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Journal articles on the topic 'Means of Ukrainian folklore'

Author: Grafiati

Published: 28 May 2022

Last updated: 18 July 2025

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1

KOVBASYUK, Andriy. "PARADIGM FOR THE FORMATION OF SONG-FOLK-LORE PROFESSIONAL TRADITIONS IN THE MUSICAL LIFE OF LVIV END OF THE ХІХ–XX CENTURIES". Bulletin of the Lviv University. Series of Arts Studies 103 (2021): 3–10. http://dx.doi.org/10.30970/vas.22.2021.12175.

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The song and folklore component of the Lviv musical culture of the end of the 19th and 20th centuries is revealed. The song and folklore component in the musical life of Lviv at the end of the 19th and 20th centuries was presented in many directions, namely: in artistic and Stage activities, performing interpretations, composer stylistics and in the musical and educational sphere. Аn attempt to make a hiStorical analysis of the development of the musical life of Lviv at the end of the 19th and 20th centuries in the context of the Ukrainian song and folklore tradition. The Ukrainian song became

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2

Mekhantseva, Vitalina. "STUDENT'S NATIONAL AND LINGUISTIC PERSONALITY DEVELOPMENT BY MEANS OF UKRAINIAN FOLKLORE." Baltic Journal of Legal and Social Sciences, no. 2 (May 30, 2024): 28–34. http://dx.doi.org/10.30525/2592-8813-2024-2-4.

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The article deals with the peculiarities of a student's national and linguistic personality development by means of Ukrainian folklore. The concepts of linguistic and national linguistic personality as a medium of linguistic consciousness and national linguistic worldview, who needs to communicate qualitatively by showing Ukrainian-language stability, and striving for national linguistic improvement, are defined. The main categories of the cognitive-communicative approach in the process of a national linguistic personality development, namely: symbol, concept, frame, linguistic worldview, are

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3

Деркачова, Ольга. "Мовна картина Covid-ного світу: український контекст". Język. Religia. Tożsamość. 1, № 23 (2021): 23–39. http://dx.doi.org/10.5604/01.3001.0015.0289.

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The article deals with the changes of Ukrainians’ linguistic picture of the world in connection with the COVID-19 pandemic. The peculiarities of the linguistic picture of the world and the national linguistic picture of the world are determined. Neologisms, phraseological modifications and some samples of modern folklore are analyzed. It was found that the peculiarity of COVID neologisms is the adaptation of foreign borrowings and the use of typical Ukrainian means of word formation. COVID phraseologisms are modifications of phrases already existing in the mind of the Ukrainian speaker. As for

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4

DANYLІUK, N. O. "UKRAINIAN LINGUO-FOLKLORE STUDIES: THEIR HISTORY, CURRENT STATE, AND PERSPECTIVES." Movoznavstvo 320, no. 5 (2021): 34–48. http://dx.doi.org/10.33190/0027-2833-320-2021-5-003.

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The article is devoted to the evolution, present state and perspectives of development of the Ukrainian linguo-folklore studies that are conducted by Sv. Yеrmolenko, N. Zhuravliova, A. Moisiienko, T. Betsenko, Y. Diadyshcheva-Rosovetska, N. Kolesnyk, R. Serdeha and others. The main aspects of the analysis of the language of the Ukrainian folk poetic texts of the period from the end of the 19th century until the middle of the 20th century were considered. They are historical linguistic, linguo-stylistic, linguo-didactic, linguo-cultural, ethnolinguistic, linguo-conceptual, linguo-semiotic. Two

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Vasylevska-Skupa, Liudmyla, Iryna Shvets, and Lidiia Ostapchuk. "WAYS OF FORMATION OF NATIONAL SELF-CONSCIOUSNESS OF THE GROWING GENERATION BY MEANS OF UKRAINIAN MUSICAL ART." Academic Notes Series Pedagogical Science 1, no. 204 (2022): 99–103. http://dx.doi.org/10.36550/2415-7988-2022-1-204-99-103.

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The article considers the historical aspect of educating the national identity of the Ukrainian people. The views of scholars on the concept of «national identity», its features, significance in the socio-cultural and pedagogical context. The importance of Ukrainian folk art, its huge potential for educating the national identity of the younger generation is substantiated. The role of national song folklore in patriotic education of students, features of musical language (coded codes), which formed the «national musical genotype» as a set of hereditary musical structures and means passed down

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6

Shevchuk, Petro. "METHODICAL PRINCIPLES OF PREPARATION OF FUTURE TEACHERS-MUSICIANS TO LEAD FOLKLORE GROUPS." Вісник Національного університету "Чернігівський колегіум" імені Т. Г. Шевченка 175, no. 19 (2023): 108–12. http://dx.doi.org/10.58407/231921.

