Dissertations / Theses on the topic 'Media marketplace'

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2012.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 71-74).
Today's online marketplaces for goods and services are imperfect. Participants make an initial post expressing their intention to buy or sell an object, but all offers on this post are private. These offers can be seen as expressions of other participants' intentions to buy or sell the same item. What if these offers were as public as the initial post? Would this decrease market friction and enable participants to close transactions more efficiently? What if every post and offer were tagged with a location enabling a real-time proximal picture of supply and demand? In this thesis, we explore a different kind of marketplace, a broadcast marketplace, where a combination of public post, proximal awareness and mobility decrease the friction of information flow and facilitate efficiency. This thesis explores the design, implementation and deployment of a system which enables users to efficiently view, understand and act upon this proximal picture of supply and demand. To test the viability of the broadcast marketplace we deployed Peddl, an implementation of the idea, in the MIT and Cambridge, MA community. Over the course of the trial we collected data on 5,839 unique visitors and 805 registered users, who made 726 posts totaling $234,913 in value. From this data we show that the additional transparency of supply and demand afforded by our design results in increased marketplace activity.
Matthew Blackshaw.
S.M.

This dissertation explores the role that intellectual property law plays as it influences the circulation and use of religious goods in contemporary religious organizations in the United States. The coherence of many modern spiritual communities no longer lies in a centralized institution like the church but instead in a shared dedication to sacred texts and other religious media. Thus, intellectual property law has become an effective means to administer the ephemeral beliefs and practices mediated by these texts. I explore a number of cases to demonstrate how intellectual property law can be used to maintain and adjudicate social relations rather than simply determining the proper allocation of ownership over a contested good. This project uses a number of select case studies – the legal battles of the Urantia Foundation and Worldwide Church of God, Scientology’s lawsuits against Internet Service Providers, the practice of sermon-stealing as it relates to the growth of sermon databases – to examine how religious communities ethically justify forms of ownership in religious goods and to highlight the incongruities between theories of authorship, originality and ownership within spiritual communities and those embedded in the law. I conclude that religious property owners construct innovative strategies for knowledge production and distribution as they mobilize IP to organize social and spiritual communities, care for and protect sacred goods, produce new articulations of spiritual identity, and even use the prohibitions of law to enchant material forms.

Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2013.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 215-236).
Recent years have seen an increase in natural and man-made crises. Information and communication technologies are enabling citizens to contribute creative solutions and participate in crisis response in myriad new ways, but coordination of participatory aid projects remains an unsolved challenge. I present a wide-ranging case library of creative participatory aid responses and a framework to support investigation of this space. I then co-design a Marketplace platform with leading Volunteer & Technical Communities to aggregate participatory aid projects, connect skilled volunteers with relevant ways to help, and prevent fragmentation of efforts. The result is a prototype to support the growth of participatory aid, and a case library to improve understanding of the space. As the networked public takes a more active role in its recovery from crisis, this work will help guide the way forward with specific designs and general guidelines.
by Matt Stempeck.
S.M.

This thesis examines the circulation of physical music media (78rpm records, LPs, CDs, tape) in the independent music marketplace. It is based on six months of ethnographic fieldwork in Austin, Texas, amongst the producers of goods for the independent marketplace, independent music stores and consumers of these goods and services. Against prevailing constructivist interpretations, I will argue for the value of authenticity as an analytical anthropological concept because it unites what my research participants value about materiality, technology, and marketplace relationships. In the independent marketplace for physical music media, authenticity is a multi-local, multi-vocal phenomenon. A nexus of economic rationales, design, reproduction-technologies, histories and personal conduct interact in an ongoing process that authenticates music commodities and their marketplace. This means that particular commodities are sought out over others on account of the multi-local authenticities they anchor. The thesis firstly demonstrates how the independent music scene safeguards claims to authentic identities by constructing an opposition to the mainstream, drawing on discourses of ethical production and consumption, sound technologies, spaces of consumption and cultural production. Secondly, I will uncover how physical music media and sound-reproduction technologies are assessed as effective providers of authentic musical reproductions according to their historical contingencies and performative material capacities. Thirdly, I develop the notion of the scene (Shank 1994) from its previously genre-fixed perspective to encompass multiple musical styles operating within a common social network of producers, retailers and collectors. The pluralistic scene I describe utilises multiple musical genres and nuanced notions of materiality and authenticity to establish their complex hierarchy of sonic and technological experiences.

