysis." Studia Rossica Posnaniensia 48, no. 1 (2023): 9–22. http://dx.doi.org/10.14746/strp.2023.48.1.1.

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This article provides a comparative analysis of Ivan Mazepa – the protagonist in the poems Mazeppa (1819) by George Gordon Byron and Poltava (1829) by Alexander Pushkin. It gives a brief outline of who Mazepa was to identify the reasons for this historical figure to have attracted the considerable attention of the Great Romantics. Deploying the theoretical method on recognition and the juxtaposition of differences of literary works within Reception theory developed by Mary N. Layoun, the article examines aspects of dissimilarity in the literary portrayals of the image of Mazepa in Byron’s and Pushkin’s poems. The juxtaposition of Mazeppa and Poltava explains ways in which details from Mazepa’s biography and exploits that inspired Byron’s creative imagination and kindled his desire to recount the story of Mazepa can be contrasted with Pushkin’s presentation of the same protagonist as generated by his own viewpoints on the political aspects surrounding the events of the Great Northern War, specifically the Battle of Poltava. The article applies Hans Robert Jauss’s concept of the horizon of expectations to examine the case of Pushkin’s reception of Byron. It argues that what underlies the nature of Pushkin’s disagreement with Byron is his emotional involvement with the subject matter.
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Pines, R. "Mazeppa. Peter Ilyich Tchaikovsky." Opera Quarterly 15, no. 4 (1999): 779–83. http://dx.doi.org/10.1093/oq/15.4.779.

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Wakeling, Dennis W. "Mazeppa. Peter Ilich Tchaikovsky." Opera Quarterly 8, no. 2 (1991): 186–88. http://dx.doi.org/10.1093/oq/8.2.186.

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Brussee, Albert. "Franz Liszt’s Mazeppa Sketch in His Sketchbook N6." Studia Musicologica 55, no. 1-2 (2014): 27–42. http://dx.doi.org/10.1556/6.2014.55.1-2.3.

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The Mazeppa sketch, written on pages 20–18 of Liszt’s Sketchbook N6, was composed a considerable time before the well-known study entitled Mazeppa (1841; 1851). In the past Rudolf Kókai and Dieter Torkewitz have written a few words about this composition. However, neither Kókai nor Torkewitz understood that the sketch, after a lengthy deletion, was continued on pages 19 and 18. All in all there are around 30 bars of this work, enough to reconstruct it. The result is a quite interesting, wild ‘Galop,’ most probably composed on ‘31 Mai Ecorchebeuf,’ according to the date written at the bottom of page 18 through the notes. If this is right, it means that the Mazeppa sketch stems from 1832, for Liszt stayed from 8 May until shortly after 25 June 1832 in Normandy, in the village of Écorchebeuf. In the spring of that year Franz Liszt frequented the home of Victor Hugo (nowadays the museum Maison Victor Hugo); he met there the painter Boulanger a few times, too. Louis Boulanger (1806–1867) had, in 1827, already exhibited his splendid Le Supplice de Mazeppa in the ‘Salon du Louvre’. Hugo, who was closely befriended with Boulanger, was so impressed by this painting that he wrote shortly afterwards his poem Mazeppa, which appeared in 1829 in the collection Les Orientals. So, in 1832 Liszt had regular contact with people who were most profoundly infected by the Mazeppa virus and he will have read Hugo’s poem at that time, maybe at his holiday address in Écorchebeuf. It is quite likely that then, under the direct influence of Hugo’s poem, he tried to represent in music the hellish ride of the young Cossack on a Ukrainian horse.
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PHILLIPSON, M. "ALTERATION IN EXILE." Nineteenth-Century Literature 58, no. 3 (2003): 291–325. http://dx.doi.org/10.1525/ncl.2003.58.3.291.

