Academic literature on the topic 'McEwan, Ian Saturday'

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Journal articles on the topic "McEwan, Ian Saturday"

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Hughes, Tom A. T. "Saturday, by Ian McEwan." Practical Neurology 18, no. 5 (2018): 429. http://dx.doi.org/10.1136/practneurol-2018-001946.

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He, Jingyi. "On Violence Writing in Ian McEwan’s Saturday." Education, Language and Sociology Research 5, no. 1 (2024): p114. http://dx.doi.org/10.22158/elsr.v5n1p114.

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Ian McEwan is one of the most preeminent contemporary British writers. His masterpiece Saturday is longlisted for the 2005 Booker Prize. Revolving around the protagonist Perowne’s one-day life, the novel portrays a realistic picture of British society after the “9·11” terrorist attack. So far, scholars have interpreted Saturday from the perspective of space, trauma, intertextuality, culture, and ethics, while few studies have touched upon the violence writing in this novel. Therefore, this paper will explore the manifestations and roots of direct, structural and cultural violence in Saturday b
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Koron, Alenka. "Narrative space in Ian McEwan’s Saturday: A narratological perspective." Frontiers of Narrative Studies 4, no. 2 (2018): 359–73. http://dx.doi.org/10.1515/fns-2018-0028.

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AbstractAlthough the work of Ian McEwan, one of the most important modern British writers, has been quite thoroughly researched, the narrative space was rarely the subject of narratological treatment. This article tackles a close reading of McEwan’s novel Saturday from a narratological perspective testing the applicability of a series of spatial categories systematized by Marie-Laure Ryan in the already existing narratological tradition and in her own research in narrative space. At the macro level of the story, the circular structure of the novel and the concepts of space as a container and s
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Nešić, Marija. "Value pluralism in Ian Mcewan's Black dogs and Saturday." Zbornik radova Filozofskog fakulteta u Pristini 54, no. 3 (2024): 187–200. http://dx.doi.org/10.5937/zrffp54-49826.

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Ian McEwan, an influential and provocative British novelist and short-story writer, has addressed a variety of issues, distinguishing himself as a socially and politically engaged author. This paper explores contemporary liberalism as depicted in two of McEwan's novels, Black Dogs and Saturday, both charged with moral complexity. The analysis is approached from the perspective of value pluralism, which recognises the plurality of morally correct yet incompatible and incommensu-rable principles or values. These values may conflict with each other, but since all are correct, the conflicts remain
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Clayton, Jay. "Biocultures: An Emerging Paradigm." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 947–49. http://dx.doi.org/10.1632/pmla.2009.124.3.947.

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Literature and Science Policy: A New Project for the HumanitiesThe misfortune lies with a single gene, in an excessive repeat of a single sequence—CAG. Here's biological determinism in its purest form. More than forty repeats of that one little codon, and you're doomed.—Ian McEwan, Saturday (94)Huntington's disease. Perowne, the neurosurgeon in Ian McEwan's novel Saturday (2005), readily diagnoses the genetic abnormality that afflicts a petty criminal who is assaulting him. It is like a tic with Perowne. He cannot stop himself from analyzing the biological causes of the poor emotional control,
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Miroshnychenko, Lilia. "THE 2000S: SIGNS OF THE TIMES IN IAN MCEWAN’S NOVEL, SATURDAY." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 67–74. http://dx.doi.org/10.32589/2411-3883.20.2023.293563.

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This paper seeks to present Ian McEwan’s novel, Saturday (2005) in the prism of the new century, manifesting itself in the cluster of signs of the times. It discerns seven key attributes of the first decade which collectively outline the contour of the 2000s.The novel which spans a day is evocative of Ulysses and Mrs. Dalloway as it centres on the life of a middle-class 48 years old Henry Perowne - a successful neurosurgeon, and rationalist who moves through the streets of London in anticipation of a dinner with his dearest ones at the evening’s familial reunion. His dense observation of the t
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Sánchez-Arce, Ana María. "Performing innocence: Violence and the nation in Ian McEwan’s Saturday and Sunjeev Sahota’s Ours Are the Streets." Journal of Commonwealth Literature 53, no. 2 (2017): 194–210. http://dx.doi.org/10.1177/0021989416686648.

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Mainstream British society and post-9/11 fiction borrow from the discourse of American exceptionalism (including the fall from innocence to experience, the desire to create or preserve a better world, a “Messianic consciousness” reflecting the arrogance of virtue, the development of narratives of heroism and goodness tied to nation-building, and the use of the above to justify “exemptionalism”) to expose and query the entitlement of those within the narrative home of Britishness and the outsider status of those used to define its borders. This article discusses Ian McEwan’s Saturday and Sunjee
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Ferguson, Frances. "The Way We Love Now: Ian McEwan, Saturday, and Personal Affection in the Information Age." Representations 100, no. 1 (2007): 42–52. http://dx.doi.org/10.1525/rep.2007.100.1.42.