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The purpose of the article is to reveal the methodological principles of training future teachers of musical art to lead folk music groups.Methodology. The main theoretical provisions of this article are based on the leading principles of the cultural approach. Such research methods as the method of artistic analysis of folklore sources, art history and pedagogical literature, the method of theoretical generalizations and conclusions are used in the investigation.Scientific novelty. The article highlights the problem of continuity of national traditions, transmission of aesthetic ideals and se

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7

Kablova, T. B., and S. O. Pavlova. "Ukrainian folk songs in music education of pupils." Musical art in the educological discourse, no. 2 (2017): 128–32. http://dx.doi.org/10.28925/2518-766x.20172.12832.

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The article deals with the pedagogical potential of Ukrainian folk song in terms of music education of students. Folklore has always been and is one of the most powerful means of moral aesthetic education. The authors analyse the song of Ukrainian folklore and highlight the importance of folklore values: historical, philosophical, educational, moral, aesthetic, and creative ones. The main components of teaching potential of Ukrainian folk music is intonation feature, simplicity of melodies and rhythmic structure, expression and richness of melody, harmony and close relationship between poetic

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8

Vorobets, O. "Forming secondary school students’ language personality by means of Ukrainian folklore." Pedagogical sciences reality and perspectives, no. 89 (2022): 31–34. http://dx.doi.org/10.31392/npu-nc.series5.2022.89.06.

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9

DEM’YANKO, N. "COMPONENTS OF NATIONAL CULTURE IN PEDAGOGICAL HERITAGE AND ACTIVITY OF V. VERKHOVINETS." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 22 (November 7, 2018): 81–86. http://dx.doi.org/10.33989/2075-146x.2018.22.185019.

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The article considers the components of national culture as theoretical foundations of pedagogical heritage and activities of the outstanding Ukrainian teacher, musicologist, ethnographer, choreographer, conductor and composerV. Verkhovynets. These include folklore, musical, choreographic and dramatic art. The essence of Ukrainian folklore as a form of social consciousness and its national peculiarities is revealed. The criteria of distribution of folklore to genres are given (by discharges, means of artistic expressiveness and the nature of their combination). Epic prose and song genres are d

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10

Chemenyan, Gayane. "Methodology of mastering Ukrainian song folklore in the process of training future teachers of Music." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky 2019, no. 4 (129) (2019): 109–15. http://dx.doi.org/10.24195/2617-6688-2019-4-14.

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The article raises the social problem of Ukrainian society – the reducing of the level of spiritual and aesthetic culture of youth. Its solution is addressed to the educational sphere and involves the improvement of teacher training at the level of professional excellence. The training of Musical Arts teachers who exercise a direct influence on the formation of the spiritual world the aesthetic culture of students is of particular interest. High professionalism, thorough mastery of the vocal voice allows you to captivate students, introduce them to the world of musical arts, achieve artistic i

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Shutak, O. S., N. A. Konoplenko, and M. V. Podoliak. "Zomorphic images of Ukrainian folklore: demiurge birds in the Ukrainian winter calendar ritual poetry." Scientific Messenger of LNU of Veterinary Medicine and Biotechnologies 20, no. 86 (2018): 142–46. http://dx.doi.org/10.15421/nvlvet8628.

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The world-view system of Ukrainians is one of the richest and symbolically-filled models of knowledge of the surrounding world, which fully represented itself in various forms of art and, above all, in folklore. It is the oral folk art that most fully preserved the representation of the ancient Ukrainians about the establishment of the world, the appearance of the first plants and animals, the emergence of elements, human, etc. At that time, when there was no written language yet (prehistoric period), our ancestors broadcasted their understanding of life processes by means of verbal literature

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12

Syvachuk, Nataliia. "Mythological images in ukrainian spring play folklore." Philological Review, no. 1 (May 29, 2024): 67–83. http://dx.doi.org/10.31499/2415-8828.1.2024.306935.

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Ukrainian mythology is an important component of the all-Slavic cultural heritage. Over the centuries, it was destroyed, it was considered forbidden, so it is impossible to restore it completely, however, valuable material is preserved in folklore texts, which makes it possible to reconstruct some images. Such valuable material is legends, tales, fairy tales, Christmas carols, Kupala songs, freckles, etc. We paid attention to such mythical images of spring ritual folklore, such as: Jaschur, Podolyanochka, Belodanchik, «willow board», « crooked dance», «rosary», «bunny», etc. The freckle game «

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13

Riazanova, V. A., O. T. Zayats, and A. A. Ignatolia. "UKRAINIAN TALE: MORAL AND AESTHETIC PARADIGM OF FOLKLORE AND LITERATURE." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 480–90. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-480-490.

