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Journal articles on the topic 'Meaning (philosophy) – early works to 1800'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Langlois, Luc. "The Meaning of Life According to Fichte (1796–1800)." Fichte Studien 44, no. 1 (2017): 17–30. https://doi.org/10.1163/18795811_04401003.

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In a letter to Jacobi dated August 30, 1795, Fichte writes: »What is the purpose of the speculative standpoint, and indeed of philosophy as a whole, if it does not serve life?« But the question is also: in what sense is the meaning of life founded on the meaning of freedom? What I would like to suggest here is that the Science of Knowledge (Wissenschaftslehre) Nova methodo (1796–99), probably the pinnacle of Fichte’s thought during the Jena period, should be read together with the Bestimmung, which brought this period (1800) to a close. The two works tackle head-on the question of the meaning

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Ostaric, Lara. "Absolute Freedom and Creative Agency in Early Schelling." Philosophisches Jahrbuch 119, no. 1 (2012): 69–93. http://dx.doi.org/10.5771/0031-8183-2012-1-69.

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bstract. By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, this essay demonstrates the following: (1) that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own, this original solution consisting in Schelling’s conception of “creative reason [schöpfersiche Vernunft]”; (2) that the theme of an absolutely free creative subjectivity is

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Fokin, Alexander Anatolyevich. "Philosophical Principles of Heinrich Klee’s Theology (1800–1840)." Philosophy of Religion: Analytic Researches 6, no. 1 (2022): 24–36. http://dx.doi.org/10.21146/2587-683x-2022-6-1-24-36.

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The article focuses on the study of the dogmatic works of Heinrich Klee (1800–1840) in relation to his criticism and reception of contemporary philosophical systems. The dogmatic theology of Heinrich Klee is a little-studied page in the history of Catholic religious thought in the first half of the 19th century, yet for his contemporaries Klee was a significant thinker, and his theology was the subject of active discussion. The works of Klee are known to have been criticized more than once in connection with the possible borrowing of philosophical ideas in his dogmatic theology. This criticism

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Rodin, Kirill A. "Ethical Reading of the Tractatus Logico-Philosophicus." Epistemology & Philosophy of Science 58, no. 1 (2021): 31–39. http://dx.doi.org/10.5840/eps20215814.

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The hundred-year history of interpretations of Wittgenstein’s Tractatus Logico-Philosophicus we examine in the article through a gradual approach (through the refusal of researchers from obviously erroneous interpretations) to an ethical (or metaphilosophical) reading of the work. The latter explains Wittgenstein’s unambiguous indication of ethical meaning as the main meaning of the Tractatus and consistently reconciles various parts of the work (ontology, figurative theory of meaning, rejection of the theory of types and logical constants, etc.) with the latest so-called ethical and mystical

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Xia, Yuwen. "A Comparative Analysis of Early and Late Ludwig Wittgensteins Philosophical Thoughts." Lecture Notes in Education Psychology and Public Media 47, no. 1 (2024): 38–42. http://dx.doi.org/10.54254/2753-7048/47/20240877.

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This paper examines the early and late thoughts of philosopher Ludwig Wittgenstein through the comparative study of two of his famous works: Tractatus Logico-Philosophicus and Philosophical Investigations. A whole summary of the two works will not be presented in this paper; instead, essential concepts and ideas from the same two topics Wittgensteins view on language and reality and Wittgensteins view on logic will be summarized from the two works independently. After the summary, a discussion of Wittgensteins thought evolvements on the same topic will be delivered. The paper examines the essa

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Kuße, Holger. "Vom Schrank und seinen Türen und einem Meer, das lachte." Poetica 50, no. 3-4 (2020): 259–81. http://dx.doi.org/10.30965/25890530-05003005.

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Abstract The paper deals with the semantic theory of interpretation of A. F. Losev in his early period up to 1930 as well as in his linguistic investigations in the 70’s and 80’s of the last century. In using a word or some grammatical category, a speaker already interprets some state of affairs. In a sense, all invariant meaning seems to be metaphorical, i.e. meanings are interpretations of the world. This theory is illustrated with some famous examples by Losev himself: Garden, cabinet, the sentence “The sea was laughing”. Reflecting about his garden and his cabinet Losev shows the differenc

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Hagberg, Garry L. "Wittgenstein's Philosophical Investigations, Linguistic Meaning and Music." Paragraph 34, no. 3 (2011): 388–405. http://dx.doi.org/10.3366/para.2011.0032.

