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Dissertations / Theses on the topic 'Medieval Literature'

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1

Malo, Roberta. "Saints' relics in medieval English literature." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1186329116.

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2

Byrne, Aisling Nora. "The otherworlds of medieval insular literature." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610076.

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3

Castro, Lingl Vera. "Assertive women in medieval Spanish literature." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704745.

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4

Citrome, Jeremy J. "The surgeon in medieval English literature /." New York : Palgrave Macmillan, 2006. http://catalogue.bnf.fr/ark:/12148/cb41014151z.

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5

Quaintmere, Max. "Aspects of memory in medieval Irish literature." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9026/.

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This thesis explores a number of topics centred around the theme of memory in relation to medieval Irish literature roughly covering the period 600—1200 AD but considering, where necessary, material later than this date. Firstly, based on the current scholarship in memory studies focused on the Middle Ages, the relationship between medieval thought on memory in Ireland is compared with its broader European context. From this it becomes clear that Ireland, whilst sharing many parallels with European thought during the early Middle Ages based on a shared literary inheritance from the Christian a
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6

Avis, Robert John Roy. "The social mythology of medieval Icelandic literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:2837907c-57c8-4438-8380-d5c8ba574efd.

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This thesis argues that the corpus of Old Norse-Icelandic literature which pertains to Iceland contains an intertextual narrative of the formation of Icelandic identity. An analysis of this narrative provides an opportunity to examine the relationship between literature and identity, as well as the potency of the artistic use of the idea of the past. The thesis identifies three salient narratives of communal action which inform the development of a discrete Icelandic identity, and which are examined in turn in the first three chapters of the thesis. The first is the landnám, the process of set
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7

Phillips, Veronica Middleton. "Authority and dispossession in medieval Irish literature." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708252.

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8

Fowler, Rebekah Mary. "Mourning, Melancholia, and Masculinity in Medieval Literature." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/336.

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This dissertation examines male bereavement in medieval literature, expanding the current understanding of masculinity in the Middle Ages by investigating both the authenticity and affective nature of grief among aristocratic males. My focus is on the pattern of bereavement that surfaces across genres and that has most often been absorbed into studies of lovesickness, madness, the wilderness, or more formalist concerns with genre, form, and literary convention, but has seldom been discussed in its own right. This pattern consists of love, loss, grief madness and/or melancholy, wilderness lamen
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9

Beckett, Ruth. "Medieval perspectives on Waverley." Thesis, University of York, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292507.

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10

Rodriguez-, Pereira Victor. "Change, Monstrosity, and Hybridity in Medieval Iberian Literature." Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10937457.

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<p> Monstrosity and transformation were intrinsically connected topics during premodern times. From Ovid&rsquo;s <i>Metamorphoses</i> (<i> circa</i> 8 CE) to Isidore of Seville&rsquo;s <i>Etymologies</i> (560&ndash;636 CE), intellectuals of all fields of knowledge explored the possibility of human physical transformation, and its consequences. This dissertation will approach hybrid monstrosity in imaginative literature of medieval Iberia on the basis of its textual and formal representations, but also as the repository of cultural significance and ideologies that characterize a particular time
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11

Page, Stephen Frederick. "Literature and culture in late medieval East Anglia." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1298490283.

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12

Reck, Regine. "The aesthetics of combat in medieval Welsh literature." Rahden/Westf Leidorf, 2005. http://d-nb.info/1000311252/04.

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13

Gravatt, Michelle Leroux Domínguez Frank. "The arenga in the literature of medieval Spain." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,812.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages (Spanish)." Discipline: Romance Languages; Department/School: Romance Languages.
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14

Thomson, David (David Ker). "The language of loss : reading medieval mystical literature." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59912.