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The present article deals with the concepts of Ukrainian literary fairy tale and morality. Evolutionary stages of development of the Ukrainian literary fairy tale, components of moral development and levels of moral consciousness are considered. The specificity of fairy tales is found out within the limits of the unique direction of the artistic phenomenon at the level of modern knowledge of fairy-tales. The ideas of moral and aesthetic education of children are systematized on the basis of Ukrainian folklore and literary studies. Moral qualities of the person which are formed by means of incl

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14

Diakova, Anastasiia. "Embodiment of Ukrainian folk elements in Valerii Ivko’s «Shchedrivka»." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 141 (November 28, 2024): 117–32. https://doi.org/10.31318/2522-4190.2024.141.319213.

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The relevance of the study is determined by the need for an in-depth analysis of the features of Valerii Ivko's performance style, in particular in the context of the folklore fairway of his works. Main objective of the study is highlight folklore motifs in the original domra composition, reveal their archaic origins and enrich ideas about Valerii Ivko's compositional style. The methodology includes method of structure analysis to identify the main stylistic Valerii Ivko’s techniques and method of comparative analysis is used to study the connection between the archaic and the modern musical e

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15

Voshchenko, V. "POST-FOLKLORE AS A SOCIO-CULTURAL PHENOMENON OF THE NETWORK SOCIETY." Philosophical Horizons, no. 47 (July 25, 2023): 61–68. http://dx.doi.org/10.33989/2075-1443.2023.47.282558.

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The article characterizes post-folklore as a cultural phenomenon of the network society and defines various aspects of its functioning − sociocommunicative, cultural and psychological. The research methodology consisted of a set of basic approaches, principles and methods of scientific research. To achieve the goal, a set of general scientific and special methods was used, including the methods of logical analysis, problemchronological, generalization, synthesis, induction, and analogy.Research results. It has been proven that post-folkloric creativity is important for the development of socia

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16

Vykhor, Svitlana. "UKRAINIAN FOLKLORE AS A MEANS OF FORMING GENDER CULTURE OF PRIMARY SCHOOL PUPILS." Scientific Issues of Ternopil Volodymyr Hnatiuk National Pedagogical University. Series: pedagogy, no. 1 (March 28, 2017): 25–31. http://dx.doi.org/10.25128/2415-3605.17.1.4.

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17

Kravtsova, I. A. "CRITERIA FOR SELECTION OF THE UKRAINIAN FOLK TALE IN PRIMARY SCHOOL." Educational Dimension 20 (June 13, 2022): 371–77. http://dx.doi.org/10.31812/educdim.6614.

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The article reveals the role of a folk fairy-tale in the process of forming younger school-children’s morality. The folklore genre is characterized as an effective means for humanistic upbringing of children. The author gives the criteria to follow when choosing folk fairy-tales to form moral-and-ethical feelings of primary classes pupils.

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18

Oliynyk, Yaryna. "The Ukrainian Segment of the Internet Memes as a Component of Globalized Network Folklore." Slov'ânsʹkij svìt, no. 22 (December 30, 2023): 57–78. https://doi.org/10.15407/slavicworld2023.22.057.

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The article is devoted to the investigation of Internet memes as a specific folklore genre, arisen as a result of development of global communication networks. The submitted study is aimed at the characterization of the Internet memes as one of the basic forms of modern network folklore. The object includes the Internet meme as a cultural phenomenon, and its subject is the folklore and artistic aspect of Internet memes. The relevance of the investigation is determined by the constant growth of the influence of social networks on public consciousness, in particular with the help of the Internet

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19

Holubovska, I., and V. Pidhurska. "THE ARTISTIC INTERPRETATION OF THE FOLKLORE PLOT, TRADITIONAL IMAGES AND MOTIVES IN THE LEGEND BY NATALENA KOROLEVA "KYRYLO KOZHUMIAKA"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 1(99) (April 12, 2023): 7–16. http://dx.doi.org/10.35433/philology.1(99).2023.7-16.

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The article presents an attempt to analyze the legend by Natalena Koroleva "Kyrylo Kozhumiaka" in terms of determining the specifics of the author's reinterpretation of the folklore plot, traditional motives and images. The material for generalizations is the texts of the Ukrainian folk tale "Kyrylo Kozhumiaka", published by Panteleimon Kulish in "Notes on Southern Rus" and the legend by Natalena Koroleva (collection "Ancient Kyivan Legends") under the same title. The study observes that Natalena Koroleva revealed a steady interest in folklore and literary legends throughout her creative life,

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20

Semeniuk, Larysa. "Narodni balady Volyni y Zakhidnoho Polissya v zapysakh Lesi Ukrayinky ta chleniv yiyi rodyny: ukrayinsʹko-polʹsʹki paraleli". Studia Polsko-Ukraińskie 8 (16 квітня 2021): 39–57. http://dx.doi.org/10.31338/2451-2958spu.8.3.

