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Journal articles on the topic 'Mediascape'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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1

Lundby, Knut, and Daniel Dayan. "Mediascape missionaries?" International Journal of Cultural Studies 2, no. 3 (December 1999): 398–417. http://dx.doi.org/10.1177/136787799900200307.

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2

Hutchison, Ian, and Geoff Lealand. "Introduction: A new mediascape." Continuum 10, no. 1 (January 1996): 7–11. http://dx.doi.org/10.1080/10304319609365720.

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3

Pelillo-Hestermeyer, Giulia. "Language diversity in a Mediterranean mediascape." Discourse, Context & Media 24 (August 2018): 109–16. http://dx.doi.org/10.1016/j.dcm.2018.02.006.

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4

Roe, Keith, and Ulla Johnsson-Smaragdi. "The Swedish `Mediascape' in the 1980s." European Journal of Communication 2, no. 3 (September 1987): 357–70. http://dx.doi.org/10.1177/0267323187002003006.

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5

Berkowitz, Dan. "Journalism in the broader cultural mediascape." Journalism: Theory, Practice & Criticism 10, no. 3 (April 28, 2009): 290–92. http://dx.doi.org/10.1177/1464884909102587.

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Hamilton, A. "The mediascape of modern Southeast Asia." Screen 33, no. 1 (March 1, 1992): 81–92. http://dx.doi.org/10.1093/screen/33.1.81.

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7

Keshvani, Nisar, and Sharon Tickle. "Online news: The changing digital mediascape." Journal of Australian Studies 25, no. 70 (January 2001): 99–105. http://dx.doi.org/10.1080/14443050109387711.

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8

Jin, Dal Yong, and Kyong Yoon. "Reimagining smartphones in a local mediascape." Convergence: The International Journal of Research into New Media Technologies 22, no. 5 (July 7, 2016): 510–23. http://dx.doi.org/10.1177/1354856514560316.

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9

Knight, Julia, and Alexis Weedon. "Negotiating freedoms in the convergent mediascape." Convergence: The International Journal of Research into New Media Technologies 21, no. 2 (May 2015): 167–68. http://dx.doi.org/10.1177/1354856515577888.

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10

Skripkina, Tatiana. "«RESURRECTION OF THE AUTHOR» IN NEW MEDIA: SPECIFIC FEATURES OF THE SUBJECTIVITY OF AUTHORS IN A CHANGING MEDIASCAPE." Respublica literaria, no. 1 (December 25, 2020): 212–16. http://dx.doi.org/10.47850/s.2020.1.61.

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The paper analyzes the role of the author in new media. Arguments are presented in favor of the fact that in the informal segment of the mediascape there is a tendency to «resurrect» the author's subjectivity, which results in the interactivity of new media and the formation of the audience's interest in the personali-ty of the creator of the text. At the same time, it is confirmed that the authors' subjectivity remains minimal in the formal segments of the mediascape.
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11

Sumiala, Johanna. "“Je Suis Charlie” and the Digital Mediascape: The Politics of Death in the Charlie Hebdo Mourning Rituals." Journal of Ethnology and Folkloristics 11, no. 1 (June 27, 2017): 111–26. http://dx.doi.org/10.1515/jef-2017-0007.

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Abstract This article examines rituals of mourning in the digital mediascape in the case of the Charlie Hebdo attacks in Paris, 2015. The idea of the digital mediascape draws on Arjun Appadurai’s (1990) seminal work on mediascape and develops it further in the current framework of digital media. Rituals of mourning are approached as a response and a reaction to the anxiety and distress caused by the unexpected violent death of global media attention. The phenomenology of ritual practices in Charlie Hebdo is characterised as multi-layered, relational and coexisting. The article looks in particular at the ritual mourning in association with the message and the meme “Je suis Charlie”. The ‘imagined worlds’ created around the digital circulation of this ritual message are discussed in relation to the idea of the politics of death formed around such fundamental value-laden questions as whose life counts as life and is thus worthy of public recognition of mourning, as Judith Butler (2004) has asked.
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12

Diakon, Birama, and Ute Röschenthaler. "The Chinese presence in the Malian mediascape." Journal of African Cultural Studies 29, no. 1 (October 17, 2016): 96–113. http://dx.doi.org/10.1080/13696815.2016.1241705.

