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Relevant bibliographies by topics / Medea Myth

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Academic literature on the topic 'Medea Myth'

Author: Grafiati

Published: 9 March 2023

Last updated: 31 July 2025

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Journal articles on the topic "Medea Myth"

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Hassan, Zena D. Mohammed, and Dheyaa K. Nayel. "The Evolution of Female Characters From Antiquity to Modernity: An Examination of Marinna Carr's and Carol Lashof's Adaptations of Classical Mythology." Journal of Language Teaching and Research 15, no. 2 (2024): 374–82. http://dx.doi.org/10.17507/jltr.1502.06.

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Literature relies heavily on mythology. Myths are stories of deities, monsters or immortals which are transformed from one generation to the other. In addition to documenting the religious and cultural experiences of a specific community, myths also outline the consequent literary, artistic and dramatic customs. Some Greek myths have survived for thousands of years because they accurately depict historical events, cultural values, and trends. Among the most famous classical myths are the myths of Medusa and Medea. As for the myth of Medusa, the earliest known record was found in Theogony (700B

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Dikmonienė, Jovita, Maria Kristiina Lotman, and Līva Bodniece. "Antigones un Mēdejas ceļi Baltijas teātrī." Scriptus Manet: humanitāro un mākslas zinātņu žurnāls = Scriptus Manet: Journal of Humanities and Arts, no. 16 (December 23, 2024): 10–26. https://doi.org/10.37384/sm.2024.16.010.

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The study compares the development of the reception of three ancient tragedies – Sophocles’ Antigone, Euripides’ Medea and Seneca’s Medea – in the Baltics. The article summarises the results of several previous studies on the reception of ancient tragedy in Latvia, Lithuania, and Estonia. A diachronic study provides an overview of the history of the translation and production of ancient tragedies in the Baltics. The study of the development of reception is complemented by a survey of translated and staged reception texts of the myth from later periods, focusing in greater detail on the most si

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McElduff, Siobhán. "Epilogue: The Multiple Medeas of the Middle Ages." Ramus 41, no. 1-2 (2012): 190–205. http://dx.doi.org/10.1017/s0048671x0000031x.

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Insofar as we can know, Medea has always been multiple, existing in many different versions simultaneously. She is never simply a literary construction, a stratified intertextual ensemble made up of all the other literary Medeas that came before her, but a product of the values and fears of each culture that imagines her, recreates her, and uses her to represent meaning. The Middle Ages were no different: Medea could figure as an alchemist's guide, as in the Pretiosa Margarita Novella (the New Pearl of Great Price); as an allegory of God fighting the Antichrist in the Ovide Moralisé; as wronge

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Scoggins, Rachel. "Reexamining Medea’s Monstrosity in Greek Mythology and Eilish Quin’s Medea." Humanities 13, no. 6 (2024): 168. https://doi.org/10.3390/h13060168.

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In 2024, Eilish Quin published the novel Medea, which is a feminist approach to the Medea myth from Greek mythology. Medea’s myth is heavily influenced by Euripides’ play Medea, a play in which she kills her children to enact revenge on her cheating husband Jason. Quin’s novel is a reimagining of the myth, which explores Medea’s monstrosity and attempts to make her more sympathetic and less monstrous than the source text. I argue that Quin’s novel pulls from established characteristics of Medea that depict her as a monster and attempts to shift the narrative perspective. Using monster theory,

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Friedrich, Michał. "„The bloodiest flower”. Myth of Medea According to Pier Paolo Pasolini." Tekstualia 1, no. 60 (2020): 83–92. http://dx.doi.org/10.5604/01.3001.0014.1364.