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Critics generally note a big shift in Lord Byron's style: the potently gloomy Eastern Tales, showcasing the magnetically alienated Byronic Hero, give way to a sharply contrasting style, that of the conversational Don Juan (1819-24). Accounts of Byron's career tend to treat this alteration as sudden or whimsical. In fact, it is intrinsically tied to exile, a connection illustrated by the verse-romance Mazeppa (1819), in many ways the forerunner of the contemporaneously begun Don Juan. Mazeppa is Byron's most elaborate-even systematic-depiction of exile; its hero, tied onto a wild horse and sent off into the wilderness, learns to endure amid dramatically changed circumstances. As its hero describes his travails, Mazeppa yokes together a number of entities forced to interact, uneasy pairings that include horse/water, man/horse, past/present, history/romance, and narrator/auditor. Dialogic interchange thus shapes Byron's portrayal of exile; the conversational style he developed in Italy underscores M. M. Bakhtin's emphasis on interaction across boundaries. Byron's investment in alteration helps us to frame his seemingly dismissive treatment of some contemporaries, particularly the Laker poets. As Mazeppa particularly demonstrates in its elaborate echoing of Samuel Taylor Coleridge's The Rime of the Ancient Mariner (1798, revised 1817), Byron's denouncement of what he called the "wrong revolutionary poetical system" was not repudiation so much as interchange, from the vantage of exile. Unlike the Rime, Mazeppa envisions narrative as subject to unpredictable recontextualization, a submission that marks exiled poet and distanced reader as the most important dialogic pairing in Byron's late work.
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Voss, Tony. "Wild and Free': Byron's Mazeppa." Byron Journal 25 (January 1997): 71–82. http://dx.doi.org/10.3828/bj.1997.7.

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Coghen, Monika. "Man and Horse in Byron’s Poetry." Studia Litteraria Universitatis Iagellonicae Cracoviensis 19, no. 2 (2025): 93. https://doi.org/10.4467/20843933st.24.009.21002.

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In his poetry and in letters Byron occasionally writes of horses and uses the imagery of horse riding. This essay examines Byron’s representation of human-horse interactions and the ways in which the poet deploys the images of horse riding in The Giaour, Mazeppa, and Childe Harold’s Pilgrimage. I would like to suggest that Byron’s representation of horses may be seen as figuratively reflective of his poetic development from the passion-spurred ride of the Giaour to the harmonious bond between horse and human that Mazeppa learns through his wild ride.
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Chang, Yura. "Post-structuralism Understanding of Liszt's 《Mazeppa》." Yonsei Music Research 18 (December 31, 2011): 87–109. http://dx.doi.org/10.16940/ymr.2011.18.87.

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Fuchs, Jörn Florian. "Fenster zum Wahn." Opernwelt 65, no. 9-10 (2024): 30–31. http://dx.doi.org/10.5771/0030-3690-2024-9-10-030.

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Dissertations / Theses on the topic "Mazeppa"

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Fry, John Douglas. "Liszt's Mazeppa : the history and development of a symphonic poem." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1260449491.

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Marest, Nathalie. "Les représentations de Mazeppa dans les arts du XIXe siècle /." Le Perray-en-Yvelines : N. Marest, 1993. http://catalogue.bnf.fr/ark:/12148/cb356078438.

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Stoner-Singer, Karin. "Der Ritt des Mazeppa!, Dekolonisierung des weiblichen Denkens bei Hedwig Dohm." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59677.pdf.

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Korpskog, Adam. "Vissnande verklighet: maskulina och feminina markörer i Axel Törnemans sena konstnärskap." Thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105716.

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Den här uppsatsen behandlar genusmarkörer i Axel Törnemans sena konstnärskap. Syftet är att undersöka maskulina och feminina markörer i fyra av konstnärens målningar: Gatans rytm (1916), Gudrun i blått (1917), Mazeppa (1918) och Ungdom (1919). Dessutom diskuteras huruvida konstverkens motiv har förbindelser med samtida uppfattningar kring könsroller. Frågeställningarna berör först hur en möjlig relation mellan markörerna gestaltas och problematiseras i konstverken, sedan hur detta kan ge perspektiv på tidsperiodens föreställningar om könsroller. Metoden går ut på att först undersöka maskulina och feminina markörer i målningarna, därefter diskuteras möjliga relationer till kontexten. Studien är disponerad på fyra huvudkapitel där varje målning analyseras och tolkas mot bakgrund av samtida idéströmningar. I uppsatsen analyseras även den tidigare forskningens förhållningssätt till konstnärens motivkrets under 1910-talet. Den avslutande diskussionen bygger på en sammanställning av de fyra tolkningarna.       Studien visar på såväl likheter som skillnader mellan konstverk och kontext. Av tolkningarna framgår att Törnemans målningar innehåller drag som är förankrade i och anknyter till samtida diskussioner kring könsroller. Metoden öppnar dock upp för mångbottnade perspektiv. Målningarnas maskulina och feminina markörer präglas av en dubbeltydighet och tolkningarna framhåller ambivalenta aspekter.
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Sibona, Bruno. "Mazeppa's horse : a case study of Anglo-French intertextuality." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286185.

