Journal articles: 'Media spaces'

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Bly, Sara A., Steve R. Harrison, and Susan Irwin. "Media spaces." Communications of the ACM 36, no. 1 (January 1993): 28–46. http://dx.doi.org/10.1145/151233.151235.

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McGee, Michael K., Dennis C. Neale, Brian S. Amento, and Patrick C. Brooks. "Telepresence in Actv Media Spaces." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 42, no. 4 (October 1998): 409–13. http://dx.doi.org/10.1177/154193129804200402.

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Two studies were conducted to assess telepresence in “active” and “inactive” media spaces. Telepresence in the current context is defined by the type of access provided to remote space and by the type of sharing of artifacts occurring in that space. The media spaces investigated entailed the use of multiple video sources and groupware applications between two remotely located users. The first study involved participants negotiating the layout of a room utilizing a shared computer graphics program. The second study involved cooperative physical assembly of a real object. Observations of task performance behaviors and subject questionnaires were used to assess telepresence. Thirty-two pairs of subjects participated in each study. The studies resulted in a variety of findings concerning the use of a head-mounted camera, the number and location of video signals available to users, the setup of face-to-face video signals, and the appropriateness of different tasks given all of the previous variables.

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Lyles, Bryan. "Media spaces and broadband ISDN." Communications of the ACM 36, no. 1 (January 1993): 46–47. http://dx.doi.org/10.1145/151233.151236.

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Krause, Bernard L. "Audio media for public spaces." Computers in Entertainment 2, no. 4 (October 2004): 14. http://dx.doi.org/10.1145/1037851.1037873.

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Jacobs, Naomi. "Utopian Home Spaces in Shelter Media." Journal of Popular Culture 52, no. 2 (April 2019): 436–55. http://dx.doi.org/10.1111/jpcu.12785.

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Badrinath, B. R., and M. Srivastava. "Smart spaces and environments [Guest Editorial]." IEEE Personal Communications 7, no. 5 (October 2000): 3. http://dx.doi.org/10.1109/mpc.2000.878529.

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Mills, K., J. Scholtz, and K. Sollins. "Workshop on smart spaces [Guest Editorial]." IEEE Personal Communications 7, no. 5 (October 2000): 35. http://dx.doi.org/10.1109/mpc.2000.878534.

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Ezepue, Ezinne Michaelia. "Gentrification in media spaces: Nollywood in perspective." Cogent Arts & Humanities 7, no. 1 (January 1, 2020): 1849971. http://dx.doi.org/10.1080/23311983.2020.1849971.

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Bengtsson, Stina. "Symbolic Spaces of Everyday Life." Nordicom Review 27, no. 2 (November 1, 2006): 119–32. http://dx.doi.org/10.1515/nor-2017-0234.

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Abstract This article presents an analysis of the role of the media in the symbolic construction of work and leisure at home. Dealing with individuals who represent a post-industrial and cultural labour market and who work mainly at home, the analysis focuses upon the ritual transformations of everyday life and the role of the media within it. Leaning on social interactionist Erwin Goffman and his concepts of regions and frames, as well as a dimension of the materiality of culture, this analysis combines a perspective on media use as ritual, transformations in everyday life and the organization of material space From this perspective, the discussion penetrates the symbolic dimension of media use in defining borders of behaviour and activities in relation to work and leisure at home.

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Berry, Marsha, Margaret Hamilton, and Dean Keep. "Transmesh: A Locative Media System." Leonardo 44, no. 2 (April 2011): 162–63. http://dx.doi.org/10.1162/leon_a_00122.

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This research project demonstrates the technosocial possibilities that result from creating localized mediated spaces or ‘meshworks’ using Bluetooth in order to publish independently produced content. Bluetooth technology is a double-edged sword. It is a meshwork for sharing media freely between mobile device users in public places such as shopping centres and private spaces such as the home and the workplace. It presents opportunities for the design of innovative creative projects, however technical issues, user acceptance and competition for the user's attention provide continuing challenges.

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Cobb, Dariel. "Black Spaces Matter." Architectural Research Quarterly 22, no. 1 (March 2018): 4–7. http://dx.doi.org/10.1017/s1359135518000192.