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The article highlights research findings of the ballad plots from the folklore repertoire of Volyn and Western Polissia of the end of the 19th century revealed in the records of Lesya Ukrainka and her family members (Mykhailo and Olha Kosach, Olena Pchilka) and also known in close Polish analogues of those days. The ballads, recorded by the Kosachs, are dominated by stories of family relationships and conflicts caused by marriage without love, long-term separation (the topic of incest), and the mother’s interference in a marital relationship that leads to murder, poisoning, and other tragic si

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21

Klepar, Maria. "НАЦІОНАЛЬНІ НАРОДНОПІСЕННІ ТРАДИЦІЇ У РОЗВИТКУ ДУХОВНОСТІ МАЙБУТНІХ УЧИТЕЛІВ". Mountain School of Ukrainian Carpaty, № 24 (1 червня 2021): 64–67. http://dx.doi.org/10.15330/msuc.2021.24.64-67.

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It was concluded that knowledge concerning spiritual achievements gained by young people during their studies should make stimulant active treatment of young Ukrainian to study specific in nature, truly accurate historical spiritual heritage of his people, rooted in folklore (folk art) and saved in any manifestation at the local level.The article analyzes the role of national traditions in the spiritual development of future teachers. The specific focus is placed on the problems of primary school. According to scientists, it is in the early school years that the worldview of the individual is

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22

Sviridovskaia, L. "Musical Theoretical Approach to Studying the National Stylistics of Classics of Ukrainian Piano Music for Future Musical Art Teachers." Zhytomyr Ivan Franko state university journal. Рedagogical sciences, no. 4(86) (December 21, 2016): 144–48. http://dx.doi.org/10.35433/pedagogy.4(86).2016.144-148.

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Stylistic aesthetic, imaginative sensual and texture evolution of piano music genres in Ukraine in the first third of XX century are analyzed in the article. It is noted that Ukrainian music experienced great changes at the sharp bend of XIX–XX centuries. Despite a tough reaction and oppressions, which Ukrainian culture suffered in that period, the development of a strong folklore stream, which nourished the oeuvre of famous Ukrainian composers, kept proceeding in the musical art. The peculiarities of formation of national stylistics in the context of Slavonic and European musical

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Kravchenko, Oksana, Nataliia Pyzhianova, Uliya Pidvalna, and Iryna Reznichenko. "Educational activity of P. Kulish: book publishing and folklore preservation." Revista Amazonia Investiga 9, no. 26 (2020): 282–90. http://dx.doi.org/10.34069/ai/2020.26.02.32.

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This article is devoted to the study of the educational activities of P. Kulish, which consisted in the creation of Ukrainian educational literature, preservation of monuments of national folklore. The following scientific research methods were used in the preparation of the article: method of generalization, method of comparisons and analogies, chronological and induction method. They pay attention to the analysis of the historical work called «The story about Ukrainian people». It was noted that it was one of the first educational books on the history of Ukraine, which, along with descriptio

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Derevianchenko, Olena. "Mykhailo Verikivskyiʼs “Five Pieces For String Quartet on Folk Themes”: Principles of Folklore Processing". Scientific herald of Tchaikovsky National Music Academy of Ukraine, № 134 (17 листопада 2022): 69–84. http://dx.doi.org/10.31318/2522-4190.2022.134.269612.

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Relevance of research. The introduction to the musicological using of the manuscript of M. Verikyvskyi's early work, which was previously only briefly mentioned in the literature, is connected with the current scientific trend of studying little-known pages of the history of Ukrainian music of the era of national liberation struggles of the 20th century. The return of the forgotten artefact of the composer's heritage is intended to contribute to the establishment of more complete and objective picture of the development of genres, stylistic trends, individual authorial style, etc. The purpose

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Iryna, Riabchun. "Ukrainian carillon arrangements as an instance of the cultural transmission and adaptation." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (2021): 57–74. http://dx.doi.org/10.34064/khnum1-60.03.

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The development of carillon art in Ukraine is studied. The distribution of carillons in Ukraine is considered. The issue of creating a national carillon repertoire is investigated. The interactions between the Western European instrument and the Ukrainian national music are analysed. Possibilities in reflecting the peculiarities of Ukrainian folk song by means of carillon texture are shown. Analogies are made between the texture of the carillon and the ways of playing typical instruments of Ukrainian folklore. Methods of combining Ukrainian and Western musical vocabulary, laid down by M. V. Ly

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Lyubar, R. O. "FORMATION OF VALUE ORIENTATIONS JUNIOR SCHOOLCHILDREN IN THE PROCESS OF STUDYING UKRAINIAN SONG FOLKLORE." Educational Dimension 28 (December 20, 2010): 162–66. http://dx.doi.org/10.31812/educdim.7158.

