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1

Larsen, Erik. "Entropy in the Circuits." Nineteenth-Century Literature 69, no. 4 (March 1, 2015): 509–38. http://dx.doi.org/10.1525/ncl.2015.69.4.509.

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Erik Larsen, “Entropy in the Circuits: McTeague’s Apocalyptic Posthumanism” (pp. 509–538) This essay reinterprets Frank Norris’s novel McTeague: A Story of San Francisco (1899) as a depiction of the annihilating effects of entropy on human and material systems. Focusing on McTeague’s lengthy and underanalyzed conclusion, in which McTeague flees into the heart of Death Valley, I argue that Norris’s descriptions of the desert identify an irresistible and destructive force guiding the disintegration of individuals, relationships, and ultimately the Earth itself. Drawing on the record of cultural anxieties surrounding the laws of thermodynamics in the nineteenth century, the essay demonstrates how McTeague exemplifies an “apocalyptic posthumanism” with implications far more disruptive to human exceptionalism than those of traditional biological determinism. The essay also interprets social, biological, and material systems in the novel as attempting, unsuccessfully, to resist entropic decline by channeling and diversifying forces through systems resembling electrical circuits. In this context, gold is read as the “current” or “currency” subtending California’s economic and social worlds, but also that which drives them to greater and greater states of entropic disorder and eventual collapse.
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2

Gaaku, Godwin Yao, Felix Mawudor Vorvor, and David Ako Odoi. "The Animal in Man ─ An Image Pattern in Frank Norris’ Mcteague." Journal of Language and Literature 23, no. 1 (March 23, 2023): 167–82. http://dx.doi.org/10.24071/joll.v23i1.5151.

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Every man possesses an animal instinct that lingers beneath the surface, waiting for an appropriate time to manifest. In Frank Norris’ McTeague, some characters degenerate to the level of the animal, displaying brutality and striving like predators for survival. This study sought to investigate the animal metaphor as an image pattern in McTeague. The study used textual analysis as a design to analyse, interpret and evaluate McTeague. The study concluded that Joseph Le Conte’s theory of Evolution and Cesare Lombroso’s theory of criminology influenced the writing of McTeague. Thus, there is extensive use of the animal metaphor as an image pattern through the characters in the novel: McTeague, Trina, Marcus and Zerkow. They are metaphorically hustled up and down the evolutionary ladder between the levels of the animal and the human. Consequently, these characters degenerate to metaphorical animals and constitute an image pattern in the novel. When things are normal, their animal instincts are not only concealed but also tamed and only come out when things become abnormal. The study further established that the animal instinct is there in every human; hence, everyone must be conscious of this animal instinct and learn to control it in times of abnormality. The study recommends that future researchers investigate how this animal instinct can be tamed in man when faced with instinctual forces.
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3

McElrath, Joseph R., and Jesse S. Crisler. "The Bowdlerization of McTeague." American Literature 61, no. 1 (March 1989): 97. http://dx.doi.org/10.2307/2926522.

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4

Good, James. "Dickens’s Bleak House and Norris’s McTeague." Explicator 55, no. 3 (April 1997): 135–36. http://dx.doi.org/10.1080/00144940.1997.11484151.

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5

Debouzy, Marianne. "McTeague : quelques points d’histoire et d’idéologie." Revue Française d'Etudes Américaines 31, no. 1 (1987): 31–40. http://dx.doi.org/10.3406/rfea.1987.1257.

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6

Paek, Joongul. "Envy and Class in Frank Norris’s McTeague." Journal of American Studies 54, no. 2 (September 30, 2022): 111–35. http://dx.doi.org/10.22505/jas.2022.54.2.05.

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7

Surur, Anwar Nessir, and Senbeta Tadesse Dengela. "Elements of Naturalism in McTeague by Frank Norris." International Journal of English Literature and Social Sciences 4, no. 6 (2019): 1721–32. http://dx.doi.org/10.22161/ijels.46.15.

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8

Hochman, Barbara. "Loss, Habit, Obsession: The Governing Dynamic of McTeague." Studies in American Fiction 14, no. 2 (1986): 179–90. http://dx.doi.org/10.1353/saf.1986.0012.

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9

Bender, Bert. "Frank Norris on the Evolution and Repression of the Sexual Instinct." Nineteenth-Century Literature 54, no. 1 (June 1, 1999): 73–103. http://dx.doi.org/10.2307/2902998.