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The article discusses Pier Paolo Pasolini’s reinterpretation of the myth of Medea in his 1969 fi lm by placing it in a range of artistic contexts, primarily painting. It fi rst recounts the history of mythological sorceress from ancient Kolchida, known from Greek myths and Eurypides’s play. A number of artistic works dedicated to Medea are referred to, including Seneca’s tragedy, Lars von Trier’s movie, Christa Wolf’s novel, Victor Mottez’s and Thomas Satterwhite Noble’s paintings. The methodological framework is based on the work of critics such as Alicja Helman, Kinga Anna Gajda, Piotr Kleto

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Sigua, Lika. "A MODERN DECONSTRUCTION OF THE ANCIENT MYTH OF MEDEA IN THE CREATIVITY OF GEORGIAN WRITERS (LASHA BUGHADZE "АНТИМЕДИЯ", PAATA TSIKOLIA'S "МЕДЕА S01E06")". European Journal of Learning on History and Social Sciences 1, № 10 (2024): 16–25. https://doi.org/10.61796/ejlhss.v1i10.979.

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This paper explores the modern reinterpretation of the ancient myth of Medea, as presented by Georgian writers Lasha Bughadze and Paata Tsikolia. Despite the myth's ancient origins, its relevance persists in contemporary literature, where it reflects ongoing societal and existential conflicts. A knowledge gap exists in understanding how modern adaptations, particularly in Georgian literary contexts, reinterpret Medea's narrative using postmodern techniques. This study employs a comparative literary analysis method, examining plays like Bughadze's "Antimedea" and Tsikolia's "Медеа s01e06." Find

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Oster, Angela. "Moderne Mythographien und die Krise der Zivilisation." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 51. Heft 2 51, no. 2 (2006): 79–108. http://dx.doi.org/10.28937/1000107604.

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Im Verlauf seiner Rezeption hat der Medea-Mythos kontinuierlich einen wichtigen Stellenwert in der Reflexion des zivilisatorischen Krisenbewußtseins eingenommen. Dieser Prozeß kulminiert in der Moderne, innerhalb derer die Medea-Version von Pier Paolo Pasolini einen exzeptionellen Stellenwert einnimmt. Pasolinis umsichtige und vielschichtige Cinematopoetik kombiniert den antiken Mythos mit religionswissenschaftlichen Quellen und enttarnt dabei den Begriff des gesellschaftlich ›Natürlichen‹ als ideologische Setzung. Der Ideologie des vorgeblich Natürlichen setzt die pasolinische Medea eine ethn

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Ascher, Leona, James J. Clauss, and Sarah Iles Johnston. "Medea: Essays on Medea in Myth, Literature, Philosophy, and Art." Classical World 92, no. 1 (1998): 78. http://dx.doi.org/10.2307/4352219.

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Plecas, Tamara, and Ana Djordjevic. "Medea: Greek myth and peculiar identity." Bulletin de l'Institut etnographique 71, no. 1 (2023): 45–62. http://dx.doi.org/10.2298/gei2301045p.

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This paper will primarily focus on the philosophical depictions of Medea?s character and actions. The following identities will be examined: gender (which roles defined a woman in antiquity and are these definitions still relevant today), political (what does it mean to be a foreigner and not belong to a particular political community), and psychological (do passions inevitably lead to a split in the psyche or, on the contrary, constitute it). These will serve as frames that outline Medea?s exceptional (in)humanness in the Greco-Roman society.

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მეტრეველი, ლილი. "მედეას მითის თანამედროვე ლიტერატურული ინტერპრეტაციები მარგინალიზაციიდან დომინაციამდე (კრისტა ვოლფის რომანი: „მედეა – ხმები“ და ნინო ხარატიშვილის პიესა „ჩემი და შენი გული [მედეა]“)". Literary Researches 44 (27 листопада 2024): 315–24. https://doi.org/10.62119/lr.44.2024.8244.

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The article presents modern interpretations of the Medea myth based on Nino Kharatishvili's play "My Heart [Medea]" and Christa Wolf's novel "Medea-Voices". In particular, using a comparative analysis, it is discussed how different passages or motifs of the Medea myth change within the framework of two different texts and, accordingly, how Medea's identity is constructed/formed. In the position of the male characters of both novels (Creon, Jason, Acama), we can examine the masculine perspective, according to which, the woman was primarily understood as a being obedient to the will of the ma

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Dissertations / Theses on the topic "Medea Myth"

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Van, Zyl Smit E. "Contemporary witch : dramatic treatments of the Medea myth." Thesis, Stellenbosch : University of Stellenbosch, 1987. http://hdl.handle.net/10019.1/1440.