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The meaning of spiritual values and values of orientations in system of national edu cation of growing up generation is opened. Is considered Ukrainian national songs creativity as one of means of formation of spiritual values of the younger schoolboys.

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Bybyk, Svitlana. "Concept «fair» in Ukrainian laughable culture." Culture of the Word, no. 91 (2019): 87–103. http://dx.doi.org/10.37919/0201-419x-2019.91.8.

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The article analyzes prose works of the 19th–20th centuries, presenting verbal pictures of the fair environment. The concept of «fairs» is modeled on the material of the language of works of art by G. Kvitka-Osnovianenko, I. Nechui-Levytskii, S. Rudanskii, O. Vishnia.Several subconcepts have been implemented in them: fair as a cluster; fair as a voice; fair as a living element; fair and grassroots literature; fair as entertainment. The objects of analysis were the vocabulary and phraseology of the respective contexts, as well as stylistic techniques for creating a fair humorous color. There ar

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Hlushchenko, Volodymyr, Kateryna Horbachova, and Ilona Dyerik. "On the Issue of Rendering Phraseological Units." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 16, no. 26 (2019): 29–37. http://dx.doi.org/10.24195/2616-5317-2018-26-4.

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The article deals with the problem of rendering different types of phraseological units in folklore discourse translation from the Chinese, English and Ukrainian languages. Special attention is paid to the peculiarities of translating mythological units, allusions and Chinese utterances ’chen yu’. The translation tactics and operations employed to render the semantics and pragmatics of the source discourse by means of typologically distant languages have also been analyzed.

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DANYLYUK, Nina. "FOLKLORE SOURCES OF THE TEXTS OF THE SONGS AT THE TIME OF THE RUSSIAN-UKRAINIAN WAR." Culture of the Word, no. 98 (2023): 42–56. http://dx.doi.org/10.37919/0201-419x-2023.98.4.

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In the article, based on the material of the texts of modern Ukrainian songs, the main means of activating folklore sources are considered: 1) performance of folk songs in a new musical design, accompanied by video clips (e.g. some texts of such bands as “VV”(“ВВ”), “VIP”, “Boombox” (“Бумбокс”), “Made in Ukraine” and others); 2) filling traditional texts with relevant content (“Пливе кача по Тисині…” (“A duck swims along the Tisin...”), “Ой у лузі червона калина…” (“Oh, a red viburnum is in the meadow...”), “Гей, соколи!” (“Hey, falcons!”, rebel songs from the album “Our Partisans”, performed

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Kravtsova, І. А., and S. P. Svincova. "PSYCHOLOGICAL-PEDAGOGICAL CONDITIONS OF DEVELOPMENT SPEECH OF FIRST GRADE STUDENTS BY SMALL MEANS FOLKLORE GENRES." Educational Dimension 14 (May 26, 2022): 345–52. http://dx.doi.org/10.31812/educdim.5717.

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The aims of the lessons in the Ukrainian language, which are enlarging and activization of lexicon, forming and developing of the skills o f oral and written spuch, supplying of the mental development of pupils, are defined on the present stouge of the new junior school's development. The most important device of influence on a child is beauty and magnificence, power and expressiveness of native words. Children can understand the dupest colour of words through the words the beauty enters their souls.

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Kurochkin, Oleksandr. "Traditional Images Genesis of Folklore Carnival as Ukrainians National World." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 2 (2018): 47–62. https://doi.org/10.31866/2616-759x.2.2018.153224.

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The purpose of the article. Deep into the archaic layers of the outlook in the ancient Slavs, the author seeks to trace the genesis and the ritual masking institute evolution, the game and ceremonial-etiquette reincarnation, on its basis a motley gallery of traditional images in Ukrainian folk carnival has been formed. Research methods. The historical-genetic method, or the retrospective reconstruction method, which is used not only in the humanities but also in the natural sciences, it is served as a guide. It is based on the idea that the initial stages of the development of certain objects

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Andryeyeva, Svitlana, and Alisa Danylevych. "Folklore and Language Flavor in the Works of Stepan Nos and Danylo Mordovets: a Comparative Discourse." Ethnic History of European Nations, no. 73 (2024): 56–68. http://dx.doi.org/10.17721/2518-1270.2024.73.07.

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Based on textual and linguistic analysis of the works of Stepan Nos and Danylo Mordovets, the article examines the issue of ethnic history and culture, traditions and life, characters and worldview of the inhabitants of different regions of Ukraine. The article highlights the peculiarities of the formation of ethnographers interests, analyses the intellectual environment, leading factors and prerequisites that influenced their formation as artists of their time. Their priority issues, plot fabric, key areas of journalistic practices, stylistic features and other characteristic features of lite

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Masenko, Larysa. "Hryhoriy Kvitka-Osnovyanenko as a founder of prose genres of the Ukrainian literary language." Ukrainska mova, no. 2 (2024): 86–104. http://dx.doi.org/10.15407/ukrmova2024.02.086.

