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Relevant bibliographies by topics / Medieval Church architecture / Dissertations / Theses

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Dissertations / Theses on the topic 'Medieval Church architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Consult the top 19 dissertations / theses for your research on the topic 'Medieval Church architecture.'

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1

Swarbrick, Elizabeth Joy. "The medieval art and architecture of Scottish collegiate churches." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/12210.

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Collegiate churches were founded for two essential aims: the augmentation of divine worship, and the salvation of souls. This thesis brings to light just how important material and aesthetic enrichments were in regards to these functions. The vast majority of collegiate churches in Scotland were substantially augmented around the time of their foundation. Patrons undertook significant building programmes and provided a variety of furnishings and ornaments to facilitate and enrich the services their body of clergy performed. Precise statutes were laid down in order to ensure that clergy were sk

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2

Lara, James R. "Bipolar liturgical space in medieval Spain the c̲o̲r̲o̲ b̲a̲j̲o̲ and v̲i̲a̲ s̲a̲c̲r̲a̲ /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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3

O, Callaghan James Brian. "The English steeple : an examination of spires in medieval parish church architecture." Thesis, University of Manchester, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494694.

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4

Davidson, Carol Foote. "Written in stone : architecture, liturgy, and the laity in English parish churches, c. 1125 - c. 1250." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.302112.

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5

Kenneally, Rhona Richman. "The tempered gaze : medieval church architecture, scripted tourism, and ecclesiology in early Victorian Britain." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19609.

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This dissertation explores how architecture is valorized by the cultural artifacts, both visual and text-based, which present and describe it. It examines aspects of the Gothic Revival in early Victorian Britain, to consider the assimilation of models of evolving architectural discourse by one organization with specialized interest in its promotion, and adaptations of that discourse in the realm of popular culture. The dissertation focuses on the ideology of the Cambridge Camden Society, from its inception in 1839 through to 1850. The Society advocated an appreciation of Gothic churches both f

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6

Danicke, Sandra. "Emporeneinbauten im deutschen Kirchenbau des ausgehenden Mittelalters dargestellt an elf Beispielen /." Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 2001. http://catalog.hathitrust.org/api/volumes/oclc/47680507.html.

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7

Wienberg, Jes. "Den gotiske labyrint middelalderen og kirkerne i Danmark /." Stockholm : Almqvist & Wiksell International, 1993. http://catalog.hathitrust.org/api/volumes/oclc/29150261.html.

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8

Crites, Danya Alexandra. "From mosque to cathedral: the social and political significations of Mudejar architecture in late medieval Seville." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/481.

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During the late Middle Ages, Iberian Christian and Jewish patrons commissioned intriguing monuments that incorporate Islamic-derived features. Determining possible reasons for the patronage of this architecture, commonly referred to as Mudejar architecture, has the potential to provide important insights into the complex, multi-cultural society that produced it, yet studies on its patronage have been limited in number and scope. Most of the early Spanish scholarship on Mudejar architecture focuses on formal issues and simply attributes its patronage to economic factors, an admiring fascination

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9

Mortensen, Daniel. "Den reflekterande kyrkan : En analys av Övraby kyrkoruin i Halmstad." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413485.

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The purpose of this thesis is to analyse the church ruin of the abandoned settlement of Övraby in Halmstad, Sweden. This is done from a modern church archaeological point of view based on Jes Wienbergs discussion on how to analyse a church as a part of a society rather than as an entity of its own. As an effect of this the thesis also discuss the settlement history of Övraby. The delimitation of the thesis is Övraby and its closest surroundings. Three issues are raised 1. Is there is a continuity of cult or place of cult from the pre-Christian era. 2. Of what type of character was the settleme

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10

Douglas, Mark. "The archaeology of memory : an investigation into the links between collective memory and the architecture of the parish church in late medieval Yorkshire." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/1260/.

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This thesis examines the ways in which memory, particularly collective memory, influenced the architectural development of the parish church in later medieval Yorkshire. It is argued that the parish church, while being the focal point for the religious activity, also functioned as the central location for a great deal of social interaction within the parish and the architectural arrangement of these buildings carried specific mnemonic messages regarding issues that were central to communal stability. The manner by which this memorial significance could be manipulated by certain individuals and

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11

Jenkins, John Christopher. "Torre Abbey : locality, community, and society in medieval Devon." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:5605a4ce-68ba-4b66-919d-2fd60ae5f92f.