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The exhibition ‘Black Spaces Matter’, conceived by architectural historian Pamela Karimi and brought to life through extensive curatorial collaborations, presents a series of vignettes exploring the past, present, and future of New Bedford, Massachusetts, a hotbed of abolitionist activity in the late eighteenth and early nineteenth centuries, and a haven for freed and escaped slaves at the end of the so-called ‘underground railroad’. Through a mix of media – objects, photographs, videos, and a virtual reality rig – the show presents a compelling picture of a vital, historic, and living African-American community that first thrived prior to the US Civil War, and its continued grassroots struggle to preserve its architectural heritage. The stories and images presented collate an important and overlooked chapter of New England architectural history, suggesting the utility of new media in historical documentation and highlighting the continued need to explore positive examples of communities of colour through the dimensions of space and place.

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Brajković, Jelena, and Miodrag Nestorović. "Screen media interfaces and environments." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 83–104. http://dx.doi.org/10.5937/saj1701083b.

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The emergence and the development of new media forms took many diverse directions at the end of the twentieth and the beginning of the twenty first century, significantly influencing many areas of everyday life, as well as contemporary architectural practice. New types of architectural space emerged, types that are based on both new media and architectural principles. These spaces are screen, interactive, kinetic, biotechnological, as well as environments of light. These kind of environments gained new principles and features well known in new media field. Especially important for architectural context is the great potential of new media to create illusions and simulations, to produce augmented and composite, virtual realities and spaces. Virtual space represents one of the most challenging form of new media spaces. It is also the most complex form of screen media environments, so complex that it has taken its own, radical course. Besides the most advanced and complex, screen media interfaces also represent the oldest and typical forms of media architecture. This article will analyze emergence of screen interfaces in architecture, discuss their forms and modalities and examine their influence on human impression of space.

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Gorrell, Angela. "Spiritual Care in a Social Media Landscape." Journal of Pastoral Care & Counseling: Advancing theory and professional practice through scholarly and reflective publications 72, no. 3 (September 2018): 221–23. http://dx.doi.org/10.1177/1542305018801477.

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Given that social media extends both connection and suffering that occurs in physical spaces into digital spaces, issues of connection and suffering are increasingly integrated across people’s online and in-person lives. Spiritual care in a new media landscape necessitates spiritual care practitioners who are invested in listening to, exploring, and ministering to people's social media experiences, both their joys and their laments.

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Drucker, Susan J., and Gary Gumpert. "The Impact of Digitalization on Social Interaction and Public Space." Open House International 37, no. 2 (June 1, 2012): 92–99. http://dx.doi.org/10.1108/ohi-02-2012-b0011.

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The tradition of urban public space confronts the reality of a ubiquitous, mobile ‘me media’ filled environments. Paradoxically, the ability to connect globally has the tendency of disconnecting location. The examination of modern public spaces, diversity and spontaneity in those spaces requires recognition of the transformative power of changes in the media landscape. Compartmentalization or segregation of interaction based on choice shapes attitudes toward diversity. In the digital media environment the individual blocks, filters, monitors, scans, deletes and restricts while constructing a controlled media environment. Modern urban life is lived in the interstice between physical and mediated spaces (between physical local and virtual connection) the relationship to public space. Augmented with embedded and mobile media public spaces simultaneously offer those who enter a combination of connection and detachment. This paper utilizes a media ecology model.

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Andersson, Magnus, and André Jansson. "Rural Media Spaces: Communication Geography on New Terrain." Culture Unbound 2, no. 2 (June 11, 2010): 121–30. http://dx.doi.org/10.3384/cu.2000.1525.1028121.

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Pratt, Andy C. "New media, the new economy and new spaces." Geoforum 31, no. 4 (November 2000): 425–36. http://dx.doi.org/10.1016/s0016-7185(00)00011-7.

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Majstorović, Danijela. "(Un)doing feminism in (post)-Yugoslav media spaces." Feminist Media Studies 16, no. 6 (February 23, 2016): 1093–108. http://dx.doi.org/10.1080/14680777.2016.1150313.

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Carrier, James G., Roger Silverstone, and Eric Hirsch. "Consuming Technologies: Media and Information in Domestic Spaces." Man 28, no. 3 (September 1993): 614. http://dx.doi.org/10.2307/2804260.