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This article undertakes a comparison between Wittgenstein's philosophy of the early and late periods with the musical theories of Wittgenstein's contemporary, Heinrich Schenker, an influential Viennese theorist of tonality, as well as those of their contemporary Arnold Schoenberg. Schenker's reductive analytical procedure was designed to unveil fundamental and uniform ways in which all works of music function (and should function), unfolding a deep structure constituting their essence. Schoenberg deplored this line of thought, and for reasons strikingly parallel to those that led Wittgenstein

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Amir, Ahmad Nabil. "REVIEW OF MUHAMMAD ASAD'S WORKS “SAHIH AL-BUKHARI THE EARLY YEARS OF ISLAM." Ihyaussunnah : Journal of Ulumul Hadith and Living Sunnah 2, no. 2 (2022): 73–83. http://dx.doi.org/10.24252/ihyaussunnah.v2i2.32916.

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This paper discusses Muhammad Asad’s (1990-1992) seminal work Sahih al-Bukhari The Early Years of Islam that wasfirst published in 1935 by The Arafat Publications, Srinagar, Kashmir and its second impression in 1981 by Dar Al-Andalus, Gibraltar. It presents modern translation and commentary of Sahih al-Bukhari, which brought forth significance philosophy and principle of hadith commentary in modern context. The paper aims to analyse the essential ideas developed by Muhammad Asad in his discussion of hadith and compared this with other critical works set forth by classical and contemporary Musl

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Vorozhikhina, Ksenia. "Boris de Schloezer on the Early 20th Century Russian Philosophy." Otechestvennaya Filosofiya 1, no. 2 (2023): 74–92. http://dx.doi.org/10.21146/3034-1825-2024-2-74-92.

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The publication highlights the period of cooperation between the music and literary critic, translator and writer Boris Fedorovich Schloezer with the critical and bibliographic department of the St. Petersburg “political, social and literary” liberal newspaper “Birzhevye Vedomosti”, which from the middle of 1916 was headed by A.L. Volynsky. In 1916 Schloezer published reviews of a collection of articles by V.I. Ivanov “Furrows and Boundaries”, on the books of N.A. Berdyaev “The Meaning of Creativity (The Experience of Justifying Man)” and S.L. Frank “The Subject of Knowledge”. If the works of

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10

Maffi, Emanuele. "Eἶδος, ἰδέα, παράδειγμα: osservazioni sulla natura del Santo in Eutifrone 6d–10e". Méthexis 32, № 1 (2020): 1–25. http://dx.doi.org/10.1163/24680974-03201001.

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Plato’s Euthyphro has been interpreted in two ways. The first one, given by Vlastos, is the so-called “developmentalism” according to which in the Euthyphro (and in the early dialogues) we cannot find any ‘theory of Forms’, which belongs only to Plato’s middle dialogues, but nothing more than a search for definitions. The second one, supported by Allen, claims instead that in the Euthyphro we can find the early (or Socratic) theory of Forms, a theory that has some common items as well as some differences with the later (or Platonic) theory of Forms. Through the detailed analysis of the refutat

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11

Sohn, Michael. "The Paris Debate: Ricœur’s Public Intervention and Private Reflections on the Status and Meaning of Christian Philosophy in the 1930s." Études Ricoeuriennes / Ricoeur Studies 4, no. 1 (2013): 159–69. http://dx.doi.org/10.5195/errs.2013.167.

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This article explores Paul Ricœur’s early writings in the 1930s on Christian philosophy. It seeks to contextualize both his published and unpublished works from that period within the robust historical, philosophical and theological debates in Paris between the leading intellectuals of the time: Bréhier, Gilson, Blondel, Brunschvicg, Marcel, Maury, de Lubac, and Barth. The article proceeds to examine Ricœur’s own position within these debates.

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Kuz'min, Platon Alekseevich. "The Semiotic Method as an Aspect of the Methodology of Social Philosophy: the Experience of S.S. Averintsev." Философская мысль, no. 1 (January 2023): 42–53. http://dx.doi.org/10.25136/2409-8728.2023.1.39240.

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The subject of the study is the correlation of the application of the semiotic method by S.S. Averintsev with social philosophy. The aim of the work is to demonstrate how and to what extent S.S. Averintsev applied the semiotic method and to identify the belonging of this method to the socio-philosophical field. The author identifies and concretizes the specifically semiotic features of Averintsev's methodology. The role of the sign in the worldview of early Byzantine society, the formation of this worldview and its adequate presentation, the sign as a reflection of the life of society and at t

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Dyadyk, Natalia. "Art of the second half of XX — early XXI centuries as visual philosophy." Socium i vlast 4 (2021): 95–106. http://dx.doi.org/10.22394/1996-0522-2021-1-95-106.

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Introduction. The article is focused on studying the area of intersection of contemporary art and philosophy, it is a continuation of the research project on conceptual art and its intersection with philosophy, which we started earlier. By conceptual art, we mean art aimed at intellectual comprehension of what has been seen, art that appeals to thinking and generates philosophical meanings. But if earlier we explored conceptual cinema and mainly visual art of the early 20th century, then in this article we want to turn to the visual art of the second half of the 20th century — the beginning of

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Johansson, Viktor Magne. "pedagogical immediacy, listening, and silent meaning: essayistic exercises in philosophy and literature for early childhood educators." childhood & philosophy 18 (July 25, 2022): 01–29. http://dx.doi.org/10.12957/childphilo.2022.66527.

