Books: 'Medical televison programs'

1

Dionisio, Alessandra. Quando la medicina si fa in TV: Benessere, salute e professione sanitaria rappresentate nel piccolo schermo. Napoli: Guida, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Quando la medicina si fa in TV: Benessere, salute e professione sanitaria rappresentate nel piccolo schermo. Napoli: Guida, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Casualty: Reception study of a medical drama. London: Le Drac Books, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

House, M.D.: The official guide to the hit medical drama. New York: It Books, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Winter, Elena. Improvisation im Fernsehen: Mediale Rahmen und ihr Unterhaltungswert. Konstanz: UVK Verlagsgesellschaft mbH, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Improvisation im Fernsehen: Mediale Rahmen und ihr Unterhaltungswert. Konstanz: UVK Verlagsgesellschaft mbH, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Tatort Stadt: Mediale Topographien eines Fernsehklassikers. Frankfurt am Main: Campus Verlag, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Cappi, Valentina. Pazienti e medici oltre lo schermo: Elementi per un'etnografia dei medical dramas. Bologna: Bononia University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dr. House. Zürich: Diaphanes, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Playing doctor: Television, storytelling, and medical power. Ann Arbor: The University of Michigan Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Dr House, l'esprit du shaman. Montréal: Boréal, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Bollhöfer, Björn. Geographien des Fernsehens: Der Kölner Tatort als mediale Verortung kultureller Praktiken. Bielefeld: Transcript, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Krajewski, Sabine. Life goes on, and sometimes it doesn't: A comparative study of medical drama in the U.S., Great Britain, and Germany. New York: P. Lang, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Life goes on, and sometimes it doesn't: A comparative study of medical drama in the US, Great Britain, and Germany. Frankfurt am Main: P. Lang, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Body trauma TV: The new hospital dramas. London: British Film Institute, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Mariavittoria, Savini, ed. Tv buona dottoressa?: La medicina nella televisione italiana dal 1954 a oggi. Roma: Rai-ERI, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Holtz, Andrew. The medical science of House, M.D. New York: Berkley Boulevard, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Die mediale Zwangsgemeinschaft: Der deutsche Kinofilm zwischen Filmförderung und Fernsehen. Berlin: Avinus, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

William, Van Nostran, ed. The media writer's guide: Writing for business and educational programs. Boston: Focal Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Harlan, Gibbs, ed. The medicine of ER, or, How we almost die. New York: BasicBooks, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Harlan, Gibbs, ed. The medicine of ER, or, How we almost die. London: Flamingo, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Wyle, Noah. ER. Burbank, CA: Distributed by Warner Home Video, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Fanclubs zu ARD-Serien: Ein Beitrag über mediale Kommunikation. Frankfurt am Main: P. Lang, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Fink, Moritz. Understanding The Simpsons. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988316.

Full text

Abstract:

Another book on The Simpsons? you might wonder. Isn’t the yellow cartoon troupe around the eponymous chaotic family somewhat worn-out? Perhaps you even ask yourself whether that nineties’ show is still on the air anyhow. Accolades such as "the best TV show of the twentieth century" or "the longest-running scripted series on American prime-time television" have elevated The Simpsons to the pop culture pantheon, while also suggesting the very vintage character of the program. But the label "The Simpsons" refers not just to a show that seems to belong to a bygone television era, it implies a rich narrative universe, including a set of iconic figures, familiar across continents and generations. Through lens of a transmedia studies, Understanding The Simpsons traces the franchise’s trajectory, from its original conception shaped by alternative media traditions to its astounding, long-lived impact as a cult phenomenon in popular culture. Examining the legacy of online fan forums and bootleg T-shirts from the show’s heyday in the early 1990s, as well as the meaning of The Simpsons in contemporary digital culture, this book demonstrates how one of the most popular comedy series of all time has redefined the intersections between the corporate media and participatory culture – and is alive indeed.

APA, Harvard, Vancouver, ISO, and other styles

25

Ciao famiglia: Un'analisi "veloce veloce" della lingua della serie Un medico in famiglia. Soveria Mannelli: Rubbettino, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Claire, Labine, ed. Robin's diary. Radnor, Penn: ABC Daytime Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Jacques, Godbout. L' écran du bonheur: Essais 1985-1990. [Montréal]: Boréal, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Jacques, Godbout. L' écran du bonheur: Essais, 1985-1990. 2nd ed. [Montréal, Québec]: Boréal, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

The real Grey's anatomy: A behind-the-scenes look at the real lives of surgical residents. New York: Berkley Books, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Holtz, Andrew. The Real Grey's Anatomy. New York: Penguin USA, Inc., 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Baldini, Michela, and Teresa Spignoli, eds. L'Approdo. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-617-4.

