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Books on the topic 'Medieval Embroidery'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Swain, Margaret H. Scottish embroidery: Medieval to modern. Batsford, 1986.

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2

Norton, Elizabeth. Embroidery in Anglo-Saxon England. Elizabeth Norton, 1995.

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3

Franzén, Anne Marie. Prydnadssömmar under medeltiden. Kungl. Vitterhets historie och antikvitets akademien, 2012.

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4

Brakel, Justine J. Bijdrage tot de geschiedenis van de laat-gotische goudborduurkunst in de zuidelijke Nederlanden: De groene kazuifel van de St.-Petruskerk te Leiden. Culturele Kring Boudelo, 1995.

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5

Krefeld, Deutsches Textilmuseum, and Fachhochschule Köln. Zentrum zur Erforschung antiker und mittelalterlicher Textilien, eds. Reiche Bilder: Aspekte zur Produktion und Funktion von Stickereien im Spätmittelalter. Schnell & Steiner, 2010.

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6

Salazar, Kim Brody. The new Carolingian modelbook: Counted embroidery patterns from before 1600. Outlaw Press, 1995.

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7

Beer, Richard de. Middeleeuwse borduurkunst uit de Nederlanden. Museum Catharijneconvent, 2015.

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8

Statens, historiska museum (Stockholm Sweden). Skatter i textilkammaren =: Textile treasures. Statens historiska museum, 1987.

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9

Gagliardi, Giannino. Il piviale di Ascoli. G.G. Editore, 1990.

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10

Andreevna, Mai︠a︡sova Natalii︠a︡, Gosudarstvennye muzei Moskovskogo Kremli︠a︡, and International Congress of Byzantine Studies (18th : 1991 : Moscow, Russia), eds. Medieval pictorial embroidery: Byzantium, Balkans, Russia : catalogue of the exhibition XVIIIth International Congress of Byzantinists, Moscow, August 8-15, 1991. The Moscow Kremlin State Museums Publishers, 1991.

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11

Andreevna, Mai︠a︡sova Natalii︠a︡, Gosudarstvennye muzei Moskovskogo Kremli︠a︡, and International Congress of Byzantine Studies (18th : 1991 : Moscow, Russia), eds. Medieval pictorial embroidery: Byzantium, Balkans, Russia : catalogue of the exhibition XVIIIth International Congress of Byzantinists, Moscow, August 8-15, 1991. The Moscow Kremlin State Museums Publishers, 1991.

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12

Grimme, Ernst Günther. Ein Heilsspiegel des Hohen Mittelalters: Die Gewandstickereien in St. Johann/Aachen-Burtscheid. Einhard, 2002.

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13

author, Bates David 1945, and Vair Christian translator, eds. La tapisserie de Bayeux: Commentaires. Citadelles & Mazenod, 2020.

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14

Sandra, Whitehead. Celtic, Medieval, and Tudor wall hangings in 1/12 scale needlepoint. Guild of Master Craftsman Publications, 2000.

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15

editor, Descatoire Christine, and Rmn-Grand Palais (Organization), eds. L'art en broderie au Moyen Âge: Autour des collections du musée de Cluny. M, 2019.

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16

Museum, Ashmolean, ed. Embroideries and samplers from Islamic Egypt. Ashmolean Museum, 2001.

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17

Sandra, Whitehead. Medieval and Tudor needlecraft: Knights and ladies in 1/12th scale. Guild of Master Craftsman Publications, 2002.

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18

Rosalia, Bonito Fanelli, and Cecchi Dante, eds. Il Piviale duecentesco di Ascoli Piceno: Storia e restauro. Cantini, 1991.

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19

Robinson, Debby. Medieval needlepoint: Twenty-four easy-to-make projects forthe home. Collins & Brown, 1992.

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20

Primerano, Domenica. Una storia a ricamo: La ricomposizione di un raro ciclo boemo di fine Trecento. Museo diocesano tridentino, 2011.

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21

Birgit, Krentz, ed. Liturgische Gewänder des Mittelalters aus St. Nikolai in Stralsund. Abegg-Stiftung, 2008.

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22

Messent, Jan. The Bayeux Tapestry embroiderers' story. Madeira Threads, 1999.

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23

Kempen, Ad van. Uitweg uit Normandië: Reisverslag, belofte en woordbreuk op het Tapijt van Bayeux. 2nd ed. Veerhuis, 2007.

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24

Gudrun, Sporbeck, and Nürnberg Monika, eds. Kölner Bortenweberei im Mittelalter. Schnell & Steiner, 2012.