I takt med ökande informationsströmmar via internet och sociala medier sprids också budskap om miljön och dess bräckliga hälsotillstånd. Detta kan påverka flertalet branscher och företag genom att deras kunder blir mer miljömedvetna och måna om miljön. Det skapar ett behov av att kommunicera företags miljötänk externt, inte bara via text utan även via den visuella identiteten. Denna studie görs på uppdrag av fjärrvärmeavdelningen på Mjölby-Svartådalen Energi AB. Studiens syfte är att undersöka hur detta företag med hjälp av bildelement kan kommunicera hållbar utveckling på den svenska marknaden. Undersökningens datainsamling har genomförts med en blandad metod i form av granskning av kvalitativa audiovisuella material, samt en kvantitativ enkätundersökning. De audiovisuella material som granskades var tre fotografier från fyra olika företag i olika branscher. Bildelement som identifierades i dessa fotografier testades sedan i olika varianter i studiens enkät. Studien visar på att bildelementen bildutsnitt, lager/bilddjup, perspektiv, symmetri, färg, skärpedjup och riktning är vanligt förekommande i kontexten hållbar utveckling. Det har också visat sig att företag i olika branscher som arbetar med hållbar utveckling ofta använder liknande varianter av studiens preciserade bildelement. Dessa varianter kan således tolkas som allmänt vedertagna bland företag vars avsikt är att kommunicera hållbar utveckling. Resultatet från både undersökning av audiovisuella material samt enkät pekar i de flesta fall på ett samband i användandet av bildelement i kontexten hållbar utveckling. Det pekar på att det bildutsnitt som föredras är etableringsbild. Bilddjupet önskas vara långt och färgen grönt förekommer ofta i sammanhang kring hållbar utveckling och förknippas därför med detsamma. Ytterligare färger som förknippas med detta är kombinationen av de två färgerna limegrönt och rosa, men även blått förekommer. Ett långt skärpedjup föredras liksom en riktning pekandes någonstans mellan vertikalt rakt uppåt och horisontellt åt höger.

English
Ph.D.
This dissertation investigates how and why contemporary canonical authors such as Vladimir Nabokov, Philip Roth, J.M. Coetzee, and Salman Rushdie incorporate their celebrity and canonical status as authors into the fictional worlds of their novels. The contemporary celebrity author in general is at the mercy of a more globalized publication industry that depends on a circuit of international circulation, translation, and the diverse reactions of a transnational readership. More specifically, each of the authors I focus on in this dissertation have become notorious, both for their professional literary achievements as well as various political or sexual scandals running alongside their publication history. The decentralization of the author’s power to control his own image as it becomes stratified across a multiplicity of competing discourses, audiences, and marketplaces is spurred on by a literary marketplace that favors world literature, international circulation, and the whims of readership response. Thus, the need to revise or challenge the public perception of their authorship is constantly at stake for these figures – so much so that they introduce doppelgänger versions of themselves into their fiction to negotiate this relationship. I argue that the hybrid-generic form of autobiographical-metafiction allows these authors to integrate this struggle for authority over their own authorship into both the form and content of their fictional worlds. Ultimately, the project of tracing different iterations of the doppelgänger novelist across national and historical markers helps us formulate a contemporary theory of authorship that asserts how the “author” must always operate in a liminal space between the constructed fictional world and the real historical world.
Temple University--Theses

