Relevant bibliographies by topics / Medieval Decoration and ornament

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Medieval Decoration and ornament'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Medieval Decoration and ornament"

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Jewell, Richard. "An English Romanesque Mount and Three Ninth-Century Strap-Ends." Antiquaries Journal 83 (September 2003): 433–41. http://dx.doi.org/10.1017/s0003581500077751.

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This note discusses several recent English finds of early medieval ornamental metalwork shown at the Society of Antiquaries on 16 May 2002: most notably, a Romanesque mount with open-work foliate decoration having clear parallels with Norman and Anglo-Norman ornament of c 1100–25. Four ninth-century Anglo-Saxon strapends are also described and illustrated, two of which have decorative features with links to contemporary larger-scale works but rarer within the corpus of strap-ends; the other two being unusual examples of East Anglian niello and silver-wire inlay.
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Mammaev, M. M. "SYMMETRY AND ASYMMETRY IN FORMS AND DECORATIVE FINISH OF MUSLIM GRAVESTONES OF THE 14th -15th CENTURIES IN THE VILLAGE OF KUBACHI." History, Archeology and Ethnography of the Caucasus 13, no. 4 (2017): 54–73. http://dx.doi.org/10.32653/ch13454-73.

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This article is sequel to the article published in the third issue of the Journal “Herald of the Institute of History, Archeology and Ethnography of the Dagestan Scientific Center of the Russian Academy of Sciences” in 2017 and it deals with the peculiarities of decorative finish of Muslim gravestones of the 14th -15th centuries in the village of Kubachi, partly in the village of Ashty, and now uninhabited villages of Dats’amazhe and Kalakoreish. This article, unlike the previous one, covers the issues related to the principles and methods used by stonecutters, calligraphers and ornamentalists
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Mkhitaryan, Narine. "The origin of the Armenian architecture artistic decoration forms during the reign of Bagratunis." Multidisciplinary Reviews 7 (August 16, 2024): 2024ss014. http://dx.doi.org/10.31893/multirev.2024ss014.

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The methods of artistic decoration and the ancient and early medieval origins of their form creation used in Armenian architecture during the reign of the Bagratunis are presented. The focus of the research is the ornamental decoration of the religious structures from the 9th to the 11th centuries: portals, window arches, pilasters, wall capitals, ornamental lines, and the decorative motifs (plant, geometric, iconographic) mounted on them. The aim of the research is to highlight, through comprehensive analysis, the synthesis of Armenian medieval architecture and the ornamental art of the Bagra
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Жилина, Н. В. "EXPERIMENTAL APPLICATION OF THE GEOMETRIC MORPHOMETRY METHOD IN THE ANALYSIS OF THE MEDIEVAL ORNAMENT." Краткие сообщения Института археологии (КСИА), no. 265 (March 12, 2021): 188–200. http://dx.doi.org/10.25681/iaras.0130-2620.265.188-200.

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Метод геометрической морфометрии применен для изучения средневекового растительного орнамента декоративного стиля с пышными мотивами, развитого в разных регионах. В связи с важностью вопроса о происхождении стиля на Руси проведено сравнение небольших серий растительных мотивов произведений художественного металла: древнерусских - X в. и восточных - VI-IX вв. Сравнение контуров мотивов с помощью метода геометрической морфометрии дополнено построением гипотетических линий развития орнамента на Востоке и Руси, идущих от разных источников, сближающихся и расходящихся. Листья восточных мотивов полу
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Raximova, Zuxra. "Decoration of Pages of Eastern Manuscripts." Uzbekistan: language and culture 1, no. 3 (2019): 82–96. http://dx.doi.org/10.52773/tsuull.uzlc.2019.3/nkal9472.

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In the countries of the Muslim East in the Middle Ages, the art of a manuscript book developed particularly. The creation of the manuscript, which requires valuable materials, painstaking and coordinated work of many masters, turned the book not only into spiritual, but also material value. Therefore, those who ordered it were wealthy people – rulers and the feudal nobility, rich, educated citizens. The main elements of the decoration of the pages of the medieval manuscripts of Iran and Central Asia of the 13-17th centuries were: bookplates, enclosed in multi-petal, multi-beam rosettes – “sham
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Достиев, Тарих Мейрут. "ZOOMORPHIC MOTIFS ON POLYCHROME GLAZED CERAMICS OF THE SELJUK PERIOD (Based on the materials of Ganja and Shamkir)." History, Archeology and Ethnography of the Caucasus 19, no. 3 (2023): 795–810. https://doi.org/10.32653/ch193795-810.