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The aim of this thesis is to reassess the value of the horse-figure in the tale of Mazeppa. The study begins with an attempt to establish the status of the tale as a Romantic myth in Western European culture and identifies four texts as a corpus of study: Voltaire's Histoire de Charles XII, roi de Suede, Lord Byron's Mazeppa, its translation into French by Amedee Pichot and, finally, Victor Hugo's 'Mazeppa' from his collection Les Orientales. Using methodologies derived from the history of ideas, psychoanalysis, and contextual and intertextual approaches, it is proposed that these four texts form a chain of meaning. The texts are examined at symbolic, structural and textual levels. At these levels, the concepts of the 'centaur complex' and the 'Pegasus complex' are introduced, enabling the outline of the horse as a representation of poetic inspiration and genius to emerge. This appears implicitly or explicitly in the texts and is effected through a dialectical process of fusion and inversion occurring within the man-animal relationship. As a result, the horse becomes not only a thematic link, or 'bridge', horizontally tying the chain of texts together, but it also endorses, within each text, a deeper, vertical function supporting metapoetic meaning and thus reaching the field of poetic ontology. The figurative horse is the 'real' creative surge for each writer within himself and between each text. Poetic creation springs from a hollow wound which the horse, representing the urge of expression, comes to fill and heal. This language transcends nationalities, but, as the story of Mazeppa was written both in English and in French, and also for other methodological reasons, the thesis is distinctively comparative. However, the double function of the horse implies that each text is studied on its own as well as in relation to the other texts of the corpus.
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Лобко, Наталія Вікторівна, Наталия Викторовна Лобко, Nataliia Viktorivna Lobko, Інна Вікторівна Битюк, Инна Викторовна Битюк та Inna Viktorivna Bytiuk. "До питання про соціальне походження Івана Мазепи". Thesis, Вид-во СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/6947.

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Питання походження та соціального положення роду Мазеп вперше було поставлено Яном Пасеком. Але навіть на сьогоднішній день залишається дискусійним питання соціального походження гетьмана Івана Мазепи. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/6947
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Клименко, Валентина Анатоліївна, Валентина Анатольевна Клименко та Valentyna Anatoliivna Klymenko. "Доброчинницька діяльність Івана Мазепи". Thesis, Вид-во СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/6932.

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Власенко, Валерій Миколайович, Валерий Николаевич Власенко та Valerii Mykolaiovych Vlasenko. "Постать гетьмана Івана Мазепи й українська еміграція у Румунії міжвоєнного періоду". Thesis, Вид-во СумДУ, 2009. http://essuir.sumdu.edu.ua/handle/123456789/6902.

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Робота присвячена вивченню постаті Івана Мазепи. Незважаючи на широке і довготривале обговорення в історичній літературі постаті Івана Мазепи, окремі сторінки його біографії, зокрема перебування в еміграції, залишаються маловідомими для широкого загалу1. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/6902
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Machet, Pierre-Alexandre. "Tradition culturelle et spécificité de la tradition philosophique en Ukraine." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30070/document.