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13

Montecchi, Giordano. "Italians and music. Financescape, ideoscape and mediascape." Journal of Modern Italian Studies 11, no. 3 (September 2006): 303–41. http://dx.doi.org/10.1080/13545710600806763.

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14

Taylor, Lenore. "The Guardian’s role in the Australian mediascape." Australian Journalism Review 42, no. 1 (June 1, 2020): 13–22. http://dx.doi.org/10.1386/ajr_00016_1.

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15

Brazeau, Robert. "Becoming global: Ireland’s evolving mediascape, 1900–1990." Irish Studies Review 25, no. 2 (March 5, 2017): 259–64. http://dx.doi.org/10.1080/09670882.2017.1299608.

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16

Reis, Ashley E. "#EquityOutdoors: Public Lands and the Decolonial Mediascape." Western American Literature 54, no. 1 (2019): 63–78. http://dx.doi.org/10.1353/wal.2019.0020.

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17

Löwgren, Jonas. "Technical communication practices in the collaborative mediascape." Communication Design Quarterly 4, no. 3 (March 27, 2017): 20–25. http://dx.doi.org/10.1145/3071078.3071082.

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18

Aden, Roger C. "Locating Camp Sites in the Contemporary Mediascape." Review of Communication 9, no. 2 (April 2009): 129–32. http://dx.doi.org/10.1080/15358590802650206.

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19

Yue, Audrey. "Notes on the Sinophone mediascape in Australia." Chinese Journal of Communication 5, no. 1 (March 2012): 24–31. http://dx.doi.org/10.1080/17544750.2011.647740.

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20

Blondeau-Coulet, Olivier. "Become the Media ! Du post-media au mediascape." Chimères 56, no. 1 (2005): 115–24. http://dx.doi.org/10.3406/chime.2005.1378.

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21

Eigenfeldt, Arne, Miles Thorogood, Jim Bizzocchi, and Philippe Pasquier. "MediaScape: Towards a Video, Music, and Sound Metacreation." Journal of Science and Technology of the Arts 6, no. 1 (December 30, 2014): 61. http://dx.doi.org/10.7559/citarj.v6i1.129.

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22

Schwab, Wendell. "Introduction to the Islamic Mediascape in Central Asia." Central Asian Affairs 6, no. 2-3 (May 13, 2019): 89–94. http://dx.doi.org/10.1163/22142290-00602001.

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23

Banda, Fackson. "China in the African mediascape: a critical injection." Journal of African Media Studies 1, no. 3 (December 1, 2009): 343–61. http://dx.doi.org/10.1386/jams.1.3.343/1.

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24

Connolly, Maeve. "Artangel and the Changing Mediascape of Public Art." Journal of Curatorial Studies 2, no. 2 (June 1, 2013): 196–217. http://dx.doi.org/10.1386/jcs.2.2.196_1.

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25

Stainforth, Elizabeth. "Museums in the new mediascape: transmedia, participation, ethics." International Journal of Heritage Studies 23, no. 5 (December 23, 2016): 488–89. http://dx.doi.org/10.1080/13527258.2016.1274671.

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26

Idrus, Mohd Muzhafar, Ruzy Suliza Hashim, Raihanah M. M, Harison Mohd Sidek, Hazleena Baharun, Noor Saazai Mat Saad, Yurni Emilia Abdul Hamid, and Suzanah Selamat. "POPULAR TV FICTION, MEDIASCAPE, AND MALAY CULTURAL IDENTITIES." IJASOS- International E-journal of Advances in Social Sciences 2, no. 6 (December 24, 2016): 706. http://dx.doi.org/10.18769/ijasos.280369.

