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1

Petrovic, Ivana, and Andrej Petrovic. "General." Greece and Rome 65, no. 2 (2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.

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I was very excited to get my hands on what was promising to be a magnificent and extremely helpfulHandbook of Rhetorical Studies, and my expectations were matched – and exceeded! This handbook contains no less than sixty contributions written by eminent experts and is divided into six parts. Each section opens with a brief orientation essay, tracing the development of rhetoric in a specific period, and is followed by individual chapters which are organized thematically. Part I contains eleven chapters on ‘Greek Rhetoric’, and the areas covered are law, politics, historiography, pedagogy, poeti
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Kedwards, Dale. "Astronomy, Literary Criticism, and Medieval Literature: An Introduction." Interfaces: A Journal of Medieval European Literatures, no. 8 (December 31, 2021): 7–13. http://dx.doi.org/10.54103/interfaces-08-02.

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Petrocchi, Alessandra. "Medieval Literature in Comparative Perspective." Journal of Medieval Worlds 1, no. 2 (2019): 57–76. http://dx.doi.org/10.1525/jmw.2019.120004.

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This paper provides a textual comparison of selected primary sources on medieval mathematics written in Sanskrit and medieval Latin for the first time. By emphasising literary features instead of purely mathematical ones, it attempts to shed light on a neglected area in the study of scientific treatises which concerns lexicon and argument strategies. The methodological perspective takes into account the intellectual context of knowledge production of the sources presented; the medieval Indian and Latin traditions are historically connected, in fact, by one of the most fascinating episodes in t
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Dexter, Joseph P., Theodore Katz, Nilesh Tripuraneni, et al. "Quantitative criticism of literary relationships." Proceedings of the National Academy of Sciences 114, no. 16 (2017): E3195—E3204. http://dx.doi.org/10.1073/pnas.1611910114.

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Authors often convey meaning by referring to or imitating prior works of literature, a process that creates complex networks of literary relationships (“intertextuality”) and contributes to cultural evolution. In this paper, we use techniques from stylometry and machine learning to address subjective literary critical questions about Latin literature, a corpus marked by an extraordinary concentration of intertextuality. Our work, which we term “quantitative criticism,” focuses on case studies involving two influential Roman authors, the playwright Seneca and the historian Livy. We find that fo
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Chiesa, Paolo. "La Filologia mediolatina: una disciplina di frontiera." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, no. 1 (2020): 109–27. http://dx.doi.org/10.1163/17246172-40010033.

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Abstract This article sketches a short history of Latin literature of the Middle Ages (as academic discipline) in Italy; defines its possible boundaries and relationships with other disciplines; lists the peculiarities of textual criticism when applied in the specific field of Latin medieval texts; highlights the methodological contribution brought by the scholars of this discipline, in order to build a ‘global philology’.
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Samson, Anne, and David Aers. "Medieval Literature: Criticism, Ideology and History." Modern Language Review 84, no. 4 (1989): 917. http://dx.doi.org/10.2307/3731173.

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7

Sidwell, Keith. "Medieval Latin (Plus)." Classical Review 49, no. 1 (1999): 145–47. http://dx.doi.org/10.1093/cr/49.1.145.

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Dronke (book author), Peter, and Fred Bottley (review author). "Dante and Medieval Latin Traditions." Quaderni d'italianistica 10, no. 1-2 (1989): 340–41. http://dx.doi.org/10.33137/q.i..v10i1-2.10449.

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9

Ghosh, Ritwik. "Marxism and Latin American Literature." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 208. http://dx.doi.org/10.24113/ijellh.v8i4.10539.

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In the aftermath of the collapse of the U.S.S.R Marxism remains a viable and flourishing tradition of literary and cultural criticism. Marx believed economic and social forces shape human consciousness, and that the internal contradictions in capitalism would lead to its demise.[i] Marxist analyses can show how class interests operate through cultural forms.[ii] Marxist interpretations of cultural life have been done by critics such as C.L.R James and Raymond Williams.[iii]
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Amer, Sahar. "Reading Medieval French Literature from a Global Perspective." PMLA/Publications of the Modern Language Association of America 130, no. 2 (2015): 367–74. http://dx.doi.org/10.1632/pmla.2015.130.2.367.