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As a result of archaeological excavations at the medieval sities Old Ganja and Shamkir, located in the western region of the Republic of Azerbaijan, a large collection of glazed ceramics was revealed. The artistic design of the glazed ceramics of the Seljuk period differs significantly from the ceramics of the early Islamic period in its decoration techniques, rich ornament, originality of the plot composition. Highly artistic glazed polychrome ceramics with figurative motifs stand out, which is an irrefutable material source for determining the high professionalism and delicate taste of local
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Danbury, Elizabeth A., and Kathleen L. Scott. "THE PLEA ROLLS OF THE COURT OF COMMON PLEAS: AN UNUSED SOURCE FOR THE ART AND HISTORY OF LATER MEDIEVAL ENGLAND, 1422–1509." Antiquaries Journal 95 (September 2015): 157–210. http://dx.doi.org/10.1017/s000358151500044x.

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The court of Common Pleas was one of the most important courts in the English legal system for more than 600 years, until its abolition by Act of Parliament in 1873. The cases heard before this royal court were civil disputes between the king’s subjects, often relating to land, inheritance and debts. The purpose of this paper is to introduce readers to the ornament and imagery that appeared on the headings of the main records of the court of Common Pleas between 1422 and 1509 and to explore the origins and contemporary context of the images and representations employed by the clerk-artists who
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Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab
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A., Borodovskiy. "ANOTHER FIND OF THE EASTERN MIRROR WITH SPHINXES ON THE MIDDLE YENISEI." Teoriya i praktika arkheologicheskikh issledovaniy 35, no. 2 (2023): 9–21. http://dx.doi.org/10.14258/tpai(2023)35(2).-01.

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The article is devoted to the publication of another metal button mirror with paired figures of sphinxes and a floral ornament with a Kufic inscription, recently discovered on the territory of the Middle Yenisei. In this region, similar items are not only rare (exhibits of the Minusinsk and Abakan museums), but are also markers of the northern border of the distribution of these items in the Mongolian time. The сlarity of the decoration details of the product gives every reason to consider it far from being the latest copy from the original. Sufficiently good preservation of the images on the
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Маммаев, М. М. "STELE OF THE 16th с. FROM KUMUKH VILLAGE — A HIGHLY ARTISTIC WORK OF ISLAMIC ART". Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, № 13 (15 лютого 2022): 973–82. http://dx.doi.org/10.53737/2713-2021.2021.25.61.037.

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В статье рассматриваются особенности декоративной отделки надмогильного памятника начала XVI в. из селения Кумух Лакского района Республики Дагестан. Этот памятник привлекал в прошлом внимание искусствоведов, историков, эпиграфистов, но как памятник камнерезного искусства и высокохудожественное произведение исламского искусства оставался подробно не изученным. Исходя из искусной резьбы стелы, четкой, ясной, хорошо продуманной композиции декора, каллиграфически выполненных рельефных арабских надписей в гармоничном сочетании с растительным орнаментом, автор рассматривает ее как высокохудожествен
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Dissertations / Theses on the topic "Medieval Decoration and ornament"

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White, Andrew J. "Post medieval pottery in Lincolnshire 1450-1850." Thesis, University of Nottingham, 1989. http://eprints.nottingham.ac.uk/28497/.

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This thesis investigates the manufacture and use of ceramics over four centuries in Lincolnshire, and considers the evidence for date and function of the pottery itself and for the social standing and economy of the potters, late survivors of the medieval peasant craftsman tradition. Documentary and physical evidence are both searched to produce the most comprehensive possible list of sites and potters names, and to highlight the areas of doubt where neither type of source can give sufficient proof. The methods of pottery production are also examined and two specific types of vessels are discu
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Dürfeld, Michael. "Das Ornamentale und die architektonische Form : systemtheoretische Irritationen /." Bielefeld : Transcript, 2008. http://www.loc.gov/catdir/toc/fy0804/2008423180.html.