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One of the unfortunate corollaries of poststructuralist theorizing about literary texts has been the equation of a skepticism concerning language with a skepticism concerning meaning. The menace of unrestrained relativism has tended to polarize the critical community into proponents of a 'logo-diffuse' onto-epistemology and proponents of a 'logo-centric' one, and critical practice has followed this lead. The critic who attempts to situate literature within the parameters of such a debate is likely to fail unless he or she appeals to a much more extensive discourse, one which antedates the prov
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15

Huxtable, M. J. "Colour, seeing, and seeing colour in medieval literature." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2175/.

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This thesis re-approaches medieval literature in terms of its investment in visuality in general and chromatic perception in particular. The introduction raises the philosophical problem off-colour: its status as an object for science, role in perception, and relationship to language and meaning as expressed within inter-subjective evaluation. Two modes of discourse for colour studies of medieval literature are proposed: the phenomenological (from the philosophical tradition of such as Maurice Merleau-Ponty) seeking localised networks and patterns of inter-subjective, embodied, perceptual mean
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16

Jose, Laura. "Madness and gender in late-medieval English literature." Thesis, Durham University, 2010. http://etheses.dur.ac.uk/217/.

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This thesis discusses presentations of madness in medieval literature, and the ways in which these presentations are affected by (and effect) ideas of gender. It includes a discussion of madness as it is commonly presented in classical literature and medical texts, as well as an examination of demonic possession (which shares many of the same characteristics of madness) in medieval exempla. These chapters are followed by a detailed look at the uses of madness in Malory’s Morte Darthur, Gower’s Confessio Amantis, and in two autobiographical accounts of madness, the Book of Margery Kempe and Hoc
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17

Fleming, Carolyn Evine Mary Elizabeth. "Ideas of the self in Medieval English literature." Thesis, University of Liverpool, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328079.

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18

Blustein, Rebecca Danielle. "Kingship, history and mythmaking in medieval Irish literature." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1432770931&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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19

Trotter, D. A. "Medieval French literature and the crusades : 1100-1300 /." Genève : [Paris] : Droz ; diff. Champion-Slatkine, 1988. http://catalogue.bnf.fr/ark:/12148/cb34929503g.

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20

Shimomura, Sachi. "Odd bodies and visible ends in medieval literature /." New York : Palgrave Macmillan, 2006. http://catalogue.bnf.fr/ark:/12148/cb40999723n.

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21

McGill, Anna. "Magic and Femininity as Power in Medieval Literature." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/honors/293.

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It is undeniable that literature reflects much about the society that produces it. The give-and-take relationship between a society and its literature is especially interesting when medieval texts are considered. Because most medieval plots and characters are variants of existing stories, the ways that the portrayals change has the potential to reveal much about the differences between medieval societies separated by distance and time. Changes to the treatment of these recurring characters and their stories can reveal how the attitudes of medieval society changed over time. Perceptions of magi
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22

Semper, Philippa Judith. "Diagrams in English medieval manuscripts." Thesis, University of Exeter, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261166.

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This thesis examines diagrams found in English medieval manuscripts dating from the ninth to the fourteenth century. It is based upon a survey of diagrammatic material, the results of which are presented in the catalogue raisonnee (Appendix A). The lack of adequate terms to define diagrams is addressed, as is the lack of a consistent and coherent treatment of diagrams in existing literature. A close critique of diagrams can be an aid in dating manuscripts and tracing textual recensions, and therefore a well-defined yet flexible framework must be established in order to further future research.
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23

Mameli, Beatrice. "Wylde and Wode, Wild Madness in Middle English Literature." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3424040.

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In this thesis, some episodes of wild madness in Middle English romance are analysed. Some knights, such as Lancelot, Tristan, Ywain and Partonope, experience this insanity generally as a consequence of a dramatic event in their love life. This wild madness presents precise characteristics: the mad knights tend to prefer wild and secluded environments – like the forest – they give up their clothes, alter their diet and are extremely aggressive. It has been suggested that these episodes might be influenced by the Biblical precedent of Nebuchadnezzar. It has also been noted that these madmen sha
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24

Squires, Todd Andrew. "Reading the Kôwaka-Mai as Medieval Myth : story-patterns, traditional reference and performance in Late Medieval Japan /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486474078048585.

