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Journal articles on the topic 'Medieval Despair'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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1

Nohrnberg, James. "“Swords, ropes, poison, fire”: The Dark Materials of Spenser’s Objectification of Despair-Assisted Suicide, with Notes on Skelton and Shakespeare." Explorations in Renaissance Culture 43, no. 2 (2017): 158–201. http://dx.doi.org/10.1163/23526963-04302003.

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In the Despair episode in Spenser’s Faerie Queene i.ix, the provocative material means for self-slaughter are emblematically doubled with the psychological inducements, particularly on the models of predecessor texts in Skelton’s Magnyfycence and the Cordela story in The Mirrour for Magistrates. The pairing of means and causes is part of a tradition. So also is the despair of a Christian believer over his own sinfulness, in the face of God’s law, as voiced by a conspiratorial evil conscience, leading to a sinful “unbelief and despair of God” (Luther) and likewise unbelief in salvation—and to a
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2

Huang, Wen-Yi, and Xiaofei Tian. "Introduction to a Forum on Migration in Early Medieval China." Journal of Asian Studies 80, no. 1 (2021): 95–97. http://dx.doi.org/10.1017/s0021911820003605.

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How do we think about migration? This question was the topic of the first installment of the 2019 Tanner Lectures on Human Values, given by the exiled Russian journalist Masha Gessen, at Harvard University. Gessen, who had reported on immigrants, began with a story of a Montenegro man whose family fled to the United States when he was five. Then they told a second story, then a third, followed by fifty-four more stories of individuals’ sorrows, despair, and dreams. Gessen's intent was to bring to life individual migrants, underscoring their diverse experiences. Individuality and complexity mat
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3

Swanson, Robert N. "Dubius in fide fidelis est? Doubt and Assurance in Late Medieval Catholicism." Studies in Church History 52 (June 2016): 186–202. http://dx.doi.org/10.1017/stc.2015.11.

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The canon law dictum that ‘dubius in fide infidelis est’ offers a seemingly definitive statement on the place of doubt and uncertainty in medieval Catholicism. Yet where Catholic teaching was open to question, doubt was inseparable from faith, not merely as its obverse but as part of the process of achieving faithfulness – the trajectory outlined by Abelard in the twelfth century. The challenge for the Church was not that doubters lacked faith, but that having tested their doubts they might end up with the wrong faith: doubt preceded assurance, one way or the other. That problem is addressed i
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4

Rudd, Andrew. "Knights Errant of the Distressed: Horace Walpole, Thomas Chatterton, and Eighteenth-Century Charitable Culture." Eighteenth-Century Life 44, no. 1 (2020): 74–97. http://dx.doi.org/10.1215/00982601-7993655.

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In this article, I examine how notions of charity shaped eighteenth-century literature. I begin by examining Horace Walpole’s philanthropy, which I argue belied his posthumous reputation for miserliness, and proceed to trace the theme of charity in Walpole’s The Castle of Otranto (1764), looking closely at the role of St. Nicholas, patron saint of gift-giving, who intervenes at crucial moments in the plot. I then reexamine Chatterton’s approach to Walpole in 1769 seeking patronage for his pseudo-medieval “Rowley” poems. Walpole’s infamous rejection stemmed in large part, I suggest, from his vi
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5

Fleischer, Manfred. "Lutheran and Catholic Reunionists in the Age of Bismarck." Church History 57, S1 (1988): 89–107. http://dx.doi.org/10.1017/s000964070006296x.

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Religious division has determined Germany's destiny. In the Middle Ages, it was the struggle between Emperor and Pope which doomed the Holy Roman Empire. During the Reformation, and the Thirty Years' War, it was Protestantism as well as the anti-Imperial diplomacy of the Pope and the French cardinals, which prevented the emergence of a national state and a centralized government. “From the split of the church dates all our misfortune,” complained in 1846 the Lutheran historian Johann Friedrich Böhmer, editor of a major medieval source collection. “It is a pity that the nation in the heart of E
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6

De Souza Briggs, Xavier. "Civilization in Color: The Multicultural City in Three Millennia." City & Community 3, no. 4 (2003): 311–42. http://dx.doi.org/10.1111/j.1535-6841.2004.00091.x.