Full text

Abstract:

In December 1945 the "L'Approdo" transmissions were launched at the RAI headquarters in Florence. The radio programme, one of the most important in Italy at the time, went on the air up to 1977, being accompanied from 1952 by a magazine and from 1963 to 1972 by a television programme. The three parallel cultural "enterprises" boasted an impressive number of important collaborators, gravitating around the decisive figure of Carlo Betocchi as leader and organiser. Nevertheless, despite its significance, even the adventure of "L'Approdo" was destined to die. When the transmissions and the publication of the magazine ceased, an entire cultural élite had to come to terms not only with the objective difficulties, but with a crisis of trust and of commitment in the face of what were now irreversible changes in the country. Yet – precisely because "L'Approdo" had battled for an approach that was destined to become minority with the triumph of the new media society – the retrieval of its history and the reconstruction through voices, pages and images of one of the first examples of encounter and mediation between culture and communication appears particularly significant. The methods and the emphatic planning of the entire experience emerge clearly from the first issue of the magazine, produced here in anastatic reprint, and above all from the enclosed CD-Rom which proposes, along with the tables of contents of "L'Approdo", the files and records of the entire correspondence (over 20,000 unpublished pieces) and details of the surviving scripts of the transmissions… In short, we finally have at our disposal material that enables us to reconstruct – through the traces of a programme and a magazine and of the intellectuals who collaborated on them – thirty years of culture and utopia, of compromise and enthusiasm, clustered around the birth, growth and death of an articulated project of "cultural policy".

APA, Harvard, Vancouver, ISO, and other styles

32

Hilmes, Michele, Matt Hills, and Roberta Pearson. Transatlantic Television Drama. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663124.001.0001.

Full text

Abstract:

A tide of high-quality television drama is sweeping the world. The new transnational television series has developed not only global appeal but innovative new modes of production, distribution, and reception. Nowhere is the transnational exchange of television drama more vital than between Britain and the United States, where it builds on more than sixty years of import, adaptation, coproduction, and fandom. This edited volume explores the transatlantic flow of television drama, focusing on key programs, industry strategies, critical debates, and audience reception, from an international roster of scholars and researchers. The chapters explore some of the most widely discussed programs on the transatlantic circuit. The book's first part focuses on media industries, tracing the history of transatlantic exchange and investigating contemporary practices such as coproduction, digital distribution, global partnerships, promotion, and branding. The second part concentrates on specific television texts and their negotiation of meaning across cultural contexts, exploring critical issues in the creation of transnational drama, such as heritage, proximity, performance, and self-reflexivity. Part III turns to the lively sphere of transatlantic fandom and commentary, including fan conventions, fan fiction, the role of both traditional and social media, and fan strategies for negotiating cultural differences. Transatlantic Television Drama provides a wide-ranging analysis of a phenomenon at the forefront of today’s television universe. It is focused on the serial dramatic programs that have gained the bulk of critical and popular attention and is particularly concerned with the impact of digital technologies on the production, distribution, and reception of television drama.

APA, Harvard, Vancouver, ISO, and other styles

33

Bondebjerg, Ib. Images of Europe, European Images: Postwar European Cinema and Television Culture. Edited by Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0033.

Full text

Abstract:

The audio-visual culture of Europe right after 1945 was a culture in ashes in a Europe soon to be divided into east and west under the Cold War. It was a Europe where nation-states had to reconstruct and revitalise a cinema culture damaged by war, and where television did not emerge until the 1950s, or in some countries even later. Already during the 1980s, a cultural policy and a policy for film and media was starting to develop, and both the MEDIA programmes (from 1987) and the EURIMAGE programme (from 1988) represented the institutionalisation of support for the diversity of film and media culture in Europe as a whole. This article explores European images in cinema and television culture during the postwar period. It also discusses fascism and new wave cinema in Southern Europe, new wave cinema in Scandinavia and the rise of a modern welfare culture, European media culture and the Communist ‘Ice Age’, European art television and national fiction series, the transnational power of television, documentary film and television, and digital television and film in European perspective.

APA, Harvard, Vancouver, ISO, and other styles

34

Krajewski, Sabine. Life Goes on. and Sometimes It Doesn't: A Comparative Study of Medical Drama in the US, Great Britain and Germany. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Gerd, Hallenberger, and Schanze Helmut, eds. Live is life: Mediale Inszenierungen des Authentischen. Baden-Baden: Nomos, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Boon, Timothy. Medical Film and Television: An Alternative Path to the Cultures of Biomedicine. Edited by Mark Jackson. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199546497.013.0034.

Full text

Abstract:

This article is concerned with the triangular territory between biomedicine, relevant moving image media production, and lay people — sometimes cinematic subjects, sometimes patients, and sometimes audiences. The examples quoted — mainly British — arise from the period stretching from the late nineteenth century up to the 1960s. The significant costs and effort involved in producing medical films and programmes make their existence in certain times and places particularly interesting evidence for the terrain of biomedicine in the past. The three modes of medical film and television are discussed and they stand for different aspects of biomedicine. This article provides an understanding of how biomedicine came to be made and used and gives access to the politics and social attitudes of participants in interesting ways. The coverage of each mode of film-making is concentrated in the decade of its emergence.