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Torre Abbey was a rural Premonstratensian monastery in south-east Devon. Although in many ways atypical of its order, not least in the quality and quantity of its surviving source material, Torre provides an excellent case study of how a medium-sized medieval monastery interacted with the world around it, and how the abbey itself was affected by that interaction. Divided into three broad sections, this thesis first examines the role of local landowners and others as patrons of the house in the most obvious sense, that of the bestowal of lands or other assets upon the house. Torre was relativel

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12

Mezzacasa, Manlio Leo. "Reliquaries and other liturgical vessels in late medieval and early modern Venice: circa 1320-1475." Doctoral thesis, Università degli studi di Padova, 2016. http://hdl.handle.net/11577/3424492.

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This research aims to present a new up-to-date and as complete as possible study of the Venetian liturgical goldsmith's art produced in the 14th and 15th century, more precisely between circa 1320 and circa 1475. Using a conventional expression - disputable but nonetheless useful - we could define this as Venetian Gothic and Late Gothic goldsmithery. A chronological range even more extended that of Venetian Gothic sculpture (as intended by Wolfgang Wolters), not to mention Venetian paintings whose stylistic and formal language move away from the canons of the International Style decades before

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13

Chamorro, Trenado Miquel Àngel. "La construcció de l'església de Sant Feliu de Girona al segle XIV. Els llibres d'obra." Doctoral thesis, Universitat de Girona, 2004. http://hdl.handle.net/10803/7836.

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Aquesta tesi doctoral com diu el seu títol es centra en analitzar la construcció de l'església de Sant Feliu de Girona al segle XIV a través de l'anàlisi dels llibres d'obra conservats a l'Arxiu Diòcesa de Girona.<br/>Aquesta tesi doctoral esta dividida en quatre parts. En la primera part s'analitza la historiografia de l'església de Sant Feliu de Girona des del segle XVII fins a l'actualitat. Dins d'aquest apartat s'analitzen les notícies que aporten els diferents autors i es situa el context historiogràfic de cadascun dels segles. S'ha realitzat un estudi molt exhaustiu en les darreres publi

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14

Egenberg, Inger Marie. "Tarring maintenance of Norwegian medieval stave churches : characterization of pine tar during kiln-protection, experimental coating procedures and weathering /." Göteborg : Acta universitatis Gothoburgensis, 2003. http://catalogue.bnf.fr/ark:/12148/cb409258910.

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15

Crook, John. "The architectural setting of the cult of saints in the early medieval West and its development in the English Romanesque." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295812.

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16

Abraham, Alfred Samuel Kennedy. "Patterns of landholding and architectural patronage in late medieval Meath : a regional study of the landholding classes, tower-houses and parish churches in Ireland, c.1300-c.1540." Thesis, Queen's University Belfast, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334494.

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17

Svahn, Garreau Hélène. "I originalets tjänst : Om framställandet och bevarandet av kalkmåleri i svenska kyrkorum mellan 1850 och 1980." Doctoral thesis, KTH, Arkitekturens historia och teori, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-171078.

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There are approximately 1300 completely or partially preserved medieval churches in Sweden. Many of these have remains of kalkmåleri (mural paintings at least partially created in lime) from the 12th throughout the 17th century. This dissertation discusses the enactments that formed the revival of this kalkmåleri between 1850 and 1980, with a focus on restoration and conservation. The decorative and monumental paintings that were created at the same time are also discussed. The study is divided into two sections: one concentrates on the mural paintings and the networks that made their (re-)ena

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18

Lee, Cheng-Ching, and 李政清. "The relationship between Gothic church architecture and its history background in medieval Europe ─ A critical history." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/24159413222894893813.

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19

Mari, Philippe J. "Architecture at the service of ideology : William Morris, the Anglican Church and the destruction, restoration and protection of medieval architecture in victorian England." Thèse, 2010. http://hdl.handle.net/1866/4268.

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Résumé Cet ouvrage examine les fondements du mouvement de conservation architecturale moderne. Dans ce contexte, la création de la « Society for the Protection of Ancient Buildings » par William Morris est considéré comme le point culminant d’un processus historique qui mena à l’apparition du mouvement. Sa genèse est présentée comme ayant été le résultat d’une confrontation entre deux visions utopiques du moyen-âge; celle de l’Église Anglicane et celle de William Morris. Un survol détaillé des origines, des résultats et des effets de la « Renaissance Gothique » ouvre tout grand sur les sourc

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