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Semper, Rob. "Hybrid Spaces, Networked Places: New Media and Museums." Journal of Museum Education 22, no. 1 (December 1997): 17–18. http://dx.doi.org/10.1080/10598650.1997.11510344.

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Nagel, Alexander-Kenneth, and Mehmet Kalender. "Guestbooks in multifaith spaces as (inter-)religious media." Religion 50, no. 3 (April 24, 2020): 372–91. http://dx.doi.org/10.1080/0048721x.2020.1756068.

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Petryk, Oleksandr, Alexander Meleshchenko, and Anastasiia Volobuieva. "Esports Clubs’ Work in Media Spaces: Distinctive Features." Current Issues of Mass Communication, no. 28 (2020): 28–42. http://dx.doi.org/10.17721/2312-5160.2020.28.28-42.

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On 7 May 2015, the term “esports” was officially added to one of the most extensive online English dictionaries “Dictionary.com.” The dictionary gives the following definition of the term “esports”: “competitive tournaments of video games, especially among professional gamers” (IGN, 2015). The history of esports began in the late 20th century with the game Quake, which allowed users to play together through a LAN or internet network. Since then, a tremendous number of new esports leagues have emerged. Every year, game publishers promote esports disciplines; create a media space around them, and make competitively oriented games, creating an active audience. The popularity of computer-based esports grows each year at an increasing speed. Therefore, it is not surprising that the traditional for typical sports (football, basketball, volleyball, etc.) model of interaction between professional players (esports athletes) and sports clubs (esports organizations) emerged quite rapidly. This interaction aims to optimize the training process to increase athletic achievements and develop the media component for players and clubs. This article analyzes how esports clubs function in media spaces: their goals, tools, strategies, results, and development prospects on the examples and experience of professional esports organizations in Germany, Finland, and China.

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AKHMEDOVA, Elena A., and Alla D. KANDALOVA. "MEDIA TECHNOLOGIES IN A MODERN CITY." Urban construction and architecture 6, no. 3 (September 15, 2016): 44–48. http://dx.doi.org/10.17673/vestnik.2016.03.7.

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This article describes introduction and role of modern media technology in architectural urban space of the world’s greatest cities. The authors have analyzed architectural objects with «digital signature», media facades and LED screens. Spaces’ emergence and development sated with various digital resources help for creation of important transformations which influence social production of the modern world’s city space. Introduction of media technologies into architectural and spatial environment of the world’s largest cities is important for the formation of the latest elaborated spaces which influence the city’s social production.

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Jin, Song, and Alexey Stovas. "Reflection and transmission approximations for weak contrast orthorhombic media." GEOPHYSICS 85, no. 2 (January 9, 2020): C37—C59. http://dx.doi.org/10.1190/geo2019-0161.1.

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Subsurface media are in general anisotropic, and this fact should be taken into account for analyzing reflection and transmission (R/T) coefficients. Orthorhombic (ORT) media are commonly regarded as a practical symmetry system to account for polar anisotropy and azimuthal anisotropy. We have focused on the model made up of two welded ORT half-spaces to analyze the R/T coefficients normalized by vertical energy flux. The two half-spaces have azimuthally nonaligned vertical symmetry planes and are parameterized in two local 3D Cartesian coordinate frames, respectively. The vertical coordinate planes in each local frame coincide with the vertical symmetry planes for the corresponding ORT half-spaces. Under the weak contrast assumption for the two half-spaces, this model is taken as the perturbed model in R/T approximations with the perturbation theory. The unperturbed model is also composed of two unperturbed ORT half-spaces with their different vertical symmetry plane orientations inheriting the counterparts for the perturbed half-spaces above and below the interface, respectively. The unperturbed ORT half-spaces above and below the interface have the same model parameters defined in the two local coordinate frames, respectively. With the perturbations respectively evaluated in the local coordinate frames above and below the interface, the azimuth angle that indicates the local frames’ azimuthal difference is decoupled from the model parameter contrasts. Compared with the traditional approximation method with the perturbation theory in a global coordinate frame, the proposed R/T approximations depend on fewer model parameter discontinuities. We also consider the isotropic background medium under the weak anisotropy assumption. Influences of S-wave singularity points are mitigated by introducing pseudowaves for approximations. Numerical tests are implemented to demonstrate the accuracy.