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How should democratic societies and the cities that propel them respond to increased social diversity? Surprisingly few studies compare cities on their capacity to manage social diversity or offer historical views of the bases for co‐existence among identity groups. Studies of this crucial theme that do offer comparative reach are limited to higher‐level analyses (e.g., of race and nation making in the modern global order) or partial views (e.g., of economic inequality by race or ethnic politics in contemporary cities). This study, an exercise in theory building, examines three large, history‐
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7

Espi Forcén, Fernando, and Carlos Espi Forcén. "Ars Moriendi: Coping with death in the Late Middle Ages." Palliative and Supportive Care 14, no. 5 (2015): 553–60. http://dx.doi.org/10.1017/s1478951515000954.

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ABSTRACTObjective:TheArs moriendiwas a book written in the early 15th century with the goal of assisting friars in their work of helping the dying. The aim of our study was to review the current literature on theArs Moriendiconcerning the field of medicine, to analyze the psychological mechanisms for coping with death anxiety withinArs Moriendi, and to explore parallels between the strategies used in the medieval book and in contemporary literature about death and dying.Method:A review of literature using Pubmed, EMBASE, JSTOR, Project MUSE, and the New York Public Library was undertaken first
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8

Vianna, Luciano José. "Cristòfol Despuig, Dialogues. A Catalan Renaissance Colloquy Set in the City of Tortosa." Medievalia 21 (February 18, 2019): 134. http://dx.doi.org/10.5565/rev/medievalia.474.

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9

Fernández Rei, Francisco. "O mar e a poesía galega. Singraduras na construcción da patria da lingua." Revista Galega de Filoloxía 4 (May 17, 2003): 11–57. http://dx.doi.org/10.17979/rgf.2003.4.0.5342.

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Neste artigo estúdiase a presencia do mar e do léxico relacionado co mar na poesía galega. Despois dunhas breves consideracións sobre o mar na lírica galega medieval, fanse calas no vocabulario marítimo da poesía de Pondal, Manuel Antonio, Avilés de Taramancos e outros autores contemporáneos. O obxectivo fundamental é ver como se foi introducindo e propagando no galego literario moderno diverso léxico do mar, popular e culto, que hoxe forma parte do galego común nos seus diversos rexistros.
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10

Eirín García, Leticia. "Do cancioneiro anónimo á lírica culta. Consideracións lingüísticas sobre as cántigas recollidas por Marcial Valladares no Diccionario gallego-castellano (1884)." Revista Galega de Filoloxía 7 (May 17, 2006): 67–93. http://dx.doi.org/10.17979/rgf.2006.7.0.5305.

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Un dos obxectivos deste artigo será a análise do papel desenvolvido pola lírica popular no nacemento da literatura culta en lingua galega ao longo dos tempos, xa que se atopa nas orixes da lírica medieval galego-portuguesa e na renacenza das nosas letras séculos despois, no período do Rexurdimento. Mais o presente traballo tamén incluirá un achegamento á lingua das cántigas tradicionais recollidas por Marcial Valladares e incluídas no seu Diccionario gallego-castellano (1884), dada a relevancia destas pezas como testemuño fundamental da fala popular e medio de expresión do pobo galego.
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11

Arbor Aldea, Mariña. "Edición e edicións: a propósito de crítica textual e lírica medieval (profana) galego-portuguesa (II)." Revista Galega de Filoloxía 18 (December 12, 2017): 11–47. http://dx.doi.org/10.17979/rgf.2017.18.0.3178.

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Este artigo constitúe unha revisión histórica e crítica do labor ecdótico realizado no ámbito da lírica profana galego-portuguesa desde a década de 1960, momento en que a denominada “escola italiana” comeza os seus traballos. O estudo contempla as edicións preparadas polas denominadas escolas “pisana”, “barese” e “romana”, ademais de por diversos investigadores independentes en Italia, para despois analizar os traballos preparados no Brasil e para centrarse, finalmente, na Península Ibérica, que se converte, con Galicia á cabeza, e a partir da década dos ’80, no baricentro da actividade editor
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12

Arbor Aldea, Mariña. "Edición e edicións: a propósito de crítica textual e lírica medieval (profana) galego-portuguesa (I)." Revista Galega de Filoloxía 14 (May 17, 2013): 11–41. http://dx.doi.org/10.17979/rgf.2013.14.0.3639.

