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1

Van, Zyl Smit E. "Contemporary witch : dramatic treatments of the Medea myth." Thesis, Stellenbosch : University of Stellenbosch, 1987. http://hdl.handle.net/10019.1/1440.

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Sterrett, Brandon A. "MEDEA MYTH: Devising and Producing Text-Free Theatre." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4276.

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This paper describes my learning journey as I began to flesh out my system of devising and the resultant aesthetic. The research subject was the production of a new movement play titled Medea Myth. This one act play is a totally devised piece without any text. Unlike some devised work, this play is meant to tell a clear story and was focused on cross-disciplinary collaboration. In investigating the work, I have broken it up into three distinct phases: Inception, beginning at the inciting incident and ending with the first clear storyline; Development, picking up that storyline and developing i
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Rodriguez, Mia U. "Medea in Victorian Women's Poetry." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355934808.

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Byars, Oraleze D. "Myth Management: The Nature of the Hero in Callimachus’ Hecale and Catullus’ Poem 64." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003169.

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5

Falcone, Maria Jennifer. "Il mito di Medea nella tragedia romana arcaica." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3421720.

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The PhD thesis is an edition with introduction and commentary of the tragic Latin fragments concerning the myth of Medea. The different aspects of Medea in her literary development in Rom are analysed: her relations with the theme of magic; the similarities with local Goddesses (particularly the Marsic Angitia); her difficult relationship with her family; her magic power and her weakness towards love; lastly, her crimes. The tragedies are: Ennius’ Medea exul, Pacuvius’ Medus and Accius’ Medea sive Argonautae. An introduction concerns general problems; the text of the fragments is accompanied b
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Maltese, Federica. "Le mythe de Médée de Euripide à Pier Paolo Pasolini et Christa Wolf." Thesis, Grenoble, 2013. http://www.theses.fr/2013GRENL017/document.

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Ma thèse s'intitule “Le mythe de Médée. De Euripide à Pier Paolo Pasolini et Christa Wolf”. Il s'agit d'une analyse comparatiste, dans le but de démontrer les liens existants entre l'écriture – ou bien la réécriture – et les événements culturels et politiques du pays des deux auteurs. Dans le cas spécifique, la comparaison est axée sur le film de Pasolini (1969) et le roman de Christa Wolf (1996), deux textes que j'ai considéré comme particulièrement significatifs en raison de la biographie des deux auteurs et du moment historique dans lequel ces ouvrages furent élaborée. En effet, ma thèse ne
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Frach, Sylwia. "Vision contemporaine de la Grèce antique : mythe et cinéma selon Pier Paolo Pasolini." Thesis, Paris Est, 2013. http://www.theses.fr/2013PEST0011.

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La vision de la Grèce antique de Pasolini est une vision barbare parce que le cinéasterefuse toute idéalisation néoclassique. Une telle vision de l’antiquité était déjà répondue dans laculture européenne à travers les textes de Nietzsche. Pasolini est inspiré particulièrement pardeux disciplines auxquelles il se réfère souvent : l’anthropologie et la psychanalyse.A une thématique barbare correspond aussi, chez le cinéaste italien, un environnementbarbare, avec l’accord entre la forme de l’expression et la forme du contenu. Pasolini rejette lareconstitution archéologique : à la luminosité aveug
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Leites, Junior Pedro. "Leituras de Medeia: o mito e o lastro cultural." Universidade Estadual do Oeste do Parana, 2012. http://tede.unioeste.br:8080/tede/handle/tede/2518.

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Made available in DSpace on 2017-07-10T18:56:32Z (GMT). No. of bitstreams: 1 Pedro.pdf: 4754815 bytes, checksum: 64a1e025423958b9a828ba0f43bc13f2 (MD5) Previous issue date: 2012-02-14<br>If the classical text is an equivalent to the universe and reverberates as background in the collective unconscious, as stated by Ítalo Calvino (2002), is through the rereading processes, through intertextuality that the text will revive over time. The intertextual work, however, as shown by Laurent Jenny (1979), can reveal itself in the reactivation of meanings of the first work as much as show itself on
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Kalyvi, Anna. "Médée "illimythée" : du mythe en scène ( théâtre-danse) aux XXe et XXIe siècles." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H315.