Supplier networks today are seeing a complete redirection in their purpose from a decade ago. Supplier networks focused originally on transaction-oriented exchanges for sending purchase orders electronically. However, based on the current increased need to understand business risks, supplier networks are demonstrating a clear shift in emphasis from establishing “transaction-based focus” relationships towards the evolution of network platforms. The Aberdeen Group (2011) demonstrates that 76 per cent of supplier networks increasingly are being used to identify new suppliers and market opportunities. Moreover, with social-networking features similar to Twitter, LinkedIn and Facebook (which are very recent phenomena), supplier networks have become more important in their role of spending management based on the ability to help organisations identify new suppliers while sharing information with other buyer organizations. Therefore, analysing data from supplier networks today has become a necessary strategy for optimizing transaction-focused procurement, in addition to improving supplier relationships. With this in mind, the Social Media Domain Analysis (SoMeDoA) framework has been developed to facilitate the decision-making process for selecting flexible suppliers within the e-procurement-based marketplace and apply it to a real set of data gathered from two social-networking sites (Twitter and LinkedIn). The research contributes a rigorous method that analyses effectively domain concepts and relations between notions from social networks and builds the domain ontology. The effectiveness of the framework, in analysing domain and relations, is evaluated by its application to varying datasets gathered from social networks, including the pharmaceutical domain. This model extrapolates findings from stages in the research and marries elements from various papers and frameworks therein, in order to produce a guideline model for organisations seeking a suitable supplier with whom to work. The results of the evaluation are encouraging, and provide concrete outcomes in an area that is little researched.

Aus der Ausgangssituation. "In den letzten Jahren wurden dem eLearning-Markt überproportionale Wachstumsraten durch die verschiedenen Marktanalysen vorhergesagt. Die ersten Prognosen sind nicht eingetreten. Trotz der allgemeinen Vorsicht werden auch in aktuelleren Marktanalysen höhere Ausgaben für eLearning in den Unternehmen prognostiziert (vgl. z. B. DETECON 02, S. 6, WANG u. a. 02, S. 230 und BENTLAGE u. a. 02, S. 131f.). Je nach Studie ist mit einem weltweiten eLearning-Marktvolumen von ca. 20 bis 40 Mrd. Dollar für 2004 zu rechnen (GRAUMANN u. a. 03, S. 422). Weiterhin kann bei der Betrachtung der wissenschaftlichen Erkenntnisse zu eLearning, sowohl aus methodischdidaktischer als auch aus technologischer Sicht, von positiven Rahmenbedingungen ausgegangen werden."

Aus der Ausgangssituation. "In den letzten Jahren wurden dem eLearning-Markt überproportionale Wachstumsraten durch die verschiedenen Marktanalysen vorhergesagt. Die ersten Prognosen sind nicht eingetreten. Trotz der allgemeinen Vorsicht werden auch in aktuelleren Marktanalysen höhere Ausgaben für eLearning in den Unternehmen prognostiziert (vgl. z. B. DETECON 02, S. 6, WANG u. a. 02, S. 230 und BENTLAGE u. a. 02, S. 131f.). Je nach Studie ist mit einem weltweiten eLearning-Marktvolumen von ca. 20 bis 40 Mrd. Dollar für 2004 zu rechnen (GRAUMANN u. a. 03, S. 422). Weiterhin kann bei der Betrachtung der wissenschaftlichen Erkenntnisse zu eLearning, sowohl aus methodischdidaktischer als auch aus technologischer Sicht, von positiven Rahmenbedingungen ausgegangen werden."

No
Much recent economic work on the music industry has been focused on the impact of technology on demand, with predictions being made of digital copyright infringement leading to the demise of the industry. In fact, there have always been profound cyclical swings in music media sales owing to the fact that music always has been, and continues to be, a discretionary purchase. This entertaining and accessible book offers an analysis of the production and consumption of music from a social economics approach. Locating music within the economic analysis of social behaviour, this books guides the reader through issues relating to production, supply, consumption and trends, wider considerations such as the international trade in music, and in particular through divisions of age, race and gender. Providing an engaging overview of this fascinating topic, this book will be of interest and relevance to students and scholars of cultural economics, management, musicology, cultural studies and those with an interest in the music industry more generally.