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Sterrett, Brandon A. "MEDEA MYTH: Devising and Producing Text-Free Theatre." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4276.

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This paper describes my learning journey as I began to flesh out my system of devising and the resultant aesthetic. The research subject was the production of a new movement play titled Medea Myth. This one act play is a totally devised piece without any text. Unlike some devised work, this play is meant to tell a clear story and was focused on cross-disciplinary collaboration. In investigating the work, I have broken it up into three distinct phases: Inception, beginning at the inciting incident and ending with the first clear storyline; Development, picking up that storyline and developing i

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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Byars, Oraleze D. "Myth Management: The Nature of the Hero in Callimachus’ Hecale and Catullus’ Poem 64." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003169.

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Falcone, Maria Jennifer. "Il mito di Medea nella tragedia romana arcaica." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3421720.

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The PhD thesis is an edition with introduction and commentary of the tragic Latin fragments concerning the myth of Medea. The different aspects of Medea in her literary development in Rom are analysed: her relations with the theme of magic; the similarities with local Goddesses (particularly the Marsic Angitia); her difficult relationship with her family; her magic power and her weakness towards love; lastly, her crimes. The tragedies are: Ennius’ Medea exul, Pacuvius’ Medus and Accius’ Medea sive Argonautae. An introduction concerns general problems; the text of the fragments is accompanied b

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Maltese, Federica. "Le mythe de Médée de Euripide à Pier Paolo Pasolini et Christa Wolf." Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENL017/document.

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Ma thèse s'intitule “Le mythe de Médée. De Euripide à Pier Paolo Pasolini et Christa Wolf”. Il s'agit d'une analyse comparatiste, dans le but de démontrer les liens existants entre l'écriture – ou bien la réécriture – et les événements culturels et politiques du pays des deux auteurs. Dans le cas spécifique, la comparaison est axée sur le film de Pasolini (1969) et le roman de Christa Wolf (1996), deux textes que j'ai considéré comme particulièrement significatifs en raison de la biographie des deux auteurs et du moment historique dans lequel ces ouvrages furent élaborée. En effet, ma thèse ne

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Frach, Sylwia. "Vision contemporaine de la Grèce antique : mythe et cinéma selon Pier Paolo Pasolini." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST0011.

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La vision de la Grèce antique de Pasolini est une vision barbare parce que le cinéasterefuse toute idéalisation néoclassique. Une telle vision de l’antiquité était déjà répondue dans laculture européenne à travers les textes de Nietzsche. Pasolini est inspiré particulièrement pardeux disciplines auxquelles il se réfère souvent : l’anthropologie et la psychanalyse.A une thématique barbare correspond aussi, chez le cinéaste italien, un environnementbarbare, avec l’accord entre la forme de l’expression et la forme du contenu. Pasolini rejette lareconstitution archéologique : à la luminosité aveug

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Leites, Junior Pedro. "Leituras de Medeia: o mito e o lastro cultural." Universidade Estadual do Oeste do Parana, 2012. http://tede.unioeste.br:8080/tede/handle/tede/2518.

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Made available in DSpace on 2017-07-10T18:56:32Z (GMT). No. of bitstreams: 1 Pedro.pdf: 4754815 bytes, checksum: 64a1e025423958b9a828ba0f43bc13f2 (MD5) Previous issue date: 2012-02-14<br>If the classical text is an equivalent to the universe and reverberates as background in the collective unconscious, as stated by Ítalo Calvino (2002), is through the rereading processes, through intertextuality that the text will revive over time. The intertextual work, however, as shown by Laurent Jenny (1979), can reveal itself in the reactivation of meanings of the first work as much as show itself on

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Kalyvi, Anna. "Médée "illimythée" : du mythe en scène ( théâtre-danse) aux XXe et XXIe siècles." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H315.

