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Journal articles on the topic 'Medieval Liturgies'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Driscoll, Michael S. "The Medieval Liturgies Study Group." Studia Liturgica 28, no. 1 (1998): 122–23. http://dx.doi.org/10.1177/003932079802800109.

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Shaw, Philip A. "Ciaran Arthur. ‘Charms’, Liturgies, and Secret Rites in Early Medieval England." Review of English Studies 70, no. 296 (2019): 752–54. http://dx.doi.org/10.1093/res/hgz024.

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Véronèse, Julien. "Ciaran Arthur, “Charms”, Liturgies and Secret Rites in Early Medieval England." Cahiers de civilisation médiévale, no. 245 (January 1, 2019): 77–79. http://dx.doi.org/10.4000/ccm.1615.

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Moohan, Elaine. "Medieval fragments from Glasgow's archives." Innes Review 71, no. 2 (2020): 139–201. http://dx.doi.org/10.3366/inr.2020.0265.

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A group of medieval fragments recovered from the bindings of Glasgow's archival documents has been known to researchers for over a century through their inclusion, to a greater or lesser extent, in catalogues compiled by earlier scholars. This study adds to their work by providing a full physical description and transcription for each of the eighteen fragments that can be located; one fragment remains lost. One of these, containing homilies by St Gregory the Great, has only recently been uncovered. Each transcription is compared with other contemporary sources, of known origin, that most close

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Tuomi, Ilona. "'Charms', Liturgies, and Secret Rites in Early Medieval England by Ciaran Arthur." Magic, Ritual, and Witchcraft 15, no. 1 (2020): 164–68. http://dx.doi.org/10.1353/mrw.2020.0010.

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Smith, William. "Review of Book: English Saints in the Medieval Liturgies of Scandinavian Churches." Downside Review 128, no. 453 (2010): 299–302. http://dx.doi.org/10.1177/001258061012845307.

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LESTER, MOLLY. "The Politics of Sound and Song: Lectors and Cantors in Early Medieval Iberia." Journal of Ecclesiastical History 72, no. 3 (2021): 471–90. http://dx.doi.org/10.1017/s0022046920001517.

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In early medieval Iberia, Suevic and Visigothic conversions to Nicene Christianity in the 560s and 580s generated ongoing episcopal and royal attention to cathedral liturgies and to the clerics who performed them. This article turns to this Iberian context to illuminate how lectors and cantors and their aural duties became increasingly central to the production of Christian orthodoxy. It is argued that in the early 600s Visigothic anxieties over the production of correct liturgical sound eventually became a focal point of longstanding episcopal efforts to clericalise the minor officers of the

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Mouzakis, St. "The aphorism, and the vrikolakes (vampires) in unpublished Nomokanones, medieval texts and Liturgies." Kathedra, no. 8 (2021): 125–35. http://dx.doi.org/10.52607/26587157_2021_8_125.

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Page, Christopher. "Marian texts and themes in an English manuscript: a miscellany in two parts." Plainsong and Medieval Music 5, no. 1 (1996): 23–44. http://dx.doi.org/10.1017/s0961137100001054.

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Michael Morrow was an acute reader of medieval literature, and one who knew that every medieval text is a potential source of information for the modern performer and musicologist. A striking example is provided by the 453 chapters of a fifteenth-century anthology now in the library of Sidney Sussex College, Cambridge. This imposing book appears to be one of the largest collections of Marian miracle-stories in the world. Assembled in the year 1409, perhaps in East Anglia, it contains forty-nine chapters about Marian devotions, liturgies, plainsongs and prayers, among them several texts that we

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Blezzard, Judith, Stephen Ryle, and Jonathan Alexander. "New perspectives on the Feast of the Crown of Thorns." Journal of the Plainsong and Mediaeval Music Society 10 (January 1987): 23–53. http://dx.doi.org/10.1017/s0143491800001082.

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The feast of the Crown of Thorns was one of the most important and enduring among the numerous cults that arose in medieval times, focusing on the supposed relics of Christ's Passion. As such, the feast provided the stimulus for the wide dissemination of a succession of liturgies, often with sections in picturesque devotional language. Very few sources of these liturgies survive complete with music. One of them, Liverpool University Library manuscript F.4.13, a 14th-century antiphoner from Pisa, is the principal subject of the present article. The Liverpool manuscript contains what we believe

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DICKSON, GARY. "Revivalism as a Medieval Religious Genre." Journal of Ecclesiastical History 51, no. 3 (2000): 473–96. http://dx.doi.org/10.1017/s0022046999002870.