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27

Kim, Sujin. "Migrant youth identity work in transnational new mediascape." Journal of Asian Pacific Communication 28, no. 2 (August 10, 2018): 281–302. http://dx.doi.org/10.1075/japc.00013.kim.

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Abstract This paper argues that transnational new media space is an important developmental context for migrant youth who have multiple social networks across geographical and cultural locations. Informed by the ecological model of development and literacy studies, this paper examines Korean migrant adolescents’ sense of self and belonging in relation to the three intertwined identity categories – nationality, race, and ethnicity; and the role of new media in youth’s identity negotiation and representation. Using an ethnographic case study design, this paper analyzes adolescents’ identity work reflected in their verbal interviews and multimodal new media literacy practices. Findings suggest that despite the complexity of youths’ identity as seen in their shifting meaning of being Korean across national, ethno-cultural, and racial contexts, youths actively reconstructed and shared a fuller range of their identity constructs drawing on the resources and linguistic tools in transnational new media.
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28

Bush, Leigh Chavez. "The New Mediascape and Contemporary American Food Culture." Gastronomica 19, no. 2 (2019): 16–28. http://dx.doi.org/10.1525/gfc.2019.19.2.16.

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Together, food and media have long been a means by which people communicate, perform their identities, and express their values. This article focuses on how contemporary culinary work is influenced by the new mediascape, a channel of convergence through which we understand, enjoy, and participate in our food worlds. As new media proliferates and access to interactive and creative tools expands, content generation and ownership has transferred from the hands of a small population of professionals into the fast fingers of amateurs and expert producers across the globe—effectively transforming who mediates and how we mediate. Consumers now double as mediamakers; often called co-creators, or prosumers, these new forms of interactive mediation influence labor practices and professional identities across industries. In the food world, this transition has been spurred onward by food TV and chef celebrity changing the expectations we hold for our chefs and their restaurants. By drawing from the everyday experiences of people embedded within these food and media networks and integrating transdisciplinary theory, this article demonstrates a promising approach to understanding our food futures.
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29

Macip, Ricardo F. "Millenarist vaccination and the mediascape of Mexican politics." Dialectical Anthropology 45, no. 4 (October 2, 2021): 419–30. http://dx.doi.org/10.1007/s10624-021-09633-6.

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30

Yang, Yaochong. "Rethinking 3.11's Mediascape through Japan Sinks 2020." Journal of Anime and Manga Studies 2 (November 29, 2021): 92–120. http://dx.doi.org/10.21900/j.jams.v2.842.

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This paper examines Science SARU's Netflix show, Japan Sinks 2020, notably its departure from the general apocalyptic ideology of previous primary Japan Sinks texts. By reframing it through the disaster lens of 3.11, Japan Sinks 2020 sheds light on significant inequalities between global and regional images. As the first internationally aired Japan Sinks media, Japan Sinks 2020 leverages contemporary streaming practices to propose ongoing counter-narratives of the Japanese state, its actors, and the urban-rural divides which have preceded – and continue – in the face of 3.11. Drawing upon Komatsu's last words on the international status of the 3.11 disaster, Japan Sinks 2020 is a post-3.11 text addressing aspects of Japanese disaster fiction mainly ignored by previous Japan Sinks texts and simultaneously reignites less-discussed challenges associated with the 3.11 mediascape.
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31

Kief, I. Jonathan. "Reading Seoul in Pyongyang: Cross-Border Mediascapes in Early Cold War North Korea." Journal of Korean Studies 26, no. 2 (October 1, 2021): 325–48. http://dx.doi.org/10.1215/07311613-9155220.