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25

Flavin, Christopher Michael. "The Self, the Church, and Medieval Identities: The Evolution of the Individual in Medieval Literature." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/335.

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This dissertation examines the construction of literary identities by medieval women, recognizable as an authorial voice that is distinct from those of her contemporaries yet congruent with the gender norms and expectations of her contemporary culture, in both religious and secular literatures from late antiquity through the waning of the Middle Ages. The argument posited here is that texts authored by women, as informed by concurrent male texts and the literary traditions in which individual authors seek to participate, can be read as a taxonomy of responses to the traditions individual autho
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26

Schmid, David Neil. "Yuanqi medieval Buddhist narratives from Dunhuang /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3043951.

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27

Smith, Greta Lynn. "Imagining Aesop: The Medieval Fable and the History of the Book." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1469455774.

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28

Belcher, Wendy Laura. "Discursive possession Ethiopian discourse in medieval European and eighteenth-century English literature /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619156921&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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29

Dutton, Anne Marie. "Women's use of religious literature in late medieval England." Thesis, Online version, 1995. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.296557.

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30

Rogers, Janine. "Gender and the literature culture of late medieval England." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35053.

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This dissertation explores the impact of gender ideologies held by medieval readerships on the production of books and circulation of texts in late medieval England. The first chapter explores how the professional book trade of late medieval London circulated booklets of Chauceriana which constructed masculinity and femininity in strict adherence to the courtly love literary tradition. In the second chapter, I demonstrate that such a standardized representation of courtly gender could be adapted by a readership removed from the professional book trade, in this case the rural gentry producers o
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31

Abram, Christopher Paul. "Representations of the pagan afterlife in medieval Scandinavian literature." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615606.

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32

Stoll, Jessica. "Imagining Troy : fictions of translation in medieval French literature." Thesis, King's College London (University of London), 2014. https://kclpure.kcl.ac.uk/portal/en/theses/imagining-troy(85cde57d-20ef-452b-b079-7dce54c90ae8).html.

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Stories of the Trojan War and its aftermath are the oldest – apart from those in the Bible – to be retold in medieval literature. Between 1165-1450, they catch the imagination of French-language writers, who create histories in and for that burgeoning vernacular. These writers make Troy a place of origins for peoples and places across Europe. One way in which writers locate origins at Troy is through the device of translation. Geoffrey of Monmouth, Benoît de Sainte-Maure and the writers of the prose Troie, the Histoire Ancienne and the Roman de Perceforest all claim to have translated old text
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33

Brooks, Kathryn L. "Anticlerical Sentiment in Castilian and Galician-Portuguese Medieval Literature." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5084.

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Clerical sexual incontinence was a prevalent satirical theme during the Middle Ages manifested by anticlerical sentiment towards reprobate clergymen and the laws that they disobeyed. This satirical genre of literature targeted not only the cleric of a small town, but bishops and cardinals who were also abusers of canon law. The anticlerical theme originated in Western Europe in the time of Constantine when early Christianity was competing with many religions for dominance. In the fourth century, Constantine, through the Edict of Milan, granted religious tolerance to all, thus allowing Christia
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34

Langum, Virginia Eileen. "Discretion in late medieval England." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609515.

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35

Keating, Lise Manda. "Religious propaganda in selected Anglo-Saxton literature." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/17868.