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Depuis ses origines, la mythologie grecque est une source illimitée d’inspiration et se situe au carrefour de nombreux domaines qu’elle fait se rencontrer. Que ce soit dans la danse, le théâtre, la peinture ou la poésie, la réappropriation du mythe antique par le langage du corps s’avère une aventure esthétique qui s’impose comme une nécessité, en prenant en compte ses nombreuses reprises artistiques durant les XXe et XXIe siècles. Au cœur de cette réflexion figure un des mythes les plus connus et les plus revisités, à savoir celui de Médée, cette redoutable magicienne qui a tué ses enfants po
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Procópio, Denise. "Medéia - Análise de um caso a luz da teoria do amadurecimento humano de winnicott." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/15538.

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Made available in DSpace on 2016-04-28T20:39:22Z (GMT). No. of bitstreams: 1 PCL - Denise Procopio.pdf: 645504 bytes, checksum: b475715ddd6d1dffee1043b018b70346 (MD5) Previous issue date: 2006-10-11<br>Woman who took revenge of the husband by killing her own children. The feature of the character envisaged here is the overmuch dependence that this woman cherishes towards man. In the second place, the analysis of a clinical case of a 40- years old woman who called herself a Medea of life when she looked for therapy. Finally, Winnicott`s Theory of Human Maturation as a theoretic approa
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Roffey, Michelle. "Older people in print media : myth versus reality /." Title page, contents and abstract only, 1995. http://web4.library.adelaide.edu.au/theses/09HS/09hsr719.pdf.

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MacMichael, Conall. "The fire this time : media, myth, memory and the Black Power movement." Thesis, Queen's University Belfast, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707356.

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The dissertation examines the popular memory of the Black Power movement and demonstrates that contrary to the dominant narrative of the 1960s, Black Power was a broad, heterogeneous phenomenon that appealed to a multi-hued chorus of activists in the African American community. By interrogating media narratives surrounding the commemoration of three crucial Civil Rights events -the Murder of Emmett Till, the Montgomery Bus Boycott, and the March on Washington - and through exploring the media reaction to the upsurge of Black Power in the late 1960s, I reveal the narrow fashion in which both mo
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Howell, Keith Thomas. "Iranian-American Relations: Mutual Myth Making, the Media, and Foreign Policy Constraints." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144531.

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Mosqueda, Christopher M. "Columbine and the Myth of the Juvenile Superpredator." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8716.

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Mass media has great influence over its audience. When a sensational story hits the news waves, the general public's attention is instantly riveted to the television screen. News stories that involve the deaths of innocent people often create a culture of fear, fuel false narratives, and scatter misinformation. In fact, this culture of fear, coupled with misleading information, created the myth of the juvenile superpredator, a phrase coined by DiIulio in the early 1990s. The stereotyped superpredator was a homicidal, uncontrollable youth hiding within areas where crime and violence are rare. I
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Blumenthal, Henry (Hank). "Storyscape, a new medium of media." Diss., Georgia Institute of Technology, 2016. http://hdl.handle.net/1853/54989.

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A storyscape is the new medium of storytelling. It originates in the model of transmedia storytelling defined by Henry Jenkins (2006a) in Convergence Culture and applied to The Matrix franchise. The storyscape medium is conceptualized from the author/designer perspective as four gestalts that create a whole from stand-alone parts. The four gestalts are mythopoeia, character, canon, and genre. This approach frames the authoring of this story-centric model in opposition to the design approaches of world-building or storyworlds. The four gestalts also provide an academic approach that unites theo
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Armosti, Yianna. "Rape myth acceptance : exploring the influences of media and the Greek-Cypriot culture." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7330/.

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The aims of this thesis were to investigate the impact of media on Rape Myth Acceptance (RMA), and to explore the attitudes of Greek-Cypriots toward victims of rape. The systematic review of the existing literature explored whether seven types of media affect individuals’ RMA. The findings show that RMA of male participants exposed to experimental stimuli was significantly higher than male participants exposed to neutral media. This trend did not hold for females. Chapter Three presents a critique of the RMA scale used in the empirical study: the Acceptance of Modern Myths about Sexual Aggress
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Nguyen, Dien Giang Chau. "9/11 and the Myth of National Unity." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1343553026.