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FARRELL, GAVIN R. "ORNAMENT: SEMANTICS AND TECTONICS IN CONTEMPORARY URBAN ARCHITECTURE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1115929765.

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Prickett, Douglas B. "Ornamentalism /." Online version of thesis, 1990. http://hdl.handle.net/1850/10938.

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Wong, Chun-ming. "Cantonese opera on the temple ridge conservation of Shek Wan ceramic figurines on the ridge of the Hung Shing Temple at Apleichau /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218874X.

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Alves, Francine D. A. C. C. O. "A arquitectura e o mosaico romano de pavimento-relações-interacções." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/30055.

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Vieira, Eduarda Maria Martins Moreira da Silva. "Técnicas tradicionais de fingidos e de estuques no norte de Portugal-contributo para o seu estudo e conservação." Master's thesis, Instituições portuguesas -- -Universidade de Évora, 2002. http://dited.bn.pt:80/30074.

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Odom, Jason Scott. "An investigation of the ornamental joint." Thesis, Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23120.

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Boram-Hays, Carol Sue. "A history of Zulu beadwork 1890-1997 : its types, forms and functions /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488195154357662.

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Books on the topic "Medieval Decoration and ornament"

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Schmidt, Clara. Medieval ornament =: Ornement médiéval = Mittelalterlich Ornamente = Srednevekovye ornamenty. L'Aventurine, 2007.

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Heideloff, Carl Alexander von. Medieval ornament. Dover Publications, 1995.

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Colling, James Kellaway. Medieval decorative ornament. Dover Publications, 1995.

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Mirow, Gregory. Medieval designs. Dover Publications, 1997.

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Hicks, Carola. Animals in early medieval art. Edinburgh University Press, 1993.

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G, Korolʹ G., ed. Dekorativnoe iskusstvo srednevekovykh khakasov kak istoricheskiĭ istochnik. "Nauka," Glav. red. vostochnoĭ lit-ry, 1990.

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Khudozhestvenno-promyshlennyĭ muzeĭ Imperatora Aleksandra II., ed. Medieval Russian ornament in full color: From illuminated manuscripts. Dover, 1994.

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Phillip, Lindley, ed. Making medieval art. Shaun Tyas, 2003.

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1941-, Roth Helmut, ed. Zum Problem der Deutung frühmittelalterlicher Bildinhalte: Akten des 1. Internationalen Kolloquiums in Marburg a.d. Lahn, 15. bis 19. Februar 1983. J. Thorbecke, 1986.

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Maximilian, Hessemere k. Friedrich. Historic designs and patterns in color from Arabic and Italian sources. Dover, 1990.

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Book chapters on the topic "Medieval Decoration and ornament"

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Pancaroğlu, Oya. "Figural Ornament in Medieval Islamic Art." In A Companion to Islamic Art and Architecture. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119069218.ch20.

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Bucklow, Spike. "Morris, Leach, Parr, and Gothic mural decoration in Victorian Cambridge." In Medieval Art, Architecture and Archaeology in Cambridge. Routledge, 2022. http://dx.doi.org/10.4324/9781003244981-16.

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Lamia, Stephen. "The Cross and the Crown, the Tomb and the Shrine: Decoration and Accommodation for England’s Premier Saints." In International Medieval Research. Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.imr-eb.3.3477.

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Quirini-Popławski, Rafał. "The Oldest Fragments of Sculptural Decoration from Wawel Hill." In Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland. Routledge, 2024. http://dx.doi.org/10.4324/9781003580362-1.

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Quirini-Popławski, Rafał. "Ex partibus orientalibus translata ad hanc urbem: The Evacuation of Elements of Church Decoration from Pera to Genoa in 1461." In International Medieval Research. Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.imr-eb.5.105551.

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Mallinson, Jonathan. "1. 1897–1900: The Making of a Potter." In William Moorcroft, Potter. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.01.