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Only in the last decade has the field of medieval french literature recognized the need for a critical gaze that looks outside France and beyond the persistent Eurocentric accounts of medieval French literary history. These accounts long viewed medieval French literary production primarily in relation to the Latin, Celtic, and Provençal traditions. My research over the last twenty years has called for a revisionist history of literature and of empires and has highlighted the fact that throughout the Middle Ages France entertained “inter-imperial” literary relations—not only with European tradi
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Schendl, Herbert. "Code-switching in early English literature." Language and Literature: International Journal of Stylistics 24, no. 3 (2015): 233–48. http://dx.doi.org/10.1177/0963947015585245.

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Code-switching has been a frequent feature of literary texts from the beginning of English literary tradition to the present time. The medieval period, in particular, with its complex multilingual situation, has provided a fruitful background for multilingual texts, and will be the focus of the present article. After looking at the linguistic background of the period and some specifics of medieval literature and of historical code-switching, the article discusses the main functions of code-switching in medieval poetry and drama, especially in regard to the different but changing status of the
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12

Ropa, Anastasija. "‘Scholars These Days Are Like the Errant Knights of Old’: Arthurian Allusions in David Lodge’s "Small World"." Baltic Journal of English Language, Literature and Culture 6 (May 11, 2016): 72–86. http://dx.doi.org/10.22364/bjellc.06.2016.06.

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David Lodge’s novel Small World (1984) builds on a wide range of literary allusions, most notably on allusions to medieval and modern versions of the Grail quest and Arthurian literature. Using the methodology of historically informed literary criticism, the present paper showcases Lodge’s employment of key medieval topoi, especially of the Grail quest, in portraying the academic community of Small World.
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Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 1 (2015): 97–106. http://dx.doi.org/10.1017/s001738351400028x.

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This time last year my review concluded with the observation that the future for the study of Latin literature is fundamentally interdisciplinary, and that we should proceed in close dialogue with social historians and art historians. In the intervening period, two books from a new generation of scholars have been published which remind us of the existence of an alternative tide that is pushing back against such culturally embedded criticism, and urging us to turn anew towards the aesthetic. The very titles of these works, with their references to ‘The Sublime’ and ‘Poetic Autonomy’ are redole
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Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 2 (2017): 188–93. http://dx.doi.org/10.1017/s0017383517000092.

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I still remember the thrill of reading for the first time, as an undergraduate, Frederick Ahl's seminal articles ‘The Art of Safe Criticism’ and the ‘Horse and the Rider’, and the ensuing sense that the doors of perception were opening to reveal for me the (alarming) secrets of Latin poetry. The collectionWordplay and Powerplay in Latin Poetryis a tribute to Ahl, and all twenty-two articles take his scholarship as their inspiration. Fittingly, this book is often playful and great fun to read, and contains some beautiful writing from its contributors, but also reflects the darker side of Latin
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15

Riedel, Dagmar Anne. "Medieval Arabic Literature between History and Psychology: Gustave von Grunebaum’s Approach to Literary Criticism." Arabist: Budapest Studies in Arabic 19-20 (1998): 111–22. http://dx.doi.org/10.58513/arabist.1998.19-20.11.

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This paper deals with Gustave von Grunebaum’s approach to literary criticism. The topic accounts for his reputation within the scientific community of Near Eastern studies. In this article, I am only interested in Grunebaum’s understanding of medieval Arabic literature. Since Grunebaum was a prolific author, I have to focus on a small selection of his writings. I shall argue that Grunebaum’s contribution to the understanding of medieval Arabic literature is the contribution of a historian rather than that of a literary critic.
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Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we thin
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Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we thin
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18

Oyarzún, Kemy. "Latin American Literary Criticism: Myth, History, Ideology." Latin American Research Review 23, no. 2 (1988): 258–70. http://dx.doi.org/10.1017/s002387910002238x.