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Perhaps because the classification of religious behaviour in the Middle Ages has not received much attention, there seems to be no scholarly consensus concerning the number or nature of its genres. This means that at present we tend to have either inadequately differentiated, broad categories of medieval religious acts, or somewhat incoherent lists of highly specific religious practices. That a good number of these religious forms pre-existed and continued long after the Christian Middle Ages is not in doubt; nor is the fact that such religious behaviours are not necessarily confined to the Ch

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Lash, Ryan. "Enchantments of stone: Confronting other-than-human agency in Irish pilgrimage practices." Journal of Social Archaeology 18, no. 3 (2018): 284–305. http://dx.doi.org/10.1177/1469605318762816.

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In contemporary Ireland, mountains, holy wells, and islands attract people from various geographic and religious backgrounds to participate in annual pilgrimages. Scholars and participants continue to debate the historical links of these events to 19th-century turas, “journey” traditions, early medieval penitential liturgies, and even prehistoric veneration of natural phenomena. Drawing from recent participant observation at Croagh Patrick mountain and excavations on Inishark Island, I analyze how modern and medieval pilgrimage practices generated “enchantments” through movements and embodied

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Timmermann, Achim. "The Poor Sinners' Cross and the Pillory: Late Medieval Microarchitecture and Liturgies of Criminal Punishment." Umění / Art LV, no. 5 (2007): 362–73. http://dx.doi.org/10.2478/v10008-007-0010-4.

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Matsumoto, Ikuyo. "Two Mediaeval Manuscripts on the Worship of the Stars from the Fujii Eikan Collection." Culture and Cosmos 10, no. 1 and 2 (2006): 125–44. http://dx.doi.org/10.46472/cc.01210.0215.

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A large number of mediaeval documents addressing specific liturgies directed to stars and planets and their iconographical and ritual representation have been preserved in Japanese private and public collections. The Fujii Eikan Archives, kept at the Art Research Centre of Ritsumeikan University, Kyoto, comprises five manuscripts related to the worship of stars, including some hitherto unpublished material. They are essential texts for the study of star-related rituals and the nature of stars in the early medieval period. This article offers an analysis and translation of two of these texts, w

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Cruickshank, Dan D. "Remembering the English Reformation in the Revision of the Communion Liturgy of the Book of Common Prayer, 1906–1920." Studia Liturgica 49, no. 2 (2019): 246–57. http://dx.doi.org/10.1177/0039320719883817.

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This paper will examine how the Convocations of the Church of England remembered their past liturgies, and the reformation theology that formed the previous Prayer Books of the Church, in their main period of work on the revision of the Prayer Book from 1906 to 1920. Focusing on the Communion Service, it considers the lack of defenders of the 1662 Communion service and its reformed theology. It will examine how the 1549 Prayer Book was used as a basis for reordering the Communion service, and how this original Prayer Book was seen in relation to preceding medieval Roman Catholic theology. Ulti

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DiCenso, Daniel J. "Review: Holy Treasure and Sacred Song: Relic Cults and Their Liturgies in Medieval Tuscany, by Benjamin Brand." Journal of the American Musicological Society 70, no. 2 (2017): 523–28. http://dx.doi.org/10.1525/jams.2017.70.2.523.

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Van Engen, John. "Christening the Romans." Traditio 52 (1997): 1–45. http://dx.doi.org/10.1017/s0362152900011922.

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Europe was christened in the waters of Roman Christianity. Creeds, liturgies, hierarchies, saints, and ascetic practices favored in later imperial Rome washed over the European peoples in successive centuries and marked their Christianity indelibly. The splendor of that imperial era, rescued from facile notions of a declining Rome, has come to historical life in a distinct epoch called “late antiquity” (300–650). Its monuments testify to an ethos at once classical and spiritual. Late antique Christians instinctively took from Roman surroundings all that suited their new religious ends, from th

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MANNION, ANNE. "Liturgy and chant in a twelfth-century Exeter missal." Plainsong and Medieval Music 28, no. 02 (2019): 115–32. http://dx.doi.org/10.1017/s0961137119000044.