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Slavin, Molly. "No Such Thing as Society – Neoliberalism and Crime in the Literature of Johannesburg, London, and Atlanta." Urban Eidos, no. 3 (November 30, 2024): 14–23. http://dx.doi.org/10.62582/ue3002p.

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This article looks at literary texts set in Johannesburg (Ivan Vladislavić, Portrait with Keys), London (Ian McEwan, Saturday) and Atlanta (FX series Atlanta, created by Donald Glover) to articulate the impact of neoliberalism in each text’s depiction of crime and communal urban society. By examining both how characters in each text react to crime, as well as how neoliberalism creates ripe conditions for actions deemed criminal by the state, this article takes cues from Margaret Thatcher’s aphorism, “There is no such thing as society,” to make the argument that though neoliberalism has failed
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Phelan, James. "Nonfictionality, Function, and Salience – Or, Affect, Ethics, Aesthetics and Huntington’s Disease in Saturday and Inside the O’Brien." Rhetorica Scandinavica 22, no. 78 (2018): 32–40. http://dx.doi.org/10.52610/twoc9524.

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Focusing on different treatments of the same nonfictional entity, Huntington’s disease, in two global fictions, Ian McEwan’s Saturday (2005) and Lisa Genova’s Inside the O’Briens (2015), this paper seeks to understand the affective, ethical, and aesthetic dimensions of crucial problematic moments in each. It deploys the concepts of status (fictional, nonfictional, or a blurring of the two), function (how does the particular element contribute to the larger narrative purpose) and salience (how significant is that function for that larger purpose) in order unpack the rhetorical logic of those pa
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Dissertations / Theses on the topic "McEwan, Ian Saturday"

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Isherwood, Jennifer. "VIOLENCE, NARRATIVE AND COMMUNITY AFTER 9/11: A READING OF IAN McEWAN’S SATURDAY." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1155763355.

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Eckstein, Lars. "Saturday on Dover Beach : Ian McEwan, Matthew Arnold, and post-9/11 melancholia." Universität Potsdam, 2011. http://opus.kobv.de/ubp/volltexte/2012/5922/.

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This essay revisits Ian McEwan’s extremely successful novel Saturday, and interrogates its exemplary assessment of the British cultural climate after 9/11. The particular focus is on McEwan’s extensive recourse to the writings of Matthew Arnold, whose melancholy outlook on culture and anarchy McEwan basically translates into the 21st century without much ideological fraction. This relapse into Victorian liberal humanism as consolation for a Western world besieged by the contingencies of terrorism is extremely problematic. Not only does it wilfully ignore the transcultural realities of modern B
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Galrito, Irene Maria Cunha. "O sentido da modernidade en Ian McEwan: saturday e as inquietações de Henry Perowne." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/14156.

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Esta dissertação analisa Saturday (2005), romance de Ian McEwan, um dos mais reconhecidos autores da literatura britânica contemporânea. Identificado, por vezes, como o escritor nacional por excelência, McEwan cria nas suas obras uma permanente relação entre razão e intuição, as quais se entrecruzam e digladiam de forma evidente no romance. Saturday espelha o sentido de modernidade que se vive no mundo ocidental na contemporaneidade e a personagem principal, Henry Perowne, um neurocirurgião experiente, personifica esse universo, onde são abordadas temáticas, preocupações e angústias próprias d
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Silva, Isaías Eliseu da [UNESP]. "O moderno e o contemporâneo: um estudo de Mrs. Dalloway, de Virginia Woolf e Saturday, de Ian McEwan." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154387.

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Submitted by Isaias Eliseu da Silva (isaiaseliseu@gmail.com) on 2018-06-27T00:05:27Z No. of bitstreams: 1 Tese - versão final.pdf: 1821366 bytes, checksum: eecccdd06a461f99da7ed34d47dee510 (MD5)<br>Approved for entry into archive by Priscila Carreira B Vicentini null (priscila@fclar.unesp.br) on 2018-06-28T13:35:01Z (GMT) No. of bitstreams: 1 silva_ie_dr_arafcl.pdf: 1767890 bytes, checksum: 3eac585db880bca16eae48f7dab0a7c1 (MD5)<br>Made available in DSpace on 2018-06-28T13:35:01Z (GMT). No. of bitstreams: 1 silva_ie_dr_arafcl.pdf: 1767890 bytes, checksum: 3eac585db880bca16eae48f7dab0a7c1 (
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Silva, Isaías Eliseu da. "O moderno e o contemporâneo : um estudo de Mrs. Dalloway, de Virginia Woolf e Saturday, de Ian McEwan /." Araraquara, 2018. http://hdl.handle.net/11449/154387.