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19

Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers." Speculum 63, no. 2 (1988): 352–54. http://dx.doi.org/10.2307/2853226.

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Ivanovic, Aleksandra. "Serbian medieval poetry: 20th-century literary-historical and theoretical interpretations." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 88 (2022): 79–92. http://dx.doi.org/10.2298/pkjif2288079i.

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This paper examines how national literary histories written in the twentieth century define medieval Serbian poetry. Grounded in the canon of Byzantine liturgical poetry and dedicated to cult practice, hymnography often did not conform to modern poetic principles, originality, and metrical form. Formalist approaches to poetry shaped the anthologies of Serbian medieval literature published in Yugoslavia in the 1960s. The editors transformed sequences from narrative prose into poetic texts, thus creating medieval poems. These cases draw attention to the importance of textual criticism and the so
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Bolt, Thomas J., Elizabeth D. Adams, Zafeirios Adramerinas, et al. "Stylometric Criticism of Latin Literature: From Exploratory Data Analysis to Close Reading." TAPA 155, no. 1 (2025): 205–50. https://doi.org/10.1353/apa.2025.a957882.

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summary: Despite impressive advances in computational philology for attribution and textual criticism, more general questions of classical literary criticism remain underserved by quantitative methods. This article uses machine learning and exploratory data analysis to address such questions regarding the stylistics of genre and character speech in Latin literature. We describe a set of interpretable features, largely comprising function words and syntactic elements, and show how they can reveal distinguishing aspects of genres, subgenres, and individual characters. In the final part of the ar
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Took, John, and Peter Dronke. "Dante and Medieval Latin Traditions." Modern Language Review 83, no. 3 (1988): 750. http://dx.doi.org/10.2307/3731370.

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Williams, Tamara, and Debra A. Castillo. "Talking Back: Toward a Latin American Feminist Literary Criticism." South Central Review 11, no. 4 (1994): 77. http://dx.doi.org/10.2307/3190127.

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Reed, Joseph Duffield. "Textual Notes on the Latin Odes of Garcilaso de la Vega." Studia Aurea 15 (December 22, 2021): 475–84. http://dx.doi.org/10.5565/rev/studiaaurea.443.

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25

Martínez, H. Salvador. "«Humanismo medieval y humanismo vernáculo. Observaciones sobre la obra cultural de Alfonso X el Sabio»." Revista de Literatura Medieval 30 (December 31, 2018): 181–217. http://dx.doi.org/10.37536/rpm.2018.30.0.74050.

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Resumen: Estudio sobre el origen del humanismo vernáculo castellano en el ámbito del humanismo medieval. Se analizan sus características, contrastándolas con las del humanismo latino clasicista del siglo XV. Se ilustra por qué es un humanismo total, que, por influjo de la filosofía aristotélica, incluye las letras y las ciencias, e integrador de las tres culturas presentes en la sociedad peninsular del siglo XIII, las cuales usaron el vernáculo como lengua común.Palabras clave: Humanismo medieval, humanismo vernáculo, humanismo latino clasicista, el castellano lengua de cultura, Alfonso X el S
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BRIGGS, MARIAMNE M. "What is in a tale title? Togail na Tebe as an editorial construction." Studia Hibernica 50 (September 17, 2024): 17–37. http://dx.doi.org/10.3828/sh.2024.3.

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George Calder’s 1922 edition of the Middle Irish translation of Statius’ Latin epic the Thebaid was published under the title Togail na Tebe: The Thebaid of Statius. The Irish Text . This article examines manuscripts, manuscript catalogues, and the reviews of Calder’s edition to demonstrate that the title Togail na Tebe (‘The Destruction of Thebes’) was the editor’s own creation. The reasons behind Calder’s choice of a title are explored, and an argument is put forward as to how this title has informed approaches to the Middle Irish version of the Thebaid in modern literary criticism; in parti
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Lewis, Bart L. "Recent Criticism of Nineteenth-Century Latin American Literature." Latin American Research Review 20, no. 2 (1985): 182–88. http://dx.doi.org/10.1017/s0023879100034579.