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25

translator, Banks Philip, ed. El tapís de Bayeux, eina política?: Anàlisi de les imatges i nova interpratació. Publicacions de l'Abadia de Montserrat, 2015.

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26

Doherty, P. C. The prince of darkness. St. Martin's Press, 1993.

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27

Naughty Medieval Embroidery. The Crowood Press, 2024.

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28

Staniland, Kay. Embroiderers (Medieval Craftsmen). British Museum Press, 1991.

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29

Museum, Victoria and Albert, ed. English medieval embroidery: Opus Anglicanum. 2016.

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30

English Medieval Embroidery: Opus Anglicanum. Yale University Press, 2021.

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31

Netherton, Robin, and Gale R. Owen-Crocker, eds. Medieval Clothing and Textiles. The Boydell Press, 2005. http://dx.doi.org/10.5040/9781800108325.

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Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending traditional genre boundaries. This annual journal includes in-depth studies from a variety of disciplines. The contents cover a broad geographical scope and a range of periods from the early Middle Ages to the Renaissance. The first three volumes are now available as a specially-priced set. Topics coveredinclude: Anglo-Saxon embroidery; textiles and textile imagery in the Exeter Book; the Latin inscription embroidered on the Bayeux Tapestry; clothmaki

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32

Robinson, Debby. Medieval Needlepoint. Collins & Brown, 1993.

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33

Böhmische Bildstickerei um 1400: Die Stiftungen in Trient, Brandenburg und Danzig. Gebr. Mann, 2001.

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34

Age of Opus Anglicanum: A Symposium. Miller Publishers, Harvey, 2016.

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35

Grape, Wolfgang. Bayeux Tapestry: Monument to a Norman Triumph. Prestel Publishing, 1994.

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36

Grape, Wolfgang. The Bayeux Tapestry: Monument to a Norman Triumph (Art & Design). Prestel Publishing, 1994.

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37

Grape, Wolfgang. Bayeux Tapestry: Monument to a Norman Triumph. Prestel Publishing, 1994.

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38

Freeman, Margaret B. St. Martin Embroideries. Yale University Press, 2013.

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39

Late-Medieval and Renaissance Textiles. Holberton Publishing, Paul, 2018.

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40

Netherton, Robin, and Gale R. Owen-Crocker, eds. Medieval Clothing and Textiles. The Boydell Press, 2010. http://dx.doi.org/10.5040/9781800108370.

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This sixth volume of Medieval Clothing and Textiles ranges widely, as ever, across England and Europe. It presents two groundbreaking articles in novel areas of textile and dress scholarship: an introduction to a previouslyunexamined class of embroidery (decorative manuscript repair), and an English-language overview of scholarly research on historical dress in Latvia. Among the other topics considered in the volume are two very different listingsof clothing items from medieval Germany: an invented lexicon by the mystic Hildegard of Bingen, and an accounting of specific real garments worn by o

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41

Beech, George. Was the Bayeux Tapestry Made in France?: The Case for St. Florent of Saumur (The New Middle Ages). Palgrave Macmillan, 2005.

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42

Lost Art of the Anglo-Saxon World: The Sacred and Secular Power of Embroidery. Oxbow Books, Limited, 2019.

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43

Decoding the Bayeux Tapestry: The Secrets of History's Most Famous Embriodery Hidden in Plain Sight. Frontline Books, 2019.

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44

Wright, Arthur Colin. Decoding the Bayeux Tapestry: The Secrets of History's Most Famous Embroidery Hidden in Plain Sight. Pen & Sword Books Limited, 2019.

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45

Wright, Arthur Colin. Decoding the Bayeux Tapestry: The Secrets of History's Most Famous Embroidery Hidden in Plain Sight. Pen & Sword Books Limited, 2019.

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46

Bologna Cope: Patronage, Iconography, History, and Conservation. Miller Publishers, Harvey, 2022.

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47

T︠S︡erkovnoe shitʹe v drevneĭ Rusi: Sbornik stateĭ posvi︠a︡shchaetsi︠a︡ pami︠a︡ti Li︠u︡dmily Dmitrievny Likhachevoĭ (1937-2001). Galart, 2010.

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48

Medieval needlepoint: Twenty-four easy-to-make projects for the home. Sterling Pub. Co., 1993.

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49

Medieval Needlepoint: Twenty-Four Easy-to-Make Projects for the Home. Sterling Publishing Co., Inc., 1994.

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50

Zolotoshveĭnoe rukodelie velikokni︠a︡zheskikh i t︠s︡arskikh masterskikh XV-XVI vekov. Kolo, 2011.

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