Relevant bibliographies by topics / Mediascape

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mediascape'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Mediascape"

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Lundby, Knut, and Daniel Dayan. "Mediascape missionaries?" International Journal of Cultural Studies 2, no. 3 (December 1999): 398–417. http://dx.doi.org/10.1177/136787799900200307.

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Hutchison, Ian, and Geoff Lealand. "Introduction: A new mediascape." Continuum 10, no. 1 (January 1996): 7–11. http://dx.doi.org/10.1080/10304319609365720.

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Pelillo-Hestermeyer, Giulia. "Language diversity in a Mediterranean mediascape." Discourse, Context & Media 24 (August 2018): 109–16. http://dx.doi.org/10.1016/j.dcm.2018.02.006.

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Roe, Keith, and Ulla Johnsson-Smaragdi. "The Swedish `Mediascape' in the 1980s." European Journal of Communication 2, no. 3 (September 1987): 357–70. http://dx.doi.org/10.1177/0267323187002003006.

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Berkowitz, Dan. "Journalism in the broader cultural mediascape." Journalism: Theory, Practice & Criticism 10, no. 3 (April 28, 2009): 290–92. http://dx.doi.org/10.1177/1464884909102587.

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Hamilton, A. "The mediascape of modern Southeast Asia." Screen 33, no. 1 (March 1, 1992): 81–92. http://dx.doi.org/10.1093/screen/33.1.81.

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Keshvani, Nisar, and Sharon Tickle. "Online news: The changing digital mediascape." Journal of Australian Studies 25, no. 70 (January 2001): 99–105. http://dx.doi.org/10.1080/14443050109387711.

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Jin, Dal Yong, and Kyong Yoon. "Reimagining smartphones in a local mediascape." Convergence: The International Journal of Research into New Media Technologies 22, no. 5 (July 7, 2016): 510–23. http://dx.doi.org/10.1177/1354856514560316.

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Knight, Julia, and Alexis Weedon. "Negotiating freedoms in the convergent mediascape." Convergence: The International Journal of Research into New Media Technologies 21, no. 2 (May 2015): 167–68. http://dx.doi.org/10.1177/1354856515577888.

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Skripkina, Tatiana. "«RESURRECTION OF THE AUTHOR» IN NEW MEDIA: SPECIFIC FEATURES OF THE SUBJECTIVITY OF AUTHORS IN A CHANGING MEDIASCAPE." Respublica literaria, no. 1 (December 25, 2020): 212–16. http://dx.doi.org/10.47850/s.2020.1.61.

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The paper analyzes the role of the author in new media. Arguments are presented in favor of the fact that in the informal segment of the mediascape there is a tendency to «resurrect» the author's subjectivity, which results in the interactivity of new media and the formation of the audience's interest in the personali-ty of the creator of the text. At the same time, it is confirmed that the authors' subjectivity remains minimal in the formal segments of the mediascape.
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Dissertations / Theses on the topic "Mediascape"

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Schleser, Max R. C. "Mobile-mentary : mobile documentaries in the mediascape." Thesis, University of Westminster, 2010. https://westminsterresearch.westminster.ac.uk/item/907w6/mobile-mentory-mobile-documentaries-in-the-mediascape.

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This thesis investigates the potential of and prospects for mobile documentary filmmaking. As a result of practice-led research, the city film Max with a Keitai was produced on mobile camera phones for cinematic projection. The feature-length documentary portrays the contemporary Japanese megalopolis through the lens of a mobile phone and records the mobile filmmaking process. Simultaneously, the project experimented with mobile phones as viewing devices for ‘micro-movies’. Through curating an international mobile art exhibition and mobile feature film screening, the research explored the new mobile aesthetic from 2004 onwards, which is presented as the Keitai Aesthetic in this thesis. In the first chapters the thesis maps out the early mobile mediascape in the years 2004 to 2007 and analyses cinematic technology through user-based histories. Furthermore, the theoretical framework explores the city films of the 1920s and the concept of motion in film. Mobile filmmaking in the years 2004 to 2007 constitutes a return to non-linear documentary practices, such as interval theory (Dziga Vertov) and Ur-Kino (Hans Richter). The final chapters examine the new emerging mobile aesthetic in the research timeframe from 2004 to 2007 and further develop the argument that innovation in mobile filmmaking occurred, both in the domain of the gallery and the film-festival context before the media industry realized the potential of mobile media. The particular mobile resolution adds new elements to the emerging Keitai Aesthetic: the experience of location, notions of personal, immediate and intimate qualities. This research documents the alternative approach offered by the mobile-mentary (mobile documentary) and explores its potential as an intervention into the industry dominated discourse.
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Yipu, Zen, University of Western Sydney, of Arts Education and Social Sciences College, and Centre for Cultural Research. "Selling props, playing stars:virtualising the self in the Japanese mediascape." THESIS_CAESS_CR_Yip_Z.xml, 2005. http://handle.uws.edu.au:8081/1959.7/589.