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Sunnemark, Viktor, and Isak Elingbo. "Svenska dåd – eviga historier : En kritisk diskursanalys av hur mytologiska föreställningar används för att representera Rakhmat Akilov och Anton Lundin Pettersson i Aftonbladet." Thesis, Karlstads universitet, Institutionen för geografi, medier och kommunikation (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72424.

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Journalistikforskning visar att traditionella myter och arketyper återfinns i alltifrån sportreferat till rapportering av brott. Denna forskning är i huvudsak baserad på engelskspråkig journalistik, vilket gör det lämpligt att bedriva motsvarande studier i en svensk kontext. Studier visar nämligen hur den journalistiska praktiken skiljer sig nationer emellan, vilket resulterar i en kunskapslucka hur dessa mytologiska föreställningar används i svenska medier. Genom att studera representationen av två gärningsmän, Rakhmat Akilov och Anton Lundin Pettersson, vars dåd resulterat i omfattande svens
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Cheer, Ursula Jan. "Reality and Myth: The New Zealand Media and the Chilling Effect of Defamation Law." University of Canterbury. Law, 2008. http://hdl.handle.net/10092/3050.

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In 2001, I began the field work in an empirical study of the laws of defamation in New Zealand. This study involved a comprehensive mail-out survey of the New Zealand media, and an adapted survey of defamation lawyers, which were designed to discover how the laws of defamation affected both groups, and what the respondents thought about those laws. The survey was augmented by an extensive search of defamation court files in the most important New Zealand High Court registries. The question behind the survey was essentially whether New Zealand’s defamation laws have a chilling effect on the med
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Karlsson, Gabriella. "The Social Media Muse." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23195.

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The social media influencer is becoming a prominent trope in contemporary media culture. In her Instagram performance artwork Excellences & Perfections, Amalia Ulman imitated the content and lifestyle of different types of influencers for five months in 2014, gaining attention and inciting controversy when she finally revealed her hoax. She captured problematic aspects of performativity online, examined how it related to tropes and myths in our culture, and ultimately to our sense of identity. By analysing images from her work and comments from her followers at the time, this thesis aims to un
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Nel, Rossouw. "Myths of rebellion : Afrikaner and countercultural discourse." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/10634.

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Includes bibliographical references (p. 137-154).<br>This study examines tendencies of cultural rebellion by focusing on entertainment that engages with Afrikaner tradition. Examples from music, student films and autobiographies are used to illustrate that artists reclaim signifiers of their cultural heritage in performances of rebellion. New myths are appearing that seem to fulfill a young generation's need for a history outside of apartheid. It is suggested that these myths assist Afrikaners who feel alienated in post-apartheid South Africa to foster a sense of legitimacy and belonging. It w
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Zhang, Xiaohui. "Media, Construction and Deconstruction of Beauty Myth : – A Case Study of Dove’s Real Beauty Campaign." Thesis, Uppsala universitet, Institutionen för informatik och media, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-124645.

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The paper examines the media portrayal of real women in Dove’s Real Beauty Campaign. Through the semiotic analysis and reception analysis of the ad “Evolution”, the author investigates how Dove attempts to challenge the myth in most beauty advertising and present the “real beauty” idea to the audiences. The study further discusses about the gender issues aroused from the campaign. The findings show that the untouchable images of women are created under the pressures of male-dominated culture. In terms of feminism, the definition of beauty needs to be diversified. The significance of the campai
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Glogorovska, Kristina. "EXPLORATION OF THE GENDER MYTH VIA FASHION MEDIA : ANDROGYNY AND DANDYISM IN CONTEMPORARY FASHION MAGAZINES." Thesis, Stockholms universitet, Centrum för modevetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62780.

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This paper attempts to analyze different representations of "androgyny‟ as fashion tendency in contemporary fashion magazines (Vogue, i-D and LOVE Magazine) for the period of 2010 and 2011. In order to show the development of "androgyny‟ as fashion tendency, this study first explores how androgyny metamorphosed from a "hidden‟ signifier of unconventional sexuality to "visible‟ postmodern teaser for sexual identities. Currently, we live in the "Age of Androgyny‟ where the modern androgynous dandy is being seen as an aphrodisiac for the fashion industry. This study also tries to provide explanat
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Campbell, Alasdair James Islay. "Myth ascendant : issues of culture, media, and identity in the celebrity career of Glenn Gould." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:6b53c88e-d9e7-4227-9144-bad890a0d3fc.