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This essay concentrates on philosophizing that happens outside and in addition to planned philosophical discussions, philosophizing that comes alive in practice, that is intensified in children’s encounters with the world, with others, with language, in play. It contemplates how adults, educators and parents encounter children and are affected by children’s philosophical explorations. What is the role of the adult in children’s philosophical questioning? How can we respond to children’s philosophizing? What does it mean to do so? The essay explores philosophical exercises for early childhood e

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Chesnokova, M. G. "Existential and religious motifs in L.S. Vygotsky’s essay on “Hamlet” (1916)." Cultural-Historical Psychology 14, no. 2 (2018): 129–37. http://dx.doi.org/10.17759/chp.2018140214.

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In this article existential and religious motifs in the works of young L.S. Vygotsky are considered. The specificity of the existential approach, characterized by blurring the limits of philosophy, science and art and the formation of a synthetic method of cognition of a human being, is emphasized. These features are found in the early works of Vygotsky. The analysis of his essay “The tragedy of Hamlet, prince of Denmark by William Shakespeare” (1916) is the focus of attention. The existential orientation distinguishes both the form and the content of Vygotsky’s work. The genre of the work is

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YAVUZ, Ömer Emre. "A STUDY ON THE PROBLEM OF MEANING IN THE ART OF SCULPTURE." ArtGRID - Journal of Architecture Engineering and Fine Arts 5, no. 2 (2023): 147–58. http://dx.doi.org/10.57165/artgrid.1293752.

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This study explores the complex relationship between the meaning of sculpture and its making process in the context of the philosophy of language. Sculpture is a unique art form that involves the creation of three-dimensional objects that occupy physical space. However, the meaning of a sculpture is not limited to its spatial characteristics alone. This study identifies two distinct levels of meaning in sculpture: its relation to space and its making process. While the former has received considerable attention in the literature, the latter has been largely overlooked. Therefore, this study fo

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17

Brancacci, Aldo. "Il frammento gnoseologico di Eutidemo." Elenchos 39, no. 1 (2018): 7–27. http://dx.doi.org/10.1515/elen-2018-0002.

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Abstract Euthydemus is included neither in Die Fragmente der Vorsokratiker by Diels–Kranz nor in Sofisti. Testimonianze e frammenti by Untersteiner nor in Early Greek Philosophy by Laks and Most. Likewise, the great twentieth century works on the Sophists do not give space to him, at best mentioning him briefly. Yet Euthydemus is the author of a fragment, which was quoted by Plato in his Cratylus, and on which again there is no modern study. This paper sets out to study this fragment in depth, to review and discuss the various translations, both existing and possible, to study the context of P

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18

Popov, V. Y., and E. V. Popova. "THE CONCEPT "SINN DES LEBENS" IN PHILOSOPHY AND PSYCHOLOGY." Anthropological Measurements of Philosophical Research, no. 17 (June 29, 2020): 28–40. https://doi.org/10.15802/ampr.v0i17.206716.

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<strong>Purpose.</strong> The paper considered the explication of the concept of "Sinn des Lebens" within the framework of Western philosophy and psychology of the ХІХ-ХХІ centuries. On the basis of this, the role of this concept in contemporary theoretical discussions and psychological and psychotherapeutic practices is understood. <strong>Theoretical basis.</strong> The authors believe that understanding the concept of "Sinn des Lebens" is possible only based on the synthesis of modern analytical philosophy methods with the methodological guidelines of mode

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19

Siddiqui, Atif Suhail. "THEOLOGICAL AND INTELLECTUAL ROOTS IN DEOBANDI THOUGHTS: A PARADIGM FROM MUḤAMMAD QĀSIM NĀNAWTAWĪ’S DISCOURSES WITH SPECIAL REFERENCE TO HIS ḤUJJAT AL-ISLĀM". American Journal of Islamic Social Sciences 37, № 1-2 (2020): 41–66. http://dx.doi.org/10.35632/ajiss.v37i1-2.703.

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This article focuses on one of the important books of Muḥammad Qāsim Nānawtawī—Ḥujjat al-Islām. Many of his 32 books, epistles and letters are written in response to Christian and Hindu missionaries. From the perspective of neo-ʿilm al-kalām (Islamic scholastic theology) they have great importance. These are the works through which a lay reader can understand Nānawtawī’s methodology in polemics and his various dialectical aspects, which are based on propositional logic and pragmatic philosophy and differ from the early discourses of ʿilm al-kalām. Most of his works include his critiques and st

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20

Siddiqui, Atif Suhail. "Theological and Intellectual Roots in Deobandi Thoughts." American Journal of Islam and Society 37, no. 1-2 (2020): 41–66. http://dx.doi.org/10.35632/ajis.v37i1-2.703.