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Taufik, Cevi. "MEDIA AND SPACE DISCLOSURES OF THE POWER COURT." Jurnal Komunikasi dan Bisnis 9, no. 1 (May 15, 2021): 47–54. http://dx.doi.org/10.46806/jkb.v9i1.685.

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The era of the third wave of media can reveal the dark dimensions of power. Private spaces that are hidden behind arrogant individuals are drawn into public spaces to become important topics. There is no secret other than the spread of issues on various media platforms. Various coverage from personal dimensions to policy areas is clearly revealed. Furthermore, to find out the background behind it, this study uses descriptive qualitative methods with the aim of obtaining data in order to explain the phenomena which is the theme of this research. From the results of the research analysis shows that the media are able to reveal dark spaces of power to the ability to eliminate practices that occur in them.

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Neag, Annamária, and Richard Berger. "Childhoods in transition: Mediating ‘in-between spaces’." Interactions: Studies in Communication & Culture 11, no. 3 (December 1, 2020): 281–86. http://dx.doi.org/10.1386/iscc_00025_2.

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This editorial serves as an introduction to the Special Issue titled ‘Childhoods in Transition – Mediating “In-Between Spaces”’. The thematic issue was conceived in an effort to conceptualize and explore the topic of ‘in-between spaces’ from the point of view of media and communication studies. The contributions presented in this Special Issue offer a complex view of what it means today to live a childhood in transition and how digital and social media can have a deep impact on the ‘in-between spaces’ the young people inhabit. From children in migration to queer youth and from Snapchat to minority language media, this Special Issue offers an international and interdisciplinary perspective on the inextricably linked issues of media use, identity and becoming.

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Olive, Rebecca. "Reframing Surfing: Physical Culture in Online Spaces." Media International Australia 155, no. 1 (May 2015): 99–107. http://dx.doi.org/10.1177/1329878x1515500112.

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The social media app Instagram has become a popular everyday way to share visual representations of surfing culture and experiences. Providing an alternative to mainstream surf media, images posted on Instagram by women who surf recreationally both disrupt and reinforce the existing sexualisation and differentiation of women in surf culture. Images themselves are not necessarily resistant, yet women are asserting themselves as a voice of surf cultural authority through processes of posting, sharing and engaging with images. While ‘big data’ research about Instagram is proving useful in terms of mapping spaces and movements, this article adopts an ethnographic approach to explore the notion that social media developments are changing possible ways of knowing and representing the world in which we live. Also considered is how lived experiences and social media shape each other in everyday lives and communities.

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Ohm, Britta. "Media against communication: media/violence and conditionalities of Muslim silencing in Northern India." Media, Culture & Society 43, no. 4 (February 25, 2021): 750–63. http://dx.doi.org/10.1177/0163443721994531.

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Understanding the relationship between media and communication as increasingly conflictive under conditions of de-democratization in India, this essay proposes a focus on violence-induced conditionalities of political communication among the affected. I introduce the term ‘media/violence’ as I look at two spaces in North Indian cities that have been turned into ‘Muslim ghettos’ over the past two decades: Jamia Nagar in New Delhi and Juhapura in Ahmedabad (Gujarat). Based on intermittent fieldwork between 2015 and 2020 (partly online), I argue that differences both in the quality of the violence as well as in the interaction between mediated and physical violence executed on the two spaces conditioned long-term options of collective communication (and their absence). The analysis helps us understand how massive political and legal protests could eventually erupt in Jamia Nagar (Shaheen Bagh) in late 2019, while the very reason for protest appears to have eluded residents of Juhapura.

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Lichty, Patrick. "The Cybernetics of Performance and New Media Art." Leonardo 33, no. 5 (October 2000): 351–54. http://dx.doi.org/10.1162/002409400552810.

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The emergence of many new media art genres calls into question qualitative issues in regards to performance in virtual and electronic spaces. What constitutes performance in technological art, and how can we form a critique of new media performance by analyzing these aesthetic spaces? This essay forms an analysis of technological performance, and of the “performative” in new media through the use of cybernetics as a critical tool.