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The article analyzes the role of the creative work of Hryhoriy Kvitka-Osnovyanenko in the formation of the novel Ukrainian literary language. The writer laid the foundations of two linguistic and stylistic trends of Ukrainian literary prose, namely laughing and humorous one thus continuing the Ivan Kotlyarevskyi’s activity, and a new for the Ukrainian literature sentimental one. The article is mainly focused on highlighting the vernacular specificity of the H. Kvitka-Osnovyanenko’s stories and novels reflected in phonetic, morphological and syntactic features. The lexical structure of the writ

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Borysenko, Valentyna. "MATERIALS OF THE ETHNOGRAPHIC COMMISSION OF THE UKRAINIAN ACADEMY OF SCIENCES AS AN IMPORTANT SOURCE FOR THE STUDY OF TRADITIONAL CULTURE OF THE 1920S AND 1930S (ON THE EXAMPLE OF DNIPROPETROVSK REGION)." Ethnic History of European Nations, no. 62 (2020): 7–14. http://dx.doi.org/10.17721/2518-1270.2020.62.01.

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he archival sources of the Ethnographic commission of the All-Ukrainian Academy (1921–1933) are studied and described in the article. The records of the people’s collectors of folklore-ethnographic materials from various fields of Ukrainian traditional culture are submitted. These are mainly the samples of the 1927–1929, when the population have recovered a little from a terrible famine of the 1921–1923 and try to keep life giving strength for the development of farm and family. Folk customs, rituals and folk calendar holidays, kolyadkas, schedrivkas are preserved completely enough among the i

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Olga, Volosatykh. "Folklore in Mykhailo Starytsky’s plays as a ground for the formation of Ukrainian music and drama theater." Aspects of Historical Musicology 26, no. 26 (2022): 7–21. http://dx.doi.org/10.34064/khnum2-26.01.

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Statement of the problem. The study and preservation of folk traditions played an important role for the Ukrainian society in the process of forming national consciousness in the second half of the XIX century. It was from that time that the theater movement, whose soul M. Starytsky was, became active, and ethnography significantly influenced both the artist’s theatrical activity and the development of the Ukrainian music and drama theater in general. The article examines ethnographic elements in M. Starytsky’s plays with the purpose to find out the role of folklore in his work as a factor tha

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Syvash, Ilona. "Ukrainian vytynanka art in the context of ethno-design : modern progress trends." Bulletin of Lviv National Academy of Arts, no. 52 (July 11, 2024): 111–18. http://dx.doi.org/10.37131/2524-0943-2024-52-11.

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The article considers the possibilities of using modern Ukrainian vytynanka in interior design and graphic design, made with due regard for original Ukrainian traditions. The historical and social prerequisites for the development of this type of art are outlined, since vytynanka has powerful creative possibilities, harmoniously combining art and craft. It is emphasized that the production of vytynanka does not require a special material and technical base, and this allows many amateur artists to realize their creative potential, involving them in folk culture. It has been determined that Ukra

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Bihus, Olha. "Formation of Patriotism in Students-Choreographers Through Folk Dance." Dance Studies 6, no. 1 (2023): 42–50. https://doi.org/10.31866/2616-7646.6.1.2023.283725.

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The purpose of the article is to identify the peculiarities of implementing the patriotic potential of Ukrainian folk dance in the pedagogical process of higher education establishments of culture and arts and to propose effective methods of forming patriotism. Research methodology. Theoretical methods (analysis, synthesis, systematization and comparison of the defining scientific sources that reflect the specifics of patriotic ideas), the method of systemic and structural analysis, hermeneutics, the art historical analysis, and others are applied. Scientific novelty. 

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Senkovych, Olha. "«It floated like a black winch» (metaphoric portrait of a woman in Yuri Vynnychuk’s prose)." Culture of the Word, no. 90 (2019): 46–54. http://dx.doi.org/10.37919/0201-419x-2019.90.4.

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The article states that the works of the contemporary author Yuri Vynnychuk constitute a landmark fragment of Ukrainian prose of the late twentieth – early twentieth centuries. The material of the novels «Malva Landa» and «Spring Games» shows the specifi cs of individual linguistic prose, in particular in the fi eld of linguistic portraiture of a woman. Based on the consideration of stylistic means of linguistic and artistic portraiture of a woman in prose of Yuri Vynnychuk, productive ways of metaphorization with the use of nominations of birds, plants, household objects and so on were identi

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Serdeha, Ruslan L. "METHODOLOGICAL PRINCIPLES OF DEVELOPING THE STRUCTURE OF A DICTIONARY ENTRY FOR A “DICTIONARY OF THE LANGUAGE OF ORAL FOLKLORE” (STABLE AND TEXTUAL AND FIGURATIVE UNITS)." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 232–47. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-17.