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Frank Norris's emphasis on sex is best seen as part of a cultural response to Darwin's theory of sexual selection. Following Joseph Le Conte's effort to spiritualize evolution and move beyond Darwin and the neo-Darwinians, Norris first gave us characters like Vandover and McTeague-more fully animalistic than any American characters before them-and finally characters like the highly civilized and somewhat "divine" Laura Jadwin in The Pit. All of Norris's characters contend with the elements of sexual selection defined by Darwin-e.g., the male's "secondary sexual character" of "prehensile" power or the power of sexual attraction in music and dance. Only his later characters succeed in transcending sexual selection to express "love," a product of higher evolution that is simply beyond primitive characters like McTeague or people of mixed race in Norris's novels. Norris is best seen as a participant (along with Le Conte) in "the eclipse of Darwinism" by several "anti-Darwinian evolution theories" at the turn of the century. Norris's role in this cultural movement included his use of Darwin's theory of the expression and repression of emotions in order to repress, and to present characters who repressed, the sexual instinct. It is ironic that his most forceful effort in this regard (in The Pit) appeared at the moment when a new theory was developing, in popular Freudianism, that the sexual instinct must not be repressed.
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10

Palca, Joseph. "US science and technology: McTeague looks to the future." Nature 320, no. 6058 (March 1986): 101. http://dx.doi.org/10.1038/320101b0.

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11

Gadylshin, Timur R. "Antithesis “Romantic” Dynamics – Mundane Statics in the Naturalist Prose of F. Norris (Novels “Blix” and “McTeague”)." Proceedings of Southern Federal University. Philology 25, no. 3 (September 30, 2021): 114–22. http://dx.doi.org/10.18522/1995-0640-2021-3-114-122.

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The article seeks to explore the concepts of the romantic and the mundane in the works of the American writer Frank Norris (18701902). Basing on the two novels, “Blix” and “McTeague”, the study examines the originality of the writer’s naturalist programme. F. Norris develops a specific understanding of the romantic, viewing it as the characters’ optimistic mood, their willingness to act and change their lives for the better. This is opposed by everyday life – in the form of a familiar routine which inevitably leads to stagnation, a kind of personal catastrophe.
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12

Heddendorf, David. "The "Octopus" in McTeague: Frank Norris and Professionalism." MFS Modern Fiction Studies 37, no. 4 (1991): 677–88. http://dx.doi.org/10.1353/mfs.0.0246.

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13

Davison, Richard Allan. "Of Mice and Men and McTeague: Steinbeck, Fitzgerald, and Frank Norris." Studies in American Fiction 17, no. 2 (1989): 219–26. http://dx.doi.org/10.1353/saf.1989.0025.

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14

Jina Moon. "Domestic Violence: Dynamics of Masculinity and Femininity in Frank Norris’ McTeague." Journal of English Language and Literature 63, no. 1 (March 2017): 163–80. http://dx.doi.org/10.15794/jell.2017.63.1.010.

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15

McFatter, Susan Prothro. "Parody and Dark Projections: Medieval Romance and the Gothic in McTeague." Western American Literature 26, no. 2 (1991): 119–35. http://dx.doi.org/10.1353/wal.1991.0152.

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16

D’Alessandro, Michael. "The Mouth Trap: Orality and the Rabelaisian Grotesque in Norris’s McTeague." Studies in American Naturalism 9, no. 1 (2014): 1–25. http://dx.doi.org/10.1353/san.2014.0001.

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17

Spooner, Todd. "The Yellow Blaze: Naturalism's Response to Gold Economics in Frank Norris's McTeague." Studies in American Naturalism 16, no. 2 (January 2022): 142–63. http://dx.doi.org/10.1353/san.2022.0001.

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18

Noh, Jong-Jin. "American Naturalist Elements in McTeague and Maggie: A Girl of the Streets." STUDIES IN HUMANITIES 61 (June 30, 2019): 31–51. http://dx.doi.org/10.33252/sih.2019.3.61.31.

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19

Litton, Alfred G. "The Kinetoscope in McTeague: "The Crowning Scientific Achievement of the Nineteenth Century"." Studies in American Fiction 19, no. 1 (1991): 107–12. http://dx.doi.org/10.1353/saf.1991.0001.

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20

Hall, Deidre Dallas. ""Thoroughly Original and Thoroughly Natural": Redefining Professional Fitness in McTeague and Blix." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 74, no. 4 (2018): 175–203. http://dx.doi.org/10.1353/arq.2018.0026.

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21

Joewon Yoon. "Desiring Women in American Naturalism: Frank Norris’s McTeague and Theodore Dreiser’s Sister Carrie." Feminist Studies in English Literature 15, no. 1 (June 2007): 55–79. http://dx.doi.org/10.15796/fsel.2007.15.1.003.

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22

Hug, William J. "McTeague as Metafiction?: Frank Norris’ Parodies of Bret Harte and the Dime Novel." Western American Literature 26, no. 3 (1991): 219–28. http://dx.doi.org/10.1353/wal.1991.0073.

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23

J. Michael Duvall. "One Man's Junk: Material and Social Waste in Frank Norris's McTeague." Studies in American Naturalism 4, no. 2 (2009): 132–51. http://dx.doi.org/10.1353/san.2009.0008.

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24

Kharpertian, Kiara. "Naturalism’s Handiwork: Labor, Class, and Space in McTeague: A Story of San Francisco." Studies in American Naturalism 9, no. 2 (2014): 147–72. http://dx.doi.org/10.1353/san.2014.0020.

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25

Rebecca Nisetich. "The Nature of the Beast: Scientific Theories of Race and Sexuality in McTeague." Studies in American Naturalism 4, no. 1 (2009): 1–21. http://dx.doi.org/10.1353/san.0.0009.

