Academic literature on the topic 'Medieval Despair'

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Journal articles on the topic "Medieval Despair"

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Nohrnberg, James. "“Swords, ropes, poison, fire”: The Dark Materials of Spenser’s Objectification of Despair-Assisted Suicide, with Notes on Skelton and Shakespeare." Explorations in Renaissance Culture 43, no. 2 (2017): 158–201. http://dx.doi.org/10.1163/23526963-04302003.

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In the Despair episode in Spenser’s Faerie Queene i.ix, the provocative material means for self-slaughter are emblematically doubled with the psychological inducements, particularly on the models of predecessor texts in Skelton’s Magnyfycence and the Cordela story in The Mirrour for Magistrates. The pairing of means and causes is part of a tradition. So also is the despair of a Christian believer over his own sinfulness, in the face of God’s law, as voiced by a conspiratorial evil conscience, leading to a sinful “unbelief and despair of God” (Luther) and likewise unbelief in salvation—and to a
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Huang, Wen-Yi, and Xiaofei Tian. "Introduction to a Forum on Migration in Early Medieval China." Journal of Asian Studies 80, no. 1 (2021): 95–97. http://dx.doi.org/10.1017/s0021911820003605.

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How do we think about migration? This question was the topic of the first installment of the 2019 Tanner Lectures on Human Values, given by the exiled Russian journalist Masha Gessen, at Harvard University. Gessen, who had reported on immigrants, began with a story of a Montenegro man whose family fled to the United States when he was five. Then they told a second story, then a third, followed by fifty-four more stories of individuals’ sorrows, despair, and dreams. Gessen's intent was to bring to life individual migrants, underscoring their diverse experiences. Individuality and complexity mat
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Swanson, Robert N. "Dubius in fide fidelis est? Doubt and Assurance in Late Medieval Catholicism." Studies in Church History 52 (June 2016): 186–202. http://dx.doi.org/10.1017/stc.2015.11.

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The canon law dictum that ‘dubius in fide infidelis est’ offers a seemingly definitive statement on the place of doubt and uncertainty in medieval Catholicism. Yet where Catholic teaching was open to question, doubt was inseparable from faith, not merely as its obverse but as part of the process of achieving faithfulness – the trajectory outlined by Abelard in the twelfth century. The challenge for the Church was not that doubters lacked faith, but that having tested their doubts they might end up with the wrong faith: doubt preceded assurance, one way or the other. That problem is addressed i
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Rudd, Andrew. "Knights Errant of the Distressed: Horace Walpole, Thomas Chatterton, and Eighteenth-Century Charitable Culture." Eighteenth-Century Life 44, no. 1 (2020): 74–97. http://dx.doi.org/10.1215/00982601-7993655.

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In this article, I examine how notions of charity shaped eighteenth-century literature. I begin by examining Horace Walpole’s philanthropy, which I argue belied his posthumous reputation for miserliness, and proceed to trace the theme of charity in Walpole’s The Castle of Otranto (1764), looking closely at the role of St. Nicholas, patron saint of gift-giving, who intervenes at crucial moments in the plot. I then reexamine Chatterton’s approach to Walpole in 1769 seeking patronage for his pseudo-medieval “Rowley” poems. Walpole’s infamous rejection stemmed in large part, I suggest, from his vi
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Fleischer, Manfred. "Lutheran and Catholic Reunionists in the Age of Bismarck." Church History 57, S1 (1988): 89–107. http://dx.doi.org/10.1017/s000964070006296x.

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Religious division has determined Germany's destiny. In the Middle Ages, it was the struggle between Emperor and Pope which doomed the Holy Roman Empire. During the Reformation, and the Thirty Years' War, it was Protestantism as well as the anti-Imperial diplomacy of the Pope and the French cardinals, which prevented the emergence of a national state and a centralized government. “From the split of the church dates all our misfortune,” complained in 1846 the Lutheran historian Johann Friedrich Böhmer, editor of a major medieval source collection. “It is a pity that the nation in the heart of E
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De Souza Briggs, Xavier. "Civilization in Color: The Multicultural City in Three Millennia." City & Community 3, no. 4 (2003): 311–42. http://dx.doi.org/10.1111/j.1535-6841.2004.00091.x.

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How should democratic societies and the cities that propel them respond to increased social diversity? Surprisingly few studies compare cities on their capacity to manage social diversity or offer historical views of the bases for co‐existence among identity groups. Studies of this crucial theme that do offer comparative reach are limited to higher‐level analyses (e.g., of race and nation making in the modern global order) or partial views (e.g., of economic inequality by race or ethnic politics in contemporary cities). This study, an exercise in theory building, examines three large, history‐
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Espi Forcén, Fernando, and Carlos Espi Forcén. "Ars Moriendi: Coping with death in the Late Middle Ages." Palliative and Supportive Care 14, no. 5 (2015): 553–60. http://dx.doi.org/10.1017/s1478951515000954.

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ABSTRACTObjective:TheArs moriendiwas a book written in the early 15th century with the goal of assisting friars in their work of helping the dying. The aim of our study was to review the current literature on theArs Moriendiconcerning the field of medicine, to analyze the psychological mechanisms for coping with death anxiety withinArs Moriendi, and to explore parallels between the strategies used in the medieval book and in contemporary literature about death and dying.Method:A review of literature using Pubmed, EMBASE, JSTOR, Project MUSE, and the New York Public Library was undertaken first
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Vianna, Luciano José. "Cristòfol Despuig, Dialogues. A Catalan Renaissance Colloquy Set in the City of Tortosa." Medievalia 21 (February 18, 2019): 134. http://dx.doi.org/10.5565/rev/medievalia.474.

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Fernández Rei, Francisco. "O mar e a poesía galega. Singraduras na construcción da patria da lingua." Revista Galega de Filoloxía 4 (May 17, 2003): 11–57. http://dx.doi.org/10.17979/rgf.2003.4.0.5342.

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Neste artigo estúdiase a presencia do mar e do léxico relacionado co mar na poesía galega. Despois dunhas breves consideracións sobre o mar na lírica galega medieval, fanse calas no vocabulario marítimo da poesía de Pondal, Manuel Antonio, Avilés de Taramancos e outros autores contemporáneos. O obxectivo fundamental é ver como se foi introducindo e propagando no galego literario moderno diverso léxico do mar, popular e culto, que hoxe forma parte do galego común nos seus diversos rexistros.
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Eirín García, Leticia. "Do cancioneiro anónimo á lírica culta. Consideracións lingüísticas sobre as cántigas recollidas por Marcial Valladares no Diccionario gallego-castellano (1884)." Revista Galega de Filoloxía 7 (May 17, 2006): 67–93. http://dx.doi.org/10.17979/rgf.2006.7.0.5305.

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Un dos obxectivos deste artigo será a análise do papel desenvolvido pola lírica popular no nacemento da literatura culta en lingua galega ao longo dos tempos, xa que se atopa nas orixes da lírica medieval galego-portuguesa e na renacenza das nosas letras séculos despois, no período do Rexurdimento. Mais o presente traballo tamén incluirá un achegamento á lingua das cántigas tradicionais recollidas por Marcial Valladares e incluídas no seu Diccionario gallego-castellano (1884), dada a relevancia destas pezas como testemuño fundamental da fala popular e medio de expresión do pobo galego.
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Dissertations / Theses on the topic "Medieval Despair"

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Bevevino, Lisa Shugert. "Demis Defors: the Narrative Structure and Cultural Implications of the Contemplation of Death in Medieval French Courtly Literature." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343794962.

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Horn, Adam. "Presumption and Despair: The figure of Bernard in Middle English imaginative literature." Thesis, 2021. https://doi.org/10.7916/d8-f5jd-4714.

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This dissertation pursues two distinct but parallel projects in relation to the work of Bernard of Clairvaux and Middle English imaginative literature. First, I argue for a Bernardine anagogical lens as a way to better understand the deepest theological commitments and most distinctive formal innovations of certain key Middle English literary texts, especially Piers Plowman and The Canterbury Tales. Second, I outline a more genealogical project, tracing the figure of Bernard as it is explicitly invoked in widely circulated Middle English works including Piers, The Parson’s Tale, and the Prick
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Books on the topic "Medieval Despair"

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Watson, Nicholas. Despair. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0019.

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The terrain of the Christian psyche and the theological structure within which Christians directed their lives towards salvation were both reconfigured during the Reformation. William Langland’sPiers Plowmanoffers an account of despair as a phenomenon associated with the deathbed. In the late medieval period, despair was also seen as a spiritual problem affecting religious specialists engaged in contemplative living, rather than ordinary people on their deathbeds. This article explores despair as it was understood in the late medieval period and as a key concern of Protestant theology and narr
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Simpson, James, and Brian Cummings, eds. Cultural Reformations. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.001.0001.

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This title is part of the theOxford Twenty-First Century Approaches to Literatureseries, edited by Paul Strohm. This book examines cultural history and cultural change in the period between the fourteenth and the seventeenth centuries, a period spanning the medieval and Renaissance. It takes a dynamically diachronic approach to cultural history and brings the perspective of alongue duréeto literary history. It redraws historical categories and offers a fresh perspective on historical temporality by challenging the stereotypes that might encourage any iconographic division between medieval and
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Krug, Rebecca. Margery Kempe and the Lonely Reader. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501705335.001.0001.

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Since its rediscovery in 1934, the fifteenth-century Book of Margery Kempe has become a canonical text for students of medieval Christian mysticism and spirituality. Its author was a fifteenth-century English laywoman who, after the birth of her first child, experienced vivid religious visions and vowed to lead a deeply religious life while remaining part of the secular world. After twenty years, Kempe began to compose with the help of scribes a book of consolation, a type of devotional writing found in late medieval religious culture that taught readers how to find spiritual comfort and how t
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Book chapters on the topic "Medieval Despair"

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Calder, Natalie. "Remedies for Despair: Considering Mental Health in Late Medieval England." In Medical Paratexts from Medieval to Modern. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73426-2_6.

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Hunter, Elizabeth. "Damned Above Ground: Dreadful Despair in Elizabethan and Stuart Literature." In Fear in the Medical and Literary Imagination, Medieval to Modern. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-55948-7_8.

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"Inciting despair." In Emotions, Communities, and Difference in Medieval Europe. Routledge, 2017. http://dx.doi.org/10.4324/9781315579276-18.

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"Dante: Tours of Hell: Mapping the Landscape of Sin and Despair." In Volume 4: Kierkegaard and the Patristic and Medieval Traditions. Routledge, 2016. http://dx.doi.org/10.4324/9781315234625-25.

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