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In Ukrainian linguistics, there is a need to develop methodological foundations and principles of lexicography of various linguistic facts present in the language of oral folk art. Folklore has always played an important role in preserving the identity of certain people. It contains the life experience of a certain ethnic group, accumulated during the life of many generations. Dictionaries have always been and will always be of great importance for the national progress and development of the national language, and the Dictionary of the Language Oral Folk Literature will contribute even more t

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Bolgar, Vitaliy. "Synthesis of Scientific and Creative Picture of the World on the Example of the Genre of Thought in the Research of F. Kolessa and the Composer's Interpretation of D. Sichinsky." Ukrainian musicology 46 (October 27, 2020): 140–51. http://dx.doi.org/10.31318/0130-5298.2020.46.234612.

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The relevance and novelty of the research lies in the specific nature of the musical tradition in the context of the relationship between scientific and creative picture of the world, especially folk art, which has always been central in the research of Ukrainian historians, ethnographers, folklorists (scientific field), and also was the main vector in the works of many composers: M. Lysenko, K. Stetsenko, S. Lyudkevych, F. Kolessa, D. Sichynsky, L. Dychko, M. Skoryk, and others (creative sphere). A striking example of this phenomenon is the Duma - one of the brightest "pages" of Ukrainian fol

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Mingze, Gao. "Ukrainian Symbolism: From Emergence to Revival in the Contemporary Wartime Reality." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(2) (November 28, 2024): 99–104. https://doi.org/10.31500/1992-5514.20(2).2024.318257.

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Ukrainian symbolism emerged at the turn of the century, and its took its definite theoretical shape in the early twentieth century. Intuitively sensing the forthcoming changes, the symbolists transformed the system of cognition of the world, building it on the basis of creativity, where the latter was interpreted as subconsciously intuitive contemplation of secret meanings accessible only to the artist-creator. The symbol became the central aesthetic category of the new movement and the main means of storing and transmitting the contemplative secret meaning. In their artistic work, Ukrainian s

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Yaroshevska, Larisa. "Civic education of youth by means of musical art by V. Sukhomlinsky." Scientific Visnyk V.O. Sukhomlynskyi Mykolaiv National University. Pedagogical Sciences 65, no. 2 (2019): 373–77. http://dx.doi.org/10.33310/2518-7813-2019-65-2-373-377.

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Modern higher education actualizes the need of patriotism upbringing for future teachers as a feel and as a basic quality of the person on the basis of new approaches and new ways of its implementation. To solve the problem with success, it will be effective to create a patriotic educational environment of the University. Patriotic revival, taking place in modern Ukraine, activates society attention to the problem of harmonious, creative, spiritually developed, tolerant personality. Therefore, Ukrainian music using in patriotic education of the future teacher becomes prospective, necessary and

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Lukava, Daryna. "TRADITIONS OF NATIVITY DRAMA WITHIN THE OPERA ARTS OF UKRAINE." EUREKA: Social and Humanities, no. 1 (December 28, 2020): 3–7. https://doi.org/10.21303/2504-5571.2020.001564.

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The article explores the ways of development of Ukrainian nativity drama - a genre of musical art that provides an opportunity to recreate the elusive breath of time, to learn not only about the world around but also the prospects for its preservation in Ukrainian culture. For the formation and development of the national musical culture of Ukraine, the traditions of Ukrainian nativity drama, the precondition of which was the folk music of national-historical orientation, became especially important. Besides, the folklore basis contributed to the formation of some professional genres, includin

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NEPORADA, I. "FORMATION OF CIVIC COMPETENCE OF YOUNGER SCHOOL STUDENTS THROUGH MEANS OF ORAL FOLK CREATIVITY." ТHE SOURCES OF PEDAGOGICAL SKILLS, no. 31 (August 7, 2023): 149–55. http://dx.doi.org/10.33989/2075-146x.2023.31.283374.

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The article outlines and characterizes the main structural components of the civic competence of junior high school students: value-motivational (awareness of belonging to the Ukrainian people, forms a conscious attitude to the Motherland, to national values and wealth, and stimulates the junior high school student's desire to form civic knowledge and be able to apply it); cognitive (implements the information function, forms a system of civic knowledge, is based on the systematic and analytical thinking of a junior high school student); activity (civic skills and skills that form the experien

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Pavlyshyn, Anastasiia. "Ukrainian Symbols and Archetypes in the Historical and Folklore Imagery of Irena Nosyk." ARTISTIC CULTURE. TOPICAL ISSUES, no. 18(2) (November 29, 2022): 118–24. http://dx.doi.org/10.31500/1992-5514.18(2).2022.269800.