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This chapter looks at Moorcroft’s training as a potter at the firm of E.J.D. Bodley where his father had worked as Artistic Director, and his education both at the innovative Burslem School of Art and at the National Art Training School (soon to be renamed the Royal College of Art). His appointment as a designer at James Macintyre & Co., Ltd. put him in a firm at the very centre of enlightened art education in the Potteries, its Directors including the forward-looking M.P. Wm Woodall (who had served on the Royal Commission on Technical Instruction), the philanthropist Th. Hulme, and the gi
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Chitishvili, Natalia. "Altars in Medieval Georgian Churches. Preliminary Notes on Their Arrangement, Decoration, and the Rite of Consecration." In Georgia as a Bridge between Cultures. Masarykova univerzita, 2021. http://dx.doi.org/10.1484/m.convisup-eb.5.130912.

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Marti, Susan. "Micrographic Prayers for Monks and Colorful Images for Nuns: Evidence for Gender-Specific Decoration in Liturgical Manuscripts from Late-Medieval Germany." In Les femmes, la culture et les arts en Europe entre Moyen Âge et Renaissance. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.tcc-eb.5.107665.

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Tabbaa, Yasser. "The Medieval Islamic Garden: Typology and Hydraulics." In The Production of Meaning in Islamic Architecture and Ornament. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474482189.003.0016.

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Discusses garden types, hydraulic machines, and decorative fountains that found their way from Samarra and Baghdad to North Africa and the Iberian Peninsula. Examines the diminution of gardens and the increasing elaboration of pools and fountains, both celebrated in contemporary poetry.
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Massey, Jonathan. "Ornament and Decoration." In The Handbook of Interior Architecture and Design. BLOOMSBURY VISUAL ARTS, 2013. http://dx.doi.org/10.5040/9781474294096.ch-035.

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Conference papers on the topic "Medieval Decoration and ornament"

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Oța, Silviu. "Despre o pereche de cercei din colecția muzeului Municipiului București." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-74-80.

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In the collections of the Museum of Bucharest was found a pair of earrings from the George Severeanu collection, which has remained unpublished until now. Most likely due to the rarity of such ornaments discovered in Romania, but also to the fact that its place of discovery is unknown. According to its characteristics of making, but also of the decorative elements, the source of inspiration of the jeweller indicates the pieces from the East-Adriatic space, from the end of the 13th century and the 14th century. Their physicochemical analysis is quite different from that of specimens from the we
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Yu, Tao, Hao Shen, Qianchao Chai, Fei Chen, Ledan Qian, and Yi Li. "Flexible Ornament Selection System for VR Decoration Exhibition." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00039.

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Hakobyan, Zaruhi. "Some Motives of the Decoration of the Monuments of Early Medieval Armenian Architecture." In 3rd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211125.154.

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Уханова, Е. В. "Ceremonial manuscripts of prince Mstislav the Great and their role in the history of Novgorod book culture." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.253-272.

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Рассматривается начальный этап новгородского книжного производства иллюминированных кодексов (периодизация, условия, особенности). Декорация одного из эталонных кодексов эпохи Мстиславова Евангелия 11031113 гг. не оказала влияния на новгородское искусство книги, поскольку он находился вдворцовой княжеской церкви. Другой выдающийся кодекс этого времени Юрьевское Евангелие 11191128 гг. оформлялся как книга образцов, возможно, для нового скриптория княжеского Юрьева монастыря, и потому его орнаментика нашла отражение вдекорации новгородских рукописей первой половины XIIв. The article deals with t
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АЛЕКСЕЕВ, А. В., and С. В. КУЗЬМЕНКО. "Central Russian Stone Crosses of the XV–XVI Centuries." In Тверь, тверская земля и сопредельные территории в эпоху средневековья. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-94375-279-7.371-387.

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В работе обобщены сведения о редком виде надгробного памятника Московской Руси белокаменных крестах с геометрическим декором, бытовавших в последней четверти XV в. первой половине XVI в. Общий счет орнаментированных в едином московском стиле вертикальных надгробий крестового характера 25 памятников, происходящих из 14 пунктов. География находок рассматриваемых крестов включает Москву и Подмосковье, Ярославскую, Костромскую и Калужскую области. Поднимается вопрос о связи между скульптурно и орнаментально декорированными каменными крестами. Введение в научный оборот новых памятников средневеково
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Мусаханова, М. З., and Ж. М. Мусаханова. "Museum Description of Kazakh Traditional Clothing Containing Ornament (Based on Collection of Central State Museum of the Republic of Kazakhstan)." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/7153.2024.97.68.019.