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AbstractExeter Cathedral Library and Archives MS 3515 (hereafter EXcl 3515), a notated missal located in Exeter Cathedral, has to date received very little scholarly attention. This neglect may be due to the absence of a liturgical kalendar and evidence of local saints in the Sanctorale. Its assignment to the thirteenth century with a generic English origin suggests that critical questions concerning provenance and dating have been overlooked. The source itself comprises four disparate sections assembled so as to create a complete liturgical cycle. Yet the parts are not as separate as hitherto

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Belcher, Kimberly Hope. "Ritual Systems, Ritualized Bodies, and the Laws of Liturgical Development." Studia Liturgica 49, no. 1 (2019): 89–110. http://dx.doi.org/10.1177/0039320718808702.

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The “laws” of comparative liturgical development (Baumstark, Taft) are derived from pre-modern liturgical texts and the findings of early biology and linguistics. Yet Christian liturgy is not an organically evolving species; it is a ritual system, a cultural, political, self-regulating, self-reproducing set of rites that are used to interpret and correct one another. Focusing on the reception of new practices by practiced communities, a performance theory approach spotlights the systemic interrelationships of rites and the ritual habitus of human bodies. A ritual system makes particular meanin

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Spinks, Bryan D. "Evaluating Liturgical Continuity and Change at the Reformation: a Case Study of Thomas Müntzer, Martin Luther, and Thomas Cranmer." Studies in Church History 35 (1999): 151–71. http://dx.doi.org/10.1017/s0424208400014017.

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In his now classic work, The Shape of the Liturgy, first published in 1945, the Anglican Benedictine monk, Dom Gregory Dix, was concerned to demonstrate that in the origin and development of the eucharistic liturgy, and underneath the verbal differences, the cultural diversity, and the growth of the centuries, a particular unchanging core shape could be identified. His study was primarily concerned with the eucharist from its institution in the New Testament to the sixth century, and it was not his intention in that work to survey in any depth the later medieval developments, East or West, or

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Dean, Jeffrey J. "Holy Treasure and Sacred Song: Relic Cults and Their Liturgies in Medieval Tuscany. Benjamin Brand. Oxford: Oxford University Press, 2014. xxiv + 296 pp. $55." Renaissance Quarterly 69, no. 1 (2016): 344–45. http://dx.doi.org/10.1086/686415.

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Neidorf, Leonard. "Ciaran Arthur. 2018. ‘Charms’, Liturgies, and Secret Rites in Early Medieval England. Anglo-Saxon Studies 32. Woodbridge: Boydell, viii + 252 pp., 3 illustr., £ 60.00." Anglia 137, no. 2 (2019): 356–60. http://dx.doi.org/10.1515/ang-2019-0028.

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23

Torres Jiménez, Raquel. "La historia medieval de la Iglesia y la religiosidad: aproximación metodológica, valoraciones y propuestas." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 67. http://dx.doi.org/10.18239/vdh_2019.08.04.

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RESUMENLa pretensión de este artículo es ofrecer una serie de reflexiones y valoraciones metodológicas sobre la historia medieval de la Iglesia y la religiosidad partiendo de algunos aspectos destacados de la producción historiográfica reciente y esbozar ciertas propuestas en la misma clave metodológica. Este ensayo reflexiona sobre temas, enfoques y perspectivas, sobre los niveles de estudio de lo religioso y sobre la integración de la historia de la Iglesia y la historia social, y aboga por una historiasocial de la Iglesia.PALABRAS CLAVE: Historia Medieval, Historia de la Iglesia y la vida r

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Knust, Jennifer, and Tommy Wasserman. "Earth Accuses Earth: Tracing What Jesus Wrote on the Ground." Harvard Theological Review 103, no. 4 (2010): 407–46. http://dx.doi.org/10.1017/s0017816010000799.