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26

Ach, Jada. "“Left All Alone in This World’s Wilderness”: Queer Ecology, Desert Spaces, and Unmaking the Nation in Frank Norris’s McTeague." Western American Literature 51, no. 2 (2016): 175–97. http://dx.doi.org/10.1353/wal.2016.0031.

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27

Cardinal-McTeague, Warren M., and Lynn J. Gillespie. "A Revised Sectional Classification of Plukenetia L. (Euphorbiaceae, Acalyphoideae) with Four New Species from South America." Systematic Botany 45, no. 3 (September 11, 2020): 507–36. http://dx.doi.org/10.1600/036364420x15935294613572.

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Abstract—We present a phylogenetic classification for Plukenetia (Euphorbiaceae, Acalyphoideae) based on morphology and molecular phylogenetic studies using nuclear (ETS, ITS, KEA1 introns 11 and 17, TEB exon 17) and plastid (matK, ndhF, psbA-trnH) DNA data. Plukenetia comprises 25 species divided into six sections, with three new sections and four new species described here. The circumscription of Plukenetia is unaltered from recent treatments and we continue to recognize Romanoa as distinct. The sections of Plukenetia correspond with the subclade system proposed by Cardinal-McTeague and Gillespie (2016): P1 = P. sect. Fragariopsis comb. et stat. nov.; P2 = P. sect. Penninerviae sect. nov.; P3 = P. sect. Plukenetia; P4 = P. sect. Angostylidium; and P5 = P. sect. Hedraiostylus + P. sect. Madagascarienses sect. nov. The sections are distinguished by a combination of leaf venation, staminate flower morphology, pistillate flower number, style morphology, fruit type, and seed size. Additionally, we describe three new species from South America belonging to sect. Penninerviae: Plukenetia brevistyla and Plukenetia megastyla from the Amazon basin and Plukenetia chocoensis from the Chocó Biogeographic Region of Colombia. The new Amazonian species are morphologically similar to P. brachybotrya but distinguished by their style shape and size. The new Colombian species is morphologically similar to P. penninervia but distinguished by its elongate basilaminar extrafloral nectaries, presence of abaxial laminar extrafloral nectaries, and longer inflorescences. We also describe a new species from sect. Plukenetia, Plukenetia sylvestris, which is found in central and southern Peru. This species is suggested to be the wild progenitor of the cultivated P. carolis-vegae, differing by its smaller seeds/fruits and fewer stamens. Molecular data, including a new ETS phylogeny sampling P. brevistyla, support our new taxa as distinct. Keys to the sections and species of Plukenetia are provided and we designate 12 new lectotypes for Plukenetia and Romanoa.
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28

Holmberg, David Thomas. ""a strange and ecstatic pleasure": The Voyeurism of the Naturalist's Gaze in Frank Norris's Vandover and the Brute and McTeague." Studies in American Naturalism 6, no. 1 (2011): 49–68. http://dx.doi.org/10.1353/san.2011.0021.

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29

Baldwin, Jane. "Playwrights and Acting: Acting Methodologies for Brecht, Ionesco, Pinter, and Shepard. By James H. McTeague. Westport, CT: Greenwood Press, 1994; pp. xv + 176. $49.95 hardcover." Theatre Survey 37, no. 2 (November 1996): 169–72. http://dx.doi.org/10.1017/s0040557400001757.

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30

Warrington, Nigel. "Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50." Theatre Research International 19, no. 3 (1994): 277–78. http://dx.doi.org/10.1017/s0307883300006805.

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31

Gillespie, Lynn J., Warren M. Cardinal-McTeague, and Kenneth J. Wurdack. "Monadelpha (Euphorbiaceae, Plukenetieae), a new genus of Tragiinae from the Amazon rainforest of Venezuela and Brazil." PhytoKeys 169 (December 8, 2020): 119–35. http://dx.doi.org/10.3897/phytokeys.169.59244.

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Monadelpha L.J.Gillespie & Card.-McTeag., gen. nov., is described as a new member of Euphorbiaceae tribe Plukenetieae subtribe Tragiinae, to accommodate Tragia guayanensis, a species known from western Amazonas, Venezuela and, newly reported here, from Amazonas, Brazil. The genus is unique in the subtribe for having 5-colpate pollen and staminate flowers with filaments entirely connate into an elongate, cylindrical staminal column terminated by a tight cluster of anthers. Phylogenetic analyses based on nuclear rDNA ITS and sampling 156 accessions across the diversity of Tragiinae (all 12 genera and 77 of ~195 species) also support Monadelpha as a distinct lineage that is separate from Tragia. A revised key to the genera of Tragiinae in South America and Central America is provided.
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32

Cruz, D. "Reconsidering McTeague's "Mark" and "Mac": Intersections of U.S. Naturalism, Imperial Masculinities, and Desire between Men." American Literature 78, no. 3 (September 1, 2006): 487–517. http://dx.doi.org/10.1215/00029831-2006-023.

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