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В статье уделено внимание описанию традиционной одежды казахов с элементами орнамента на материалах коллекции Центрального государственного музея Республики Казахстан. Представлены особенности основных мотивов казахского орнамента, их названия. Доказано, что изучать и систематизировать народный орнамент в отрыве от предметов, на которые он традиционно наносился и для которых во многом создавался и перерабатывался, представляется невозможным. Выявлено, как узоры сочетаются между собой и дополняют друг друга, подчиняясь закону композиции. Об этом говорит орнаментация практически всех изделий каз
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Sengalevich, Georgi. "Zeuxippus Ware as a possible prototype of Late Byzantine ceramics with underglaze monograms." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/wkj95f77.

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A more thorough research of Byzantine Monogram Ware indicates the earliest appearance of monograms in the decoration of a small group of Zeuxippus related specimens. This monogrammatic fashion should be considered as a manifestation of the Byzantine written culture. Its appearance in the glazed ceramics of 13th – 15th c. might be driven by the rising perception during the Late Byzantine period of the monograms as ‘heraldic’ symbols. It is reasonable to suggest that Zeuxippus Ware was the prototype of several later and more numerous Monogram Ware groups.
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Жамилова, М. Ж., and Ю. В. Гусарова. "TRADITIONS OF GIJDUVAN CERAMICS IN THE WORKSHOP OF THE NARZULLAEV DYNASTY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.53.

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Небольшой город Гиждуван неподалеку от Бухары является колыбелью одной из древнейших школ искусства керамики в Узбекистане, где ремесленники бережно хранят лучшие традиции многовекового гончарного промысла, передавая свое мастерство и неповторимый почерк орнамента из поколения в поколение. Алишер Нарзуллаев, керамист в шестом поколении, делится секретами аутентичной технологии изготовления уникальных изделий, которые становятся гордостью музеев и украшением многочисленных выставок. The small town Gijduvan, not far from Bukhara, is the cradle of one of the oldest schools of ceramic art in Uzbek
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Акентьева, А. А., А. В. Бахматова, and Д. А. Еремин. "THE PROBLEM OF RECONSTRUCTION OF THE ORNAMENTAL COMPOSITION OF BAROQUE PANELS." In РЕСТАВРАЦИЯ. НАШ ВЗГЛЯД — 2024. Crossref, 2024. http://dx.doi.org/10.54874/9785605196549.2024.7.15.

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Объектами исследования являются филенки барочного иконостаса церкви Живоначальной Троицы села Вощажниково. Основная цель исследования заключается в выполнении реконструкции декоративного убранства для дальнейшей оценки количества реставрационных вмешательств. Особое внимание в работе уделено анализу художественного языка, изучению объекта и поиску авторов. В статье пошагово описываются этапы реконструкции рисунка и приводятся варианты возможного художественного содержания утраченных фрагментов. The objects of the research are the baroque altar barrier panels at the Church of Life‑ Giving Trini
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Demirsar Arli, Belgin, Şennur Kaya, Gülsu Şimşek Franci, and Hakan Arli. "A group of Medieval Byzantine ceramics (Zeuxippus - Type) unearthed at Iznik Tile Kilns Excavation and its pXRF analyses." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/7w3e8t79.

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The technique of sgraffito constitutes the main character of ceramic production in the Middle Ages, which covers vast geography, including Anatolia. One of the earlier studies providing data on this subject within the framework of Anatolian archeology is the excavations carried out by D.T. Rice in the Zeuxippus bath located in Sultanahmet, Istanbul, in the 1920s. Zeuxippus-type is generally known for their hard red-paste and glossy glaze layers. The most common type of decoration in this group are medallions surrounded by interwoven circular lines or circular borders. The scientific analyses c
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Reports on the topic "Medieval Decoration and ornament"

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Zhilina, N. V. GENERAL PATTERNS IN THE DEVELOPMENT OF THE MEDIEVAL DECORATION IN CONNECTION WITH THE COSTUME. DOI СODE, 2022. http://dx.doi.org/10.18411/doicode-2022.027.

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