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Neste artigo ofrécese unha revisión histórica e crítica do labor ecdótico realizado no ámbito da lírica profana galego-portuguesa desde os seus inicios, a comezos do século XIX, ata a década de 1960, momento en que a denominada “escola italiana” comeza os seus traballos. O estudo contempla as edicións inaugurais desta tradición poética, preparadas nos anos que seguiron ao descubrimento dos primeiros manuscritos –Stuart, Moura, Varnhagen–, a edición en Italia e en Portugal no último cuarto do século XIX –Monaci, Molteni, Braga–, o contributo dos grandes mestres –Michaëlis, Lang e Nobiling–, as
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13

Ross, Ronald A. "Look upon my works, ye mighty, and despair: the fall of Rome in collapse theory." NEXUS: The Canadian Student Journal of Anthropology 11, no. 1 (1993). http://dx.doi.org/10.15173/nexus.v11i1.141.

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Several recent works have attempted to deal with the collapse of all past state societies, including the Western Roman Empire, as specific instances of a universal systemic phenomenon. These works all subscribe to a common list of characteristics of collapse, emphasizing poverty and discontinuity. This article examines the historical genesis of the concept of the fall of the Roman Empire, and modern scholarship on the Late Antique·Early Medieval transition. The 'trait list' of collapse is shown not to apply to the 'fall' of Rome.
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14

"GAME PHENOMENON IN MEDIEVAL CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 62 (2020). http://dx.doi.org/10.26565/2306-6687-2020-62-08.

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The Middle Ages added their own ludological culture traditions to those which they had inherited from the Ancient Ages. First of all, such notions were connected with the form of existence and perceiving the Christianity which was a basis for the whole civilization. Epistemological notions of those times were also built in accordance to those norms of world outlook. A cognitive act of an individual was understood as entrance of the subject to the world of general tragic game where he is risen up from sensual forms of being to being of over-sensual beauty, which is defined only through forms of
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15

Lemos, Rodrigo De Oliveira. "A Tebaida como refúgio espiritual e estético em Jacopo de Varazze, Gustave Flaubert e Joris-Karl Huysmans." Revista Conexão Letras 15, no. 23 (2020). http://dx.doi.org/10.22456/2594-8962.104065.

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A região desértica do Egito denominada Tebaida está associada, na história do cristianismo, à figura de Santo Antônio e, de maneira mais geral, à tradição do monasticismo e do eremitismo como via ascética de vivência de Deus. É esse o sentido da Tebaida em textos medievais como a Legenda Áurea, de Jacopo de Verrazze, na qual episódios da vida de Santo Antônio ganham uma dimensão de exemplaridade. Na literatura francesa da segunda metade do século XIX, esse espaço de refúgio ganha outros sentidos. São as significações da Tebaida próprias a essa literatura que investigaremos neste artigo, a part
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16

West, Patrick Leslie. "Thom Gunn’s “The Annihilation of Nothing” and the Negative Capability of Dream Poetry." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1637.

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IntroductionDreams feature frequently in poetry as framing devices for lyrical and narrative content. By contrast, Thom Gunn’s poem “The Annihilation of Nothing” (1958) theorises how dream, through its relationship to the states of sleeping and waking up, serves the creative process of practising poets. To this extent, Gunn is a challenging fellow traveller in the dream-poetry tradition. “The Annihilation of Nothing” is usually categorised by critics as a philosophical poem informed by Existentialist notions. This article supplements such a reading by showing how the poem’s Existentialism is r
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17

Kolff, Louise Moana. "New Nordic Mythologies." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1328.

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IntroductionNordic mythology, also known as Norse mythology, is a term used to describe Medieval creation myths and tales of Gods and otherworldly realms, told and retold by Northern Germanic and Scandinavian tribes of the ninth century AD (see for example Gaiman).I discuss a new type of Nordic mythology that is being created through popular culture, social media, books, and television shows. I am interested in how contemporary portrayals of the Nordic countries has created a kind of mythological place called Scandinavia, where things, people, and ideas are better than in other places.Whereas
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