博士
國立中山大學
企業管理學系研究所
99
Internet and mobile wireless as emerging content distribution platforms have not only redefined the traditional media market, but also influenced the business strategies of the transnational media corporations (TNMC) that are expanding their operations into the “new-media” system in another country. The purpose of this study is to explore how global media move from the traditional television distribution channel to the Internet and mobile wireless platform in the country of China and what strategic patterns of alliance they engage to obtain sustainable competitive advantage. Applying a resource-based view (RBV) framework of analyzing strategy and employing a case study approach, this study investigates the formation and evolution of strategic alliances for the U.S.-based TNMCS in the marketplace of China and discusses how their resources were aligned with their local counterparts’ resources in marketing their content products. The alliance involving Time Warner, News Corporation, Disney, and Viacom were examined. Cross-case analysis identified six alliance patterns, including the importance of content-distribution resource alignment, the acquisition of local knowledge resources, the strategic alliances between TNMCs, the decrease of equity-based alliances, the complementary role of property and knowledge resources, and the necessity of uniting resources that enable the local responsiveness of video-related products.

Communication methods in the corporate environment must change. Organisations can no longer expect effective communication when using intranet sites or sending employees countless emails. This type of communication does not create the learning environment and most employees either do not read the intranet sites, or there is just too much email which could be seen as spam by the employee. These types of technologies also create a culture where organisations are lead from the top and there is not a culture or platform to create feedback loops. Most large corporate organisations have a tendency where many silos are created and cliques are formed, which is not in line with the culture of a learning organisation. Although there are a number of studies which look at how Internet based micro-blogging affect social connectedness, there is however limited information as to the effect that micro-blogging, if used internal to the organisation, would have on employee engagement, or how it can affect the competitive nature to the organisation. The research is exploratory in nature and set out to review what impact internal micro-blogging has on the organisation. The research uses Vodacom, one of the leading Information and communications technology (ICT) and telecommunications companies in South Africa, as the case study, as micro-blogging was recently introduced into this organisation.

Au cours des dernières années, le domaine de la consommation a grandement évolué. Les agents de marketing ont commencé à utiliser l’Internet pour influencer les consommateurs en employant des tactiques originales et imaginatives qui ont rendus possible l’atteinte d'un niveau de communication interpersonnelle qui avait précédemment été insondable. Leurs interactions avec les consommateurs, en utilisant la technologie moderne, se manifeste sous plusieurs formes différentes qui sont toutes accompagnés de leur propre assortiment de problèmes juridiques. D’abord, il n'est pas rare pour les agents de marketing d’utiliser des outils qui leur permettent de suivre les actions des consommateurs dans le monde virtuel ainsi que dans le monde physique. Les renseignements personnels recueillis d'une telle manière sont souvent utilisés à des fins de publicité comportementale en ligne – une utilisation qui ne respecte pas toujours les limites du droit à la vie privée. Il est également devenu assez commun pour les agents de marketing d’utiliser les médias sociaux afin de converser avec les consommateurs. Ces forums ont aussi servi à la commission d’actes anticoncurrentiels, ainsi qu’à la diffusion de publicités fausses et trompeuses – deux pratiques qui sont interdites tant par la loi sur la concurrence que la loi sur la protection des consommateurs. Enfin, les agents de marketing utilisent diverses tactiques afin de joindre les consommateurs plus efficacement en utilisant diverses tactiques qui les rendent plus visible dans les moteurs de recherche sur Internet, dont certaines sont considérés comme malhonnêtes et pourraient présenter des problèmes dans les domaines du droit de la concurrence et du droit des marques de commerce. Ce mémoire offre une description détaillée des outils utilisés à des fins de marketing sur Internet, ainsi que de la manière dont ils sont utilisés. Il illustre par ailleurs les problèmes juridiques qui peuvent survenir à la suite de leur utilisation et définit le cadre législatif régissant l’utilisation de ces outils par les agents de marketing, pour enfin démontrer que les lois qui entrent en jeu dans de telles circonstances peuvent, en effet, se révéler bénéfiques pour ces derniers d'un point de vue économique.
The evolution of consumerism in recent years has been nothing short of remarkable. The unprecedented use of the Internet by marketers to influence consumers in original and imaginative ways has rendered possible a level of communicative efficiency that had previously been unfathomable. Their interaction with consumers using modern technology manifests itself in several different forms – all of which are accompanied by their own assortment of legal issues. To begin with, it is not unheard of for marketers to use tools meant to track the behaviour of individuals throughout both the virtual and physical worlds. The personal information collected in such a manner is often utilized for Online Behavioural Advertising purposes – a use which does not always respect the boundaries of privacy law. It has also become rather common for marketers to utilize online social media to promote conversations with consumers. It has occurred, however, that these forums have also been utilized to further the anti-competitive ambitions of companies while also serving as an outlet for false advertising – two eventualities that are prohibited by both competition laws and consumer protection laws. Finally, marketers utilize various tactics in order to more successfully reach consumers through online search engines – a practice known as Search Engine Marketing – some of which are considered to be dishonest and could present issues from both competition law and trademark law perspectives. This thesis essentially provides a detailed description of these tools and the manners in which they are utilized and then proceeds to illustrate the legal issues that may arise as a result of their use. In doing so, it outlines the legal boundaries within which marketers must use these tools so as to ultimately demonstrate that the laws that come into play under such circumstances may, in fact, prove to be beneficial to marketers from an economic perspective.