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In the so-called postmodern era, when networked media are increasingly ubiquitous in everyday life, where the ‘real’ and the ‘simulation’ become ever more indistinguishable; the physical and virtual intertwine; machines and man merge, and audience and stars transpose. To understand consumption in a time when realness and authenticity are no longer relevant, this thesis draws attention to the consumption and production of media content through case studies of consumer participation and social trends in Japan. The work begins in a themed shopping mall, Venus Fort in Tokyo Bay; continues with the reproduction of Audrey Hepburn‘s image; expands to the dramatised ‘realness’ of television; and finally moves to the omnipresent mobile phone and the impact of networked personal media on our idea of the ‘real’. First, through an analysis of a themed consumption environment, it is suggested that a transition is taking place in consumption from objects to experiences, services and spectacle. Secondly, by showing Audrey Hepburn‘s transition from a Hollywood star to a virtualised idol, technologically-aided illusions are shown to make hierarchical realness irrelevant. Thirdly, via Reality TV dating programs, the focus shifts to the role of audience participation in the consumption of media content. These themes are demonstrated individually, then merged into the last example – the social and cultural evolution induced by the mass consumption of networked media, that promise to revolutionise the way we consume, communicate and connect between people, machines and consumer goods.The thesis grounds its analysis of contemporary trends in the culture of consumption in Japan in theories of commodity and culture, the real and the simulation, speed and reality, the spectacle and the self in mediated spaces, and probes further into the collapse of demarcations between the virtual and the real, the event and the everyday and media and the self in the network society
Doctor of Philosophy (PhD)
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Yipu, Zen. "Selling props, playing stars virtualising the self in the Japanese mediascape /." View Thesis, 2005. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20060210.104650/index.html.

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Costley, William F. "The Anti-Immigrant "New Mediascape": Analyzing Nativist Discourse on the Web." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/332850.

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This project examines nativism as an important historical process in the development of American cultural identity, following an interdisciplinary approach that focuses on the emergence of anti-immigrant discourse on the Internet. My aim is to analyze how anti-immigrant groups, despite access to new technologies, continue to reify stereotypes and representations of Latin American immigrants within a longstanding tradition of nativism. In particular, I explore the impact of strategies employed on the websites of the anti-immigrant groups Border Guardians, Mothers against Illegal Aliens, American Border Patrol, Justice for Shawna Forde, Minuteman Civil Defense Corps, and Minuteman Project to circulate anti-immigrant rhetoric on the World Wide Web. Following the work of cultural scholars Jean Baudrillard and Michel Foucault, as well as new media scholars Andrew Shapiro, Manuel Castells, and Sherry Turkle among others, I argue that nativist groups utilize multiple hyperlinking techniques to "disintermediate" their rhetoric, resulting in a closed ideological environment I call a "hyperverse." The nativist hyperverse effectively isolates itself from competing perspectives on immigration that could challenge its discourse, largely by framing itself as what Castells refers to as a "counter power" movement against hegemonic forces. Furthermore, I build upon the work of Arjun Appadurai to position the hyperverse within a larger anti-immigrant "mediascape" that permeates established media, such as print and television, and which in turn inflects public and political discourse. I maintain that the processes that create the hyperverse also render it immune to rupture from competing perspectives circulating in new or traditional media. Nevertheless, I cite popular movements, as described by Sasha Costanza-Chock, formed through communications technologies that connect and mobilize youth in opposition to hegemonic anti-immigrant ideologies. I conclude by proposing that new media technologies be viewed not merely as a vehicle that automatically privileges truth, but as tools for creating narratives that must be regarded with a critical approach. I conclude with a call to twenty-first century educators to develop new pedagogical methods to teach students to seek and analyze sources of online texts in order to become empowered consumers and producers of information.
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Spencer, Patricia Elizabeth Lambiase Jacqueline. "Ethical decision making in the Indian mediascape reporters and their stories /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-10981.

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Spencer, Patricia Elizabeth. "Ethical Decision Making in the Indian Mediascape: Reporters and Their Stories." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc10981/.