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L’Ukraine, indépendante depuis peu, traverse une période de transition et s’efforce de réhabiliter son héritage culturel, philosophique et religieux. Dans la première partie nous présentons l’état du phénomène spécifiquement ukrainien qui est un double enracinement religieux et culturel : tradition byzantine et uniatisme avec son influence occidentale. La deuxième partie contient l’étude des trois périodes de l’évolution de la pensée ukrainienne : pré-skovorodienne, skovorodienne et post- skovorodienne. Skovoroda est la figure centrale de la pensée philosophique ukrainienne. Influencé par la culture occidentale, il fut formé dans la célèbre Académie Pétro Mohyla. Son concept de la philosophie cordocentrique montre l’originalité de sa pensée. Il distingue le cœur supérieur sublimé par les pensées auquel il oppose le cœur commun, celui des désirs. Skovoroda arrive à la conclusion suivante : « lorsque tu te connaitras bien, du même regard tu connaitras aussi le Christ ». Dans la troisième partie, nous présentons un entrecroisement des traditions orientale et occidentale dans les domaines religieux, philosophiques et culturels, ce qui permet de mettre en valeur la spécificité de l’Ukraine<br>Ukraine, recently independent is going through a transition period and tries to bring back into favour his cultural, philosophical and religious heritage. In the first part of this study we deal with the ukrainian specificité made of religious and cultural roots : byzantine tradition and uniatism with its occidental influence. The second part is about the study of the three periods of the evolution of the ukrainian thought : pre-Skovorodian, Skovorodian, past-skovorodian. Skovoroda is the central figure of the ukrainian philosophy. Influenced by the occidental culture, he was educated at the famous Academy Petro Mohyla. His concept of the cordocentrique philosophy shows the originality of his ideas. He distinguishes the upper heart sublimated by the ideas to which he opposes the ordinary heart, the heart of desires. Skovoroda arrives at the following conclusion : When you know yourself well, you know the Christ as well. In the third part we deal with the criss-cross of oriental and occidental traditions in the religious, philosophical and cultural fields, allowing to highlight the specificity of Ukraine
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Figueredo, Marcus Vinícius Mazega. "Uso de transformadas Wavelet e redes neurais artificiais na compressão do eletrocardiograma / Marcus Vinícius Mazega Figueredo ; orientador, Júlio Cesar Nievola." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2008. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1419.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2008<br>Bibliografia: f. 67-71<br>A transmissão em tempo-real do eletrocardiograma (ECG) em situações de urgência pode aumentar consideravelmente as chances de sobrevida do paciente. No entanto, um dos grandes problemas envolvendo essa aplicacão da telemedicina em tempo-real envolve as li<br>The real-time transmission of the electrocardiogram (ECG) in urgent situations can improve the chances of the patient. However, one of the greatest problems involving this kind of telemedicine application is the leakage of network bandwidth. ECG exams may
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Books on the topic "Mazeppa"

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Homéric. L' aventure de Mazeppa: Récit. Calmann-Lévy, 1993.

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Homéric. Mazeppa: Un film de Bartabas. Calmann-Lévy, 1993.

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Tchaikovsky, Peter Ilich. Mazeppa: Opera in three acts. Opera Orchestra of New York, 1993.

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Trancart, Yannick. Au-delà des tempêtes. Presses de la Cité, 1985.

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Marciuk, Chrystyna. Mazeppa: Ein Thema der französischen Romantik : Malerei und Graphik, 1823-1827. Profil, 1991.

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Sibona, Bruno. Le cheval de Mazeppa: Voltaire, Byron, Hugo, un cas d'intertextualité franco-anglaise. L'Harmattan, 2006.

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Sibona, Bruno. Le cheval de Mazeppa: Voltaire, Byron, Hugo : un cas d'intertextualité franco-anglaise. L'Harmattan, 2006.

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Kostomarov, N. I. Mazepa. Izd-vo "Respublika", 1992.

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Kostomarov, N. I. Mazepa. Izd-vo "Respublika", 1992.

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Kentrz͡hynsʹkyĭ, Bohdan. Mazepa. Tempora, 2013.

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Book chapters on the topic "Mazeppa"

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Tschaikowskij, Pjotr I. "Mazeppa (Masepa)." In Handbuch der Oper. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68526-6_277.

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Mason, Nicholas, and Tom Mole. "John Wilson (?) ‘Mazeppa'." In Blackwood's Magazine, 1817-25, Volume 5. Routledge, 2022. http://dx.doi.org/10.4324/9781003312574-32.

