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Relevant bibliographies by topics / Media Art Exhibition / Dissertations / Theses

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Dissertations / Theses on the topic 'Media Art Exhibition'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Consult the top 24 dissertations / theses for your research on the topic 'Media Art Exhibition.'

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1

Flannagan, Wickham Catesby. "Translation: A Journey Toward Ethnographic Art." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/theses/2233.

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This paper breaks down my process of transitioning to a new environment through ethnographic documentation. Through the progression of my creative work, I explore the various ways in which I express my own internal feelings through my art. By expressing an alienation within a foreign country in a multitude of filmic ways, these depictions help illustrate my mental and physical journey. My work is informed by psychoanalytic theory and I am most influenced by Jacques Lacan and Sigmund Freud. These theories help me understand the human condition and how I create media art to help me come to terms

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2

West, Kim. "The Exhibitionary Complex : Exhibition, Apparatus, and Media from Kulturhuset to the Centre Pompidou, 1963–1977." Doctoral thesis, Södertörns högskola, Estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32143.

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This dissertation traces the history of a diagram. The diagram shows four circles of gradually diminishing sizes, lodged one inside the other, like the layers of a circular or spherical body. For a group of artists, curators, architects, and activists centered around Moderna Museet in Stockholm between the mid-1960s and the mid-1970s, the diagram represented a new type of museum: a museological Information Center modeled on the computer, operating as a site for radically democratic social experiments. The four layers stood for different functions: information capture, processing, interface, st

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3

Khodabandeh, Bizhan. "Voice by Design: Experiments in Redistributing Media." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/980.

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In this project I conduct two experiments in redistributing media power and reflect upon how successful they were. The experiments include a poster campaign specific to Richmond and a project dealing with educating people about guerrilla media techniques.

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4

Francis, Andrew M. "belt melon grass." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3885.

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This essay was written largely after the completion of my thesis exhibition which shares its title. An integral aspect of the work was the after-hours maintenance it required. Below I describe the unforeseen personal significance that labor came to hold and the way in which it functioned as a healing ritual. Through this work, and those leading up to it, I have a reinvigorated awareness of the importance of therapy as an aspect of my artmaking, of which this thesis is a testament.

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Riede, Danielle Felice. "Paint Chip Dreams." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/35.

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This thesis summarizes Danielle Riede's current art practice by detailing her materials, processes and inspiration. It also contextualizes her "Room Paintings" within the context of art history and contemporary art-making.

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6

Juste, Carlijn. "Digital Materials in Physical Spaces : Strategies for Exhibiting Digital and Beyond-Digital Installations in Contemporary Art Institutions." Electronic Thesis or Diss., Université de Lille (2022-....), 2025. http://www.theses.fr/2025ULILH001.

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Cette recherche interroge les nouvelles stratégies curatoriales relatives aux expositions d'œuvres d'art numérique dans des espaces physiques d'exposition. Par art numérique, j'entende les projets artistiques qui font usage de manière créative et critique de technologies telles que la programmation algorithmique, la réalité virtuelle ou augmentée, la robotique, l'utilisation des datas et les nouvelles formes d'apparition de l'image. Dans un monde où les outils numériques sont une condition structurante de la vie en société et de toute production culturelle (Stalder 2016), l'art numérique est u

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7

von, Essen Sabina. "Trust the Artist and the Painting : Factors that can enhance the Experience of Viewing Art in 3D Environments." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279490.

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Buying and viewing art has gone from being a traditionally physical experience to becoming digital. Due to limitations in today's two-dimensional e-commerce websites, 3D technology can be used to simulate the physical experience as much as possible. This thesis studies which factors can potentially play an important role in online art purchases, of which trust on the artist, familiarity to the artist and understanding more in depth the painting techniques were found to be the most influential on enhancing the viewers experience and engagement with a painting viewed online. These factors were l

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8

Vatsella, Christina. "La question de l'espace dans l'installation vidéo." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040269.

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Ayant comme point de départ les premières expérimentations de Nam June Paik avec les téléviseurs au début des années 1960, cette étude suit l’évolution historique de l’installation vidéo en parcourant cinq décennies de création. La problématique de l’espace, fil conducteur de cette recherche, nous amène d’abord à la constitution d’une typologie. Fruit de l’étude de l’évolution des formes principales de l’installation vidéo, cette classification a pour objet l’œuvre sous sa forme aboutie, c’est-à-dire installée. Néanmoins, cet état n’est que le résultat final d’un long processus. Divisée en qua

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9

Howard, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.

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10

Petersson, Sonya. "Konst i omlopp : mening, medier och marknad i Stockholm under 1700-talets senare hälft." Doctoral thesis, Stockholms universitet, Konstvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100419.