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Hundreds of reporters gather and interpret news for four English-language newspapers in India's second-largest urban area Kolkata, West Bengal's state capital, which is home to over 4 million people. Journalists from The Statesman, The Telegraph-Kolkata, The Hindustan Times and The Times of India discuss how they collect their stories in Bengali, Hindi, Urdu, and many other languages and write them in English targeting a small but emerging middle-class audience. Whether these articles focus on people-centric urban planning, armed vigilantes in community disputes, dowry death cases, or celebrity culture, all of the reporting involves cultural and ethical challenges. Using semi-structured interviewing and qualitative theme analysis, this study explores how gender, class, and religion affect the decision-making practices of 21 journalists working in Kolkata.
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Arslantas, Selma. "The Unionization (problems) Concieved By Journalists In The Post-1980 Mediascape In Turkey." Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610578/index.pdf.

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The 1980s as a decade is characterized by the proliferation of new information and communication technologies as well as the expansion of US-led economic policy following the economic depression of the 1970s. Deregulation, privatization and the withdrawal of the state from many areas due to the disintegration of the welfare state model were all common all around the world. All these significant changes affected the structure of the labour market, the work organization and the framework for the employment relationship. As with any industry in the world, the organisation of the media has dramatically changed since the 1980s, the most important being the alteration of media ownership patterns. Indeed, in Turkey, the traditional media proprietors who were also journalists themselves replaced big trustees. This followed by journalists giving priority to the interests of the media proprietors&rsquo
. Thus, the media became a hegemonic tool and journalists accepted working under the ideological pressure with the belief that they could not be successful unless they played the game according the rules. It was with these changes that the deunionization has emerged. Bosses aimed at decreasing the power of the union at the workplace and pulverize workers&rsquo
reaction. This study presents the results of a field study consisting of a survey of 285 journalists among which there are unionised as well as non-unionised members and in-depth interviews with 35 journalists who occupy posts such as editors, chief editors or managers. The study reveals that most journalists choose not to become a member of a union due to the fear of losing their jobs. Factors such as the structure of the media, the employment legislation and the organisation of the unions are also important in understanding the journalists&rsquo
conception of unionization. Furthermore, the lack of class consciousness among journalists also causes denunionazation in the media sector. Today, most journalists believe that they belong to the elite class of the society just like the media proprietors. Therefore, it becomes inevitable for them to represent their bosses&rsquo
class and act according to the media group&rsquo
s expectations and business interests.
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Terry, William Church. "WAIF-FM a case study in community radio's place in a globalizing mediascape /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1099412661.

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Roles, Joy. "Forming soundmarks : a critical evaluation of the sonic brand within the contemporary mediascape." Thesis, University of East London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533014.

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This thesis theorizes how sonic branding functions within the contemporary mediascape through relations between mind/body, emotion/feeling and sound/music. Sonic branding is important to the extent to which it is able to capture consumer attention, through a sonic stimulus that articulates a brand feeling. The soundmark concept is the novel and distinctive contribution of the thesis, which refers to the stimulation of a mind/body mark, when the appropriate sonic form is heard. Taking the view of an advertising/branding analyst, the method is to apply the soundmark to the sonic brand to illustrate how sonic brands gain attention and guide consumers through the mediascape. The soundmark evolves from the principle of Neuroscientist Antonio Damasio's somatic marker. The interdisciplinary approach interweaves numerous sonic brand/soundmark examples to illustrate key concepts. The primary example is the British Airways sonic brand and secondary examples include: Müller, Youngs, Lloyds TSB, Direct Line, Danone, Nokia, Intel, T-Mobile and Mazda. The argument is that sonic branding is a fundamental media object in the ubiquitous media environment, guiding consumers via the brand feeling. This thesis claims that sonic brand soundmarks become centres infused with feeling/emotion and experience, and represent the consumer-brand relationship. It is stated that multi-sensory brand experiences are becoming fundamental within consumer culture, with some branding existing as merely one component of a multi-faceted brand object/assemblage. The project extends the scope of the relatively limited research carried out on sonic branding. It also provides, through the soundmark, a significant concept that can be applied not only to sonic branding but to various sonic events/experiences. The thesis concludes that soundmarks for all sonic stimuli are essential mind/body formations that personalize the soundscape. Soundmarks providing vital sonic attachments are integral for sifting through the mediascape of today and the future sonic environment.
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Dahlberg-Dodd, Hannah Elizabeth. "Social Meaning in Virtual Space: Sentence-final expressions in the Japanese popular mediascape." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1573476174708106.

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Books on the topic "Mediascape"

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Mediascape. New York, NY: Guggenheim Museum Publications, 1996.

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al, et, and Froehne. Mediascape. New York, NY: Guggenheim Museum, 1996.

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Kutasi, Paul. Psychedelic mediascape. Birmingham: University of Birmingham, 2002.

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Moinuddin, Shekh. Mediascape and The State. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51932-6.

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Sign crimes/road kill: From mediascape to landscape. Toronto: Between the Lines, 1992.