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Albin, María C., and Raúl Marrero-Fente. "Celebrating the Millennium: Latin American Literature and Criticism." Latin American Research Review 34, no. 3 (1999): 252–82. http://dx.doi.org/10.1017/s0023879100039479.

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Kinoshita, Sharon. "Medieval Mediterranean Literature." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 600–608. http://dx.doi.org/10.1632/pmla.2009.124.2.600.

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Always historicize!—Fredric Jameson, The Political UnconsciousEurocentricity is a choice, not a viewpoint imposed by history. There are roads out of antiquity that do not lead to the Renaissance; and although none avoids eventual contact with the modern West's technological domination, the rapidly changing balance of power in our world is forcing even Western scholars to pay more attention to non-Latin perspectives on the past.—Garth Fowden, Empire to CommonwealthThe last decade or so has seen an explosion of interest in “mediterranean studies.” a half century after the original publication of
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Clarke, Michael. "LINGUISTIC EDUCATION AND LITERARY CREATIVITY IN MEDIEVAL IRELAND." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 38 (November 17, 2013): 39–71. http://dx.doi.org/10.26034/la.cdclsl.2013.743.

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Texts in medieval Irish were traditionally used as a source from which to excavate the remnants of a radically ancient language and world-view – Celtic, oral, pre- Christian, ultimately Indo-European. In the past twenty years a new perspective has become dominant, emphasising the sophisticated contemporary concerns of the monastic literati who composed the texts that have come down to us. However, the disjuncture between those two approaches remains problematic. This article attempts a new approach to the question, emphasising the educational and scholarly context of medieval Irish creativity.
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Stramskas, Arnoldas. "Latin America through the Literary Looking-Glass, And What Bolaño Found There." International Journal of Area Studies 9, no. 1 (2014): 51–74. http://dx.doi.org/10.2478/ijas-2014-0004.

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Abstract This article provides a broad overview of social, economic, and cultural politics in Latin America, especially concentrating on what became known as the Latin American literary “boom” in the 1960s and 1970s, and the region’s political context - colonial past, neocolonial/neoliberal present, the role of intellectuals within the state and cultural affairs. The second part focuses on Roberto Bolaño - the writer who put Latin American literature on the world map which has not been seen since the boom years - and his novel The Savage Detectives. The aim of this article is to demonstrate th
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Williams, Raymond Leslie. "Literary Criticism and Cultural Observation: Recent Studies on Twentieth-Century Latin American Literature." Latin American Research Review 21, no. 1 (1986): 258–69. http://dx.doi.org/10.1017/s0023879100021993.

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McDonough, Christopher J. "Nine Medieval Latin Plays.Peter Dronke." Speculum 72, no. 1 (1997): 144–45. http://dx.doi.org/10.2307/2865892.

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Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 1 (2017): 71–78. http://dx.doi.org/10.1017/s0017383516000255.

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My appreciation of textual criticism – a nowadays somewhat marginalized subdiscipline that continues nevertheless to provide the foundation of our subject – has been vastly enhanced by Richard Tarrant's new book on the subject. I read it from cover to cover with great pleasure and satisfaction (several times laughing out loud, which doesn't happen often with works of scholarship), with great interest, and with dismay at my own ignorance, and I came away determined to be a better Classicist. This little volume is the fourteenth ‘suggestive essay’ published in CUP's Roman Literature and its Cont
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Moy, Olivia Loksing. "From Hampstead to Buenos Aires and Beyond: Anticipating Worlds in Julio Cortázar’s Imagen de John Keats." Comparative Literature 72, no. 4 (2020): 439–59. http://dx.doi.org/10.1215/00104124-8537764.