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Depuis ses origines, la mythologie grecque est une source illimitée d’inspiration et se situe au carrefour de nombreux domaines qu’elle fait se rencontrer. Que ce soit dans la danse, le théâtre, la peinture ou la poésie, la réappropriation du mythe antique par le langage du corps s’avère une aventure esthétique qui s’impose comme une nécessité, en prenant en compte ses nombreuses reprises artistiques durant les XXe et XXIe siècles. Au cœur de cette réflexion figure un des mythes les plus connus et les plus revisités, à savoir celui de Médée, cette redoutable magicienne qui a tué ses enfants po

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Procópio, Denise. "Medéia - Análise de um caso a luz da teoria do amadurecimento humano de winnicott." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/15538.

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Made available in DSpace on 2016-04-28T20:39:22Z (GMT). No. of bitstreams: 1 PCL - Denise Procopio.pdf: 645504 bytes, checksum: b475715ddd6d1dffee1043b018b70346 (MD5) Previous issue date: 2006-10-11<br>Woman who took revenge of the husband by killing her own children. The feature of the character envisaged here is the overmuch dependence that this woman cherishes towards man. In the second place, the analysis of a clinical case of a 40- years old woman who called herself a Medea of life when she looked for therapy. Finally, Winnicott`s Theory of Human Maturation as a theoretic approa

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Books on the topic "Medea Myth"

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Kelsey, Darren. Media, Myth and Terrorism. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137410696.

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Berger, Arthur Asa. Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673.

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1944-, Sinclair John, and Wilson Helen 1945-, eds. The Olympics: Media, myth, madness. Australian Key Centre for Cultural and Media Policy, Faculty of Arts, Griffith University, 2000.

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Mickler, Steve. The myth of privilege. Fremantle Arts Centre Press, 1998.

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Moseĭko, A. N. Mify Rossii: Mifologicheskie dominanty v sovremennoĭ rossiĭskoĭ mentalʹnosti. Institut Afriki RAN, 2003.

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Erreguerena, María Josefa. Los medios masivos de comunicación como actualizadores de los mitos. Universidad Autónoma Metropolitana, Unidad Xochimilco, División de Ciencias Sociales y Humanidades, Departamento de Educación y Comunicación, 2002.

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Dill, Ueli, and Christine Walde, eds. Ancient Myth. Media, Transformations and Sense-Constructions. Walter de Gruyter, 2009. http://dx.doi.org/10.1515/9783110217247.

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author, I︠A︡ngli︠a︡eva M. M., та I︠A︡kova T. S. (Tamara Sergeevna), author, ред. Upravlenie proshlym: Massmedia, mifotvorchestvo, identichnostʹ. IKAR, 2020.

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Chernykh, Alla. Ritualy i mify media. T︠S︡entr gumanitarnykh init︠s︡iativ, 2015.

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Huynen, Caroline. Mythe médiatique, mythe d'aujourd'hui: Réflexion sur la présence contemporaine du mythe dans les médias de masse et analyse des mécanismes de réactualisation mythique dans Paris Match. CIACO, 1997.

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Book chapters on the topic "Medea Myth"

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Louden, Bruce. "Jason, Hera, Medea, and Aietes; Jacob, Rebecca, Rachel, and LabanArgonautic myth and Genesis 27–33." In Greek Myth and the Bible. Routledge, 2018. http://dx.doi.org/10.4324/9780429448553-4.

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Gross, Bernhard. "Reconciliation and Stark Incompatibility." In The Scandal of Self-Contradiction. Turia + Kant, 2012. http://dx.doi.org/10.37050/ci-06_10.

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Medea from 1969 is the completion and culmination of a series of Pasolini’s films that engage with Greek tragedy. This series includes his film version of the Oedipus myth from 1967 and his reworking of Aeschylus’s Oresteia into an African Oresteia from 1968. This film, Appunti per un’Orestiade africana, contains a sequence that is odd in a double sense.

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Berger, Arthur Asa. "The Myth Model." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_1.

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Berger, Arthur Asa. "The Structure of Myth." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_2.