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The aim of this doctoral thesis is to explore how art was mediated and given meaning in the environment of an urban media culture in Stockholm during the second part of the 18th century. It comprises studies of how art was distributed on the market, how it was discussed in the press and how it was exhibited in public. It also includes an analytical orientation toward mixing of concepts and values, rather than purifying them into categories such as elite and popular. Art is approached as an open concept of investigation. The thesis presents three studies. The first discusses art as concepts and

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11

Birke, Lisa. "Pictures in an Exhibition." Thesis, 2013. http://hdl.handle.net/10012/7502.

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Can the female feel at home in nature, myth and on screen, realms where she is so often laid to rest? "Pictures in an Exhibition" is a pastiche that exposes popular culture and art historical tropes in which ambiguous signifiers have become lost in a chain of referents. An installation of videos documents durational performances—filmed, edited and performed by the artist unaccompanied—that are humorous, satirical, aesthetic, historical, philosophical and psychological. Making simultaneous reference to art history, mass media, literature and mythology, "Pictures in an Exhibition" exposes the c

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12

Lin, You Jie, and 林祐頡. "Exploring the exhibition process of New media art in Taiwan." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/39075643820894617667.

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碩士<br>國立政治大學<br>數位內容碩士學位學程<br>104<br>New Media Art activities are born of the science and technology era. The technical artists appear in different industry. We can find the footmark of artist like marketing activity of business, pop music industry. New technology and new operation mode is ceaseless emerge. In this trend, using the way of interdisciplinary cooperation is better than going it alone. Combine the team has professional background with dance, music, technology, architectural. But the situation let the simple art activity became more complex and out of control. I had been participat

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13

Wang, Rona, and 王鄭贛蓉. "Research of 3D Digital Creation and New Media Art Exhibition Design." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/31693912675516330754.

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碩士<br>樹德科技大學<br>應用設計研究所<br>99<br>Traditionally, Arts are usually performed in the static displays. Nowadays, the way of expression has been combined the digital technology and multimedia tool to pursue a more interactive way to the exhibition by using the variable design to integrate the virtual and reality. Besides, arts could generate a new model to create an interesting platform. This research is primarily made for the characters and recognition on interactive media design. Secondly, collect relative literature of “tiger” to create some digital sculpture products. Finally, apply technologic

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Pei-ying, TU, and 杜珮瑩. "Research on Characteristics and Exhibition Effects of New Media Art - Case Study of Digital Art Festival Taipei." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/bx8xy4.

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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>102<br>In the digital era, the development of technical progresses rapidly. Enthusiastically pursuit of the new medium and unsealing of different perception by new technology arouse appearances of new media art. By the case study of Digital Art Festival Taipei, this thesis discusses characteristics and exhibition effects of new media art in Taiwan, such as exhibition topics, artworks selected situation, awards participation situation, professionals and masses’ opinions on new media art awarded artworks, in order to conduct exhibitions effects of new media art i

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CHEN, YUNG-TA, and 陳永大. "New Media Art and Cultural Heritage：An Instance of Curation of Exhibition Themed“Qianlong’s Party”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/q4bq8m.

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碩士<br>世新大學<br>傳播管理學研究所(含碩專班)<br>106<br>Cultural heritage is a record of history as well as a symbol of culture. Five thousand years of civilization and history of Chinese Nation gave birth to countless excellent cultural heritage which is more a treasure of human wisdom of this world than the cultural achievement of a nation. The subject of cultural heritage brings out relative subjects such as preservation, activation, popularization and inheritance of this heritage. Since cultural heritage is characterized by rare and valuable properties, it is intangible by accident or on purpose under the

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Chun, Liao Yen, and 廖彥鈞. "“the Technological Object” or “the Digital Concept”﹘To See the Exhibition of‘Simulation’from the points of Ideology of New Media Art in Taiwan." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/58592386918462258492.

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碩士<br>臺南藝術學院<br>藝術史與藝術評論研究所<br>93<br>In recent years, with the popularization of technological and digital tools, people change their way of cognition and logical thinking. On the other hand, the experiences of applying technological and digital tools lead people to face and understand new media art. Thus, this text regarded the cognition that is set up under the life of technological tool as the starting points to observe the transition of ideology of Taiwan’s new media art. The research will discuss some important facts that affect the development of arts including the changes of cultural en

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LAI, Siang-Jyun, and 賴香君. "A Study of Scenting Media Creating the Atmosphere in Art Exhibition– Thoughts on the Work of Olfactory Glomerulus by Siang-Jiun Lai." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/03539319314394646468.