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Orientador(a): Maria das Graças Gomes Villa da Silva<br>Resumo: Ecos de Mrs. Dalloway, de Virginia Woolf, reverberam no romance Saturday, de Ian McEwan, publicado oitenta anos após o primeiro, e esta tese propõe uma análise sobre os textos ficcionais referidos a fim de expor a medida em que, dadas as semelhanças entre uma narrativa e outra, diferem-se o contexto histórico, as preocupações das personagens e as técnicas narrativas utilizadas no romance de Woolf e no de McEwan. Ambos os romances ambientam-se em Londres, têm o enredo circunscrito no limite de um dia e utilizam-se de acontecimentos
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Slimak, Louis Jason. "A MIND WITH A VIEW: COGNITIVE SCIENCE, NEUROSCIENCE AND CONTEMPORARY LITERATURE." Akron, OH : University of Akron, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1176747219.

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Thesis (M.A.)--University of Akron, Dept. of English, 2007.<br>"May, 2007." Title from electronic thesis title page (viewed 4/26/2009) Advisor, Sheryl Stevenson; Faculty Reader, Bob Pope; Department Chair, Diana Reep; Dean of the College, Ronald F. Levant; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
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Albala, Razan. "Towards an ethics of post-9/11 fiction : a reading of Ian McEwan's Saturday, Don DeLillo's Falling man, and Mohsin Hamid's The reluctant fundamentalist." Thesis, Royal Holloway, University of London, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625452.

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Ortín, Calabrese María Melina. "La influencia de los medios de comunicación en la percepción de la realidad del individuo : White noise de Don DeLillo y Saturday de Ian McEwan." Bachelor's thesis, 2015. http://hdl.handle.net/11086/12891.

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This work aims at analysing the role of mass media in contemporary families, the influence that news have on our perception of reality and on the behaviour of the members of a contemporary society. More specifically, it intends to analyse the influence of mass media on the Gladney family's perception of reality and behaviour in White Noise (1985) by Don LeLillo, and the influence of mass media on Henry Perowne's perception of reality and behaviour in Saturday (2005) by Ian McEwan. Mass media is communication—whether written, broadcast, or spoken—that reaches a large audience. This inclu
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Pitt, Daniela. "The representation of trauma in Ian McEwan's novels "Atonement" and "Saturday"." Thesis, 2010. http://hdl.handle.net/10539/7603.

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ABSTRACT: Since Freud’s early work, the representation and assessment of trauma, more specifically hysteria, has given rise to numerous, albeit diverse, theories. The common factor, however, in most of these is the hypothesis that trauma in any form disrupts, at least temporarily, the growth of the individual. Through an analysis of Ian McEwan’s novels Atonement (London: Vintage Press, 2001) and Saturday (London: Vintage Press, 2006), I aim to explore how trauma within these texts is represented, viewed and engaged. In its broadest terms, trauma as explored within these texts will encompass n
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DustinFlorence, Robert, and 劉星宇. "The Subject Formation, The Medical Gaze, and Modern Governmentality in Ian McEwan’s Saturday." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/48885905541101354039.

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Books on the topic "McEwan, Ian Saturday"

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Jacob, Mareike. Intertextualität in Ian McEwans 'Saturday'. GRIN Verlag GmbH, 2010.

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Byrnes, Bernie C. Ian McEwan's "Atonement" and "Saturday". Paupers' Press, 2006.

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Klahold, Doreen. Ian Mcewan's Saturday . the Importance of Pace During Perowne and Baxter's First Encounter. GRIN Verlag GmbH, 2013.

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Gender Studies und Literatur. das Konzept Von Masculinity in Nick Hornbys High Fidelity und Ian Mcewans Saturday. GRIN Verlag GmbH, 2017.

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Science vs. Literature: The Representation of the Two Cultures in Ian Mcewan's Novels Saturday and Enduring Love. GRIN Verlag GmbH, 2013.

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Houen, Alex. Reckoning Sacrifice in ‘War on Terror’ Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198806516.003.0016.