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Abstract In the 1950s, the Argentinian author Julio Cortázar (1914–84) composed Imagen de John Keats, a little-known work that merges his own life with that of the British Romantics. Part biography and part autobiography, it includes personal essays and literary criticism that weave through the poems, life, and letters of Keats from his early youth to death. This article positions Imagen de John Keats as an important case study in world literature criticism. It demonstrates how Cortázar was not only a Latin American Boom writer who enjoyed international fame but also an idiosyncratic practitio
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Rosman, Silvia N. "Recent Publications in Latin American Literary and Cultural Criticism." Latin American Research Review 32, no. 1 (1997): 256–64. http://dx.doi.org/10.1017/s0023879100037778.

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Plocharz, Piotr. "Quelques réflexions sociolinguistiques sur les canons des conciles mérovingiens (VIe-VIIe siècles)." Archivum Latinitatis Medii Aevi 76, no. 1 (2018): 101–14. http://dx.doi.org/10.3406/alma.2018.2544.

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This article analyses canons of the Merovingian synods of the sixth and seventh century. Our sociolinguistic analysis confirms that early medieval Gaul was a full Latin-speaking country. Taking into account the history of medieval French literature, the analysis of these canons might suggest that the sources of medieval goliards date back much earlier than we thought, as early as the sixth century.
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Alfaisal, Haifa S. "The Politics of Literary Value in Early Modernist Arabic Comparative Literary Criticism." Journal of Arabic Literature 50, no. 3-4 (2019): 251–77. http://dx.doi.org/10.1163/1570064x-12341387.

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Abstract The modernist epistemic disconnect from the “medieval Islamic republic of letters,” Muhsin al-Musawi argues, is attributable both to the incursion of Enlightenment-infused European discourse and a failure to read the import of the republic’s significant cultural capital. This article explores the effects of Eurocentric incursions on transformations in literary value in two of the earliest known works of comparative Arabic literary criticism: Rūḥī al-Khālidī’s Tārīkh ʿilm al-adab ʿind al-ifranj wa-l-ʿarab wa-fiktūr hūkū (The History of the Science of Literature of the Franks, the Arab
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Caballero Wangüemert, María. "Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies." Kamchatka. Revista de análisis cultural., no. 9 (August 31, 2017): 121. http://dx.doi.org/10.7203/kam.9.9932.

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Resumen: El presente trabajo constituye un recorrido bibliográfico por la crítica y la teoría literaria hispanoamericana de los últimos 50 años, sin afán de exhaustividad, como tarea colectiva (congresos etc) y personal. Sus hitos más significativos son: cómo se formó y fue derivando el canon literario en Hispanoamérica. Las teorías postcoloniales y su aplicación al Nuevo Mundo. Las orientaciones de la crítica y la teoría literaria en / sobre Latinoamérica. La irrupción y pervivencia de los estudios culturales. Nuevas modas críticas: estudios transatlánticos, tecno escritura, ecocrítica, críti
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Roig-Marín, Amanda. "Old English-Origin Words in a Set Of Medieval Latin Accounts." Journal of English Studies 20 (December 22, 2022): 219–35. http://dx.doi.org/10.18172/jes.5521.

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For a long time, texts in Medieval Latin were poorly regarded for their linguistic hybridity: alongside Classical/post-Classical Latin lexemes, there were many words coming from the vernaculars (in the case of late medieval England, Anglo-French and Middle English) embedded in them. This traditional and restrictive view was superseded by a more nuanced conception of multilingualism, which appreciates the value of this kind of written evidence for our understanding of the multilingual dynamics of medieval texts. The present investigation uses a case study, the Account Rolls of the Abbey of Durh
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Moreiras, Alberto, and Bernard McGuirk. "Latin American Literature: Symptoms, Risks & Strategies of Post-Structuralist Criticism." Modern Language Review 93, no. 4 (1998): 1140. http://dx.doi.org/10.2307/3736338.

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Emerton, J. A., and Hava Lazarus-Yafeh. "Intertwined Worlds. Medieval Islam and Bible Criticism." Vetus Testamentum 44, no. 1 (1994): 129. http://dx.doi.org/10.2307/1519436.