Lemon Jelly is a fashion brand that produces and sells plastic footwear. The brand belongs to the company Procalçado, a family-owned Portuguese company that already had an experience of 40 years as a soles and footwear components producer before creating Lemon Jelly. The company is characterized by innovative production processes that allow them to produce plastic injected shoes. Lemon Jelly is mostly being sold through distributors, however it also has an online presence. The brand’s official website represents from 5 to 10% of the brand’s sales, which were up to 3 million euros in 2015. The motivation for this dissertation was to write a case study about the e-commerce strategy of Lemon Jelly. The main challenge of the brand is to understand how it can increase its online sales, being this analyzed in the Teaching Note chapter that explores some issues relevant to the main problem of the case and proposes recommendations for the future. The previous chapter, Literature Review, was designed to support the Teaching Note through theoretical concepts. It is concluded that there are several factors that can influence a brand’s online sales, therefore Lemon Jelly should select some of them according to its needs, while monitoring the results at the same time. It is also important to benchmark competitors and other players in the industry in order to keep updated through the digital evolution.
A Lemon Jelly é uma marca de moda que produz e vende sapatos de plástico. A marca pertence à Procalçado, uma empresa familiar Portuguesa que já contava com 40 anos de experiência enquanto produtora de solas e componentes de sapatos antes de criar a Lemon Jelly. A empresa é caraterizada por produzir através de processos inovadores, o que lhe permite criar calçado de plástico injetado. A Lemon Jelly é vendida principalmente através de distribuidores, no entanto também está presente online. O website oficial da marca representa entre 5 a 10% das suas vendas totais, que atingiram 3 milhões de euros em 2015. A motivação para esta dissertação passou por escrever um caso de estudo sobre a estratégia de comércio eletrónico da Lemon Jelly. O principal desafio da marca é perceber como pode aumentar as suas vendas online, e para isto é feita uma análise no capítulo da nota de ensino, que explora algumas questões relevantes para o principal problema do caso e onde são propostas recomendações para o futuro. O capítulo anterior, de revisão de literatura, destina-se a apoiar a nota de ensino através de conceitos teóricos. Conclui-se que há vários fatores que podem influenciar as vendas online de uma marca, pelo que a Lemon Jelly deve selecioná-los consoante as suas necessidades, controlando ao mesmo tempo os resultados obtidos. É também importante efetuar comparações com concorrentes e outras empresas da indústria para a marca se manter atualizada perante a evolução digital.