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The paper examines the concepts of “symbol” and “archetype” and their realization in the artistic thinking of the CanadianUkrainian artist Irena Nosyk. The interest in the use of archetypes as a primary scheme and their subsequent expression in art through the objectification of symbols were examined. The significance of the “spiritual memory of Ukrainian people,” which inspired the artist to depict significant events in the history of Ukrainian culture, was traced. Mythological, historical and folklore imagery in the art of Irena Nosyk were analyzed, in particular: the Scythian woman, Prince

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Protasova, Svitlana. "THERAPEUTIC FEATURES OF THE UKRAINIAN TRADITIONAL SINGING." Problems of music ethnology 18 (December 22, 2023): 93–98. http://dx.doi.org/10.31318/2522-4212.2023.18.294833.

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The purpose of the article is the study of the therapeutic features of the Ukrainian traditional singing (UTS). Research methods are as follows. The characteristic features of Ukrainian folklore performance (such as timbre, varia- bility, etc.) are described in terms of their influence on the psychophysiological state of singers. Features of singing in different timbres, as well as solo and ensemble are compared. The complex influence of different UTS indicators (per- forming, musical-therapeutic, psychophysiological, etc.) is analysed. Data on powerful therapeutic musical resources contained

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Osipenko, Nataliia, and Larysa Yovenko. "WAYS OF IMPROVING THE CONTENT OF MODERN UKRAINIAN LITERATURE TEXTBOOKS CONSIDERING CONSTRUCTIVE HISTORICAL ACHIEVEMENTS." PEDAGOGY AND EDUCATION MANAGEMENT REVIEW, no. 2 (June 22, 2023): 40–48. http://dx.doi.org/10.36690/2733-2039-2023-2-40-48.

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The article is devoted to finding effective ways to improve the content of modern textbooks on Ukrainian literature. The need to introduce the experience of teaching Ukrainian literature of previous historical periods, which provided for the widespread use in the educational process of the concept of the hero as an example to follow, a means of forming patriotism, moral and ethical values of the Ukrainian nation. The general didactic and specific requirements to the modern textbook on the Ukrainian literature are investigated, the most necessary conditions for creation of new textbooks are def

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Hudyma, Nataliia, Nataliia Mieliekiestseva, and Olha Kovalchuk. "Education of junior pupils by means of ukrainian song in the conditions of the New Ukrainian School according to Ivan Ohiienko's ideas." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION 20 (December 25, 2023): 227–34. http://dx.doi.org/10.32626/2309-7086.2023-20.227-234.

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Taking into account the new socio-political realities in Ukraine after the Revolution of Dignity and the circumstances of Russian aggression, it is becoming increasingly important to develop younger generation’s patriotism, commitment to the national mission of strengthening the country, active citizenship, etc. The main goal of national education at the present stage is to pass on to the younger generation the social experience, nation’s rich spiritual culture, national mentality, affi nity of worldview and, on this basis, to form the personality qualities of a citizen of Ukraine that ensure

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Shvets, Oksana. "THE CONCEPT OF «POETIC-SPEECH ACTIVITY OF FUTURE EDUCATORS OF PRE-SCHOOL ESTABLISHMENTS» IN LINE WITH THE LINGUISTIC AND PEDAGOGICAL HERITAGE OF S. RUSOVA." Scientific bulletin of KRHPA, no. 10 (2018): 110–21. http://dx.doi.org/10.37835/2410-2075-2018-10-11.

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The article highlights the peculiarities of the organization of poetic-speech activity by the future educator of the institution of preschool education on the basis of the analysis of the linguistic and pedagogical heritage of Sofia Rusova. It is noted that the imagery of the broadcast of works of art generates poetic speech. According to S. Rusova, Ukrainian folklore, in particular, Ukrainian folk art, is an effective means of developing poetic speech and teaching native language; It is noted that the awareness of the beauty of a poetic word contributes to a deeper comprehension of the surrou

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КРАВЧЕНКО, Петро Анатолійович, та Ярослав Євгенійович БЛОХА. "ІСТОРИЧНИЙ ФАКУЛЬТЕТ НА ЗЛАМІ СТОЛІТЬ (ДО 100-РІЧЧЯ З ДНЯ ЗАСНУВАННЯ)". Філософські обрії, № 40 (8 січня 2019): 146–78. https://doi.org/10.5281/zenodo.2535732.

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In the article highlights the major milestones of the history of the historical faculty of Poltava V.G.  Korolenko National (State) Pedagogical University (Institute).Established forms of scientific work such as participation in All-Ukrainian Olympiads and contests-protections of student’s scientific works on history, geography, jurisprudence, philosophy and religious studies, as well as conducting traditional student conferences are revealed. The means of aesthetic education of students are as follows: their participation in collectives of amateur performances: university – f

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