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碩士<br>崑山科技大學<br>視覺傳達設計研究所<br>98<br>In the diversified development of contemporary art. Previously artwork focused more on the sense of sight, touch and hearing; it seemed that people had forgotten that they had another important corridor of observation, the sense of smell. This study explores the special persona of the “scented medium” and its effect on the viewer. Through the collection and analysis of related documents we will become familiar with the developing history of scent and its relation to the olfactory organs and human physiology. Through the viewpoint of Merleau-Ponty, a Frenc

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18

Jian-Yuan, Hong, and 洪健元. "The Differences of New Media Art and The Movement of The Sublime─ An Observation on The Exhibition of "Digital Sublime: New Masters of Universe"." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/56270871821400000814.

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碩士<br>國立高雄師範大學<br>美術學系<br>96<br>Taipei MOCA presented the exhibition “Digital Sublime: New Masters of Universe “ in 2004, in an attempt to link the two ideas of “digital” and “sublime” as an exhibition theme, thus eliciting the aesthetic question about technological sublime, which has been mentioned but has never been explicitly staled. It reflects the gaping situation that the sublime theory is not able to match the artistic expression of the new media. This paper presents the movement of the sublime theory and the discovery of the differences in the genre of the new media art through the a

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19

Li, Shu-sian, and 李書嫻. "The Study of Exhibition image, Facebook Involvement, and Word-of-Mouth of Social Media users: The Case Studies of National Geographic, The Art of The Brick, and Salvador Dali." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/6z5p6q.

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碩士<br>淡江大學<br>大眾傳播學系碩士班<br>103<br>Due to the shrinking of the market and the audience-growing limitaion, the exhibition organizers in Taiwan have to do more than ever. To curate a successful exhibition, being familiar to internal audiences is a clear key to win, especially to their preference and willing to “buzz”, so-called the “worth-of-mouth”. The object of this study is the audiences of specific-topic exhibitions. I chose three exhibitions hold by Media Sphere Communications LTD. , an exhibition organizer of Want Want China Times Inc. , between 2012 and 2013. They are top three exhibition

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20

Pan, Chun-Nan, and 潘均南. "Integrated Marketing Communication of New Media Art Exhibitions : A Case Study of Taiwan’s National Palace Museum." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/5p2927.

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碩士<br>國立臺灣大學<br>國家發展研究所<br>106<br>The use of digitalization to present artifacts has become one of the characteristics of contemporary museums. For the first time in the year of 2011, National Palace Museum, on the basis of knowledge of artifacts, attempted to use new media art as a display method to change the passive museum experiences in the past and respond to the trend of the era through transformation and exhibit designs captured by elements. The medium of communication and mode of information transfer were integrated with technology and humanities, encouraging the audience to actively c

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21

Hošek, Petr. "Post-internetové umění v galerijní praxi." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338245.

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This thesis deals with contemporary art movement called post internet, its forms and its presentation within the gallery spaces. The emphasis is based on a complex description of its topics, mailny the problems of its presentation, the corporate aestetics, the radical identification and the post human body. The third chapter describes the transfer of the art from the internet into the gallery spaces and its methods. The last part of this text is then devoted to the Czech post internet art scene and to the negative impact of the internet on the sociaty and the art.

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22

Wang, Yea Ling, and 王雅玲. "A Study of the Interaction between "Blockbuster" Art Exhibitions and the Media ─A Case-study of two Special Exhibitions: "L''Age D''or De l''impressionnisme, Chefs-D''oeuvre Du Musée D''Orsay" and "The Terracotta Warriors and Horses of Qin Shi Huan." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/43563382015690510525.

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23

Franco, Orlando Miguel Gaspar. "A curadoria entendida enquanto ato artístico : o caso WAIT." Doctoral thesis, 2021. http://hdl.handle.net/10437/12076.

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Orientação : Paulo Renato da Silva Gil Viveiros ; co-orientação : António Pedro Cabral Santos<br>A presente investigação resulta de um trabalho contínuo, que buscou compreender as relações entre reflexão teórica e prática artística implicadas na construção do projeto WAIT. A práxis do artista é sempre um território complexo onde abundam as questões. Questões em torno da imagem e as suas aparências, questões em torno da materialidade da obra, questões em torno da forma de a dar a ver. Torna-se determinante encetar sempre que possível um campo para a investigação, que abarque todos e

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Corcoran, Jenna. "(Re)viewing big brother and (per)forming the real." Thesis, 2010. https://vuir.vu.edu.au/16059/.

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This research project, [Re]Viewing Big Brother and [Per]Forming the Real, set about a critical examination of watching and being watched; specifically, ‘everyday’ people in the traditionally private space of the home mediated by surveillance technologies. The research methodology was practice-based, and fundamentally undertaken creatively, resulting in an exhibition of artwork and this written exegesis supporting it. Looking at the presence of Reality TV in the home, the exhibition juxtaposed the everyday with the spectacle, while the exegesis questioned the theoretical, metaphorical and meth

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