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Books on the topic 'Medical image stacks'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Ng, Jenna. The Post-Screen Through Virtual Reality, Holograms and Light Projections. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723541.

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Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer’s actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from

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2

St-Pierre, Marc-André. Le système de santé et de services sociaux du Québec: Une image chiffrée /.c[recherche et rédaction: Marc-André St-Pierre].. Santé et services sociaux, Québec, 2001.

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3

Picturing medical progress from Pasteur to polio: A history of mass media images and popular attitudes in America. Rutgers University Press, 2009.

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4

Elsaesser, Thomas. Film History as Media Archaeology. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462980570.

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Since cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the 'death of cinema' debate, Film History as Media Archaeology presents a robust argument for the cinema's current status as a new epistemological object, of interest to philosophers, while also examining the presence of moving images in the museum and art spaces as a challenge for art history. The current study is the fruit of some twenty years of research and writing at the interface of film history, media theory and media archaeology by one of the acknowledged pioneers of the 'new film his

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5

Goyhman, Oskar, Lyubov' Goncharova, Alla Larionova, et al. Social and identification status of communication studies. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1111369.

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The collective monograph is devoted to interdisciplinary problems of communication in a modern multimodal society. A number of aspects outlining the status of communication studies as a scientific, practical and social phenomenon are discussed. The authors ask questions about the influence of digitalization on interpersonal and intercultural communication in the modern world, consider the philosophical and cultural meanings of the communicative self-identity of peoples from the positions of national and state ideologies, touch upon the problems of communication in various spheres and discourse

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6

Dammann, Gordon. Images of Civil War medicine: A photographic history : containing numerous previously unpublished photographs of surgeons, nurses, hospitals, and other facilities used during the Civil War. Demos, 2008.

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7

Bolt, Neville. The Violent Image. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197511671.001.0001.

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Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. Global media have revolutionized the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power

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8

Lund, Cornelia. Sculpting Image and Sound. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.40.

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Digital technology increasingly has offered new possibilities of combining audio and visual elements, be it in live performances, installations, or videos. The Canadian artist and musician Herman Kolgen plays the different genres like a virtuoso, exploring overarching themes in audiovisual performances as well as audiovisual installations. This chapter offers a case study that takes Kolgen’s work as an example of artistic production that pushes its investigation of audiovisual combinations in different directions by its flexible use of analog and digital media formats. The chapter first discus

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9

Bondebjerg, Ib. Images of Europe, European Images: Postwar European Cinema and Television Culture. Edited by Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0033.

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The audio-visual culture of Europe right after 1945 was a culture in ashes in a Europe soon to be divided into east and west under the Cold War. It was a Europe where nation-states had to reconstruct and revitalise a cinema culture damaged by war, and where television did not emerge until the 1950s, or in some countries even later. Already during the 1980s, a cultural policy and a policy for film and media was starting to develop, and both the MEDIA programmes (from 1987) and the EURIMAGE programme (from 1988) represented the institutionalisation of support for the diversity of film and media

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10

Surgical automation and image-directed surgery: Technologies, trends & opportunities, 1994-2000. Medical Data International Inc., 1995.

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11

Goodrich, Peter. Pictures as Precedents. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0011.

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Contemporary expansion of the use of images, photographs, film, animation and other visual media in legal argument has given rise to a practice and subdiscipline of visual advocacy. Less studied and commented on, this scopic dimension to legal practice has also resulted in an increasing use of images in judicial decisions. Recent case law provides examples of an image of an ostrich with its head buried purportedly remonstrating against failure to cite binding precedent, a smiling emoji in a decision relating to child custody, numerous splash pages and online order icons in cases relating to co

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12

Huntoon, Marc A., ed. Pain Medicine Board Review. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190217518.001.0001.

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Pain Medicine is a comprehensive guide for preparing for the American Board of Medical Specialties (ABMS) certification or recertification in pain medicine and also for residents preparing for in-training examinations in pain medicine. The text is organized into 28 chapters covering topics such as anatomy, physiology of pain, pharmacology, diagnosis of pain, and various pain syndromes. Each chapter includes questions, answers, detailed explanations with highlighted key points, and concise further reading lists. Questions follow the ABMS style, and the explications of answers carefully address

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13

Hansen, Bert. Picturing Medical Progress from Pasteur to Polio: A History of Mass Media Images and Popular Attitudes in America. Rutgers University Press, 2009.

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14

Wijdicks, Eelco F. M. Cinema, MD. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780190685799.001.0001.

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Cinema, MD argues that within cinema there is a history of medicine—one version in the many different histories of medicine. How did filmmakers write a history of medicine? This book discusses how cinema depicts medicine, in all its glory and all its failures, and what can we learn from it. It offers an account of all the major films with medical themes. The book asks a number of critical questions, such as why scriptwriters and directors chose the subjects, the plots, the cast, and the images that they did. Films have covered a wide range of medical topics, depicting not only physicians, nurs

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15

Dukalskis, Alexander. Making the World Safe for Dictatorship. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197520130.001.0001.

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Authoritarian states try to present a positive image of themselves abroad. They invest in foreign-facing media, retain public relations firms, and showcase their successes to elite and popular foreign audiences. But there is also a darker side to these efforts. Authoritarian states try to obscure or censor bad news about their governments and often discredit their critics abroad. In extreme cases, authoritarian states intimidate, physically attack, or even murder their opponents overseas. This book is about how authoritarian states manage their image abroad using both “promotional” tactics of

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16

Hobbs, Renee, Liz Deslauriers, and Pam Steager. The Library Screen Scene. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190854317.001.0001.

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Throughout life, people use film, videos, and media for entertainment and learning. In an increasing number of school, public, and academic libraries, people get opportunities to screen and discuss movies, make short animations, learn to edit videos, and develop a sense of community and civic engagement through shared media experiences. Through innovative programs, services, and collections, libraries are helping people acquire film and media literacy competencies. This book reveals five core practices used by librarians who care about film and media: viewing, creating, learning, collecting, a

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17

Yousman, Bill. Challenging the Media-Incarceration Complex through Media Education. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037702.003.0008.

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This chapter argues that the United States faces a crisis of representation, for while crime rates remain stable, the TV and other corporate-controlled mass media bury viewers beneath an avalanche of fear-based spectacles in which crime and violence are portrayed as escalating, even life-threatening crises. It then outlines a new program of media education that enables consumers of mass media to develop more informed and empowering views of the complexities of crime and violence. Focusing on prime-time dramatic television as the most prevalent source of fictional images of violence, crime, and

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18

Vogan, Travis. The Shakespeares of Sports Films. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0005.

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This chapter examines how NFL Films' engagements with aesthetic traditions, the discourses surrounding the company, and its selective incorporation of positive critical reception into its publicity materials separate the organization from other sports media outlets and, by extension, distinguish the National Football League (NFL) from competing sports organizations. Throughout its history, NFL Films has taken great pains to emphasize its distinction within sports media and in the broader contexts of art and media culture. The company places its productions in dialogue with established aestheti

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19

Moscowitz, Leigh. Gay Marriage in an Era of Media Visibility. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038129.003.0001.

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This book examines how media coverage helped to define and shape the gay marriage debate as well as gay rights activism during the period 2003–2012. Through an analysis of media reports and in-depth interviews with leaders of the modern gay rights movement, it investigates how media frames and activist discourses evolved surrounding the issue of same-sex marriage. It looks at the aims and challenges of leading gay rights activists who sought to harness the power of mainstream news media to advocate for their cause and reform images of their community. It also considers how gay and lesbian righ

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20

Fields, Sarah K. The History of Celebrity and the Laws of Reputation and Speech. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040283.003.0001.

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This chapter introduces the concept of celebrity and the rise of the sporting celebrity. It explains the evolution of the laws of reputation, specifically defamation, the rights of privacy, and the right of publicity. It also provides the legal and cultural backdrop in order to understand where the cases in the subsequent chapters fit in the history of celebrity and law. It argues that in the twenty-first century, sport celebrities are not known solely for their exploits on the field or court. They are famous every moment, and—because they are celebrities—members of the media stalk them and re

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21

Bock, Mary Angela. Seeing Justice. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190926977.001.0001.

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Seeing Justice examines the way criminal justice in the United States is presented in visual media by focusing on the grounded practices of visual journalists in relationship with law enforcement. The book extends the concept of embodied gatekeeping, the corporeal and discursive practices connected to controlling visual media production and the complex ways social actors struggle over the construction of visual messages. Based on research that includes participant observation, extended interviews, and critical discourse analysis, the book provides a detailed examination of the way these practi

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22

Images of Civil War Medicine: A Photographic History. Demos Medical Publishing, 2007.

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23

Tsygankov, Andrei P. The Dark Double. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190919337.001.0001.

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This book studies the role of US media in presenting American values as principally different from and superior to those of Russia. The analysis focuses on the media’s narratives, frames, and nature of criticism of the Russian side and is based on texts of editorials of selected mainstream newspapers in the United States and other media sources. The book identifies five media narratives of Russia—“transition to democracy” (1991–1995), “chaos” (1995–2005), “neo-Soviet autocracy” (2005–2013), “foreign enemy” (since 2014), and “collusion” (since 2016)—each emerging in a particular context and sup

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24

McClendon, John H. “Race” to the Finish Line. Edited by Naomi Zack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190236953.013.38.

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The image of the black athlete looms large on the landscape of communications media and cultural outlets. And a certain kind of sports ethos, intimately linked to African American sports figures, permeates mass and popular culture. Questions are raised: How does this importance of sports regarding black people affect race as a dynamic social category? If “race matters” in society, can sports tell us in what way? Does the notion of racial progress apply to the status of African Americans in contemporary sports? How would we measure and define the progress of the black race in sports? Does progr

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25

Qiong Yu, Sabrina, and Guy Austin, eds. Revisiting Star Studies. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474404310.001.0001.

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This collection revisits star studies with themes and methods from the latest international research into stardom and fandom across the globe. It challenges the Hollywood-centrism in star studies by presenting new angles and models, and raises important questions about image, performance, gender, sexuality, race, fandom, social media, globalisation, and translocal stardom. This volume seeks to expand the notion of stardom that is traditionally associated with glamour and desirability to include less glamourous, more troubling stardom (e.g. ageing stars, ‘crip’ stars), or previously unacknowled

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26

Winter, Stefan. The Nusayris in Medieval Syria. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691167787.003.0002.

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This chapter re-examines the early development of the ʻAlawi community and its situation in western Syria in the medieval period in the wider context of what might be termed Islamic provincial history. It starts from the premise that the conventional image of the “Nusayris” has largely been fashioned by elite historical sources whose discourse on nonorthodox groups is a priori negative but which, when read against the grain and compared with other sources, can yield a less essentializing, less conflicting account of the community's development. In particular, the chapter aims to show that the

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27

Rogers, Holly, and Jeremy Barham, eds. The Music and Sound of Experimental Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.001.0001.

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This book explores music- and sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisua

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28

Weinel, Jonathan. Synaesthetic Overdrive. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0007.

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This chapter discusses altered states of consciousness in audio-visual media, such as films, psychedelic light shows, and VJ performances. First, some background theory is introduced, explaining the main categories of film sound, and what research tells us regarding the way in which sound influences the perception of visual images and vice versa. Following this background section, a tour is provided through various films that represent altered states of consciousness, including surrealist movies, ‘trance films’, and Hollywood feature films. These demonstrate a progression, where more recent mo

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29

Tweedie, James. Serge Daney, Zapper. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190873875.003.0004.

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This chapter considers Serge Daney’s transition from a film critic schooled in New Wave cinephilia to a television critic fascinated with the possibilities of the small screen and status of cinema as an old medium. Daney challenges foundational film theory and introduces the language of belatedness, aging, and delay into his writing on the “adult art” of film. In the 1980s he chronicled the experience of watching cinema on television and engaged in a process of “archaeology” focused on absent or damaged images rather than the imaginary plenitude of the screen. Daney’s work at the threshold bet

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30

Hernandez, Rebecca Skreslet. Authority by Allusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805939.003.0006.

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The final chapter brings the discussion of al-Suyūṭī’s legal persona squarely into the modern era. The discussion explores how contemporary jurists in Egypt use the legacy of the great fifteenth-century scholar in their efforts to frame their identity and to assert authority as interpreters and spokesmen for the Sharīʿa in a political arena that is fraught with tension. In the midst of Mursī’s embattled presidency, leading scholars at Egypt’s state religious institutions rushed to news and social media outlets to affirm their status as representatives of “orthodoxy” and to distance themselves

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31

Buhler, James. Theories of the Soundtrack. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199371075.001.0001.

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This book is concerned with summarizing and critiquing theories of the soundtrack from roughly 1929 until today. A theory of the soundtrack is concerned with what belongs to it, how it is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound (and music), classify the types of

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32

Spallaccia, Beatrice. It’s a Man’s World (Wide Web). Bononia University Press, 2020. http://dx.doi.org/10.30682/alph05.