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McLean, Thomas. "‘Transform’d, Not Inly Alter’d’: The Resurrection of Kościuszko and the Arrival of Mazeppa." In The Other East and Nineteenth-Century British Literature. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355217_5.

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Woldan, Alois. "Ivan Mazepa – zwischen Ost und West, zwischen Geschichte und Literatur." In Perlen geschichtswissenschaftlicher Reflexion. V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014281.245.

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"Performing Mazeppa." In Performing Menken. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9781139236959.004.

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"Becoming Mazeppa." In Performing Menken. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9781139236959.007.

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"Mazeppa, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/9915362774.

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"Mazeppa times 7." In Virtuosity and the Musical Work. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511481963.008.

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Gordon, Stewart. "Mazeppa(The Way We Wear)." In Etudes for Piano Teachers Reflections on the Teacher's Art. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195093223.003.0011.

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Abstract AS musicians, we engage in an art which hopes to communicate something about our world and even, in its best moments, elicit both an intellectual and emotional response from an audience. No matter how much we become involved in the preparation of that communication, success or failure in the last analysis depends a great deal on the accuracy, speed, and refinement of purely physical responses. Yet, a curious contra diction attends the field of musical performance with regard to the matter of maintaining this physical aspect of our being. It has been pointed out often enough that the human body is not a mechanical device and is subject to considerable variation from day to day or even from hour to hour.
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Graham, Peter W. "Parisina, Mazeppa and Anglo-Italian displacement." In Byron and Italy. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100559.003.0009.

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This chapter examines Parisina (written in England but on an Italian topic) and Mazeppa (written in Italy but on a non-Italian topic) as exemplary instances of Byron’s creation of an Anglo-Italian poetics based on displacement in his narrative verse. It considers them separately and together as a useful way of understanding the ‘intricate fabrication of Byron’s Anglo-Italian identity’. It also considers them ‘in dialogue’ and in relation to Italy in order to throw new light on two works that are generally sidelined in the Byron canon. In Parisina, Byron offers an Italian cautionary tale to Regency England,one in which he can ‘poetically release’ things in his own life that he had to publicly suppress in England. In Mazeppa, instead, Byron explores key aspects of his life in Italy in an imagined location that is displaced from Italy rather than to it. As this essay shows, both narrative poems demonstrate, in contradiction to much critical thinking about Byron, the importance of ‘not being on the spot’ to both the poet’s narrative method and his poetic self-fashioning.
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Conference papers on the topic "Mazeppa"

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Biczok, Gergely, Santiago Diez Martinez, Thomas Jelle, and John Krogstie. "Navigating MazeMap: Indoor human mobility, spatio-logical ties and future potential." In 2014 IEEE International Conference on Pervasive Computing and Communication Workshops (PERCOM WORKSHOPS). IEEE, 2014. http://dx.doi.org/10.1109/percomw.2014.6815215.

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Molak, Marcin, Jacek Szabelski, Wiesław Tłaczała, Tadeusz Wibig, and Grzegorz Wrochna. "Search for cosmic rays from gamma ray bursts by MazePi project." In SPIE Proceedings, edited by Ryszard S. Romaniuk. SPIE, 2006. http://dx.doi.org/10.1117/12.714858.

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Coutinho, R. "The Petroleum System of the Mazenga Graben in Regional Context of Mozambique Basin, Southern Mozambique." In Third EAGE Eastern Africa Petroleum Geoscience Forum. EAGE Publications BV, 2017. http://dx.doi.org/10.3997/2214-4609.201702426.

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Fonseca, Michelle Julieny R., and Maria Aparecida R. da Fonseca. "Educação Ambiental em uma Escola de Tempo e Educação Integral no Período de Pandemia (Covid-19)." In Seminário de Educação a Distância da Região Centro-Oeste. Sociedade Brasileira de Computação, 2022. http://dx.doi.org/10.5753/seadco.2022.20396.