APA, Harvard, Vancouver, ISO, and other styles

37

Holtz, Andrew. The Medical Science of House, M.D. Berkley Trade, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Nacos, Brigitte L. Muslims in America and the Post-9/11 Terrorism Debates. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038860.003.0011.

Full text

Abstract:

This chapter discusses representations of bin Laden, terrorists, and Muslims in U.S. media, focusing on the “post-9/11 ‘us’ versus ‘them’” narrative structures that enable the positioning of Muslims as the enemy. It argues that depictions of Muslims as enemies were not only a commonly shared trope across mainstream media and popular culture, but that these depictions themselves shaped the attitudes toward and practices of torture of presumed Muslim terrorists by the U.S. military. By looking at the television program 24, the chapter shows the overlaps between popular narratives, mainstream media, and political discourses. With politicians, judges, and newscasters all using the program's star, Jack Bauer, as an example of what to do to stop future terrorist attacks, it is clear that the boundaries between forms of media are permeable and cross-pollinating. The chapter also analyzes the ways in which media portrayals of Muslims changed after 9/11 and the decade following.

APA, Harvard, Vancouver, ISO, and other styles

39

Hughes, Kit. Television at Work. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190855789.001.0001.

Full text

Abstract:

This book explores how work, television, and waged labor come to have meaning in our everyday lives. However, it is not an analysis of workplace sitcoms or quality dramas. Instead, it explores the forgotten history of how American private sector workplaces used television in the twentieth century. It traces how, at the hands of employers, television physically and psychically managed workers and attempted to make work meaningful under the sign of capitalism. It also shows how the so-called domestic medium helped businesses shape labor relations and information architectures foundational to the twinned rise of the technologically mediated corporation and a globalizing information economy. Among other things, business and industry built extensive private television networks to distribute live and taped programming, leased satellite time for global “meetings” and program distribution, created complex closed-circuit television (CCTV) data search and retrieval systems, encouraged the use of videotape for worker self-evaluation, used videocassettes for training distributed workforces, and wired cantinas for employee entertainment. Television at work describes the myriad ways the medium served business’ attempts to shape employees’ relationships to their labor and the workplace in order to secure industrial efficiency, support corporate expansion, and inculcate preferred ideological orientations. By uncovering industrial television as a prolific sphere of media practice—one that continually sought to reshape the technology’s cultural meanings, affordances, and uses—Television at Work positions the medium at the heart of Post-Fordist experiments into reconfiguring the American workplace and advancing understandings of labor that increasingly revolved around dehumanized technological systems and information flows.

APA, Harvard, Vancouver, ISO, and other styles

40

Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television (Rochester Studies in Medical History). BOYE6, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Yousman, Bill. Challenging the Media-Incarceration Complex through Media Education. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037702.003.0008.

Full text

Abstract:

This chapter argues that the United States faces a crisis of representation, for while crime rates remain stable, the TV and other corporate-controlled mass media bury viewers beneath an avalanche of fear-based spectacles in which crime and violence are portrayed as escalating, even life-threatening crises. It then outlines a new program of media education that enables consumers of mass media to develop more informed and empowering views of the complexities of crime and violence. Focusing on prime-time dramatic television as the most prevalent source of fictional images of violence, crime, and incarceration, the chapter addresses the distorted narratives and images that saturate popular television dramas. Drawing upon interviews with ex-prisoners, it also shows how media representations of imprisonment, though inaccurate and misleading, shape the perceptions even of those who have themselves been incarcerated.

APA, Harvard, Vancouver, ISO, and other styles

42

Parks, Lisa, and Nicole Starosielski. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039362.003.0012.

Full text

Abstract:

This introductory chapter provides an overview of signal traffic in the contemporary era of media globalization—an era characterized by contradictory global mediascapes and multiple media infrastructures. Signal traffic refers to the movement of electronic media across various parts of the planet. Today, broadcasting, cable, satellite, Internet, and mobile telephone systems are used simultaneously, and sometimes in coordinated ways, to route signal traffic to and from sites around the world. The content and form of contemporary media—whether television programs or online games—are shaped in relation to the properties and locations of these distribution systems. As a suggestive concept, then, signal traffic demarcates a critical shift away from the analysis of screened content alone and toward an understanding of how content moves through the world and how this movement affects content's form.

APA, Harvard, Vancouver, ISO, and other styles

43

(Editor), Leslie J. Reagan, Nancy Tomes (Editor), and Paula A. Treichler (Editor), eds. Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television (Rochester Studies in Medical History). University of Rochester Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Chadwick, Andrew. Hybrid Norms in News and Journalism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190696726.003.0009.