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Abstract This article argues that the North Korean mediascape of the 1950s and 1960s must be understood in relationship to its interaction with publications from the South. To do so, it makes three methodological interventions. First, it demonstrates how North Korean writers’ own practices of citation can be used to outline the extensive and expanding body of South Korean texts available in the North during this period. Second, it shows how a focus on such references and their changing character allows us to see a shift in the late 1950s and early 1960s: one that enabled a selection of South Korean texts to be reprinted in the North, producing intersecting reading publics. Finally, it demonstrates how an understanding of this changing relationship to South Korean texts illuminates changing writing practices in the North and the hybrid texts linking North and South Korean authorship that they produced. The article thus contends that the 1950s and 1960s mediascapes of the two Koreas must be seen as imbricated rather than isolated entities.
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32

Johnson, Ginger A., Brant Tudor, and Hasan Nuseibeh. "140 Characters or Less: How Is the Twitter Mediascape Influencing the Egyptian Revolution?" Middle East Journal of Culture and Communication 6, no. 1 (2013): 126–48. http://dx.doi.org/10.1163/18739865-00503006.

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The globalization of media allows for the images and stories of marginalized and excluded groups to be seen and heard by more people than ever before, creating ‘mediascapes’ in which such populations compete for visibility on an imagined global stage. We liken 140-character Twitter messages, sent and received regarding North African social protests, as one such mediascape providing a slice of reality into the political ideology of Egyptian youth. Informed by anthropological theory and utilizing the powerful data collection techniques available to computer systems technicians, this research explores the possibilities of analyzing Twitter data related to Egypt’s 2011 political protests. In consideration of the role of Twitter in 2009 Iranian elections, this was chosen as the media platform to analyze Egyptian events. Five properties make it an ideal form to express political protest. Twitter is: 1) quick, providing real-time information in 140 characters or less, 2) free, 3) personal, 4) highly mobile and resistant to government control and 5) it can be anonymous. In seeking to answer our research questions on the role Twitter continues to play in Egyptian protests, we analyzed Twitter feeds to test for the existence of ‘authorities’ and ‘hubs’. Authorities can be considered the leaders of social protest movements (those persons creating original content in Twitter and playing an active role in setting up meeting days, times and places), while hubs serve as data dissemination points with large Twitter followings.
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33

Cassone, Vincenzo Idone. "“IT’S OVER 9000.” APEIRON NARRATIVE CONFIGURATIONS IN CONTEMPORARY MEDIASCAPE." Digital Age in Semiotics & Communication 1, no. 1 (November 28, 2018): 79–94. http://dx.doi.org/10.33919/dasc.18.1.6.

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Recently, a peculiar narrative configuration has developed and is spreading through the internet culture and new media. Characterised by a specific representation of the individual growth process, Apeiron narratives find their origin in pen & paper role-playing games, but it is only after the development of digital games and the diffusion of the Japanese cultural codex through the contemporary mediascape that they have become a coherent, autonomous and viral phenomenon. In the following pages, this narrative configuration will be described through a series of paradigmatic examples; its roots will be traced back to the peculiar traits of role-playing games, and the importance of recent digital adaptation will be highlighted. Finally, I will describe its diffusion beyond the domain of fictional text, hinting at possible environments for its diffusion.
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34

de Sousa Carvalho, Alexandre, Sofía José Santos, and Carlota Houart. "Exploring the Mediascape from the Epistemologies of the South." Commons 9, no. 2 (2020): 211–37. http://dx.doi.org/10.25267/commons.2020.v9.i2.07.

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35

Fendler, Ute. "Cinema in Mozambique: New Tendencies in a Complex Mediascape." Critical Interventions 8, no. 2 (May 4, 2014): 246–60. http://dx.doi.org/10.1080/19301944.2014.940245.

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36

Rao, Shakuntala, and Navjit Singh Johal. "Ethics and News Making in the Changing Indian Mediascape." Journal of Mass Media Ethics 21, no. 4 (November 2006): 286–303. http://dx.doi.org/10.1207/s15327728jmme2104_5.

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37

Tay, Sharon Lin. "Conceiving Ada, Conceiving Feminist Possibilities in the New Mediascape." Women: A Cultural Review 18, no. 2 (August 2007): 182–98. http://dx.doi.org/10.1080/09574040701400262.

