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Books on the topic 'Medieval semiotics'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Wordly wise: The semiotics of discourse in Dante's Commedia. New York: Peter Lang, 2012.

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2

Logique et théorie du signe au XIVe siécle. Paris: J. Vrin, 1989.

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3

Gersh, Stephen. Concord in discourse: Harmonics and semiotics in late classical and early medieval Platonism. Berlin: Mouton de Gruyter, 1996.

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4

A medieval semiotic: Reference and representation in John of St Thomas' theory of signs. New York: P. Lang, 1995.

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5

Deely, John N. Semiotic animal: A postmodern definition of human being transcending patriarchy and feminism : to supersede the ancient and medieval 'animal rationale' along with the modern 'res cogitans'. South Bend, IN: St. Augustine's Press, 2010.

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6

Thomas, von Erfurt, 14th cent., ed. Die semantischen und syntaktischen Funktionen im Tractatus "De modis significandi sive grammatica speculativa" des Thomas von Erfurt: Die Probleme der mittelalterlichen Semiotik. Bern: P. Lang, 1987.

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7

Amsler, Mark. The Medieval Life of Language. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721929.

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The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe explores the complex history of medieval pragmatic theory and ideas and metapragmatic awareness across social discourses. Pragmatic thinking about language and communication is revealed in grammar, semiotics, philosophy, and literature. Part historical reconstruction, part social history, part language theory, Amsler supplements the usual materials for the history of medieval linguistics and discusses the pragmatic implications of grammatical treatises on the interjection, Bacon’s sign theory, logic texts, Chaucer’s poetry, inquisitors’ accounts of heretic speech, and life-writing by William Thorpe and Margery Kempe. Medieval and contemporary pragmatic theory are contrasted in terms of their philosophical and linguistic orientations. Aspects of medieval pragmatic theory and practice, especially polysemy, equivocation, affective speech, and recontextualization, show how pragmatic discourse informed social controversies and attitudes toward sincere, vague, and heretical speech. Relying on Bakhtinian dialogism, critical discourse analysis, and conversation analysis, Amsler situates a key period in the history of linguistics within broader social and discursive fields of practice.

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8

Zeichen und Wissen: Das Verhältnis der Zeichentheorie zur Theorie des Wissens und der Wissenschaften im dreizehnten Jahrhundert. Münster: Aschendorff, 1999.

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9

Semiotics from Peirce to Barthes: A conceptual introduction to the study of communication, interpretation, and expression. Leiden: E.J. Brill, 1988.

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10

Spaces for reading in later Medieval England. New York: Palgrave Macmillan, 2016.

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11

Coletti, Theresa. Naming the rose: Eco, medieval signs, and modern theory. Ithaca, N.Y: Cornell University Press, 1988.

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12

Quand l'image relit le texte: Regards croisés sur les manuscrits médiévaux. Paris: Presses Sorbonne nouvelle, 2013.

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13

Mervelous signals: Poetics and sign theory in the Middle Ages. Lincoln: University of Nebraska Press, 1986.

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14

Passions et positions: Contributions à une sémiotique du subjet dans la poésie lyrique médiévale en langues romanes. Amsterdam: Rodopi, 1988.

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15

Arthur, Ross Gilbert. Medieval sign theory and Sir Gawain and the Green Knight. Toronto: University of Toronto Press, 1987.

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16

Medieval sign theory and Sir Gawain and the green knight. Toronto: University of Toronto Press, 1987.

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17

Bonafin, Massimo. Contesti della parodia: Semiotica, antropologia, cultura medievale. Torino: UTET libreria, 2001.

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18

Contesti della parodia: Semiotica, antropologia, cultura medievale. Torino: UTET libreria, 2001.

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19

Gertsman, Elina, ed. Abstraction in Medieval Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989894.

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Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.

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20

Lies, slander, and obscenity in medieval English literature: Pastoral rhetoric and the deviant speaker. Cambridge: Cambridge University Press, 1997.

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21

Zemmour, Corinne. Perception du monde par les animaux dans le "Roman de Renart": Étude sémantique : signifiants, signifiés et valeurs symboliques. Greifswald: Reinkeke-Verlag, 1995.

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22

Beuchot, Mauricio. Significado y discurso: La filosofía del lenguaje en algunos escolásticos españoles post-medievales. México, D.F: Universidad Nacional Autónoma de México, Instituto de Investigaciones Filosóficas, 1988.

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23

C, Robinson Fred, ed. A guide to Old English. 5th ed. Oxford, UK: Blackwell, 1992.

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24

1930-, Robinson Fred C., ed. A guide to Old English. 6th ed. Oxford, UK: Blackwell Publishers, 2001.

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25

Mitchell, Bruce. A guide to Old English. 6th ed. Malden, Mass: Blackwell Publishers, 2002.

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26

Bruce, Mitchell. A guide to Old English: Revised with prose and verse texts and glossary. 4th ed. Oxford, eng: Basil Blackwell, 1986.

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27

C, Robinson Fred, ed. A guide to Old English. 7th ed. Oxford: Blackwell, 2007.

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28

C, Robinson Fred, ed. A guide to Old English. 4th ed. Oxford, UK: B. Blackwell, 1986.

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29

Eco, Umberto. Der Name der Rose: Roman. München: Deutscher Taschenbuch Verlag, 1986.

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30

Eco, Umberto. The name of the rose. London: Minerva, 1994.

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31

Eco, Umberto. The name of the rose. London: The Folio Society, 2001.

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32

Eco, Umberto. O nome da rosa. Porto: Publico, 2002.

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33

Eco, Umberto. De naam van de roos: &, Naschrift. Amsterdam: B. Bakker, 1986.

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34

Eco, Umberto. The name of the rose. London: Minerva, 1992.

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35

Eco, Umberto. El nombre de la rosa. Buenos Aires, Argentina: Debolsillo, 2003.

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36

Eco, Umberto. The name of the rose. London: Minerva, 1992.

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37

Eco, Umberto. Le Nom de la rose. Paris: Livraphone, 2000.

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38

Eco, Umberto. El nombre de la rosa. Barcelona, España: RBA, 1992.

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39

Eco, Umberto. Il nome della rosa. 5th ed. Milano: Bompiani, 1985.

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40

Eco, Umberto. El nombre de la rosa. Barcelona, España: Lumen, 1985.

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41

Eco, Umberto. Il nome della rosa. 3rd ed. Milano: Bompiani, 1993.

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42

Eco, Umberto. The Name of the Rose. London, UK: Mandarin, 1992.

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43

Eco, Umberto. Imię róży. Warsaw: Koch, Neff & Oetinger & Co, 1996.

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44

Eco, Umberto. Imi︠a︡ rozy. Sankt-Peterburg: "Simpozium", 1997.

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45

Eco, Umberto. The name of the rose. London: Secker & Warburg, 1992.

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46

Eco, Umberto. El nombre de la rosa: Seguido por la traducción de los textos latinos y por las apostillas a "El nombre de la rosa". 3rd ed. México D.F., México: Lumen, 2006.

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47

Eco, Umberto. Il nome della rosa: In appendice postille a 'Il nome della rosa'. 7th ed. Milano, Italia: Bompiani, 2006.

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48

Eco, Umberto. El nombre de la rosa. Barcelona: Debolsillo, 2004.

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49

Eco, Umberto. El nombre de la rosa: Seguido por la traducción de los textos latinos y por las apostillas a "El nombre de la rosa". 3rd ed. México D.F., México: Lumen, 2006.

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50

Eco, Umberto. Il nome della rosa. Milano: Bompiani, 1986.

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