Full text

Abstract:

Chapters 8 and 9 employ an ethnographic approach to explore in more detail the hybrid media system's evolving norms. Here the context switches back to Britain and the analysis draws upon evidence the author gathered from insider interviews in 2010, 2011, and 2012 with those working in a range of organizations at the heart of Britain's media-politics nexus in London. Chapter 8 draws upon fieldwork among journalists; program-makers and editors working in radio, television, newspaper, magazine, and news agency organizations; independent bloggers; and senior regulatory staff at the Office of Communications (OFCOM) and the Press Complaints Commission (PCC). This ethnography reveals much boundary-drawing, boundary-blurring, and boundary-crossing, as the logics of older and newer media interact, compete, and coevolve.

APA, Harvard, Vancouver, ISO, and other styles

45

Medievalism in A Song of Ice and Fire and Game of Thrones. D.S. Brewer, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Kennedy, Melanie. Tweenhood. I.B.Tauris & Co Ltd, 2019. http://dx.doi.org/10.5040/9780755699995.

Full text

Abstract:

A powerful female, preadolescent, consumer demographic has emerged in tandem with girls becoming more visible in popular culture since the 1990s. Yet the cultural anxiety that this has caused has received scant academic attention. In Tweenhood, Melanie Kennedy rectifies this and examines mainstream, pre-adolescent girls’ films, television programmes and celebrities from 2004 onwards, including A Cinderella Story, Hannah Montana and Camp Rock. Her book forges a dialogue between post-feminism, film and television, celebrity and most importantly; the figure of the tween. Kennedy examines how these media texts, which are so key to tween culture, address and construct their target audience by helping them to ‘choose’ an appropriately feminine identity. Tweenhood then, she argues, is transient and a discursive construct whose unpacking highlights the deification of celebrity and femininity within its culture.

APA, Harvard, Vancouver, ISO, and other styles

47

Medicine's moving pictures: Medicine, health, and bodies in American film and television. Rochester, NY: University of Rochester Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Nygaard, Taylor, and Jorie Lagerwey. Horrible White People. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479885459.001.0001.

Full text

Abstract:

At the same time that reactionary conservative political figures like Donald Trump were elected and disastrous socioeconomic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. Analyzing a cycle of transatlantic television programs that emerged mostly between 2014 and 2016 targeting affluent, liberal, white audiences, Horrible White People examines the complicity of the white Left, obsessed with its own anxiety and suffering, in the rise and maintenance of the Far Right—particularly in the mobilization, representation, and sustenance of structural white supremacy on television. The authors use a combined methodology of media-industry analysis and feminist cultural studies, especially close textual analysis, to interrogate a cycle of US and British programming, like Broad City, Casual, You’re the Worst, Catastrophe, Fleabag, and Transparent, that features the abjection of middle-class, liberal, young white people. Throughout, they put these “horrible white people” in conversation with similar upmarket comedies from creators and casts of color, like Insecure, Atlanta, Dear White People, and Master of None, to highlight the ways those shows negotiate prestige TV’s dominant aesthetics of whiteness to push back against the centering of white suffering in a time of cultural crisis. The authors argue that multiple, concurrent, interrelated crises—recession, the emergent mainstreaming of feminism(s), and the unmasked visibility of racial inequality and violence—have caused upheaval among liberals. These crises are represented in this cycle as a collection of circumstances inextricable from and intertwined with the reactionary conservatism, antifeminism, and racism of the rising Right.

APA, Harvard, Vancouver, ISO, and other styles

49

Vogan, Travis. More Movies than News. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0003.

Full text

Abstract:

This chapter examines the productions of NFL Films that not only document but also exalt the National Football League (NFL). NFL Films productions document and provide historical records of NFL games. It creates the league's history by arranging exceptional moments into celebratory narratives, such as Greatest Moments in Dallas Cowboys History (1992), Era of Excellence: The 1980s,(1989), and the syndicated television program NFL Game of the Week. NFL Films' documentaries suggest the NFL's past is constituted by extraordinary moments—diving touchdown catches, punishing blocks, and graceful runs—that evidence the league's unique excitement and epic importance. This chapter discusses NFL Films' production practices that aim to glorify pro football and how its material is influenced by the media outlets for which the company produces content. It shows that NFL Films' highlights offer a model through which to explain the emergence of the contemporary sports highlight—perhaps the most powerful and prevalent genre in sports media.

APA, Harvard, Vancouver, ISO, and other styles

50

Ames, Melissa. Small Screen, Big Feels. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813180069.001.0001.

Full text

Abstract:

While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010--2020), ABC's reality franchises, The Bachelor (2002--present) and The Bachelorette (2003--present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic 'Medical televison programs'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles