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Journal articles on the topic 'Medieval Decoration and ornament'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Jewell, Richard. "An English Romanesque Mount and Three Ninth-Century Strap-Ends." Antiquaries Journal 83 (September 2003): 433–41. http://dx.doi.org/10.1017/s0003581500077751.

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This note discusses several recent English finds of early medieval ornamental metalwork shown at the Society of Antiquaries on 16 May 2002: most notably, a Romanesque mount with open-work foliate decoration having clear parallels with Norman and Anglo-Norman ornament of c 1100–25. Four ninth-century Anglo-Saxon strapends are also described and illustrated, two of which have decorative features with links to contemporary larger-scale works but rarer within the corpus of strap-ends; the other two being unusual examples of East Anglian niello and silver-wire inlay.

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2

Mammaev, M. M. "SYMMETRY AND ASYMMETRY IN FORMS AND DECORATIVE FINISH OF MUSLIM GRAVESTONES OF THE 14th -15th CENTURIES IN THE VILLAGE OF KUBACHI." History, Archeology and Ethnography of the Caucasus 13, no. 4 (2017): 54–73. http://dx.doi.org/10.32653/ch13454-73.

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This article is sequel to the article published in the third issue of the Journal “Herald of the Institute of History, Archeology and Ethnography of the Dagestan Scientific Center of the Russian Academy of Sciences” in 2017 and it deals with the peculiarities of decorative finish of Muslim gravestones of the 14th -15th centuries in the village of Kubachi, partly in the village of Ashty, and now uninhabited villages of Dats’amazhe and Kalakoreish. This article, unlike the previous one, covers the issues related to the principles and methods used by stonecutters, calligraphers and ornamentalists

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3

Mkhitaryan, Narine. "The origin of the Armenian architecture artistic decoration forms during the reign of Bagratunis." Multidisciplinary Reviews 7 (August 16, 2024): 2024ss014. http://dx.doi.org/10.31893/multirev.2024ss014.

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The methods of artistic decoration and the ancient and early medieval origins of their form creation used in Armenian architecture during the reign of the Bagratunis are presented. The focus of the research is the ornamental decoration of the religious structures from the 9th to the 11th centuries: portals, window arches, pilasters, wall capitals, ornamental lines, and the decorative motifs (plant, geometric, iconographic) mounted on them. The aim of the research is to highlight, through comprehensive analysis, the synthesis of Armenian medieval architecture and the ornamental art of the Bagra

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4

Жилина, Н. В. "EXPERIMENTAL APPLICATION OF THE GEOMETRIC MORPHOMETRY METHOD IN THE ANALYSIS OF THE MEDIEVAL ORNAMENT." Краткие сообщения Института археологии (КСИА), no. 265 (March 12, 2021): 188–200. http://dx.doi.org/10.25681/iaras.0130-2620.265.188-200.

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Метод геометрической морфометрии применен для изучения средневекового растительного орнамента декоративного стиля с пышными мотивами, развитого в разных регионах. В связи с важностью вопроса о происхождении стиля на Руси проведено сравнение небольших серий растительных мотивов произведений художественного металла: древнерусских - X в. и восточных - VI-IX вв. Сравнение контуров мотивов с помощью метода геометрической морфометрии дополнено построением гипотетических линий развития орнамента на Востоке и Руси, идущих от разных источников, сближающихся и расходящихся. Листья восточных мотивов полу

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Raximova, Zuxra. "Decoration of Pages of Eastern Manuscripts." Uzbekistan: language and culture 1, no. 3 (2019): 82–96. http://dx.doi.org/10.52773/tsuull.uzlc.2019.3/nkal9472.

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In the countries of the Muslim East in the Middle Ages, the art of a manuscript book developed particularly. The creation of the manuscript, which requires valuable materials, painstaking and coordinated work of many masters, turned the book not only into spiritual, but also material value. Therefore, those who ordered it were wealthy people – rulers and the feudal nobility, rich, educated citizens. The main elements of the decoration of the pages of the medieval manuscripts of Iran and Central Asia of the 13-17th centuries were: bookplates, enclosed in multi-petal, multi-beam rosettes – “sham

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Достиев, Тарих Мейрут. "ZOOMORPHIC MOTIFS ON POLYCHROME GLAZED CERAMICS OF THE SELJUK PERIOD (Based on the materials of Ganja and Shamkir)." History, Archeology and Ethnography of the Caucasus 19, no. 3 (2023): 795–810. https://doi.org/10.32653/ch193795-810.

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As a result of archaeological excavations at the medieval sities Old Ganja and Shamkir, located in the western region of the Republic of Azerbaijan, a large collection of glazed ceramics was revealed. The artistic design of the glazed ceramics of the Seljuk period differs significantly from the ceramics of the early Islamic period in its decoration techniques, rich ornament, originality of the plot composition. Highly artistic glazed polychrome ceramics with figurative motifs stand out, which is an irrefutable material source for determining the high professionalism and delicate taste of local

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7

Danbury, Elizabeth A., and Kathleen L. Scott. "THE PLEA ROLLS OF THE COURT OF COMMON PLEAS: AN UNUSED SOURCE FOR THE ART AND HISTORY OF LATER MEDIEVAL ENGLAND, 1422–1509." Antiquaries Journal 95 (September 2015): 157–210. http://dx.doi.org/10.1017/s000358151500044x.

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The court of Common Pleas was one of the most important courts in the English legal system for more than 600 years, until its abolition by Act of Parliament in 1873. The cases heard before this royal court were civil disputes between the king’s subjects, often relating to land, inheritance and debts. The purpose of this paper is to introduce readers to the ornament and imagery that appeared on the headings of the main records of the court of Common Pleas between 1422 and 1509 and to explore the origins and contemporary context of the images and representations employed by the clerk-artists who

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8

Cvetković, Branislav. "Zaglavlje Dekaloga u Hvalovom zborniku: prilog semantici srednjovjekovne iluminacije." Ars Adriatica, no. 4 (January 1, 2014): 155. http://dx.doi.org/10.15291/ars.493.

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This article is dedicated to the interpretation of the header before the text of the Ten Commandments on fol. 150 of the Hval Codex. The author is drawing attention to a gloss in the margin to the left of the banner which has not been addressed in the earlier scholarly literature nor recorded in the facsimile transcription of 1986. The rectangular banner consists of a lozenge net filled with gold lilies while three gold interlace crosses of a complex shape are placed on top of the banner. The gloss next to it was written in blue ink as an abbreviated word under a line. It is a rather common ab

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A., Borodovskiy. "ANOTHER FIND OF THE EASTERN MIRROR WITH SPHINXES ON THE MIDDLE YENISEI." Teoriya i praktika arkheologicheskikh issledovaniy 35, no. 2 (2023): 9–21. http://dx.doi.org/10.14258/tpai(2023)35(2).-01.

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The article is devoted to the publication of another metal button mirror with paired figures of sphinxes and a floral ornament with a Kufic inscription, recently discovered on the territory of the Middle Yenisei. In this region, similar items are not only rare (exhibits of the Minusinsk and Abakan museums), but are also markers of the northern border of the distribution of these items in the Mongolian time. The сlarity of the decoration details of the product gives every reason to consider it far from being the latest copy from the original. Sufficiently good preservation of the images on the

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Маммаев, М. М. "STELE OF THE 16th с. FROM KUMUKH VILLAGE — A HIGHLY ARTISTIC WORK OF ISLAMIC ART". Proceedings in Archaeology and History of Ancient and Medieval Black Sea Region, № 13 (15 лютого 2022): 973–82. http://dx.doi.org/10.53737/2713-2021.2021.25.61.037.

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В статье рассматриваются особенности декоративной отделки надмогильного памятника начала XVI в. из селения Кумух Лакского района Республики Дагестан. Этот памятник привлекал в прошлом внимание искусствоведов, историков, эпиграфистов, но как памятник камнерезного искусства и высокохудожественное произведение исламского искусства оставался подробно не изученным. Исходя из искусной резьбы стелы, четкой, ясной, хорошо продуманной композиции декора, каллиграфически выполненных рельефных арабских надписей в гармоничном сочетании с растительным орнаментом, автор рассматривает ее как высокохудожествен

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Jarosław, Ościłowski. "A medieval sword from the vicinity of Sztum." Masuro-⁠Warmian Bulletin 301, no. 3 (2018): 524–45. http://dx.doi.org/10.51974/kmw-134881.

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In the collection of the Polish Army Museum in Warsaw, there is an Xa-type sword following Ewart Oake�shott’s classification deriving from the vicinity of Sztum. This sword is decorated on both sides with an ornament: in the form of the letter S within a circle on one side, and an equal-armed cross (cross potent) on the other. Formal features of the sword indicate its production between the mid-11th and 12th centuries, while analogies for its decorations, as well as the region where it was found, also point to the sword being dated to the first half of the 13th century.

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Kirilko, Vladimir. "Marble Decoration of Medieval Structures in the South Coast Crimea." Stratum plus. Archaeology and Cultural Anthropology, no. 5 (October 30, 2024): 293–307. http://dx.doi.org/10.55086/sp245293307.

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In 1981, A. Bortoli-Kazansky, who specially studied the spreading of architectural details of Proconnesian marble in the Crimean territory, identified four points within the southern coast of the region where finds of such products are known — Cape Ai-Todor, Autka village, the Mount Ayu-Dag and the Parthenite Basilica. In the process of time, the central part of the information that she published was substantially distorted by other researchers, who, to a large extent, necessitated a re-examination of the primary sources and a critical analysis of all other versions introduced into scientific

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13

Radujko, Milan. "Traces of the throne of grand zupan Stefan Nemanjic and the fresco decoration of the main church of the monastery of Studenica." Zograf, no. 36 (2012): 47–64. http://dx.doi.org/10.2298/zog1236047r.

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This paper deals with the bearings of the structure preserved in the floor beside the southwestern support of the dome in the Studenica katholikon, and on the dado rail of that pilaster. From the appearance of the bearings, their position in the space, and the writer Theodosius? account describing the place where the grand zupan Stefan Nemanjic stood during the liturgy, the author concludes that this refers to the bearings of the ruler?s throne, which had a loggia-like form. A series of features indicates that the installation was prepared before the painting of the main church and then instal

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González Cavero, Ignacio. "The Interlaced Arches and the So-Called sebka Decoration: Origin and Materialisation in al-Andalus and Its Reinterpretation in Medieval Castile." Arts 14, no. 1 (2025): 16. https://doi.org/10.3390/arts14010016.

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In this article, I aim to address one of the most characteristic decorative elements of the Almohad period, the so-called sebka decoration. With this aim in mind and through the research carried out and the examples that have been preserved, I consider it appropriate to know the origin of this ornamental motif that is so recurrent in the Andalusian architectural panorama and to analyse not only its compositional scheme but also the different formal variants that arose around it. Furthermore, its use in other buildings in the Kingdom of Castile is a further indication that allows us to approach

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15

Ivanova, Blagovesta. "The colorful facade decorations of the secession style in Sofia. Sofia mineral baths and the recovering of missing elements." Facta universitatis - series: Architecture and Civil Engineering, no. 00 (2023): 21. http://dx.doi.org/10.2298/fuace230630021i.

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The report presents the national specific of the Secession style in the colourful ceramic decoration of some buildings in Sofia. The most representative between them are the church of St ?Nikolay Novi Sofiiski?, buildings of the Synodal Palace, the Central Mineral Baths, and the Higher Theological School at the Holy Synod, built and decorated between 1900 and 1922. They are the works of the architects Friedrich Gr?nanger, Yurdan Milanov and Petko Momchilov. The accent of the research is the ceramic decoration of the facades of the Central Mineral Baths in Sofia, by the project of Haralampi Tac

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16

Gapper, Claire. "Four Worthies on plaster ceilings in Scotland (1617–25)." Proceedings of the Society of Antiquaries of Scotland 151 (November 30, 2022): 203–21. http://dx.doi.org/10.9750/psas.151.1337.

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This article aims to contextualise a group of Scottish plaster ceilings dating from c 1617–1625 which all include roundels with busts of four of the Nine Worthies, to be found in houses identified by William Napier as comprising the Kellie Group. They will be viewed from two different perspectives. First, the Worthies will be considered as a subject popular in the literature and decorative arts of the period. Engravings of the Nine Worthies in a variety of formats enabled this medieval topos to retain its popularity throughout Europe in the 16th and 17th centuries. They featured widely in orna

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17

Søvsø, Mette Højmark. "Hjerteformede spænder fra nyere tid." Kuml 62, no. 62 (2013): 145–63. http://dx.doi.org/10.7146/kuml.v62i62.24477.

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Heart-shaped brooches from modern timesDress accessories from modern times are only sparsely described in the Danish literature on the costume practices of the peasant population. The recent widespread use of metal detectors has yielded many finds which demonstrate that these dress accessories were found all across Denmark. Some types stand out as being particularly recognisable, and one of these comprises heart-shaped brooches typically decorated with a crown and birds. This article is based on ten such brooches in the collection of the Museums of Southwest Jutland, nine of which were found i

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Mammaev, Misrikhan M. "NEW STONE RELIEFS-ARCHITECTURAL DETAILS OF THE 14th – 18th CENTURIES FROM KUBACHI WITH ORNAMENT AND ARABIC INSCRIPTIONS." History, Archeology and Ethnography of the Caucasus 17, no. 2 (2021): 304–29. http://dx.doi.org/10.32653/ch172304-329.

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The paper describes stone reliefs of the architectural decor of the 14th – 18th centuries with floral ornaments and Arabic inscriptions, discovered by the author in different years of the 20th – 21st centuries in the villages of Kubachi and Shiri, which are currently stored in museum collections. This paper is a continuation of a previous study of the stone reliefs from the village of Kubachi. The author provides the description of 20 reliefs, of which one (№ 12) is stored in the State Hermitage, seven others (№ 13–18, 20) – in the National Museum of the Republic of Dagestan (NMRD); eleven rel

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Levkovych, Nataliia. "ewish center of lacemaking in Sasov of Eastern Galicia of the second half of the 19th - the first third of the 20th century: history and artistic features." Bulletin of Lviv National Academy of Arts 48, no. 48 (2022): 59–66. http://dx.doi.org/10.37131/2524-0943-2022-48-3.

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Jewish center of lacemaking in Sasov, founded in the mid-nineteenth century by Marcus Leib Margulis. In process of research were used archive materials, sources of the first third of twentieth century, particular works of Peter Kontny, publications in periodicals and works of leading researchers of Jewish textiles. The sources of research are art objects of Jewish lacemaking from museum and private collections. It was founded that in village of Sasiv in period of the heyday of production in the second half of nineteenth century, was working near 250 masters, who made elements of ritual costume

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Mammaev, Misrikhan M. "CONTRIBUTION OF PROFESSOR A.S. BASHKIROV (1885-1963) IN THE STUDY OF MONUMENTS OF MEDIEVAL ART OF DAGESTAN." History, Archeology and Ethnography of the Caucasus 19, no. 3 (2023): 759–75. https://doi.org/10.32653/ch193759-775.

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: The article highlights the scientific activities of prof. Alexei Stepanovich Bashkirov in the 20s - early 30s of the XX century. on the study of monuments of medieval art of Dagestan. It examines his scientific works, noting both valuable observations regarding the decorative qualities of the works of art he studied, as well as individual not entirely correct judgments about the plots and images of stone and wood carving monuments, and not entirely convincing analogies he cites. It is noted that A.S. Bashkirov was the first researcher who began studying many monuments of Dagestan art from th

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Hajiyeva, S. "NATIONAL ARCHITECTURAL CULTURE OF NAKHCHIVAN." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 45 (December 5, 2022): 22–24. https://doi.org/10.5281/zenodo.7398687.

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Every people, every nation with a history lasting for many millennia, with a powerful and rich past, has its own national values. National values are the best qualities that distinguish peoples, nations, societies from others. The national values of our people, which have a national root and a national foundation, are sufficient. In the aesthetic culture of medieval Azerbaijan and Nakhchivan, architecture, decorative applied art, and miniature art are a valuable resource as carriers of socio-philosophical meaning. Among the peoples of the world, the people of Azerbaijan, known for their nation

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22

Mykhailova, Rada. "Typology of Sculptural Decor Forms of Ancient Rus Temples in Galicia." Bulletin of KNUKiM. Series in Arts, no. 49 (December 15, 2023): 17–24. https://doi.org/10.31866/2410-1176.49.2023.293280.

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<strong>The aim of the article</strong> is to form conceptions about types of architectural decor forms of Galician temples in the 12th–13th cent., which determine the figurative content of these buildings, as well as represent the historical experience of Ukrainian artistic culture, relevant for modern creative practice in art, design and architecture areas. <strong>Results.</strong> It is revealed that the architectural decor elements of the Church of Panteleimon, Annunciation, Ilia the Prophet in Halych, the church in Vasyliv and others are typologically distributed accordin

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Mammaev, Misrikhan M. "TWO ARTISTICALLY FINISHED MUSLIM STELES OF THE 14th CENTURY FROM KUBACHI (DAGESTAN, RUSSIA)." History, Archeology and Ethnography of the Caucasus 18, no. 3 (2022): 793–804. http://dx.doi.org/10.32653/ch183793-804.

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The article describes two tombstones of the XIV century. in the form of high trapezoidal stone slabs (the lower end is narrower than the upper part) from the largest artistic center of Dagestan - the village of Kubachi. They are located in the medieval Muslim cemetery "Bidakh Khuppe" (in the lane with Kubach - "Cemeteries on the other side"), 1.5-2 km south of the old part of Kubacha, in the lower half of the northern slope of Mount Tsitsila. The monuments under consideration are decorated at a high artistic level with late Kufic relief Arabic inscriptions and floral ornaments. The inscription

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Tsykunov, I. V. "Cosmatesque matrix: syntax of style in Basilica of Santa Maria Maggiore in Rome." Язык и текст 4, no. 1 (2017): 83–94. http://dx.doi.org/10.17759/langt.2017040109.

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Cosmatesque style mosaic is not only the decorative ornament that has decorated medieval temples; it is the developed symbolical system, which represents religious concepts and ideas of a universe structure. Cosmatesque structure includes hierarchy of levels that is similar to phonetic, lexical and grammatical levels of language in its functions. Figures of this style can be include in composition, structurally and functionally corresponding to the sentences and texts developing in a narrative. This article to analyse Cosmatesque syntax and interpretation of concepts of craftsmen Cosmati, on t

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Søvsø, Mette Højmark. "Tro, håb og kærlighed – De middelalderlige ringspænders symbolik." Kuml 60, no. 60 (2011): 263–85. http://dx.doi.org/10.7146/kuml.v60i60.24529.

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Belief, hope and loveThe symbolism of medieval ring broochesOrnaments and costume accessories have always been worn for decorative and functional reasons as well as for signalling status etc. However, they have also often been ascribed properties by virtue of their form and decoration – properties which would aid or protect the wearer. A belief in the inherent power of objects was a part of the world view during the Middle Ages. Medieval lapidaries contain descriptions of the properties or virtues that were ascribed to metals, precious and semi-precious stones and other geological materials. T

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26

Straczyński, Karol. "Cerkiew Zwiastowania NMP w Supraślu i jej freski." Elpis 24 (2022): 75–79. http://dx.doi.org/10.15290/elpis.2022.24.11.

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The Church of the Annunciation of the Blessed Virgin Mary in Suprasl is the example of a medieval, monumental defensive temple. In the first half of 16th century the decoration of the wall started, with wall paintings, in the style of the Orthodox Church. The Iconographic programme of the church was based on the symbolism and allegories from the Holy Bible. It also helped in the process of Christianisation of the society. It showed the content of the gospel, the hagiographies of saints and the activity of individual Church Fathers and bishops. The ornaments of the paintings separated the zones

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Aksionov, V. S. "Set Belts from the Catacomb No. 31 of the Early-Medieval Burial Ground near Verkhnii Saltiv Village." Arheologia 1, no. 1 (2024): 125–32. http://dx.doi.org/10.15407/arheologia2024.01.125.

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The materials of the catacomb burial no. 31 investigated in 1985 by the expedition of the Kharkiv Historical Museum under the leadership of V. H. Borodulina on the main site of the Early-Medieval burial ground in Verknii Saltiv village (VSM1) are introduced into the scientific circulation. The burial chamber, transverse to the dromos, contained the remains of two people (a man and a woman) with the traces of deliberate destruction committed in ancient times (fig. 1: 1). Inventory found with the buried people (fig. 2) allows dating this complex to the second — third quarters of the 9th century.

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O., V. Komar T. I. Shelemetieva. "A Set of the Pecheneg Harness Ornaments from the Find in Vicinity of Balky Village." Stratum plus, no. 5 (October 31, 2019): 209–23. https://doi.org/10.5281/zenodo.5705951.

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The paper introduces a complex of silver harness ornaments from the collection of the Museum of History of Zaporozhian Cossacks of the Khortytsia National Reservation. The complex includes two leaf-shaped harness drops, four fittings and 7 belt tips, most likely, originated from the destroyed barrow burial in the vicinity of Balky village, Zaporizhia region. Analogies to objects are ornaments of the Pecheneg harness of the 10th —11th centuries. The combination of the details shape and the style of their decoration is characteristic for the Mirne chronological horizon, reflecting the tran

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Tarasiuk, Maryna. "Dwelling of Volhynians at the End of XIV – the middle of the XVI century." Ethnic History of European Nations, no. 60 (2020): 7–12. http://dx.doi.org/10.17721/2518-1270.2020.60.01.

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The article discusses the kind of a typical house of the medieval Volhynian of the late XIV – middle XVI centuries. It is based on narrative and archaeological sources. The author explores the stages of building a house, material options and the help of craftsmen, external and internal appearance of the house, a variety of household utensils. It was found out that the family yard consisted mostly of living quarters, stables, farm pits and gardens. Wealthy townspeople placed baths in the yard, obtaining permission from the administration. The construction of the house was the business of the ow

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Matveeva, N. P. "On Early Medieval Contacts of the Urals and Western Siberia with Central Asia: The Evidence of Ceramics." Archaeology, Ethnology & Anthropology of Eurasia 49, no. 1 (2021): 68–77. http://dx.doi.org/10.17746/1563-0110.2021.49.1.068-077.

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The study focuses on the Kushnarenkovo-type ceramics from sites in the Cis-Urals and those from sites of the Bakalskaya culture in Western Siberia (300–800 AD). This type was first described in the 1960s as an indicator of major migrations relating to Magyar origins. The analysis of forms, technology, and decoration makes it possible to identify imported ware from local replicas of the Aral ceramics. Certain vessels from the Dzhetyasar cemeteries Altynasar-4, Bedaikasar-2, Kosasar-2 and -3, and Tompakasar, owned by museums, can be attributed to the Bakalskaya culture, whereas others were proto

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Pigarev, Evgeniy M., and Airat G. Sitdikov. "Architectural decoration of the mausoleum no. 1 of the khan necropolis nearby the village of Lapas in the Astrakhan region." Povolzhskaya Arkheologiya (The Volga River Region Archaeology) 2, no. 48 (2024): 154–74. http://dx.doi.org/10.24852/pa2024.2.48.154.174.

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This article continues a series of scientific works aimed at the study of the central mausoleum of the Khan necropolis nearby the village of Lapas in the Astrakhan region. It deals with one of the elements of architectural decoration – a tile-lintel, most often found and having a wide variety of types. The article examines the genesis of this type of tile and the ways of its appearance in the Lower Volga region. A wide range of analogies at the sites of medieval architecture of Central Asia is engaged. The authors made a technological analysis of this group of items, examined in detail all the

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Maslennikov, Aleksandr, Tatiana Smekalova, Anna Antipenko, Denis Beylin, Andrey Gavriliuk, and Aleksey Devaev. "“Seeing off my Beloved Child…”: XRF of Silver Jewelry from Children’s Graves in the Medieval Necropolis of Babchik Vostochny in the Kerch Azov Region." Stratum plus. Archaeology and Cultural Anthropology, no. 5 (October 30, 2024): 193–208. http://dx.doi.org/10.55086/sp245193208.

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The article studies the composition of the alloy and the technology of making silver jewelry found in children’s burials from Babchik Vostochny — a 14th century slab burial ground in the Crimean Azov region. Silver spherical ornamented buttons in the studied necropolis and in all other sites with similar accessories were found in children’s burials. Surely, they were not just fashionable at the time but belonged specifically to children’s and adolescent costumes. Widespread in Crimea in the 14th century, richly decorated spherical buttons, made using similar technology, but extremely varied in

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Sherstobitova, E. S. "DEVELOPMENT OF THE EARLY PRINTED DECORATION OF MANUSCRIPTS OF THE 16th –17th CENTURIES. THE ARTWORKS OF THE BROTHERS BASOVS." Bulletin of the South Ural State University Series «Social Sciences аnd the Humanities» 23, no. 2 (2023): 89–97. http://dx.doi.org/10.14529/ssh230211.

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The article is a generalization of research devoted to the ornamental creations of the outstanding Old Russian manuscript masters of the 16th–17th century, the brothers Stefan, Fedor, and Gavrila Basov. Their book designs (primarily liturgical books) are a vivid example of the formation and development of medieval culture as an early printed style of book ornamentation. The study of headpieces created using the elemental-structural method by the brothers Basov in manuscripts showed the importance of working with patterns for Old Russian artists. We believe that outstanding artworks of Old Russ

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Iliasov, Lecha Makhmudovich. "Reflection of sacred symbols in folklore and dance culture of Chechens." Genesis: исторические исследования, no. 4 (April 2024): 23–31. http://dx.doi.org/10.25136/2409-868x.2024.4.70446.

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The article is devoted to the study of sacred symbols represented in the petroglyphs of Chechnya and widely used in the material culture of the local population of the ancient and late medieval era: in the decoration of metal products, the ornament of carpets and ceramics. The author believes that sacred symbolism is reflected in spiritual culture. The circle, the cross, the spiral and other sacred symbols have been embodied in a variety of forms in oral folk art, dance culture, ritual traditions, the Nart epic, thereby defining the stylistic features of the culture of the North Caucasus. Sacr

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Halilović, Zijad. "The necropolis with stećak tombstones at Kose in Crnići, municipality of Kreševo." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 219–28. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.13.

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Stećci form a part of an unbroken sepulchral continuity in Bosnia that reaches far back into prehistoric times, and are clearly associated with the older sites of prehistoric settlements and places of worship, agglomerations and burial grounds dating from antiquity, late antique and early medieval churches and fortified towns. They are impressive evidence of the growing eeconomic power of the Bosnian feudal society in the 14th century, the opening of mines, increased urbanization, and the desire of individuals to present their status and power through the outward appearance of a tombstone. The

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Аветисян, Тагуи. "Церковь Ованеса Мкртича Гандзасарского монастыряи ее скульптурная программа". Bulletin of Armenian Studies, № 10.1 (31 січня 2024): 224–48. http://dx.doi.org/10.58226/2579-275x-2023.10.(1)-224.