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This thesis applies a sociological framework to the North American celebrity career of Canadian pianist and broadcaster Glenn Gould (1932-1982) to account for Gould's iconic status as an artist in modern musical culture. Despite the persistent cultural fascination with Gould, as evidenced in the seemingly endless supply of biographies, films, novels, and fan texts which narrate and celebrate his life and work, modern Gould scholarship has consistently neglected issues relating to his artistic reception. This thesis proposes that the modern Gould phenomenon is productively analysed in terms of
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Butler, Katie S. "Olympism : myth and reality : British media portrayals of the 2002 Salt Lake City Winter Olympics." Thesis, Loughborough University, 2005. https://dspace.lboro.ac.uk/2134/34850.

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The purpose of this study was to explore the portrayal of Olympism in the British media coverage of the 2002 Salt Lake City Winter Games. A figurational framework was implemented in making sense of the interdependencies that exist in the sport-Olympic-media complex. Coubertin, as the founder of the modern Games, established the Olympics with Olympism as the ideology underpinning them. Still today, the International Olympic Committee (IOC) maintains that these principles are central to the Games (IOC website, 2004). In this examination, the question of whether the presence of Olympism is a myth
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Marshall, Shauna. "Bad Romance: A Quantitative Analysis on Love as Represented Across Popular Music Genres." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22266.

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Unrealistic representations of love have rarely been studied across popular music genres. The lyrics of the top songs in five of the most popular genres (Country, Hip Hop/R&B, Pop, Rap, and Rock) during the periods of 1991-1995 and 2011-2015 were coded for specific love myths. The results of the study show that the overall average of love myths found in popular music genres remain consistent over time. More specifically, based on the amount of myths per song, there was an average of .7056 myths per song in the 1990s and an average of .7504 myths per song in the 2010s. However, there are si
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Le, Roux Leandré. "New media art : immersion and the sacrifice of the body." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/60375.

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New technologies, such as virtual reality, often draw to itself myths from other fields of interest and discourses. One such myth that has attached itself to virtual reality is the notion that virtual reality can provide a utopia for the mind, or true self, if the body can be cast off. It is this discarding of the body that my thesis aims to investigate in terms of Girardian sacrifice. Girard?s notion of sacrifice is built upon the observation of various cultures throughout history. It stands to reason that in our contemporary, digitally influenced, society, sacrifice, in some form, still pers
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Vidal, Bertrand. "Les représentations collectives de l’événement-catastrophe : étude sociologique sur les peurs contemporaines." Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30065/document.

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Lorsque les désastres et les catastrophes apparaissent comme des traits marquants de l’existence sociale et collective, notre vision/conception du monde, tant esthétique que cognitive, se voit interpellée, voire prise à défaut. Le monde contemporain est traversé par une crise de nos certitudes de maîtrise de la nature et de la société, crise paradoxale puisqu’elle s’enracine dans nos immenses pouvoirs de transformation, ceux-là mêmes qui entretenaient nos espoirs de progrès et dont les conséquences imprévues nourrissent aujourd’hui nos appréhensions et nos peurs collectives. A travers un regar
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Blank, Alyssa S. "The Framing of Myth in the Creation of a Palestinian Identity: Hamas, Fatah and Children’s Media." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19934.

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This thesis is an exploratory examination of identity construction and children’s media, with a focus on the Palestinian political groups of Fatah and Hamas. It looks at how children’s media are framed within the context of the Arab-Israeli conflict. It examines how internal and external social factors contribute to identity formation and the interaction among these elements during times of conflict and war. This thesis hypothesizes that both Fatah and Hamas use various myths to differing degrees in order to frame their conception of a Palestinian identity. Specifically, it explores the use of
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Geer, Seth. "Selling Tanzania, conservation, and tourism through portrayal of the African myth by the United States media." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1439441.

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Brook, Madeleine E. "Popular history and fiction : the myth of August the Strong in German literature, art, and media." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.