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This article focuses on one of the important books of Muḥammad Qāsim Nānawtawī—Ḥujjat al-Islām. Many of his 32 books, epistles and letters are written in response to Christian and Hindu missionaries. From the perspective of neo-ʿilm al-kalām (Islamic scholastic theology) they have great importance. These are the works through which a lay reader can understand Nānawtawī’s methodology in polemics and his various dialectical aspects, which are based on propositional logic and pragmatic philosophy and differ from the early discourses of ʿilm al-kalām. Most of his works include his critiques and st

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Krotov, Artem A. "Benjamin Constant’s history of philosophy." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 36, no. 2 (2020): 227–39. http://dx.doi.org/10.21638/spbu17.2020.202.

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The article analyses the concept of a prominent representative of early French Romanticism, considers his division of the historical process into periods and his idea on the meaning of history. According to Constant, history is not uniform in a political sense. The lack of understanding this important truth by the rulers has always brought untold sufferings to their subjects. Constant’s philosophy of history is based on the idea of improving the human race, typical for the intellectual culture of the Age of Enlightenment, to which he gave a new sound, contraposing the spirit of war with the sp

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Berestovskaya, Diana S. "Philosophical and Ethical Intensions of the Category of Heroic in L.N. Tolstoy’s Early Works." Observatory of Culture 15, no. 5 (2018): 592–98. http://dx.doi.org/10.25281/2072-3156-2018-15-5-592-598.

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Texts of culture, which act as “generators of meaning”, are associated by Yu.M. Lotman, in his work “The History and Typology of Culture”, with the problem of memory that makes possible the reconstruction of the history of culture from its synchronic slices.The study of L.N. Tolstoy’s early works allows to judge the figurative character of the philosophical ethical intentions of the category of heroic that were embodied in the topic of “man and war”.The category of heroic is reflected in the concept of ancient philosophers — Plato (“Dialogues”), Aristotle (“Ethics”, “Poetics”), in the treatise

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Juste, David, and Hilbert Chiu. "TheDe tonitruisAttributed to Bede: An Early Medieval Treatise on Divination by Thunder Translated from Irish." Traditio 68 (2013): 97–124. http://dx.doi.org/10.1017/s036215290000163x.

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TheDe tonitruis(orDe tonitruis libellus ad Herefridum) attributed to Bede is a short text containing a prologue and four chapters dealing with the meaning of thunder heard (I) in each of the four cardinal directions, (II) in each of the twelve months of the year, (III) on each of the seven days of the week, and (IV) at certain hours of the day and of the night. The text was first published among Bede's works by Noviomagus in Cologne in 1537 and was subsequently reprinted in all editions of the complete works of Bede, including Migne'sPatrologia Latina.Charles W. Jones, who was the first to dis

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Lippit, Yukio. "Puppy Love: The Legacy of Yi Am’s Paintings in Edo-Period Japan." Korean Journal of Art History 313 (March 31, 2022): 35–57. http://dx.doi.org/10.31065/kjah.313.202203.002.

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This essay examines the Japanese reception of the Korean painter Yi Am 李巌(b. 1499), and by extension considers the relationship between ink painting technique and pictorial meaning. In particular, it examines how Yi Am’s unique approach to the painting of puppies with blended washes of ink opened up new interpretive possibilities among Japanese viewers. Although Yi Am’s puppy paintings appear to have been circulating in Japan as early as the seventeenth century, they were misattributed to Chinese painters such as Mao Yi, and Yi Am’s seal was mistaken as belonging to a Japanese monk-painter of

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Koreneva, Nadezhda. "Philosophy of religion F. Schleiermacher in the works of representatives of the theological academies of the late 19th — early 20th century: the concept of religious experience." St. Tikhons' University Review 105 (February 28, 2023): 69–82. http://dx.doi.org/10.15382/sturi2023105.69-82.

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The concept of religious feeling in the beginning XX century Russian thinkers dealing with the philosophy of religion are increasingly becoming the focus of attention, but the meaning of this concept is often not explicated, which makes it necessary to study the sources of this concept, one of which (the most important) are the works of F. Schleiermacher. This article is devoted to the analysis of the perception of his concept of religious feeling in theological academies: spiritual and academic periodicals, individual works on the philosophy of religion and textbooks of basic theology (apolog

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Burmistrov, Konstantin Yu. "Jewish Philosopher from Lithuanian Forests: On Solomon Maimon and His “Autobiography”." Voprosy Filosofii, no. 2 (2022): 135–45. http://dx.doi.org/10.21146/0042-8744-2022-2-135-145.