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The story of the woman taken in adultery (John 7:53–8:11) has a long, complex history. Well-known in the Latin West, the story was neglected but not forgotten in the East. Incorporated within Late Antique and Early Medieval Gospel manuscripts, depicted in Christian art, East and West, and included within the developing liturgies of Rome and Constantinople, the passage has fascinated interpreters for centuries despite irregularities in its transmission.1 Throughout this long history, one narrative detail has been of particular interest: the content and significance of Jesus— writing. Discussed

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Maltby, Judith. "‘The Good Old Way’: Prayer Book Protestantism in the 1640s and 1650s." Studies in Church History 38 (2004): 233–56. http://dx.doi.org/10.1017/s0424208400015850.

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Between 1640 and 1642 the Church of England collapsed, its leaders reviled and discredited, its structures paralysed, its practices if not yet proscribed, at least inhibited. In the years that followed, yet worse was to befall it. And yet in every year of its persecution after 1646, new shoots sprang up out of the fallen timber: bereft of episcopal leadership, lacking any power of coercion, its observances illegal, anglicanism thrived. As memories of the 1630s faded and were overlaid by the tyrannies of the 1640s … the deeper rhythms of the Kalendar and the ingrained perfections of Cranmer’s l

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Niles, John D. "Ciaran Arthur, “Charms”, Liturgies, and Secret Rites in Early Medieval England. (Anglo-Saxon Studies.) Woodbridge, UK: Boydell, 2018. Pp. viii, 252; 3 black-and-white figures. $99. ISBN: 978-1-78327-313-3." Speculum 95, no. 1 (2020): 192–94. http://dx.doi.org/10.1086/706617.

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Sowerby, Richard. "‘Charms’, liturgies, and secret rites in early medieval England. By Ciaran Arthur. (Anglo-Saxon Studies, 32.) Pp. viii + 254 incl. 3 ills. Woodbridge–Rochester, NY: Boydell Press, 2018. £60. 978 1 78327 313 3." Journal of Ecclesiastical History 70, no. 3 (2019): 600–601. http://dx.doi.org/10.1017/s0022046919000691.

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Carrero Santamaría, Eduardo. "Presentación de «Liturgica»." Medievalia 17 (February 15, 2015): 77. http://dx.doi.org/10.5565/rev/medievalia.251.

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Salisbury, Matthew Cheung. "English saints in the medieval liturgies of Scandinavian churches. Edited by John Toy. (Subsidia, 6.) Pp. xviii+232 incl. 2 plates. Woodbridge: Boydell (for the Henry Bradshaw Society), 2009. £50. 978 1 870252 46 1; 1352 1047." Journal of Ecclesiastical History 61, no. 3 (2010): 608–9. http://dx.doi.org/10.1017/s0022046909993630.

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Marangoni, Kristen. "Beckett's Watt and Monastic Tradition." Journal of Beckett Studies 25, no. 1 (2016): 96–109. http://dx.doi.org/10.3366/jobs.2016.0158.

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The enigmatic setting of Beckett's novel Watt has been compared to places as diverse as an insane asylum, a boarding school, a womb, and a concentration camp. Watt's experience at Knott's house does seem suggestive of all of these, and yet it may more readily conform to the setting of a monastery. The novel is filled with chants, meditations, choral arrangements, hierarchical classifications, and even silence, all highly evocative of a monastic lifestyle. Some of Watt's dialogue (such as his requests for forgiveness or reflections on the nature of mankind) further echoes various Catholic litur

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Salisbury, Matthew Cheung. "Holy treasure and sacred song. Relic cults and their liturgies in medieval Tuscany. By Benjamin Brand . Pp. xxiii + 296 incl. 16 music examples, 20 figs and 5 tables. New York–Oxford: Oxford University Press, 2014. £32.99. 978 0 19 935135 0." Journal of Ecclesiastical History 67, no. 2 (2016): 396–97. http://dx.doi.org/10.1017/s0022046915002626.

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Sokyrko, Oleksii. "“ACCORDING TO THE BROTHERHOODS’ CUSTOM” BANQUETS OF KYIV CRAFTSMEN OF THE SECOND HALF OF XVIII CENTURY." Mìsto: ìstorìâ, kulʹtura, suspìlʹstvo, no. 7 (November 25, 2019): 35–86. http://dx.doi.org/10.15407/mics2019.07.035.