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38

Ilan, Jonathan. "Commodifying compliance? UK urban music and the new mediascape." Tijdschrift over Cultuur & Criminaliteit 4, no. 1 (March 2014): 67–79. http://dx.doi.org/10.5553/tcc/221195072013003003006.

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39

Wilson, Helen. "Review & Booknote: Aotearoa/New Zealand: A New Mediascape." Media International Australia 83, no. 1 (February 1997): 141–42. http://dx.doi.org/10.1177/1329878x9708300131.

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40

Pontzen, Benedikt. "“Caring for the People”: ZuriaFM – An Islamic Radio Station in Asante, Ghana." Islamic Africa 9, no. 2 (October 8, 2018): 209–31. http://dx.doi.org/10.1163/21540993-00902007.

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As an Islamic radio station, ZuriaFM stands as an exception in the heavily pentecostalized Ghanaian mediascape. In this essay, I locate this station in this mediascape and discuss the “Islamic sphere” it co-brings into being. Thereby, I complement the mainly Christian case studies of media, institutions, and actors in the Ghanaian public sphere with an Islamic one. ZuriaFM has emerged as a central platform for Muslims in the country, and has significantly (re-)shaped this “Islamic sphere” by introducing new styles of preaching, preacher figures, and opening topics for debate. In this sense, I by and large agree with the prevailing “transformation thesis” in the literature on “modern” media and “Islamic spheres” which stresses the fragmentation and liberalization of debates and authority. However, ZuriaFM could also be perceived as contributing to a unification of Islamic standards, which calls into question the one-sided stressing of fragmentation and liberalization of the “transformation thesis”.
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41

Pavlik, John V., Everette E. Dennis, Rachel Davis Mersey, and Justin Gengler. "Conducting Research on the World’s Changing Mediascape: Principles and Practices." Media and Communication 7, no. 1 (February 19, 2019): 189–92. http://dx.doi.org/10.17645/mac.v7i1.1982.

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As digital technology sweeps across the globe, bringing far-reaching changes to the media environment and beyond, international research on the nature and impact of these changes is essential. This commentary situates media research within the broader flow of knowledge and offers a critical perspective on the principles and practices that should guide that research to maximize its potential contribution to both knowledge and to the public.
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42

Maclellan, Nic. "The changing mediascape in New Caledonia broadens the political landscape." Pacific Journalism Review : Te Koakoa 15, no. 2 (October 1, 2009): 205–9. http://dx.doi.org/10.24135/pjr.v15i2.992.

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Commentary: Since the 1990s, the media landscape has broadened in New Caledonia, with new magazines and websites across the political spectrum. New Caledonia’s FLNKS independence movement has long been supported by the community station Radio Djiido, which has expanded into live broadcasting and streaming on the web. But over the last decade, there has been an increase in opportunities for journalists to work with a range of new magazines, covering politics, culture, environment and economics. There is also increasing interest in the web among the young, with the beginning of internet blogging.
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43

Winter, Pahmi. "The New Zealand mediascape of the 1990s and international news." Ecquid Novi: African Journalism Studies 18, no. 2 (January 1997): 209–28. http://dx.doi.org/10.1080/02560054.1997.9653204.

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44

King, J. R. O., and M. J. T. Batista Filha. "Mídia & Homofobia: Uma Análise do Discurso no Mediascape Paraibano." Gênero & Direito, no. 3 (December 22, 2015): 116–21. http://dx.doi.org/10.18351/2179-7137/ged.2015n3p116-121.

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45

Kirk, Niamh. "Remembering Ireland: News flows and 1916 in the transnational mediascape." European Journal of Cultural Studies 23, no. 5 (August 23, 2019): 801–16. http://dx.doi.org/10.1177/1367549419869350.