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Solomon Maimon (1753–1800), one of the most significant Jewish philosophers of modern times, in his writings tried to critically approach the tradition of Jewish thought and compare its teachings with the views of European philosophers. In recent decades, he and his views have attracted close attention of historians of philosophy. Recently, seven volumes of his works were published in Russia, translated from German and Hebrew. One of his most famous books is his Lebensgeschichte (Autobiography), an autobiography written by him in the 1790s and revealing both the stages of his life path and s

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Patsch, Hermann. "Friedrich Schleiermachers Monologen und der Athenaeums-Kreis Wirkungsabsicht und Wirkungswandel einer frühromantischen Schrift." Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte 30, no. 1 (2023): 1–23. http://dx.doi.org/10.1515/znth-2023-0001.

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Abstract Schleiermacher’s anonymous Soliloquies of 1800 were written as a Supplement to his likewise anonymous book On Religion, Speeches to its Cultured Despisers of 1799. They are addressed to the circle of intellectuals around the early Romantic periodical Athenaeum, to the „Holy family“ (Friedrich Schlegel), and moreover to the despisers of Transcendental philosophy whose state of discussion is reflected. Thus they belong to the history of modern individual thought. The form of the book follows the contemporary imitation of classical poetic form (Hölderlin) which was prevalent among the At

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Khasieva, Mariya Alanovna. "Human and technology in the philosophy of Lewis Mumford." Философия и культура, no. 4 (April 2020): 11–19. http://dx.doi.org/10.7256/2454-0757.2020.4.32619.

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The subject of this research is the problem of technicalization of human nature studied in the works of an American historian, sociologists and philosopher of technology Lewis Mumford. &nbsp;The Western philosophical tradition marks the existence of the traditional juxtaposition of technology and nature, technology and human. The impact of scientific and technological progress upon human mind and his corporeal nature is incontestable. However, the evolution of technology itself reflects the intentions of development of intellectual culture. Thus, technology is initially ambivalent with reg

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Tetyana SHAMSUTDYNOVA-LEBEDYUK, Tetyana SHAMSUTDYNOVA-LEBEDYUK. "BIBLICAL NARRATIVES IN THE WORKS OF HRYHORIY SKOVORODA." Almanac of Ukrainian Studies, no. 31 (2022): 53–58. http://dx.doi.org/10.17721/2520-2626/2022.31.7.

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The article reveals the place of the Bible in the formation and confirmation of Grigory Skovoroda's worldview. It occupied a special place among the sources of knowledge of the surrounding world in the life and work of a prominent Ukrainian philosopher, our national pride. Biblical themes, quotations from the Bible are present in all works of Grigoriy Skovoroda, including in his private letters. In his explanations, questions or answers, he always referred to the biblical text. Despite the fact that the thinker knew the Holy Scriptures perfectly, he constantly read and studied them, thought ab

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Zaytseva, T. I., and N. P. Yamaeva. "The comic in Udmurt folklore and artistic literature of the late XIX – early XX centuries." Bulletin of Ugric studies 10, no. 4 (2020): 652–61. http://dx.doi.org/10.30624/2220-4156-2020-10-4-652-661.

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Introduction: the сomic is one of the ways of artistic reflection of reality. It shows the peculiarities of the national worldview at the certain period of history. To generalize the stages of evolution of the comic in literature, to establish causeand- effect relationships of development of genres and forms of the comic, it is necessary to identify its origins. The article development. Objective: to identify the origins and features of formation of comic genres in Udmurt literature in the aspect of continuity of traditions of oral folk art. Research materials: satirical and humorous works of

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Moiseev, Sergey R. "Vaishnavism in Nammalvar’s Poem “Tiruviruttam”." RUDN Journal of Philosophy 27, no. 4 (2023): 996–1008. http://dx.doi.org/10.22363/2313-2302-2023-27-4-996-1008.

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Nammalvar, a Tamil poet who lived in IX-X centuries, is revered as one of the great mystics of India. His four poetic works are equated with the sacred hymns and are part of the ritual worship in the temples of South India. Artistic images of Nammalvar formed the basis of the philosophy of Vishishta-Advaita several centuries later. The poem “Thiruviruttam” is considered as his early work, where he combines the canons of ancient Tamil poetry and his devoted love for Vishnu-Tirumal. The study presents a religious and philosophical interpretation of the poem. The secret of the poem is its dualism

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Tsvetkova, Olga. "Dreaming Man in the Phenomenology of Madness by Michel Foucault." Ideas and Ideals 14, no. 1-1 (2022): 100–116. http://dx.doi.org/10.17212/2075-0862-2022-14.1.1-100-116.