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Ward, Susan, and Albert Moran. "Mapping Media." Media International Australia 124, no. 1 (August 2007): 83–86. http://dx.doi.org/10.1177/1329878x0712400108.

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This issue addresses a ‘spatial turn’ in communication or media studies. By becoming attuned to the specificities of place, research inevitably becomes embedded within real-life situations that acknowledge the similarities but also differences between localities brought about by, for example, processes of uneven development, local variations in social organisation and the articulation of creative networks that are critical to the cultural production industries. The field of media studies is still opening up to the productive possibilities that come with a primacy on the specificities of place. Her we begin a survey of this spatial turn in media studies by collating articles that are concerned with a variety of mediascapes and their relation to places and spaces.

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Rozanoff, Seth. "Steven Kemper: Mythical Spaces." Computer Music Journal 42, no. 2 (June 2018): 69–71. http://dx.doi.org/10.1162/comj_r_00461.

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Homan, Shane, and Chris Gibson. "Popular Music: Networks, Industries and Spaces." Media International Australia 123, no. 1 (May 2007): 61–64. http://dx.doi.org/10.1177/1329878x0712300107.

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There has been much recent media coverage and public speculation about change in the music industries. This issue of MIA examines the shifting technological, production and consumption contexts of local popular music. Australian music practices have reflected global changes in corporate structures, methods of distribution and what it means to construct and maintain a music ‘career’. How traditional music-making and consumption practices work with or against emerging media technologies, and what this means for older understandings of music creativity, is a key focus.

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Thorsen, Einar, and Chindu Sreedharan. "#EndMaleGuardianship: Women’s rights, social media and the Arab public sphere." New Media & Society 21, no. 5 (May 2019): 1121–40. http://dx.doi.org/10.1177/1461444818821376.

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This study examines the online communicative dynamics between women and men during the Saudi women’s rights campaign to end male guardianship, which unfolded on Twitter. We analysed 2.7 million tweets with the #EndMaleGuardianship hashtag over a 7-month period quantitatively and 150,245 of these qualitatively to examine the extent to which Twitter shapes and facilitates cross-gender communication, and how this helped engender new spaces for expression of dissent. Our study shows that Twitter provided shared online communicative spaces that had several characteristics commonly associated with public sphere(s). There is also evidence that using these alternatives spaces, women transcended to an extent the gender segregation that exists in traditional public discourses and spaces of Saudi society. The anonymity of Twitter offered women a safe place to deliberate their concerns about male guardianship. We suggest that these deliberations created a counterpublic sphere of sorts, which helped Saudi women legitimise the #EndMaleGuardianship campaign.

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Халепа, Олександра. "Media art practices as factors for creating creative spaces." Art Research of Ukraine, no. 19 (December 5, 2019): 202–7. http://dx.doi.org/10.31500/2309-8155.19.2019.185995.

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Lowe, J. S. A. "We’ll always have purgatory: Fan spaces in social media." Journal of Fandom Studies 5, no. 2 (June 1, 2017): 175–92. http://dx.doi.org/10.1386/jfs.5.2.175_1.

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Van Kranenburg, Rob. "Notions on policy in Eastern Asia-Europe media spaces." Leonardo 39, no. 4 (August 2006): 319–21. http://dx.doi.org/10.1162/leon.2006.39.4.319.

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Zillinger, Martin. "Media and the scaling of ritual spaces in Morocco." Social Compass 61, no. 1 (February 26, 2014): 39–47. http://dx.doi.org/10.1177/0037768613513941.

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Kopecka-Piech, Katarzyna. "Converging media spaces: introducing an emergent field of studies." Studia Humanistyczne AGH 11, no. 3 (2012): 77. http://dx.doi.org/10.7494/human.2012.11.3.77.

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Power, Aidan. "Using Locative Media to Enrich Spaces with Historical Artifacts." Journal of Integrative Research & Reflection 2, no. 2 (June 23, 2019): 39–47. http://dx.doi.org/10.15353/jirr.v2.1579.