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This chapter examines how novelists and poets explore the sacrificial reckonings of the ‘war on terror’ in terms of relations between faith (social and religious), sympathy, and bearing witness. It discusses Ian McEwan’s novel Saturday (2005) and two books of poetry: Claudia Rankine’s Don’t Let Me Be Lonely (2004) and Juliana Spahr’s this connection of everyone with lungs (2005). Both poems balance matters of aesthetics and ethics by comparing modes of bearing witness: watching spectacles of war through television, and testifying to responsibility for others’ lives. The chapter relates those t
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Whitehead, Anne. Medicine and Empathy in Contemporary British Fiction. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748686186.001.0001.

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This book offers a critique of the dominant understanding and deployment of empathy in the mainstream medical humanities. Drawing on feminist theory, it positions empathy not as something that one has or lacks, and needs to accrue, but as something that one does and that is embedded within structural, institutional and cultural relations of power. It aims to provide a critically informed definition of empathy, drawing on phenomenology, in order to counter the vagueness of the term as it has often been used. It questions, too, the assumption that empathy is limited to the clinical relation, loo
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Book chapters on the topic "McEwan, Ian Saturday"

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Nünning, Vera. "McEwan, Ian: Saturday." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14297-1.

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Wells, Lynn. "Saturday." In Ian McEwan. Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-09056-0_10.

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Gummersbach, Elisabeth. "Alles erklärbar – oder nicht? Der Arzt als Rationalist. Studierendenseminar zu einem Textauszug aus Saturday von Ian McEwan." In Narrative Medizin. Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412523619.21.

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Toprak Sakız, Elif. "Narrative Glocality and the Cosmoflâneur in Ian McEwan’s Saturday." In Culture and Economics in Contemporary Cosmopolitan Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-44995-6_3.

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Nicieja, Stankomir. "Forays into the Scientific Mindset: The Two Cultures in Ian McEwan’s Saturday and Solar." In Second Language Learning and Teaching. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-21994-8_40.

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Tseng, Chia-Chieh Mavis. "The Man at the Window: Framing, Ways of Seeing, and Urban Mentality in Ian McEwan’s Saturday." In Literary Urban Studies. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-86897-9_17.

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Beaumont, Alexander. "The New Culture Wars: Neo/liberal Pedagogy in Ian McEwan’s Saturday and Kazuo Ishiguro’s Never Let Me Go." In Contemporary British Fiction and the Cultural Politics of Disenfranchisement. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137393722_5.

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Haschemi Yekani, Elahe. "Privileged Crises in the Wake of 9/11: Universalizing Masculinity in Ian McEwan’s Saturday and Oliver Stone’s World Trade Center." In Contemporary Masculinities in the UK and the US. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50820-7_4.

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Hanson, Clare. "Ian McEwan." In Genetics and the Literary Imagination. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198813286.003.0004.

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Chapter 3 considers Ian McEwan’s engagement with neo-Darwinism in its manifestation as evolutionary psychology. From the perspective of evolutionary psychology, human behaviour is driven by genetic self-interest and society is structured around competition, while our tendency to self-deception disguises our motives from ourselves and others. This bleak view of human nature, which was promoted in the 1990s by influential figures such as Daniel Dennett and Steven Pinker, informs the characterization and plot of McEwan’s major novels (Enduring Love, Atonement, and Saturday). It also inflects the movement known as literary Darwinism, with which McEwan was closely associated. Having charted McEwan’s tight connections with neo-Darwinism, the chapter concludes with a reading of his recent novel Nutshell (2016) as a witty subversion of the neo-Darwinian orthodoxies which shaped his earlier work
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Dancer, Thom. "Ian McEwan’s Redescriptions." In Critical Modesty in Contemporary Fiction. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893321.003.0003.

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This chapter focuses on theories of modesty as redescription at work in literary texts. Ian McEwan’s Atonement, Saturday, and Solar demonstrate critical modesty in two interrelated ways. His novels offer a modest vision of literary efficacy as severely circumscribed by literature’s entanglements with the larger world. At the same time, to the extent that McEwan grants some relevance to the literary, it is through a style of epistemologically modest narration that seeks to redescribe a situation without judgment. The chapter illustrates the effects of a critically modest approach to reading McEwan’s fiction by contrasting it with different approaches by critics such as John Banville and Elaine Hadley. In contrast to these critics who find McEwan’s novels to be self-satisfied and politically quietist, I argue that McEwan narrates and formalizes the process of thinking in such a way as to intensify the mismatch between the reader’s experience of the world and the redescription of that experience in the novel. Novels such as Atonement, Saturday, and Solar demonstrate the value of epistemological modesty precisely at those moments when their main characters fail most spectacularly to achieve it.
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Conference papers on the topic "McEwan, Ian Saturday"

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Shen, Yuan, and Yichao Song. "The Era of Crises: a Thematic Analysis of Ian McEwan's Saturday." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.146.

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