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Nutrition has always been an important element of the subculture of different social communities of Early Modern Europe. Holiday feasts of craftsmen corporations in the cities performed symbolic functions, separating the socio-professional community from the rest of society, and at the same time demonstrated its status, wealth, prestige. The joint banquets of craftsmen on the occasion of church holidays and corporate events strengthened group identity, saved it from blurring, restrained the isolation and individualization of its members. The several-day banquets held after the church liturgies

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Reynolds, Roger E. "«Monumenta Liturgica Beneventana»: Program badań nad średniowiecznymi rękopisami z południowych Włoch i Dalmacji." Z Badań nad Książką i Księgozbiorami Historycznymi 2 (September 10, 2020): 5–15. http://dx.doi.org/10.33077/uw.25448730.zbkh.2008.240.

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Autor przedstawia pokrótce historię badań nad rękopisami „zapisanymi wyrazistym i pięknym południowowłoskim i dalmatyńskim pismem zwanym benewentańskim” wyjaśniając genezę programu badawczego „Monumenta Liturgica Beneventana” realizowanego przez Pontifical Institute of Medieval Studies w Toronto. Jednym z głównych jego celów było sprostowanie pomyłek we wcześniej przyjętych datacjach części rękopisów oraz zbadanie ponad 200 nieznanych dotąd przykładów pisma benewentańskiego, nieujętych w nowym, poprawionym i uzupełnionym wydaniu z 1980 r. klasycznego dzieła E.A. Lowe`a The Beneventan Script. P

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Lima, Danilo César dos Santos. "VÉSPERAS PASCAIS COM PROCISSÃO À FONTE BATISMAL: CELEBRAR A MEMÓRIA DAS APARIÇÕES DO RESSUSCITADO E A DIGNIDADE DO BATISMO." Perspectiva Teológica 43, no. 121 (2012): 389. http://dx.doi.org/10.20911/21768757v43n121p389/2011.

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Este artigo busca desvendar o que vem a ser o rito de procissão às fontes batismais nas Vésperas Pascais, citado pela Instrução Geral da Liturgia das Horas. Tal rito, que não consta na estrutura celebrativa da Liturgia das Horas, remonta ao período medieval quando, na Basílica São João de Latrão, se realizavam tais procissões ao Batistério. A análise das fontes litúrgicas do período revela a riqueza dessa liturgia estacional e elucida o insuficiente artigo 213 da referida Instrução.ABSTRACT: This article seeks to discover what turns out to be the rite of procession to the baptismal font in the

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Feldman, Sergio Alberto. "Liturgia, educação e resistência cultural." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 12, no. 23 (2018): 199–214. http://dx.doi.org/10.17851/1982-3053.12.23.199-214.

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A intenção deste artigo é compreender os mecanismos de resistência cultural da minoria judaica através dos séculos. O foco são os usos de rituais no cotidiano religioso e dos preceitos normativos denominados mitzvot. Estas últimas são ordenações religiosas descritas no Pentateuco que regem múltiplos detalhes da vida religiosa, desde sacrifícios no templo de Jerusalém até relações sociais, conjugais, entre outras. A análise pretende demonstrar que se trata de uma complexa teia de controle comportamental, que cria uma “cerca” que protege a minoria, impedindo sua absorção pela sociedade majoritar

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36

Nardini, Luisa. "Benjamin Brand, Holy Treasure and Sacred Song: Relic Cults and Their Liturgies in Medieval Tuscany. Oxford and New York: Oxford University Press, 2014. Pp. xxii, 296; 16 music examples, 20 black-and-white figures, and 5 tables. £32.99. ISBN: 978-0-19-935135-0." Speculum 92, no. 1 (2017): 220–22. http://dx.doi.org/10.1086/689899.

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Pazos-López, Ángel. "Exhibiendo el rito." Eikon / Imago 8 (October 15, 2019): 285–304. http://dx.doi.org/10.5209/eiko.73445.