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This piece is a prototype of an mobile Augmented Reality application that uses locative media to focus on the social interactions people have in space between each other and technology. It allows users to interact with digital objects in the built environment on the University of Waterloo campus through their mobile devices and envision the past of the spaces they enter, such as the contruction of well known buildings on campus or past student activities at their residences. It brings together the disciplines of history, fine arts, interface design and locative media studies.

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Temirov, B., and O. But. "Personality of Stepan Bandera in scientific and media spaces." Cherkasy University Bulletin: Historical Sciences, no. 2 (2020): 26–34. http://dx.doi.org/10.31651/2076-5908-2020-2-26-34.

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Jansson, André. "Beyond “Other Spaces”: Media Studies and the Cosmopolitan Vision." Communication Review 12, no. 4 (November 30, 2009): 305–12. http://dx.doi.org/10.1080/10714420903346613.

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Buccitelli, Anthony Bak. "Mobility and locative media: Mobile communication in hybrid spaces." New Media & Society 18, no. 4 (April 2016): 669–72. http://dx.doi.org/10.1177/1461444815609591a.

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Leite, Luis, Rui Torres, and Luis Aly. "Common Spaces: Multi-Modal-Media Ecosystem for Live Performances." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 1 (August 10, 2018): 187–98. http://dx.doi.org/10.14195/2182-8830_6-1_13.

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Common Spaces is an interface for real-time media convergence and live performance combining media, applications and devices. A multimodal media ecosystem was designed to respond to the requirement of a specific performance — how to mix multiple applications into a single environment. This collaborative environment provides a flexible interface for performers to negotiate, share, and mix media, applications, and devices. Common Spaces is a framework based on interoperability and data flow, a network of virtual wires connecting applications that “talk” to each other sharing resources through technologies such as OSC or Syphon. With this approach, media designers have the freedom to choose a set of applications and devices that best suit their needs and are not restricted to a unique environment. We have implemented and performed with this ecosystem in live events, demonstrating its feasibility. In our paper we describe the project's concept and methodology. In the proposed performance we will use the Digital Archive of Portuguese Experimental Literature (www.po-ex.net) as a framework, appropriating its database assets, remixing its contents, as well as the techniques and methods they imply, stimulating the understanding of the archive as variable and adaptable. These digital re-readings and re-codings of experimental poems further highlight the importance of the materialities of experimental writing, integrating self-awareness in the modes of exchanges between literature, music, animation, performance, and technology.

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Vagianos, Dimitrios, and Nikos Koutsoupias. "Framing coworking spaces marketing strategies via social media indices." Econometrics 25, no. 2 (2021): 1–14. http://dx.doi.org/10.15611/eada.2021.2.01.

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Solmaz, Osman. "Adapting New Media Literacies to Participatory Spaces: Social Media Literacy Practices of Multilingual Students." Journal of Media Literacy Education 9, no. 1 (2017): 36–63. http://dx.doi.org/10.23860/jmle-2017-9-1-4.

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Floyd, Simeon. "The Pirate Media Economy and the Emergence of Quichua Language Media Spaces in Ecuador." Anthropology of Work Review 29, no. 2 (October 2008): 34–41. http://dx.doi.org/10.1111/j.1548-1417.2008.00012.x.

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Rabathy, Qisthy, and Elly Komala. "Sexual Harassment in Public Spaces." ArtComm : Jurnal Komunikasi dan Desain 1, no. 2 (November 20, 2018): 54–63. http://dx.doi.org/10.37278/artcomm.v1i2.117.

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Pelecehan seksual dapat berupa komentar verbal, gerakan tubuh atau kontak fisik yang bersifatseksual yang dilakukan seseorang dengan sengaja, dan tidak dikehendaki atau tidak diharapkan olehkorban. Sedangkan Pelecehan di ruang publik diambil dari kata “street harassment” yang diartikanpelecehan di jalan atau ruang publik. Maraknya kasus pelecehan seksual yang terjadi di ruang publikdan banyak diberitakan di media massa dan media sosial, membuat masyarakat khususnya parawanita menyadari tentang bahayanya pelecehan seksual. Mereka memahami bahwa pelecehanseksual dapat terjadi dalam berbagai bentuk, kapan saja dan dimana saja. Para korban yang pernahmenjadi korban pelecehan seksual di ruang publik kini lebih waspada dan berhati-hati ketikaberaktivitas di luar rumah dan ketika berhadapan dengan orang asing. Mereka menjadi lebih pekaakan hal-hal ganjil yang terjadi pada atau di sekitar mereka. Pelecehan seksual di ruang publik dapatditekan dengan memberikan pendidikan seks dini kepada anak-anak di bawah umur dan penerapanhukum yang tegas pada pelaku pelecehan serta adanya pemikiran terbuka dari masyarakat terhadapkasus pelecehan seksual untuk membantu pemulihan trauma korban.