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O presente texto que, objetiva relatar o desenvolvimento do projeto de educação ambiental em uma escola de tempo e educação integral durante a pandemia da Covid-19, constitui-se de relato de experiência a respeito da formulação, análise e implementação do projeto Escola de Tempo e Educação Integral em Tempo de Pandemia: Ensino e Aprendizagem DA e para A Comunidade, com recorte no subprojeto: "A Escola te com(vida) a preservar, com ênfase nas metodologias e ações que direcionaram a implementação e o desenvolvimento do projeto e, do subprojeto em questão. Como resultado, constatou-se: a dinamicidade do conhecimento humano, a desigualdade social como a grande mazela existencial contemporânea, a efetividade de ações simples e eficazes no cuidado com o meio ambiente, mesmo em período de pandemia.
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Dourado, Anna Beatriz Caixeta, and GIOVANNA LOPES DO ESPÍRITO SANTO. "IMUNOTERAPIA CONTRA O CÂNCER PEDIÁTRICO." In II Congresso Brasileiro de Imunologia On-line. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/ii-conbrai/5588.

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Introdução: O cenário hodierno do tratamento de câncer em crianças utiliza majoritariamente métodos como quimioterapia , radioterapia e cirurgias invasivas. Contudo , quando há prognósticos de risco , casos metastáticos ou recorrentes esse padrão é pouco eficaz no controle da disseminação dessa mazela , além de submeter o paciente a efeitos colaterais de longo prazo que podem danificar sua vida adulta. Dessarte, a manipulação da resposta imune contra o câncer configura-se como sendo a mais promissora aposta para o manejo antitumoral; no entanto, pouco se sabe sobre seus efeitos em um organismo em fase de desenvolvimento. Objetivo: O presente artigo visa discorrer sobre a imunoterapia no âmbito pediátrico analisando seu modo de ação, eficácia e segurança. Além disso, objetiva obter a relação entre o melhor tipo de abordagem imunoterápica para cada caso de neoplasia pediátrica. Material e métodos: Para isso, houve uma revisão narrativa da literatura por meio das bases de dados PubMed, Google Acadêmico e Scielo. Resultados: Os tumores pediátricos geralmente advém de células embrionárias acometidas por anormalidades transcricionais, se distinguindo dos homólogos em adultos. Além do microambiente tumoral imunossupressor, esses tumores têm baixas carga mutacional e expressão de neoantígenos, dificultando a imunoterapia. Conclusão: Por quanto, o uso de proteínas de superfície celular normais tem sido o método mais bem sucedido. Juntamente, as terapias combinadas, como com CAR-T , terapias baseadas em células adotivas, anticorpos monoclonais e biespecíficos, e vírus oncolíticos apresentam cada vez mais prognósticos positivos. Embora ainda existam reveses significativos, a imunoterapia em cânceres pediátricos é uma realidade promissora e, com ela, obter-se-á um aumento da sobrevida e qualidade de vida dos pacientes.
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6

SANTANA, RHAYSSA GOMES DE, PEDRO HUGO DE SOUSA SAMPAIO, NATHALIA ARAUJO DE ARAGÃO, MARIA ISABEL DE ARAÚJO FERREIRA, and GABRIELA TORRES ALVES DE CARVALHO. "PERFIL EPIDEMIOLÓGICO DAS INTERNAÇÕES POR OBESIDADE EM ADULTOS MAIORES DE 20 ANOS NO BRASIL ENTRE OS ANOS DE 2017 E 2021." In I Congresso Brasileiro de Doenças Crônicas On-line. Revista Multidisciplinar em Saúde, 2022. http://dx.doi.org/10.51161/cronics/7131.