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Церковь Ованеса Мкртича (Иоанна Крестителя) Гандзасарского монастыря в Арцахе (XIII в.) своим богатым и неповторимым скульптурным убранством занимает особое место в искусстве средневековой Армении. Фасады церкви, порталы и особенно его барабан богато украшены растительным и геометрическим орнаментом, изображениями животных и птиц, а также фигурами ктиторов и библейскими сюжетами. Большая часть внешних скульптурных изображений церкви Ованеса Мкртича сконцентрирована на ее барабане, который символически ассоциируется с Горним миром и Небесным Иерусалимом, что придает особую значимость их визуаль

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Radovic, Ljiljana, and Ana Zekic. "Symmetry analysis of ornaments in Serbian medieval frescoes art." Filomat 38, no. 33 (2024): 11785–803. https://doi.org/10.2298/fil2433785r.

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The ornaments from the Serbian medieval frescoes belong to the religious decorative art with the restricted set of possible motifs, frequently related to a cross, and thus the basic motifs can fit in a very limited number of symmetry groups. The main criterion for the quality of such ornamental art could be the richness and variety of patterns obtained from a very small number of symmetry groups, proving the creativity of their authors-their ability to create variety with a very restricted number of initial symmetry groups. Here we analyze these ornaments and their symmetry group and give an i

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Shigurova, Tat'yana Alekseevna. "The study of the Mordovian costume: the spiral as a means of shaping the "puloker" bevel." Человек и культура, no. 4 (April 2024): 155–70. http://dx.doi.org/10.25136/2409-8744.2024.4.71322.

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The relevance of the study of the ancient nakosnik of the Moksha woman is determined by the importance of studying the Mordovian culture, the history of the Mordovian costume, and the way of creating the nakosnik. The purpose of the article is to substantiate the spiral method of shaping in the metal decoration of archaeological monuments (Kryukovo–Kuzhnovskaya, Elizavet-Mikhailovsky burial grounds) of the Mordovian people. The objectives of the study are to identify in which jewelry the spiral shape was often found, what was the method of forming the Moksha band puloker, how widespread it was

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Mościcki, Michał. "Ornat – geneza, symbolika, sposoby dekoracji." Teologiczne Studia Siedleckie XIII (2016) 13, no. 2016 (2021): 91–115. https://doi.org/10.5281/zenodo.5547128.

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Chasuble - origin, symbols, ways to decorate Chasuble is a decorative outer vestment used by Catholic priests to celebrate Mass. Its decorativeness, as well as the decorativeness of all vestments, emphasizes the celebrant and the significance of the liturgical activities. Chasuble comes from the Roman &bdquo;paenula”, that is a light coat protecting from rain. It was commonly used by Christian priests since the fourth century, and it became a characteristic feature of the priesthood from the seventh century. Liturgical vestments started to develop since the ninth century, when they were

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Mammaev, Misrikhan M., and Abdulgamid M. Nurmagomedov. "STONE RELIEFS-DETAILS OF ARCHITECTURAL DECOR OF THE 14th–19th centuries with ARABIC INSCRIPTIONS AND PLANT ORNAMENT, REVEALED in 2022 in the village. KUBACHI." History, Archeology and Ethnography of the Caucasus 20, no. 4 (2024): 871–85. https://doi.org/10.32653/ch204871-885.

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The article describes the stone reliefs-architectural details of the XIV-XIX centuries. with Arabic inscriptions and floral ornaments, some of which (Nos. 1–4,7,9–10) are in the Kubachi Tower Museum, located in the upper quarter of the old part of the village. Kubachi. Reliefs in the museum, taken from the ruins of old buildings of quarter mosques, residential buildings and the palace-type building "Khwalla Khulbe" (Large Houses), brought from the lower quarter of the village. Two reliefs (Nos. 5–6) with Late Kufic Arabic inscriptions combined with floral ornaments, dated to the 14th century,

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Doncheva, Stella, and Nikolay Nikolov. "SIGNET RING WITH AN IMAGE OF A LILY FOUND AT THE SHUMEN VICINITY." Journal Scientific and Applied Research 26, no. 1 (2024): 27–32. http://dx.doi.org/10.46687/jsar.v26i1.391.

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The subject of the presented work is a signet ring with an image of a heraldic lily. Only the main sealing part, filled with glass paste, in which the image is engraved, has been preserved from the object. The thin ring soldered to the tile is not preserved. The traces from the solder of the ring to the solder on the reverse side of the board are clearly visible. The latter has an elliptical shape with a scalloped outline and bud-like ornamentation above it. The central part of the object is occupied by a deep socket filled with greenish glass paste, in which the image of the heraldic lily is

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Senotrusova, P. O., and P. V. Mandryka. "CULTURAL TIES ACROSS TAIGA AND STEPPE: MATERIAL CULTURE FROM THE MEDIEVAL LOWER ANGARA RIVER AND PROSPIKHINSKAYA SHIVERA IV." Archaeology, Ethnology & Anthropology of Eurasia 46, no. 3 (2018): 92–99. http://dx.doi.org/10.17746/1563-0110.2018.46.3.092-099.