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This thesis concerns the function of fiction in the creation of an historical myth and the uses that that myth is put to in a number of periods and differing régimes. Its case study is the popular myth of August the Strong (1670-1733), Elector of Saxony and King of Poland, as a man of extraordinary sexual prowess and the ruler over a magnificent, but frivolous, court in Dresden. It examines the origins of this myth in the late seventeenth and early eighteenth century, and its development up to the twenty-first century in German history writing, fiction, art, and media. The image August created
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Jones, Robin M. "“There Was Nothing Stopping Her From Leaving”: How Local Print Media Portray Rape Cases." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1277656941.

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Hollonquest, Jetney. "Social Media Influences on Perceptions of Rape Victims and Perpetrators Thesis." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397779534.

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Fairclough, Samantha. "Magic Myths and Media : The Maintenence of an Instititionalized Proffessionl Elite." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533795.

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Cameron, Paul. "What Is All the Hype About Height? A Semiotic Analysis of Sports Media, Smaller Athletes, and Ideology." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/22649.

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This study looks at how professional male athletes—particularly undersized athletes—are represented throughout televised sport. Based on the assumption that televised sport is a gendered and predominantly masculine genre, the focus of this analysis is to demonstrate whether or not professional male athletes are evaluated differently based on physical stature, and whether or not such representations reinforce a dominant—mythic—male ideology. Grounded mainly in Gramscian hegemony and Peircean semiotics, the subsequent analysis compares broadcast commentary and visuals taken from the 2010 men’s O
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Cox, Jane. "Childhood in crisis : myth, reality or cause for concern? : perspectives from children, parents and the news media." Thesis, University of Kent, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432842.

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Weaver, Dustin A. "Exemplification in Newspapers: A Content Analysis and Case Studies." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1250859020.

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Platte, Sarah Lisette. "The Maestro myth : exploring the impact of conducting gestures on the musician's body and the sounding result." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/105934.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2016.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (pages 103-116).<br>Expert or fraud? Opinions differ widely when it comes to the profession of the conductor. The powerful person in front of an orchestra or a choir attracts both hate and admiration, but which influence
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Burger, Alissa Dian. "From 'The Wizard of Oz' to 'Wicked': Trajectory of American Myth." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1236369185.

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Hultman, Tomas, and Tessan Nordeman. "A modern myth of grassroot communication : A critical perspective on social media use in land conflicts in Cambodia." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20964.

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Social media is a collective name for the communication channels that allow users to communicate directly with each other in real time through text, image or sound. This study sets out to describe, analyze and draw conclusions on the use of social media in land conflicts in Cambodia. Experts debate on the importance of social media in social change, and aid institutions encourage social media presence for grass root organizations. With this study we want to add a grass root perspective from a development context, trying to see how the communication and information work with social media actual
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RAY, OLIVIA SUNDIATA. "SEXUAL VIOLENCE IN POPULAR RAP MUSIC AND OTHER MEDIA." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/618766.

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This paper examines the prevalence of sexual violence in American media with particular focus on attitudes of sexual violence as a contribution to rape culture. Included is a content analysis of the prevalence of sexually violent lyrics in popular rap music, and a literature review of articles and studies on the effects of sexually violent media. The media discussed in the literature review includes films, television, and pornography. The relationship between the presence of sexually violent media and its impact on public opinion on sexual assault and rape proclivity are analyzed. The literatu
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Kessie, Priscilla A. "Reflections and enchantments: influences of myth, technology, identity and movement in Mirror, mirror perfected." Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6972.

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This production journal acts as a public record of the journey to produce my MFA thesis film, Mirror, Mirror Perfected. Operating as a folktale, Mirror, Mirror Perfected is a hybrid speculative suspense film looking at our intersect with social media through the eyes of a young dancer in a near-future world. The journal includes notes from research during my time at the University of Iowa in New Media Studies, Sociology and Performance Studies. I explore how, for instance, the Narcissus myth attempts to influence my world through the liminality of instant gratification, technology, and the fra
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Ljungkvist, Johan. "The myth of social media : A qualitative study of deliberation and power in Facebook-pages of the Swedish Police." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28881.