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La liturgia penetraba en la vida del hombre cristiano medieval, haciéndose presente de forma cotidiana en todas las esferas de su existencia. Las posibilidades interpretativas del pasado ritual de la Edad Media que ofrecen algunas obras exhibidas en los museos de arte son enormemente amplias: desde acercar al público general a la dimensión cultual cristiana de hace mil años, hasta posibilitar nuevos paradigmas científicos a investigadores en estudios rituales. A partir del análisis de algunos casos paradigmáticos de instituciones nacionales e internacionales, se proponen criterios y reflexione

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Koryshev, Mikhail V. "On the subgenre system in medieval German catholic hymnography." Philological Sciences. Scientific Essays of Higher Education, no. 6 (November 2020): 54–59. http://dx.doi.org/10.20339/phs.6-20.054.

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This paper is an analysis of church hymns in the folk language using medieval German-speaking Catholic hymnography as a case study. Understudied by literary scholars, this phenomenon used to be in the center of attention of liturgics scholars. The only exceptions included philological and historical studies of ancient writings in the German language. The existence of church chant (German Kirchenlied) is manifested by a separate genre, which, in contrast to the views of Germanic language philologists in Germany is not a special case of the spiritual song (German Geistliches Lied). In relation t

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Lara, Jaime. "Cristo-Helios americano: la inculturación del culto al sol en el arte y arquitectura de los virreinatos de la Nueva España y del Perú." Anales del Instituto de Investigaciones Estéticas 21, no. 74-75 (1999): 29. http://dx.doi.org/10.22201/iie.18703062e.1999.74-75.1869.

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Tomando como punto de partida el culto al Sol instituido en las principales civilizaciones americanas, Jaime Lara propone que la labor de los misioneros españoles en América consistió en revivir ciertos aspectos sensuales del cristianismo medieval para acercarlo a las creencias religiosas indígenas. De este modo, más que un sincretismo natural, lo que hubo fue una modificación del cristianismo y de su liturgia para hacerlos empatar con los principales cultos solares de las civilizaciones americanas.

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Cendón Fernández, Marta. "Nuevos espacios para la liturgia. El arte medieval en la arquitectura religiosa de Gaudí." De Arte. Revista de Historia del Arte, no. 5 (February 15, 2015): 199. http://dx.doi.org/10.18002/da.v0i5.1556.

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HFrente al neoclasicismo se alza un revival que supone relanzar el neogótico o el neorrománico. En España coincide con un romanticismo tardío, con una connotación religiosa, sobre todo desde el Concilio Vaticano I. En muchos casos se lleva a cabo una restauración del patrimonio medieval, cuya recuperación deja su impronta en los arquitectos de finales del XIX. En ese ambiente se educa Gaudí, quien estudió a fondo monumentos arquitectónicos y participó en excursiones a los mismos. Desde sus años de estudiante propuso proyectos neomedievalistas como la puerta de un Cementerio. Más tarde se ocupó

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Carrero, Eduardo. "Nina Iamanidzé, Les installations liturgiques sculptées des églises de Géorgie (VIe-XIIIe siècles)." Medievalia 15 (December 19, 2012): 418. http://dx.doi.org/10.5565/rev/medievalia.53.

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Asensio Palacios, Juan Carlos. "Neuma, espacio y liturgia. La ordenación sonora en compostela según el Codex Calixtinus." Medievalia 17 (February 15, 2015): 131. http://dx.doi.org/10.5565/rev/medievalia.255.

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Pintor. "LA "VISITATIO SEPULCHRI": MÚSICA Y TEATRO UNIDOS EN LA LITURGIA MEDIEVAL." Revista de Musicología 10, no. 2 (1987): 367. http://dx.doi.org/10.2307/20795144.

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Cortés Guadarrama, Marcos. "Hagiografía y medicina (I): intercesión de la santidad en el arte médico del Compendio de la humana salud (1494) de Johannes de Ketham." Medievalia 52, no. 2 (2020): 157–78. http://dx.doi.org/10.19130/medievalia.2020.52.2.171868.

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By means of two Latin writings, quickly translated into Spanish and published as incunabula: Flos sanctorum con sus ethimologías (derived from Legenda aurea) and Compendio de la humana salud (derived from Finis Fasciculi medicine), this work aims to examine the connection between hagiography and early modern medical arts. Generally, the narrative construction of the medical treatise from the 15th century —of a notorious providentialism— hasn´t been very analyzed, even less when it comes to saying that the hagiographic aspects, quoted in the medical literature, sustain and encourage a series of

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Rinkevich, Matthew J. "Reading Ritual: Biblical Hermeneutics and the Liturgical “Text” in Pre-Reformation England." Renaissance and Reformation 41, no. 2 (2018): 37–64. http://dx.doi.org/10.33137/rr.v41i2.29833.