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Includes bibliographical references.<br>This study of selected Old English texts, from the canons of Aelfric and Cynewulf, presents the argument that the primary purpose of the Saints' Lives in question is that of instruments of persuasion. After a description of the rites of Anglo-Saxon paganism, an attempt is made to outline the manner in which the Christian missionaries used certain aspects of pagan belief to promote Christianity. As such, these texts may therefore be viewed as religious propaganda in the Anglo- Saxon Church's attempt to win new converts to Christianity and to strengthen th
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36

Squires, Todd Andrew. "Reading the Kowaka-Mai as Medieval Myth: Story-Patterns, Traditional Reference and Performance in Late Medieval Japan." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1393193807.

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37

Oswald, Dana M. "Indecent bodies gender and the monstrous in medieval English literature /." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1116868190.

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38

Bernhardt, Paul. "Entertaining fictions : Chaucer, literature, and play." Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338626.

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39

Bethlehem, Ulrike. "Guinevere, a medieval puzzle : images of Arthur's Queen in the medieval literature of England and France /." Heidelberg : Universitätsverlag Winter, 2005. http://catalogue.bnf.fr/ark:/12148/cb399654430.

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40

Yolles, Julian Jay Theodore. "Latin Literature and Frankish Culture in the Crusader States (1098–1187)." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467480.

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The so-called Crusader States established by European settlers in the Levant at the end of the eleventh century gave rise to a variety of Latin literary works, including historiography, sermons, pilgrim guides, monastic literature, and poetry. The first part of this study (Chapter 1) critically reevaluates the Latin literary texts and combines the evidence, including unpublished materials, to chart the development of genres over the course of the twelfth century. The second half of the study (Chapters 2–4) subjects this evidence to a cultural-rhetorical analysis, and asks how Latin literary wo
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41

Farronato, Cristina. "Eco's chaosmos : medieval models for a postmodern world /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9975887.

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42

Richmond, Andrew Murray. "Reading Landscapes in Medieval British Romance." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1428671857.

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43

Beinert, Richard A. "Windows on a medieval world : medieval piety as reflected in the lapidary literature of the Middle Ages /." Internet access available to MUN users only, 2003. http://collections.mun.ca/u?/theses,157776.

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44

Walter, Katie Louise. "Discourses of the human : mouths in late medieval religious literature." Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/252031.

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45

Lewis, Huw Aled. "The Otherworld in popular medieval Spanish literature, with Celtic analogues." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307229.

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46

Enstone, Zoe¨ Eve. "'Wichecraft & Vilaine' : Morgan le Fay in medieval Arthurian literature." Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/10954.

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Morgan le Fay appears in medieval literature over a period of over three hundred years and across an array of languages and genres. This study examines the development of Morgan in relation to the English romances, tracing her emergence in the English chronicle tradition, the French romance tradition, and Geoffrey of Monmouth’s Vita Merlini, combined with a detailed analysis of the four theories of origin posited by previous generations of scholars. It initially examines the potential origins of Morgan in the classical tradition, noting the analogous figures of Medea and Circe in particular; t
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47

Turner, Kerry Lynn. "Pagan Nostalgia and Anti-Clerical Hostility in Medieval Irish Literature." Youngstown State University / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1008344167.

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48

Hackenburg, Clint. "Voices of the Converted: Christian Apostate Literature in Medieval Islam." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1440404264.

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49

Coleman, Joyce. "The world's ear : the aurality of late medieval English literature." Thesis, University of Edinburgh, 1993. http://hdl.handle.net/1842/19635.

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This thesis examines the reception formats of late medieval upper-class literature in English--i.e., how its readers read it. My particular interest is aurality, the reading aloud of literature to one or a group of listeners. I try to show that aurality was not merely the byproduct of technological deficiencies (such as illiteracy and the scarcity of manuscripts) but also represented a contemporary preference for the shared experience of literature. Chapter 1 reviews the evolutionary and polarizing assumptions that underlie, and undermine, many discussions of late medieval, particularly Chauce
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50

Henry, April Lynn Starkey Kathryn. "The female lament agency and gender in medieval German literature /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1959.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.<br>Title from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages." Discipline: Germanic Languages; Department/School: Germanic Languages.
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