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The purpose of this study is to discuss the use of social media by the Swedish Police for democratic purposes. The idea of citizen empowerment is closely related to the development of new communication technologies such as social media. Yet many studies indicate that governmental institutions rarely make use of the assumed potentials of social media. In this study, the democratic potential of social media is derived from Habermas normative concept of deliberative participation. Operational definitions emphasize discursive equality, interactive reciprocity and external impact. The analytical fr
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Shewman, Edward J. "Media culture and the "Kingdom" transforming worlds in the moral imagination /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Raksadeja, K. "Digital and interactive media analysis of myths and traditions expressed in Thai fairground art." Thesis, Liverpool John Moores University, 2018. http://researchonline.ljmu.ac.uk/8604/.

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The core themes in Thai art have traditionally been didactic Buddhist ethical works and popular folkloric beliefs. Both are permeated with a cosmology and worldview that is supernatural but which is pervaded with ethical implications for people’s daily lives. Buddhist art aims to encourage selfless acts for the good of others, including other individuals, society, the country and the natural world. Such abstract themes have been rendered accessible to ordinary people by means of fantastical creatures and supernatural myths that insinuate moral values and demonstrate a coherent Theravada worldv
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Gauteul, Loraine. "The Digital Myth of Women on The Battlefield : A Reception Analysis of Female Soldiers in the Online Discourse of Battlefield V." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Medie- och kommunikationsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-44575.

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Lately, the trailer for the game “Battlefield V” received a massive backlash from the players of the Battlefield franchise due to the fact that the game inspired by World War II featured a woman as the main character. This research set out to investigate how female elements are interpreted in a traditional male-dominated digital space, and aims to highlight the elements to consider when introducing a female lead character in a video game. The method employed was the critical discourse analysis method (CDA) which interprets discourse by drawing out the implicit meanings in texts. The analysis s
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Kingsepp, Eva. "Nazityskland i populärkulturen : Minne, myt, medier." Doctoral thesis, Stockholm University, Department of Journalism, Media and Communication (JMK), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8164.

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<p>The study follows the tradition of Cultural Studies, with a special interest in visual culture, and examines how history is being represented in different media, how these representations are interpreted by the audience, and how the outcome functions in the individual knowledge-building about this particular era. Here the notion of what is often called a collective, or cultural, memory, is important; both as a vehicle for a dominant discourse on memory and as a counterpart to individual memory, which might be more or less in agreement or opposition with the dominant. A central theme is the
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Pettersson, Felix. ""Vi är överallt" : En diskursanalys av relationen mellan AIK och dess supportrar på sociala medier." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-149180.

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Title: “We are everywhere” – an analysis of the discourse surrounding AIK football club on social media   The purpose of this study is to discern what the discourse surrounding Swedish football club Allmänna Idrottsklubben (AIK) and its fans look like on the social media platforms Facebook, Twitter, and Instagram. This is done by examining every post by AIK on these platforms and the fan response to each post. The opportunities for clubs such as AIK to communicate directly with its fans has increased greatly with the invention of social media, and this breakthrough in communication has also ha
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Bagatur, Sine. "Engendering Consumption: Commodification Of Women Through Print Media With Specific Reference To The Turkish Case." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12609131/index.pdf.

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This thesis aims to investigate women&amp<br>#8217<br>s double-way relation to consumption, as both consumers and commodities. The major goal of the study is to examine the historical construction of women as pimary consuming class and how this relationship of women to consumption has evolved through time. Moreover, it is claimed that display of women as visual objects of male gaze in visual iconography, ideologies of beauty and body politics on women&amp<br>#8217<br>s appearances resulted in commodification of women in the modern consumer culture. Additionally, a brief analysis of Turkish pri
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Frost, Jennifer. "Is natural good for you? Myths, perceptions and science in advertising, marketing and the media." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019.1/21623.

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Thesis (MPhil)--Stellenbosch University, 2008.<br>ENGLISH ABSTRACT: This assignment explores the assumptions and perceptions – both real, and created by the media, marketers and advertisers – surrounding the word “natural” when applied to health foods, vitamins, home remedies and medication. It also examines the anti-science stance taken by many promoters of such products and the appeal that stance holds for targeted consumers. In it an attempt is made to answer the following questions: What is the source of this apparently “antiscience” point of view? How have the media contributed to th
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