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This article argues that orthodox English writers during the pre-Reformation period conceptualized the liturgy as a type of biblical text interpreted with traditional exegetical tools, especially allegoresis. In particular, it focuses upon three devotional works produced during the first several decades of the sixteenth century: B. Langforde’s Meditatyons for Goostly Exercyse, in the Tyme of the Masse (ca. 1515); Wynken de Worde’s 1520 edition of John Lydgate’s The Vertue of the Masse; and John Fisher’s sermon Lamentationes, Carmen, et Vae (ca. 1534). These liturgical exegeses uphold orthodox

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Carrero, Eduardo. "Comulgar con ruedas de molino. Arquitectura y liturgia medievales o los itinerarios de un desencuentro." Medievalia 15 (December 19, 2012): 61. http://dx.doi.org/10.5565/rev/medievalia.5.

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Pinero Valverde, Maria de la Concepción. "Signs of Cluny in Poema de mio Cid." Língua e Literatura 15, no. 18 (1990): 131. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1990.115981.

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Apoiados por reis cristãos, os monges da Ordem de Cluny assumem importante papel na Espanha medieval, e marcas de sua presença se encontram também no Poema de Mio Cid. Uma delas é o episódio do mosteiro de Cardelãa, historicamente ligado à observância, ainda que não à jurisdição de Cluny. O abade, no Poema, acolhe o Cid e segue a liturgia romana, assim afirmando a autonomia política e a fidelidade ao papado, próprias dos cluniacenses. Também os episódios do bispo dom Jerô- nimo, historicamente monge de Cluny, revelam, no Poema, sua formação monástica, que se manifesta no zelo pela "guerra sant

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Balling, Jakob. "Nedfarten til dødsriget." Grundtvig-Studier 52, no. 1 (2001): 70–75. http://dx.doi.org/10.7146/grs.v52i1.16397.

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The Descent into HellBy Jakob BallingThis article - originally a paper, read at the Grundtvig Academy's conference on Grundtvig and the Figurative Arts in November 2000 - presents an interpretative sketch of the uses made of the descensus motif from the beginning, via the ‘Gospel of Nicodemus’, ancient and medieval liturgical and liturgico-dramatic texts, and Luther, to Grundtvig. Throughout, the main emphasis of the discussion is laid on the way in which the texts express and expound the notions of coherence between creation and salvation and of past history being actualized or re-enacted in

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Peretó Rivas, Rubén. "Angustia y acedia como patología en el monacato medieval, manifestaciones y recursos curativos." Anuario de Estudios Medievales 47, no. 2 (2017): 769. http://dx.doi.org/10.3989/aem.2017.47.2.10.

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Las patologías espirituales y psíquicas propias de los ámbitos monásticos medievales poseían una sintomatología común que se manifestaba en la angustia frente a la propia existencia y que se conoció como acedia. La respuesta terapéutica de los monjes medievales frente a esta situación pasa, entre otros, a través de ciertas variantes litúrgicas, entendida ésta como representación terapéutica y como palabra curadora, herederas ambas de la curatio verbi propia de los monjes del desierto egipcio. Se trata, en definitiva, de la capacidad performativa de la liturgia. En este trabajo me propongo pres

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Steiner, Christian, and Robert Klugseder. "Textmodellierung und Analyse von quasi-hierarchischen und varianten Liturgika des Mittelalters." Das Mittelalter 24, no. 1 (2019): 205–20. http://dx.doi.org/10.1515/mial-2019-0014.

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Abstract The Digital Humanities project ‘CANTUS NETWORK. Libri ordinarii of the Salzburg metropolitan province’ undertakes research around the liturgy and music of the churches and monasteries of the medieval ecclesiastical province of Salzburg. Key sources are the liturgical ‘prompt books’, called libri ordinarii, which include a short form of more or less the entire rite of a diocese or a monastery. The workflow of the project is set in an environment called GAMS, a humanities research data repository built for long-term storage and presentation of data coming from the humanities. Digital ed

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