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This study examines the cultural ties of the early 2nd millennium AD inhabitants of Prospikhinskaya Shivera IV, on the Lower Angara River in Siberia. Artifacts dated to the 11th and 12th centuries, including a double-edged saber, iron hinged belt tips, and two metal belt sets with rectangular and ovate iron overlay demonstrate connections with the Yenisei Kyrgyz culture. In the 13th century, the Lower Angara taiga dwellers were particularly infl uenced by the Mongol Empire, as evidenced by belt sets with metal plaquelike hooks, plate metal bracelets, “question-mark” shaped earrings, wide, fl a

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Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.

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Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenten

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Cross, Christopher. "Urban Design: Ornament and Decoration." URBAN DESIGN International 1, no. 2 (1996): 192. http://dx.doi.org/10.1057/udi.1996.26.

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Delafons, John. "Urban design: Ornament and decoration." Cities 13, no. 3 (1996): 235. http://dx.doi.org/10.1016/0264-2751(96)88703-8.

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Milošević, Ante. "The Early Medieval relief from Malo Čajno nearby Visoko with great Nespina kaznac’s added inscription." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 187–200. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.10.

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This text deals with circumstances of the finding as well as with the art and iconographic characteristics of an interesting relief accidentally dug out in 1947, north-east from Visoko, in Central Bosnia. Field examination that followed afterwards determined that the relief once was a part of itinerary and interior decoration of a smaller building. Supposedly, this was a medieval tomb construction based on the fact that in a nearby environment there were several other unornamented tombstones as well as after the Cyrillic inscription which was probably carved on the relief afterwards. The afore

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A., Pismarova. "EARLY MEDIEVAL MILLEFIORI BEADS IN EASTERN EUROPE." Teoriya i praktika arkheologicheskikh issledovaniy 37, no. 1 (2025): 101–22. https://doi.org/10.14258/tpai(2025)37(1).-06.

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The article presents a comprehensive study of early medieval millefiori beads discovered in Eastern Europe. These beads are widely known in the territory of the Merovingian Kingdom, which encompassed Western and Central Europe, and were found in smaller quantities in the territories of Great Britain and Scandinavia. The study is based on millefiori beads from archaeological sites in Eastern Europe (necropolises of Southwestern Crimea, the Caucasus, and Dnieper hoards of the Martynovka type), which have not been examined in detail previously. Special attention is paid to the morphological and t

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Ahani, Fatemeh, Iraj Etessam, and Seyed Gholamreza Islami. "The Distinction of Ornament and Decoration in Architecture." Journal of Arts and Humanities 6, no. 6 (2017): 25. http://dx.doi.org/10.18533/journal.v6i5.1188.

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<p>Ornament has been present throughout the recorded history, revealing human's aspirations, reflections and imaginations. Correspondingly, the discussion of ornament has almost uninterruptedly been a major topic for architectural discourses; one which has led to the publication of several significant texts in which ornamental practices has been addressed from a variety of perspectives. An investigation into the key architectural texts however, reveals that the absence of a certain definition of ornament and its functions in architecture as well as the interchangeable use of the terms 'd

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Halilović, Zijad. "Ornaments of tombestones from Hreša." Godišnjak Centra za balkanološka ispitivanja, no. 45 (January 6, 2022): 215–24. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-45.78.

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In the early Middle Ages Hreša was part of the parish of Vrhbosna, which was in the 14 i 15 century a part of the land Pavlovic. With the first arrival of the Ottoman army, the area of the parish Vrhbosna turned into Bosnian place, later named after the main fortress Vilajet Hodidjed, and then afer a market place Vilajet Saray-ovasi. In 1455 the village Hreša (Hriša) was represented by a timar Isa Bey hizmećara Sufi Jahšija. Already in 1485 he has been separated from timars crew Hodidjed and added to sandžakbegov has.In the central part of Hreša, on the site of Han, stands a medieval necropoli

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Sharapov, I. A. "Discourse of Ornament in Twentieth-Century Architecture." Art & Culture Studies, no. 2 (June 2021): 60–87. http://dx.doi.org/10.51678/2226-0072-2021-2-60-87.

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The article provides an overview of the ornament in the architecture of the twentieth century, indicating the points that form the direction of the axial trajectories of the development of the ornamental form in the context of architecture. The research is based on the method of analytical description of ornament positions extracted from the the practice and textual corpus of architect’s statements. Utterances synthesize the discursive range of ornament in the field of architecture. The body of the ornament covers the subject aspects of human life and is present in the spatial form of the arch

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