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Rodríguez, Clemencia. Fissures in the mediascape: An international study of citizens' media. Cresskill, N.J: Hampton Press, 2001.

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Ibrahim, Idi Subandy. Budaya populer sebagai komunikasi: Dinamika popscape dan mediascape di Indonesia kontemporer. Yogyakarta: Jalasutra, 2007.

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The digital glocalization of entertainment: New paradigms in the 21st century global mediascape. New York: Springer, 2011.

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Cupples, Julie, and Kevin Glynn. Shifting Nicaraguan Mediascapes. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-64319-9.

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UK) IISHSS International Conference on the Economics and Psychosociology of Intercultural Relations in the Contemporary Mediascape (1st 2011 Cambridge. Proceedings of the 1st IISHSS International Conference on the Economics and Psychosociology of Intercultural Relations in the Contemporary Mediascape: February 15-18, 2011, Cambridge, UK. NEW YORK: ADDLETON ACADEMIC PUBLISHERS, 2011.

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Book chapters on the topic "Mediascape"

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Li, Shubo. "Changing Africa’s Mediascape?" In Mediatized China-Africa Relations, 49–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5382-5_3.

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Moinuddin, Shekh. "Introduction: Mediascape and the State." In Springer Geography, 1–29. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51932-6_1.

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Bin Ali, Asif, and Olav Muurlink. "Bangladeshi Mediascape: Political and Corporate Power." In The Emergence of Bangladesh, 369–86. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-5521-0_21.

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Damrosch, David. "Geopoetics: World Literature in the Global Mediascape." In Figuren des Globalen, 209–30. Göttingen: V&R Unipress, 2014. http://dx.doi.org/10.14220/9783737001700.209.

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Mahadeen, Ebtihal. "Understanding the Jordanian Mediascape: Pressure and Release." In Gender, Sexualities and Culture in Asia, 13–38. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9344-1_2.

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Sigismondi, Paolo. "Introduction: The Evolving Twenty-First Century Global Mediascape." In The Economics of Information, Communication and Entertainment, 1–13. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-0908-3_1.

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Gao, Jia, and Lu Zhang. "The Changing Chinese Community Mediascape Since the Early 1990s." In Minorities and Media, 59–84. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59631-4_4.

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Brown, Michelle. "The criminologist as visual scholar in a global mediascape." In Routledge International Handbook of Visual Criminology, 486–96. 1 Edition. | New York: Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315713281-37.

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Patnaik, Pranta Pratik. "The Art of Showing: Imagining Development in Indian Mediascape." In Investigating Developmentalism, 73–96. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17443-9_4.

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Yoon, Kyong. "Conclusion: Diasporizing Hallyu." In East Asian Popular Culture, 133–43. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94964-8_5.

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AbstractWhile Hallyu media itself may not be inherently counter-hegemonic, the diasporic audiences’ critical engagement with the Korean Wave may enhance transnational Korean media’s potential to challenge the dominant mediascape. The diasporic dimensions of Hallyu contribute to questioning the hegemonic forces that intensify the nationalistic and/or Westernizing processes of this transnational cultural trend. In response to the recent rise of Hallyu, diasporic young Korean Canadians engage with this cultural wave and negotiate different identity positions, associated with here and there.
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Conference papers on the topic "Mediascape"

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Kim, Ji-Hee, and Young-Chan Kim. "CHANGE IN THE MEDIASCAPE OF ENTERTAINMENT PROGRAMS IN KOREA." In Global Conference on Journalism and Mass Communication. The International Institute of Knowledge Management - TIIKM, 2018. http://dx.doi.org/10.17501/globalmedia.2018.1102.

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Zagidullina, Marina. "GENERALIZED INTERNET USAGE BY ADOLESCENTS AS A SELF-ADAPTATION TO THE MEDIASCAPE." In SGEM 2014 Scientific SubConference on PSYCHOLOGY AND PSYCHIATRY, SOCIOLOGY AND HEALTHCARE, EDUCATION. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b12/s2.043.

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Lassche, Alie, and Roser Morante. "The Early Modern Dutch Mediascape. Detecting Media Mentions in Chronicles Using Word Embeddings and CRF." In Proceedings of the 5th Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.latechclfl-1.1.

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Stenton, Phil. "Mediascapes." In the 2009 international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1568199.1568223.

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Jiang, Yurong, Xing Xu, Peter Terlecky, Tarek Abdelzaher, Amotz Bar-Noy, and Ramesh Govindan. "MediaScope." In the 12th international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2461381.2461416.

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Reid, Josephine, Richard Hull, Kirsten Cater, and Constance Fleuriot. "Magic moments in situated mediascapes." In the 2005 ACM SIGCHI International Conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1178477.1178529.

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