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The article analyzes the development of the ideas of Ludwig Binswanger in the early works of Michel Foucault. The transformation of the basic concepts of Dasein-analysis by M. Foucault leads him to the idea of a human as a dreamer being, and a dream as a way of understanding the ontological foundations of human existence. The article reveals M. Foucault’s idea of the predominance of dreaming activity over conscious, rational and reasonable human activity. The article analyzes M. Foucault’s idea about the essence of madness, presented in his early phenomenological works. He notes the inadequacy

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Gorokhov, Aleksandr Aleksandrovich. "Philosophical and historical-cultural context of establishment of the doctrine of creativity as the fundamentals of understanding the Early German Romanticism in philosophy." Философская мысль, no. 2 (February 2021): 33–44. http://dx.doi.org/10.25136/2409-8728.2021.2.32843.

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The subject of this article is the prerequisites for the establishment of the doctrine of creativity in the philosophy of Early German Romanticism. The source of the romantic concept on creativity is the I. Kant&rsquo;s &ldquo;Theory of Genius&rdquo;, the meaning of which the Romanticists spread onto the entire human nature. The article highlights and analyzes the two groups of prerequisites for the establishment of the Romanticist doctrine of creativity as the fundamentals of understanding. The first group includes the elements of historical approach, which gained widespread in th

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HUNTER, IAN. "SECULARIZATION: THE BIRTH OF A MODERN COMBAT CONCEPT." Modern Intellectual History 12, no. 1 (2014): 1–32. http://dx.doi.org/10.1017/s1479244314000158.

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This essay argues that today's dominant understanding of secularization—as an epochal transition from a society based on religious belief to one based on autonomous human reason—first appeared in philosophical histories at the beginning of the nineteenth century and was then anachronistically applied to early modern Europe. Apart from the earlier and persisting canon-law use of the term to refer to a species of exclaustration, prior to 1800 the standard lexicographical meaning of “secularization” was determined by its use in public law and diplomacy to name the civil conversion of ecclesiastic

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Shcherbatova, Irina F. "The Formation of the Historiosophical Discourse in Russiaat the Beginning of the 19th Century." Voprosy Filosofii, no. 1 (2020): 122–31. http://dx.doi.org/10.21146/0042-8744-2021-1-122-131.

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This article argues that by 1830s historiosophical discourse in Russia had become both a specific genre and a type of ideology. The article outlines the spectrum of philosophical approaches to history within this genre and ideology. It argues that the defeat of the Decembrist revolt led to the formation of a particular negative interpretation of Russian history amongst Russian philosophers of that time. The author offers an analysis of works by Dmitry Venevitinov, Ivan Kireyevsky, and Pyotr Chaadayev written in the late 1820s and in the early 1830s. These texts allow us to explore the genea

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Dennes, Maryse. "From Gustav Shpet to Nikolay Zhinkin, or Ways of Transition from Poetry to Painting." Voprosy Filosofii, no. 11 (2023): 149–55. http://dx.doi.org/10.21146/0042-8744-2023-11-149-155.

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Among the students of the famous Russian philosopher Gustav Gustavovich Shpet, who worked with him at the State Academy of Artistic Sciences in the 1920s, Nikolai Ivanovich Zhinkin, who embodied the ideas of his teacher not only in his early (phenomenological) works, but also in mature (psycholinguistic) works, occupies a special place. He transferred Shpet’s concept of the inner form of the word (which has phenomenological foundations) to a new semantic plane, revealing the correlativity of poetry and painting as ways of expressing a person’s aesthetic activity. And so, already in the 1920s

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Evlampiev, I. I., and I. Yu Matveeva. "L.N. Tolstoy's Principle of “Non-Resistance to Evil by Violence” in the Context of Russian Religious Philosophy of the Late XIX - Early XX Century." RUDN Journal of Philosophy 24, no. 2 (2020): 165–80. http://dx.doi.org/10.22363/2313-2302-2020-24-2-165-180.

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The article discusses how the meaning of the principle of “non-resistance to evil by violence” was changing in L.N. Tolstoy's religious and philosophical teachings and how this principle was evaluated in Russian religious philosophy of the late XIX - early XX century. In the first version of Tolstoy’s teachings, set forth in the book “What is my faith?”, the principle of non-resistance was understood in a moral sense, as the norm for all people; its execution should lead to the perfection of earthly life. This idea of L. Tolstoy was sharply criticised by his contemporaries, who noted that ther

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38

Shcherbatova, Irina F. "The Formation of the Historiosophical Discourse in Russiaat the Beginning of the 19th Century." Voprosy Filosofii, no. 1 (2020): 122–31. http://dx.doi.org/10.21146/0042-8744-2021-1-122-131.