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Irish emigration has resulted in large and highly organised diasporas in the United States, the United Kingdom and Australia which sustain commercially successful ethnic news organisations serving the communities’ informational and cultural needs. Some of these titles have been operating in print for decades and expanded operations as they transitioned online. Diaspora journalism has an important role in recreating ethnic identity among deterritorialised Irish audiences. However, little is understood about what aspects of homeland culture diaspora news media represent, how ‘Irishness’ is characterised or the extent these representations can be regarded as homogeneous across different hostlands. The focus of this research is on Irish diasporic news organisations, comparing how news titles in each of the regions represented Irish identity over 6 months in 2016. Using RSS Feeds and automated data entry, it maps the news flows from Ireland to the digital diaspora press in each of the regions, revealing differences in the salience of news categories and topics. In addition, a comparative frame analysis of how the 1916 Centenary event in Ireland was covered revealed differences in the conceptualisation and representation of this part of Irish culture. This article highlights the complexity of diaspora news media’s role in representing ethnic identities as they respond and republish homeland current affairs. It reveals unbalanced news flows to the diaspora press and divergences among Irish diasporic news media over how transnational Irish culture is conceptualised and represented.
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Brimacombe, Tait. "Trending Trousers: DebatingKastom, Clothing and Gender in the Vanuatu Mediascape." Asia Pacific Journal of Anthropology 17, no. 1 (January 2016): 17–33. http://dx.doi.org/10.1080/14442213.2015.1116595.

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47

Lee, Hye-Kyung. "Participatory media fandom: A case study of anime fansubbing." Media, Culture & Society 33, no. 8 (November 2011): 1131–47. http://dx.doi.org/10.1177/0163443711418271.

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Recent years have seen the rise of consumers’ voluntary translation and distribution of foreign cultural products on a global scale. Such a practice not only facilitates the grassroots globalization of culture but also questions the cultural industries’ current model of global distribution. This article explores the nature and implications of fan-translation and distribution of cultural commodities through a case study of English fansubbing of anime (subtitling of Japanese animation in English). Anime fansubbing is situated at the disjuncture of the global mediascape, which intensifies with the increasing public access to means to copy and share, the expansion of collective knowledge and the rise of fans’ voluntary labour coordinated on a global scale. It exemplifies participatory media fandom whose globalization exceeds that of cultural industries in terms of extent and velocity. The article argues that fansubbing, pursued as a hobby, can unsettle the global mediascape by allowing multiple mediations of cultural text and presenting a new model of content distribution and its organization based on consumers’ voluntary work.
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48

Higgins, Christina. "Intersecting scapes and new millennium identities in language learning." Language Teaching 48, no. 3 (March 25, 2014): 373–89. http://dx.doi.org/10.1017/s0261444814000044.

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This paper examines how flows of people, media, money, technology, and ideologies move through the world, with attention to how these scapes (Appadurai 1990, 1996, 2013) shape identity construction among language learners, both in and out of classrooms. After illustrating intersecting scapes in sociolinguistic terms, I explore the relevance of these ideas to identity formation among language learners, using three case studies. First, I examine the mediascape of hip hop in the ideoscape of education in Hong Kong, where an ELT Rap curriculum was designed for working class students in a low-banded secondary school. Next, I discuss how the confluence of transnationals and cosmopolitan urban residents in Tanzania provides a range of identity options for learners of Swahili that challenge nation-state-based associations of language. Finally, I consider how learners’ engagement in anime and manga from the mediascape is taken up in an introductory university-level Japanese language classroom in Hawai’i. These examples demonstrate how individuals are increasingly learning and using additional languages in the contexts of cultural mélange and new identity zones.
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49

Horsti, Karina. "Techno-cultural opportunities: the anti-immigration movement in the Finnish mediascape." Patterns of Prejudice 49, no. 4 (August 8, 2015): 343–66. http://dx.doi.org/10.1080/0031322x.2015.1074371.

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50

Winseck, Dwayne. "Netscapes of power: convergence, consolidation and power in the Canadian mediascape." Media, Culture & Society 24, no. 6 (November 2002): 795–819. http://dx.doi.org/10.1177/016344370202400604.

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