Academic literature on the topic 'Medieval Needlework'

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Journal articles on the topic "Medieval Needlework"

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Yang, SuJeang. "The Relationship and Development of Joseon Embroidery and Lu-Embroidery of Shandon : Focusing on Embroidered Dwelling by a Mountain Stream at the National Museum of Korea." Korean Journal of Art History 315 (September 30, 2022): 75–117. http://dx.doi.org/10.31065/kjah.315.202209.003.

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This study aims to fill the gaps in the history of Korean embroidery by examining Luembroidery of Shandong, an area closely related to the Korean peninsula in history, geography, culture, and custom. Unlike Gu-embroidery of Jiangnan that gained renown in the late Ming dynasty, Lu-embroidery’s relations to Korea could be found from the ancient times, through medieval Yuan to the Qing period, and therefore has significance as historical documents. Needlework in Lu-embroidery style, made or brought to Korea in the late Joseon period represent the literary preferences of the ruling class at the ti
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Baulo, A. V., and O. V. Golubkova. "The legend of Tan-varp-ekva." VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, no. 2 (49) (June 5, 2020): 123–34. http://dx.doi.org/10.20874/2071-0437-2020-49-2-11.

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The object of the study is the texts about Tan-varp-ekva, «the tendon twistress», recorded during the 20th c. The majority of the full-text tales has been recorded from the northern Mansi (Lyapin River Basin, Upper Lozva), some folklore stories have been published for various groups of Khanty (Yugan, Middle Ob, Berezovo, Kazym, Upper Purov, Shurishkar); the Nenets legend about the old woman-Sihirtia stands out. The tales mostly split into two plots: the first one is associated with the prohibition to spin veins at night, the second — with changeling and kidnapping of children. The analysis of
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Parfentieva, Natalia V., and Nikolai P. Parfentiev. "The Development of Arts in the Context of the Stroganovs’ Activity as Ktitors and Art Patrons in the 16th-17th Centuries." Journal of Siberian Federal University. Humanities & Social Sciences, June 2020, 924–44. http://dx.doi.org/10.17516/1997-1370-0616.

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The Stroganovs, known in the 16th–17th centuries as merchants, industrialists and landowners, left a deep mark in the history of not only the economy, but also of the culture of Russia. There is the vast scientific literature covering various aspects of the family members’ life, but their ktitor (founder and donator of church building) and art patronage activities of that time were not specifically studied. Only certain aspects were considered in the context of scientific searches in the field of art history. The authors of the article show that primarily the ktitor activity of the Stroganovs
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Books on the topic "Medieval Needlework"

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Spies, Nancy. Here be drolleries: Hundreds more patterns graphed from medieval sources. Arelate Studio, 2007.

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Sandra, Whitehead. Celtic, Medieval, and Tudor wall hangings in 1/12 scale needlepoint. Guild of Master Craftsman Publications, 2000.

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Robinson, Debby. Medieval needlepoint: Twenty-four easy-to-make projects forthe home. Collins & Brown, 1992.

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Robinson, Debby. Medieval Needlepoint. Collins & Brown, 1993.

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Here Be Wyverns: Hundreds of Patterns Graphed from Medieval Sources. Arelate Studio, 2003.

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Medieval needlepoint: Twenty-four easy-to-make projects for the home. Sterling Pub. Co., 1993.

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Medieval Needlepoint: Twenty-Four Easy-to-Make Projects for the Home. Sterling Publishing Co., Inc., 1994.

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Book chapters on the topic "Medieval Needlework"

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Garret, Nicole. "Grief, Commemoration, and the Poetics of Disruption in the Works of Frances Norton." In Negotiating Feminism and Faith in the Lives and Works of Late Medieval and Early Modern Women. Amsterdam University Press, 2024. http://dx.doi.org/10.5117/9789048560417_ch10.

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Taking up the question of whether Frances Norton’s apparent religious orthodoxy is at odds with a feminist consciousness, this chapter argues that her literary works are parts of an ongoing project to memorialize her daughter, Grace Gethin, whose death interrupts participation in gendered spheres of marriage and motherhood. Norton’s commemorative project challenges conventional gender roles by generating an identity for Gethin as a woman of letters and spiritual authority, albeit through the tolerated feminine activities of needlework and devotional writing. Paying special attention to Norton’s published needlework poetry, this chapter argues that Norton foregrounds women’s grief and domestic labour.
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Bertolet, Anna Riehl. "“Like two artificial gods”: Needlework and Female Bonding in A Midsummer Night’s Dream." In Medieval Clothing and Textiles 11. Boydell and Brewer, 2015. http://dx.doi.org/10.1515/9781782044772-012.

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Sanders, Andrew. "Medieval Literature 1066—1510." In The Short Oxford History of English Literature. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198711575.003.0003.

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Abstract Strictly speaking, the Bayeux Tapestry, which provides the most vivid pictorial record of the events leading up to the conquest of England by the Normans, is not a tapestry at all. The 70-metre long embroidery, known in the Norman cathedral city of Bayeux as ‘the tapestry of Queen Matilda’, is equally unlikely to be the painstaking work of the wife of William the Conqueror. Long before the Conquest, and long after it, England was famed for the intricacy and brilliance of its needlework. The great narrative hanging was probably the result of a celebratory, and possibly enforced, commission to English needle women to mark both the Norman victory of rn66 and the consecration of the cathedral at Bayeux in 1077 by its bishop, William’s half-brother Odo. After the conquest Odo had been rewarded by William with large estates in England and with the title Earl of Kent. He later acted, with some ruthlessness, as the King’s viceroy in the north of England. Odo’s periodic and prominent appearances on the tapestry as William’s counsellor, as the blesser of food at a banquet on English soil before the battle of Hastings, and as the armed wielder of a great wooden staff in the battle itself (clerics were forbidden to carry swords), suggest that he at least would not have found it inappropriate to decorate his new cathedral with an embroidered commemoration of his brother’s famous victory.
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