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This article argues that by 1830s historiosophical discourse in Russia had become both a specific genre and a type of ideology. The article outlines the spectrum of philosophical approaches to history within this genre and ideology. It argues that the defeat of the Decembrist revolt led to the formation of a particular negative interpretation of Russian history amongst Russian philosophers of that time. The author offers an analysis of works by Dmitry Venevitinov, Ivan Kireyevsky, and Pyotr Chaadayev written in the late 1820s and in the early 1830s. These texts allow us to explore the genea

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Anikin, Daniil A. "The Spiritual Meaning of War and the Metamorphosis of Collective Responsibility in the Socio-philosophical Concept of I.A. Ilyin." Voprosy Filosofii, no. 2 (2021): 137–43. http://dx.doi.org/10.21146/0042-8744-2021-2-137-143.

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The article reveals the problem of collective responsibility in the works of the Russian philosopher I.A. Ilyin, shows the dynamics of the development of his ideas from early work to articles of the emigrant period. Responsibility is considered by I.A. Ilyin as a key concept that ensures the interconnection of the past and the future, which is especially acute in a situation of war. The First World War was supposed to be a source of spiritual uplift for the Russian people, but the ensuing revolution led to the emergence of a new socio-historical situation. According to I.A. Ilyin, traditional

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Pshenychnyi, Dmytro. "The philosophy of beauty and harmony: weaving and pastels by Iryna Min’ko-Muraschyk (based on the works at the personal exhibition at the National Museum in Lviv in 2020)." Bulletin of Lviv National Academy of Arts, no. 45 (April 10, 2021): 58–69. https://doi.org/10.37131/2524-0943-2021-45-8.

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This article analyzes the weaving and pastel works by I. Min’ko-Muraschyk that played a significant role in the Lviv art school development in the late 20th and early 21st centuries. The following research methods were used: biographical, descriptive, comparative-historical and the method of artistic analysis. The article relates to the study of the artworks by O. Min’ko. His daughter, I. Min’ko-Muraschyk continues her father's art traditions, but she also has her own creative vision. Her artworks are famous in Ukraine, represented in neighbouring Poland, and attract collectors from Europe, th

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Trokhymchuk, O. "Freud's Psychoanalytic Method in the Context of M. Bakhtin's Dialogue Philosophy: Literary Projection." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(87) (May 13, 2018): 167–71. http://dx.doi.org/10.35433/philology.1(87).2018.167-171.

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As the title implies the article deals with Z. Freud's psychoanalytic method in the context of M. Bakhtin's dialogue philosophy. In the article M. Bakhtin's views on the question of dialogue are analyzed, attention is focused on distinguishing between Bakhtin and Freudian categories "dialogue", "personality". Z. Freud's psychoanalytic theory is considered in the context of Bakhtin's dialogical understanding. In his early works "The Author and the Hero in Aesthetic Activities", "To the Philosophy of Action" and "Freudianism", the problem ofmthe individual and the problem of culture are linked t

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VOVK, ANATOLIJ. "INTERPRETATIONS OF THE PHILOSOPHICAL LEGACY OF VOLODYMYR SHYNKARUK IN THE WORKS OF VITALII TABACHKOVSKYI." Skhid, no. 1(2) (July 1, 2021): 52–57. http://dx.doi.org/10.21847/1728-9343.2021.1(1(2)).237368.

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The emergence of various interpretations of the legacy of Volodymyr Shynkaruk is caused not only by the texts of the classic of modern Ukrainian philosopher and facts from the histo-ry of philosophical thought development in Ukraine in the second half of the 20th century, but also by the struggle of various narratives that already exist or are offered by philosophers to tell about the fate of philosophy in Kyiv in Soviet and post-Soviet times. The discussion about the identity of Volodymyr Shynkaruk's philosophy arose in the late 1990s and early 2000s in connection with the publication by V.H.

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Turenko, Vitalii. "THE CONCEPT "ENEMY" IN EARLY GREEK PHILOSOPHY: FEATURES OF SEMANTICS IN THE "SEVEN SAGES", HERACLITUS AND DEMOCRITUS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 37 (2025): 81–87. https://doi.org/10.17721/1728-2659.2025.37.14.

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Background. This study examines the concept "enemy" in early Greek philosophy through a textual analysis of pre-Socratic thinkers, particularly Heraclitus and Democritus. In light of contemporary global and local challenges that prompt a reconsideration of enmity as a phenomenon, the relevance of this research has significantly increased. The focus is placed on the semantics and terminology employed by ancient Greek philosophers to describe the enemy, including terms such as ἐχθρός, πολέμιος, δυσμενής, ἔρις, and πόλεμος. Lexical analysis of these terms reveals their meaning within the context

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Todd, D. D. "Lehrer Reading Reid." Dialogue 30, no. 1-2 (1991): 103–8. http://dx.doi.org/10.1017/s0012217300013354.