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Berger, Arthur Asa. "Psychoanalytic Approaches to Myth." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_4.

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Berger, Arthur Asa. "The Semiotics of Myth." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_5.

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Nanjundaiah, Shashidhar. "The discomfort with media literacy." In News Aesthetics and Myth. Routledge, 2024. http://dx.doi.org/10.4324/9781003474456-2.

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Nanjundaiah, Shashidhar. "Towards demystification of media illiteracy." In News Aesthetics and Myth. Routledge, 2024. http://dx.doi.org/10.4324/9781003474456-10.

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Berger, Arthur Asa. "A Sociological Analysis of Myth." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_3.

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Berger, Arthur Asa. "Hercules (aka Herakles) and Hercule Poirot." In Media, Myth, and Society. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137301673_6.

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Conference papers on the topic "Medea Myth"

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Revnew, Steve. "The Myths about Mold: What Every Painting Contractor, and Customer, Should Know about Combating This Problem." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00077.

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Abstract Widespread media coverage has made mold a concern for everyone from home and business owners to those in building construction. This presentation explains the facts and fiction of mold ― what it is, where it grows best and how to control it. The benefits of antimicrobial coatings are also explained. The goal of this presentation is to provide contractors with an understanding of mold and antimicrobial coatings that can be used to educate customers and ultimately increase profits. Objectives are to help painting contractors make informed decisions regarding mold, increase their underst

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Puchalová, Ingrid. "„Jetzt ist kein Gesetz außer mir...“. Literarischer Mythos – seine Form und Funktion am Beispiel des Dea Lohers Dramas Manhattan Medea." In Form und Funktion. University of Ostrava, 2024. http://dx.doi.org/10.15452/fuflit2023.14.

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The question of myth in literature, when looking at modern texts that rework ancient myths, increasingly becomes a question of how myth is read. This involves questions such as how the myths were evaluated and edited by the authors, in what way the various functions of myth are selected, incorporated, and transformed in the literary adaptations of myth, how the reservoir of myth was instrumentalized, and, finally, what strategy the authors use in adapting and transforming myth. In the following paper, I address these questions against the background of Hans Blumenberg’s theory of myth, using D

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Metreveli, Lili. "Three Medeas – Modernist and Postmodernist Reception of Medea Myth in Georgian Literature." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8436.

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Greek mythology has made character of Medea of Colchis the indivi-sible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts. Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. One part of the creators sees in it a murderous mother, the other part a vengeful wife or a traitor, while others see Medea as the first fem

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Nadareishvili, Ketevan, and Manana Pkhakadze. "Medea of Three Different Eras – Woman’s Artistic Image as a Reflection of Epochal Tensions (Corneille, Legouve)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9035.

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The consideration of prominent artistic images being especially sensitive in reflecting the problematic issues, tensions, and challenges of their day is widely recognized. Medea is one of the leading female figures among these outstanding images. The story of the Colchian maiden proved to be one of the best matrixes for the comprehension of socio-political problematics of various eras and the discourse regarding the multiple ideological and philosophical topics. Analysis of how French dramatists of different epochs – Corneille and Legouvé – interpreted Medea’s image to articulate the domi

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Nodzyńska, Małgorzata. "CHEMICAL VS. NATURAL: COMMON MISCONCEPTIONS." In SCIENCE AND TECHNOLOGY EDUCATION: DEVELOPING A GLOBAL PERSPECTIVE. Scientia Socialis Ltd., 2021. http://dx.doi.org/10.33225/balticste/2021.126.

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In the era of universal and compulsory education, in which attention is paid to the ability to think scientifically, there should be no room for unscientific views. However, unscientific theories often appear in the media, and they find numerous supporters. Therefore, it was decided to investigate which of the common beliefs about the "chemical vs. natural" pair are believed by Poles. And whether belief in unscientific myths depends on gender, age, level of education or its type. Checking these relationships will allow, inter alia, to evaluate the effectiveness of science education in Poland.