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Introdução: A obesidade é caracterizada pelo acúmulo de gordura no corpo proveniente, quase sempre, por um consumo de energia na alimentação, superior àquela utilizada pelo organismo para sua manutenção e realização das atividades do dia-a-dia, ou seja, a ingestão alimentar é maior que o gasto energético correspondente. As internações por essa mazela acometeram um total de 53784 adultos maiores de 20 anos no Brasil, justificando, assim, a relevância desse estudo. Objetivos: Compreender a prevalência das internações por obesidade em adultos maiores de 20 anos no Brasil, assim como fatores relacionados a esse agravo de saúde, em um período de 5 anos.Metodologia: Trata-se de um estudo quantitativo, descritivo e analítico, comparativo dos dados do DataSUS tabnet referentes aos números relacionados às internações por obesidade na população adulta maior de 20 anos no Brasil, entre os anos 2017 e 2021.Resultados: A obesidade condiciona-se como uma questão significativa no que refere à saúde pública do País, principalmente relacionado ao componente adulto. No período analisado , o Brasil notificou 53784 internações por obesidade em maiores de 20 anos. O maior número de hospitalizações concentra-se na região Sul, que soma 28456 internações. A título de comparação, a menor parcela de ocorrências é da região Norte, com 333 internações, seguida pela parte Centro-Oeste totalizando 1327 hospitalizações, seguida da região Nordeste com 4149 internações e a região Sudeste com 19519, complementando essa ordem crescente, com um total de casos. Quanto ao perfil da população mais afetada, destaca-se a do sexo feminino com 46625 internações, equivalente a 86,6% das hospitalizações, e à raça branca com 33704 internações. Conclusão: Ademais, observa-se que a obesidade, permanece sendo um problema de saúde pública no país. Além disso, evidencia-se que a obesidade é mais prevalente em indivíduos do sexo feminino e de raça branca, e atinge com maior incidência a região Sul do país, computando 28456 internações. Outrossim, conclui-se que torna-se necessária a inclusão de medidas que objetivem a redução da prevalência da obesidade na população brasileira adulta maior de 20 anos.
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7

Fonseca, Uânderson de Mattos, Beatriz Lima Bandeira, Bruno Yutaka Sato Ramos Galvez, and Alcione Oliveira Dos Santos. "CONSEQUÊNCIAS DA INFECÇÃO POR BARTONELLA HENSELAE NO SISTEMA NERVOSO." In I Congresso Brasileiro de Doenças Infectocontagiosas On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/2218.

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Introdução: Evidenciadas pela arranhadura do gato, lambida e mordida, as doenças causadas pela bactéria Bartonella henselae, dentre elas a neurorretinite e a Síndrome oculoglandular de Parinaud, podem se desenvolver no sistema nervoso humano. Nessa perspectiva, de 5% a 10% dos casos relatados na literatura científica, há ocorrência de neuropatias desencadeadas por essa infecção. Objetivo: Avaliar as alterações no sistema nervoso causadas pela infecção com Bartonella henselae. Materiais e métodos: O estudo realizado, baseado em revisões bibliográficas, foi orientado pelas seguintes plataformas de pesquisa: “Scientific Electronic Library Online” (Scielo), “Public Medical Literature Analysis and Retrieval System Online” (PubMed) e Google Acadêmico. Resultados: Observa-se que há frequência na correlação entre neurorretinites patológicas e infecções bacterianas. Nessa conjuntura, as moléstias ocasionadas pelos bacilos Bartonella henselae, sobretudo, aquelas relacionadas às doenças do sistema nervoso, a saber: inflamação da retina ocular e inflamação do nervo óptico são acarretadas devido a sua não apoptose pelas células do sistema imune do indivíduo. Com isso, pacientes acometidos por patologias oculares podem apresentar a redução da densidade de sua retina, bem como a diminuição dos fotorreceptores presentes nessa membrana ocular (retina). No que concerne ao diagnóstico dessas enfermidades, oriundas por esses microrganismos, percebe-se que existem grandes semelhanças com as neurorretinites provocada pela doença de Toxoplasmose – causada pela ingestão de protozoários Toxoplasma gondii –, o que gera, em muito casos, erros de diagnósticos em momentos de análises clínicas. De fato, tal prática contribui negativamente para que os dados de prevalência das doenças do sistema nervoso – ocasionados pelas bactérias bartoneloses – tornem-se relativamente baixos na sociedade brasileira, determinando, assim, que informações acerca dessa mazela sejam pouco divulgadas. Conclusão: Desse modo, observa-se a essencialidade de se obter um diagnóstico mais assertivo para o paciente, a fim de gerar maior promoção de saúde coletiva. Para tanto, faz-se necessário, por meio do Ministério da Saúde, a formulação de ações de propagandas sociais acerca das neurorretinites causadas pelos bacilos gram-negativos, com vistas a contribuir com a divulgação da temática e a orientar os profissionais atuantes da saúde para promoverem anamneses de modo mais estimativo e mais analítico.
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