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Lehrer's “reason for writing this book is that the philosophy of Thomas Reid is widely unread, while the combination of soundness and creativity of his work is unexcelled.” The book contributes to the ongoing Reid revival. Chapter 1 presents an overview of Reid's life and works and the last, Chapter 15, gives Lehrer's appraisal of Reid's philosophy. Chapter 2, “Beyond Impressions and Ideas,” outlines Reid's “refutation of what he called the Ideal System” of impressions and ideas that dominated philosophy from Descartes through Hume, and summarizes Reid's theory of the mind. The remaining chapt

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Zhou, Yangyi, and Supath Kookiattikoon. "The Poetics of Emptiness: The Aesthetic and Philosophical Functions of Blankness in the Paintings of Bada Shanren during the Qing Dynasty." Journal of Posthumanism 5, no. 7 (2025): 265–77. https://doi.org/10.63332/joph.v5i7.2780.

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This paper investigates the role of blankness (liú bái) in the representative paintings of Bada Shanren (Zhu Da), a key figure in early Qing dynasty literati art. Drawing on close visual analysis and grounded in Chinese aesthetic philosophy—particularly the concepts of xu (emptiness), wu (non-being), and yijing (poetic atmosphere)—the study explores how Bada Shanren transforms spatial voids into expressive agents of meaning. Five major works—Fish Swimming, Double Fish, Lotus and Duck, Rhododendron and Calligraphy, and Branch of Plum Blossoms—are examined to illustrate how blankness operates no

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Yarovova, Vasilina Dmitrievna. "The theme of language in the philosophy of Vladimir Bibikhin (70-90s of the XX century)." KANT Social Sciences & Humanities 11, no. 3 (2022): 52–66. http://dx.doi.org/10.24923/2305-8757.2022-11.5.

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This article consists of three parts in accordance with chronological periods, since such a division into these three periods is quite consistent with chronologically different interpretations of the theme of Bibikhin's language. The article is devoted to the early texts about the language of V. Bibikhin. In the framework of this work, the author proposes to attribute to the early period the texts written in the 70s. The author proposes to consider his texts on language in chronological order, starting from the very first records of the 70s. and ending with the latest records about Bibikhin's

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Ponomareva, Anastasiia. "Absurdity as an inconsistently conducted reduction." Философия и культура, no. 8 (August 2023): 67–76. http://dx.doi.org/10.7256/2454-0757.2023.8.43769.

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The subject of the study is the connection between the absurd and phenomenology.The texts of representatives of the absurdist trend in literature and philosophy (Camus, Kafka, Musil), as well as the works of academic philosophers of the phenomenological direction (Husserl, Sartre, Merleau-Ponty, Fink) are considered. The commonality of phenomenological interpretations of reality for some texts of the absurdist genre is proved. As a hypothesis, the existence of an epistemological dimension of meaning in the works of the absurd is put forward, interpreted by the author as a reception of the view

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Steila, Daniela. "Russia Abroad: 100 Years After the "Philosophical Steamer"." RUDN Journal of Philosophy 26, no. 1 (2022): 7–14. http://dx.doi.org/10.22363/2313-2302-2022-26-1-7-14.

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The article provides a historical and philosophical analysis of the deportation of many Russian intellectuals abroad in 1922. It is known that such a vicious deed on the part of the Soviet authorities, in fact, turned out to be an act that saved many Russian intellectuals either from starvation or from repression and death in the camps. It is also widely known that the cultural activities of Russian emigrants after their arrival in the West were varied and intense. The article also emphasizes that expulsion and its significance for the destinies of the country and the emigrants themselves rema

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Gätje, Helmut. "Arabische Lexikographie Ein Historischer Überblick." Historiographia Linguistica 12, no. 1-2 (1985): 105–47. http://dx.doi.org/10.1075/hl.12.1-2.06gat.

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Summary The first part of the article (Sect. 1–6), an earlier version of which appeared in 1964, constitutes a survey of medieval Arabic lexicography, which resulted in the conlusion that the works of these lexicographers could not be used, according to modern standards, as primary sources for lexical studies of Arabic, as has frequently been done up to now. It is characteristic of medieval Arabic lexicography that it was limited to the study of Classical Arabic, the literary language of Islamic society until the end of the tenth century. The beginnings of Arabic lexicography date back to the

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Garner, Andrew. "Substance, Desire and Control: Water in the New Forest." Worldviews: Global Religions, Culture, and Ecology 10, no. 2 (2006): 259–81. http://dx.doi.org/10.1163/156853506777965794.

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AbstractWater, like much else in the landscape of the New Forest, England, is highly contested. Recent major environmental works have changed the flow of water by adjusting river beds, slowing flows and holding up water in parts of the Forest. These changes are elaborated as reversing past interventions, restoring rivers and increasing environmental values. Under the rubric of conservation, some of the greatest physical changes in 150 years are taking place in the Forest. This paper traces how, since the early nineteenth century, ideas about water have shaped management interventions and drama

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