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Iakovleva, Elena. "The Specifics Of Media Personalities' Myth Design." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.82.

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Alexander Burnett, Robert. "CULTURAL VALUE, BELIEF, BEHAVIOUR AND MYTH IN THAI COUNTRY MUSIC." In World Conference on Media and Mass Communication. TIIKM, 2016. http://dx.doi.org/10.17501/medcom.2016.1106.

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August, Christopher. "Looking for Ishi: Insurgent Movements through the Yahi Landscape." In 2003 Informing Science + IT Education Conference. Informing Science Institute, 2003. http://dx.doi.org/10.28945/2718.

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In 1911 a Yahi man wandered out of the Northern California landscape and into the twentieth century. He was immediately collected and installed at the just opened Anthropology Museum by Alfred Kroeber at the University of California's Parnassus Heights campus. Dedication invitations came from the U.C. Regents led by Phoebe Apperson Hearst. Maintaining the discretion of his indigenous culture this man would not divulge his name. Kroeber named him Ishi, the Yahi word for man. These assembled facts introduce narrative streams that continue to unfold around us. To examine these contingent individu

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Rogers, Bess. "Bring on the Bad: Dismantling Fear, Judgement, and Creative Myths that Keep Songwriters From Growing." In MEIEA Summit 2024. Music and Entertainment Industry Educators Association, 2024. http://dx.doi.org/10.25101/24.21.

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FOX, ROBERT. "MYTH, REALITY AND REALISM IN U.K. GOVERNMENT RESPONSE AND MEDIA PERCEPTION OF TERRORISM." In The Cultural Planetary Emergency: Focus on Terrorism. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702388_0009.

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Reports on the topic "Medea Myth"

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Lally, Clare, and Lorna Christie. COVID-19 misinformation. Parliamentary Office of Science and Technology, 2020. http://dx.doi.org/10.58248/rr02.

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According to a recent study from Ofcom, 46% of respondents have encountered false or misleading coronavirus information since the lockdown. Most cases of misinformation are found on social media. Misinformation can lead to public mistrust, endangerment of public health, as well as hate crime and exploitation. Different approaches are being implemented to fight misinformation including content moderation, myth-busting, and a focus on education.

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Donovan, Stuart. Dispelling myths: Reviewing the evidence on zoning reforms in Auckland. Motu Economic and Public Policy Research, 2024. http://dx.doi.org/10.29310/wp.2024.07.

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In 2016, the city of Auckland adopted zoning reforms that enabled more housing on approximately three-quarters of its urban land. Three subsequent studies have found that these reforms increased housing supply and reduced rents. Two economists have, however, criticised these studies on blogs and social media, describing their findings as a ``myth''. Despite their informal nature, these critiques have been cited in formal planning and policy processes. Here, we review these critiques and find them to have little to no merit. Specifically, the critiques misunderstand the papers' methods and rely

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Kallas, Diana. The Magic Potion of Austerity and Poverty Alleviation: Narratives of political capture and inequality in the Middle East and North Africa. Oxfam, 2021. http://dx.doi.org/10.21201/2021.8298.

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Dominant narratives promoting economic growth at the expense of state institutions and basic social services have long underpinned a neoliberal model of spiralling debt and austerity in the MENA region. This exacerbates political capture and inequality and takes shape in an environment of media concentration and shrinking civic space. It is important for change movements to understand dominant narratives in order to challenge and shift them. With the right tools, civil society organizations, activists, influencers and alternative media can start changing the myths and beliefs which frame the s

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Krushelnytska, Sofiia. UKRAINE’S IMAGE IN THE FRENCH MEDIA DURING THE EVENTS OF 2004. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11065.

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The article examines the formation of the image of Ukraine by the French media during the Orange Revolution. The main factors influencing the tone of publications and difficulties in creating a positive external image of Ukraine in the French media are identified. The article is aimed at the analysis of scientific research on the influence of the French media on the formation of the image of Ukraine and its role in international socio-political processes. The study analyzes the materials of French journalists in the media, written during the events in 2004. The main factors influencing the for

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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electroma

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