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Petersen, Nils Holger. "Medieval Latin Performative Representation: Re-evaluating the State-of-the-Art." European Medieval Drama 23 (January 2019): 115–32. http://dx.doi.org/10.1484/j.emd.5.120693.

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Baldanmaksarova, Elizaveta E. "Hagiographic Genre in the Buryat-Mongolian Literature of 18th – Early 20th Centuries." Studia Litterarum 7, no. 2 (2022): 232–47. http://dx.doi.org/10.22455/2500-4247-2022-7-2-232-247.

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The article is devoted to the study of the hagiographic genre in the Buryat- Mongolian literature of the medieval period. The author examines origins of the genre, rooted in the Indo-Tibetan literary tradition and associated with Buddhist “hagiographic” literature. The traditions of Indo-Tibeto-Mongolian hagiography in Buryat literary criticism have not been specially studied, so this is one of the new areas of study that requires comprehensive review. The analysis of the poetic work of Aghvan Dorzhiev, “Entertaining stories about a trip around the world,” undertaken in the article, makes it p
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Kantor, Roanne L. "A Case of Exploding Markets: Latin American and South Asian Literary “Booms”." Comparative Literature 70, no. 4 (2018): 466–86. http://dx.doi.org/10.1215/00104124-7215506.

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AbstractThis article seeks to explain the recent popularity of South Asian Anglophone literature (beginning in 1981 and peaking between 1998 and 2008) in light of the boom in Latin American literature of the 1960s. It argues that the phenomenon of regional literary “booms” shares features across both eras, and that a unified theory of booms is increasingly important to understanding the way contemporary literature circulates around the globe. Scholarship about both eras has tended to coalesce around three types of boom-driving agents: “creators,” “contexts,” and “curators.” Within that broader
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Cohen, Walter. "The Rise of the Written Vernacular: Europe and Eurasia." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 719–29. http://dx.doi.org/10.1632/pmla.2011.126.3.719.

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When Students of Western European Medieval Literature speak of the rise of the vernacular, they often do not mean what you might think they mean—neither the continued use of Latin as a written vernacular for over five hundred years after the fall of the Roman Empire nor the first texts in Celtic, Germanic, and Semitic languages, from the fourth to the tenth century. They mean something later and geographically narrower—the writing that emerges from the breakup of Latin into distinct regional speech patterns, the Romance languages and literatures, primarily in the territories of modern France,
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Somerlate Barbosa, María José. "Critical Acts: Latin-American Women and Cultural Criticism de Elizabeth A. Marchant." Revista Iberoamericana 66, no. 192 (2000): 684–86. http://dx.doi.org/10.5195/reviberoamer.2000.5807.

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Arrington, Melvin S., and Daniel Balderston. "The Latin American Short Story: An Annotated Guide to Anthologies and Criticism." World Literature Today 67, no. 3 (1993): 593. http://dx.doi.org/10.2307/40149400.

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Shmiher, Taras. "Liturgical Translation in Europe’s Medieval East: Matters of Civilization and Textual Praxis." East/West: Journal of Ukrainian Studies 10, no. 1 (2023): 137–54. http://dx.doi.org/10.21226/ewjus699.

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Abstract:
The paper focuses on the medieval period of the history of liturgical translation in Ukraine and Poland. In the ninth century, the evangelizing mission of SS Cyril and Methodius brought Christian translations to the east of what was then Europe. Although religious translations were not cherished in Moravia and Poland, they flourished in Bulgaria, Serbia, and Ukraine. The Roman corpus of liturgical texts existed only in Latin, and socio-political conditions stimulated the emergence of translations from Latin to Polish. The Byzantine corpus was introduced in Old Church Slavonic, which was unders
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Beasley-Murray, Jon, and Patricia D'Allemand. "Latin American Cultural Criticism: Re-Interpreting a Continent." Modern Language Review 97, no. 1 (2002): 212. http://dx.doi.org/10.2307/3735669.

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