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Abusive posts on social media target women engaged in online conversation with words and images that affirm patriarchal ideologies and fixed gender identities, to maintain cyberspace as a man’s world. This book investigates online misogyny as a pervasive yet little-researched form of hate speech. By focusing on six cases of cyber harassment directed at women in Australia, Italy, and the United States, this qualitative analysis reveals specific discursive strategies along with patterns of escalation and mobbing that often intertwine gender-based harassment with racism, homotransphobia, xenophob

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33

Yong, Jose C., Norman P. Li, Katherine A. Valentine, and April R. Smith. Female Virtual Intrasexual Competition and Its Consequences. Edited by Maryanne L. Fisher. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199376377.013.38.

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Intrasexual competition is a key component of sexual selection. Evolutionarily, women compete for access to and retention of mates on key dimensions that men have evolved to value and prioritize in their long- and short-term mates, in particular physical attractiveness. Such competition evolved to be adaptive in ancestral environments as the perceived competition consisted of real individuals. However, underlying psychological mechanisms for competition are excessively triggered and more continuously engaged in modern environments, because these psychological mechanisms for social comparison a

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34

Debes, Remy, ed. Dignity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199385997.001.0001.

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The concept of dignity typically brings to mind an idea of moral status that supposedly belongs to all humans equally, and which serves as the basis of human rights. But this moralized meaning of dignity is historically very young. Until the mid-nineteenth century, dignity suggested an idea about merit: it connoted elevated social rank, of the sort that marked nobility or ecclesiastic preferment. What explains this radical change in meaning? And before this change, did anything like the moralized concept of dignity exist, that is, before it was named by the term “dignity”? If so, exactly how o

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35

Klapper, Melissa R. Ballet Class. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190908683.001.0001.

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Surveying American ballet in 1913, Willa Cather reported that few girls expressed any interest in taking ballet class and that those who did were hard-pressed to find anything other than dingy studios and imperious teachers. A century later, ballet is everywhere. There are ballet companies across the United States; ballet is commonly featured in film, television, literature, and social media; professional ballet dancers are spokespeople for all kinds of products; nail polish companies market colors like “Ballet Slippers”; and, most importantly, millions of American children have taken ballet c

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36

Chan-Malik, Sylvia. Being Muslim. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850600.001.0001.

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Being U.S. Muslims: A Cultural History of Women of Color and American Islam offers a previously untold story of Islam in the United States that foregrounds the voices, experiences, and images of women of color in the United States from the early twentieth century to the present. Until the late 1960s, the majority of Muslim women in the U.S.—as well as almost all U.S. Muslim women who appeared in the American press or popular culture, were African American. Thus, the book contends that the lives and labors of African American Muslim women have—and continue to—forcefully shaped the meanings and

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37

Lasc, Anca I. Interior decorating in nineteenth-century France. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526113382.001.0001.

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This book analyzes the early stages of the interior design profession as articulated within the circles involved in the decoration of the private home in the second half of nineteenth-century France. It argues that the increased presence of the modern, domestic interior in the visual culture of the nineteenth century enabled the profession to take shape. Upholsterers, cabinet-makers, architects, stage designers, department stores, taste advisors, collectors, and illustrators, came together to “sell” the idea of the unified interior as an image and a total work of art. The ideal domestic interi

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38

Toal, Gerard. Near Abroad. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190253301.001.0001.

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Before Russia invaded Ukraine, it invaded Georgia. Both states are part of Russia's "near abroad" - newly independent states that were once part of the Soviet Union and are now Russia's neighbors. While the Russia-Georgia war of 2008 faded from the headlines in the wake of the global recession, the geopolitical contest that created it did not. Six years later, the spectre of a revanchist Russia returned when Putin's forces invaded and annexed the Crimean peninsula, once part of Russia but an internationally recognized part of Ukraine since the Soviet collapse. Crimea's annexation and follow on

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39

Popenhagen, Ron J. Modernist Disguise. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474470056.001.0001.

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This book chronicles and theorises face and body masking in arts and culture from the mid-nineteenth century to the new millennium. While featuring the modernist era in France, analyses include commentary on performers and visual artists from the margins of the European continent: Ireland and the Baltics; Denmark and the Mediterranean. Representations of silent Pierrots on stage are contrasted with images of fixed-form maskers and masquerades; two-dimensional depictions in paintings and photographs further the study of the form-altered human figure. The relationship of the European avant-garde

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