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Thayne, Martyn, and Andrew West. "‘Doing’ media studies: The media lab as entangled media praxis." Convergence: The International Journal of Research into New Media Technologies 25, no. 2 (March 7, 2019): 186–208. http://dx.doi.org/10.1177/1354856519834960.

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Typically understood in relation to innovations in new media and modes of peer-production, the ‘media lab’ has emerged as a contemporary phenomenon encompassing a variety of ‘maker-spaces’, ‘fablabs’ and ‘hackathons’. This article seeks to resituate the ‘media lab’ in the context of media research and education, drawing inspiration from the recent ‘nonrepresentational’ and ‘nonhuman’ turns in media and cultural theory that examine our entanglement with media on a social, cultural and biological level (Grusin, 2015b; Thrift, 2007; Vannini, 2015; Zylinska, 2012). This article contributes to such debates by presenting the lab as entangled media praxis as a set of 10 principles for teaching media as mediation: a reflexive form of ‘doing’ contemporary media studies that is primarily concerned with developing an embodied ‘attunement’ to the entangled relations of media lab participants. This framework calls for transdisciplinary modes of practice research and ‘critical making’, whereby students, artists, creative technologists and academics work collaboratively to address the affective and subjective conditions of contemporary digital culture. This article will explore these methods in relation to the concept of media entanglement, drawing out the underlying principles of the ‘entangled media praxis’ framework by examining two pilot media labs facilitated by the Arts Council England-funded project, 1215.today.

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Budge, Kylie. "Visitors in immersive museum spaces and Instagram: self, place-making, and play." Journal of Public Space, Vol. 3 n. 3 | 2018 | FULL ISSUE (December 31, 2018): 121–38. http://dx.doi.org/10.32891/jps.v3i3.534.

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Visitors to museums are increasingly drawn to posting images online that document and reflect their experience. Instagram, as a social media platform, has a proliferating presence in this context. Do different kinds of public spaces within the museum motivate people to share particular types of posts? What kind of posts do visitors generate from digitally immersive spaces with an interactive focus? These questions were unpacked through an exploration of data generated from a digitally immersive, interactive public space – the Immersion Room at the Cooper Hewitt, Smithsonian Design Museum in New York. Findings indicate that constructs of self, place-making, and play constitute critical components of what occurs, and these aspects are amplified in immersive spaces leaving digital traces within social media. I argue that the intersection of immersive digital environments and visual social media platforms such as Instagram offer a moment to play with and subtlety reconstruct the self with place being a significant contextual frame for this activity. Implications extend and challenge perceptions and the role of both museums as public spaces and the ways in which visual forms of social media intersect with spaces and the people who use them.

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Carah, Nicholas. "Curators of Databases: Circulating Images, Managing Attention and Making Value on Social Media." Media International Australia 150, no. 1 (February 2014): 137–42. http://dx.doi.org/10.1177/1329878x1415000125.

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This article examines the relationships between cultural spaces, the image-making practices of smartphone users and social media platforms. I argue that social media platforms depend on the curatorial capacities of smartphone users who observe everyday life and register it online. Social media platforms use databases and analytics to continuously assemble identities, cultural practices and social spaces in relation to one another. In addition to targeted advertising, value is created by leveraging a continuous circulation of meaning and attention. Using the example of a music festival, I examine how the production of value involves channelling the productive activity of smartphone users in material cultural spaces.

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Treviño, Jeffrey. "Simon Emmerson: Spaces and Places." Computer Music Journal 32, no. 4 (December 2008): 88–89. http://dx.doi.org/10.1162/comj.2008.32.4.88.

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Journal articles on the topic 'Media spaces'

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