Relevant bibliographies by topics / Medieval Spanish poetry

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Academic literature on the topic 'Medieval Spanish poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Medieval Spanish poetry"

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Guzmán Munita, Marisa, and Mario Díaz Díaz. "Propuesta pedagógica constructivista para la enseñanza de literatura española, en 2° año de enseñanza media." Foro Educacional, no. 24 (January 11, 2016): 125. http://dx.doi.org/10.29344/07180772.24.616.

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RESUMENUn desafío para los profesores de castellano en Chile corresponde a la vinculación de los contenidos teóricos con la elaboración de actividades prácticas, que permitan el acercamiento de los estudiantes a diversas temáticas, desde el enfoque constructivista que plantea el currículum nacional. El presente artículo tiene por objetivo proveer de una propuesta pedagógica, que asume este enfoque al orientar metodológicamente la enseñanza de la Literatura Española. Se repara, particularmente, en la poesía ascética medieval, en correspondencia con lo prescrito por el programa de estudio de la
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VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working
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López Castro, Armando. "Yehudah Ben Samuel Halevi: el exilio como redención." Medievalia 52, no. 1 (2020): 93–114. http://dx.doi.org/10.19130/medievalia.2020.52.1.0005.

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In medieval poetry of the Spanish Jews, both sacred and profane, late nostalgia for a lost and saved by the tongue homeland. She is his firmer ground, which can restore from the wreck of a hostile situation the fullness of collective memory. In the case of tudelano poet Judah Halevi, whose wanderings took him to visit different courts, Zaragoza, Toledo, Cordoba, Sevilla, Granada, but without settling permanently in any, the exile experience led him to feel like axis of history among the nations, live with the hope of returning to a land identified with paradise. Because poetry involved herself
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SCHIPPERS, Arie. "Medieval Opinions on the Spanish School of Hebrew Poetry and its Epigones." Studia Rosenthaliana 40 (December 31, 2008): 127–38. http://dx.doi.org/10.2143/sr.40.0.2028839.

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Liu, Benjamin. "“Un Pueblo Laborioso”: Mudejar Work in the Cantigas." Medieval Encounters 12, no. 3 (2006): 462–74. http://dx.doi.org/10.1163/157006706779166002.

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AbstractThis essay analyzes the idea of “work” as a site of convergence between two meanings of the term mudejar: the sociohistorical, in which the Mudejar is a tax-paying minority Muslim under Christian rule, and the aestheticist, in which mudejar describes a style of architectural and artisanal craftsmanship. Both senses—minority labor as taxable production and as cultural product—are studied in the poetic and social contexts of medieval Spanish poetry, with specific attention to thirteenth-century Galician-Portuguese poetry. The essay concludes by identifying a shift, described in terms art
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Danylych, V. S. "The formation of national functions of literature of medieval Iberian Romania." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 36 (2019): 50–64. http://dx.doi.org/10.17721/2663-6530.2019.36.04.

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The article focuses on the development of national literature in the process of historical evolution of society and its language, historical relations with other cultures which have some influence on the general literary activity in Medieval Iberian Romania. It was singled out the dominating role of epics as the main genre in the majority of occidental and oriental literatures, which confirms the importance of moral and political meaning of military honor which grew to the scale of the ideal of the epoch. It was stated the significant role of borrowed genres, plots, topics, motives from the po
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Talvet, Jüri. "Some Considerations on (Un)translatability of (Dante Alighieri’s and Juhan Liiv’s) Poetry." Interlitteraria 21, no. 2 (2017): 182. http://dx.doi.org/10.12697/il.2016.21.2.2.

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First, I would like to comment on the motto of the EACL 11th International Conference (Tartu, September, 2015) derived from Juhan Liiv’s Poem “A Coffin”, in which the poet-philosopher suspects that translation as such, instead of enriching a national culture, would curb and suppress it, if not destroying national creative energy and talent. After that I proceed to enlighten some passages of poetry translating practice from the history of Estonian literature and world literature (medieval epics, etc., and especially Dante Alighieri’s Commedia). My main purpose is to undermine and specify both c
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Llamedo-Pandiella, Gonzalo. "La representación del occitano en los estudios filológicos de grado y máster de las universidades españolas." Studia Romanistica 24, no. 1 (2024): 27–51. http://dx.doi.org/10.15452/sr.2024.24.0002.

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From a glottopolitical approach, Romance sociolinguistics is interested in the socio-discursive representations of minoritised Romance languages, since discourses reveal the relationship between language, society and power. In accordance with this scope, this paper analyses how Occitan language and literature are present in undergraduate and master’s philological studies in Spain, in order to obtain an overview of their academic representation. For this purpose, a census study was carried out by consulting the official websites of the Spanish university institutions listed in the Spanish Regis
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Pla Colomer, Francisco Pedro. "Fundamentos para una fraseometría histórica del español." Rhythmica. Revista Española de Métrica Comparada, no. 15 (February 2, 2018): 87. http://dx.doi.org/10.5944/rhythmica.21192.

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La presente investigación tiene como fi nalidad analizar contrastivamente las variantes fraseológicas documentadas en textos poéticos medievales, tomando como base aquellos que se corresponden con el segundo ciclo de la escuela del mester de clerezía, compuestos en el entorno cultural del siglo XIV. Con ello se pretende asentar las bases de una fraseometría histórica que dé cuenta de la relación existente entre métrica y proceso de fi jación de las variantes locucionales en el devenir de la lengua.The current research has the aim to describe the evolution of idioms, and its variants, documente
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Oceánide, O'Donoghue Bernard, Paddy Bushe, and Suso De Toro. "Literary Contributions by Paddy Bushe, Bernard O'Donoghue and Suso de Toro." Oceánide 13 (February 9, 2020): 127–31. http://dx.doi.org/10.37668/oceanide.v13i.49.

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Paddy Bushe was born in Dublin in 1948 and now lives in Waterville, Co. Kerry. He writes in Irish and in English. His collections include "Poems With Amergin" (1989), "Digging Towards The Light" (1994), "In Ainneoin na gCloch" (2001), "Hopkins on Skellig Michael" (2001) and "The Nitpicking of Cranes" (2004). "To Ring in Silence: New and Selected Poems" was published in 2008. He edited the anthology "Voices at the World’s Edge: Irish Poets on Skellig Michael" (Dedalus, 2010). His latest collections are "My Lord Buddha of Carraig Eanna" (2012), "On A Turning Wing" (2016) and "Móinéar an Chroí" (
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Books on the topic "Medieval Spanish poetry"

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Cash, Annette Grant, and James C. Murray. Anthology of medieval Spanish poetry. Cervantes & Co., 2010.

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1957-, Gahete Manuel, ed. Poesía medieval: Antología. Editorial Aguaclara, 1991.

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García, Jiménez Ma Emilia. La Poesía elegíaca medieval en lengua castellana. Gobierno de La Rioja, Instituto de Estudios Riojanos, 1994.

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1951-, Ruiz Noguera Francisco, ed. Antología de la poesía medieval española. Editorial Agora, 1995.

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Montgomery, Thomas. Medieval Spanish epic: Mythic roots and ritual language. Penn. State Univ. Press, 1998.

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Echauri, Roberto Andrade. Poesia lirica medieval. Fernandez editores, 1990.

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Francisco, Pérez Gutiérrez, ed. Poesía medieval en España. Santillana, 1997.

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Armijo, Carmen Elena, Cristina Azuela, and Manuel Mejía Armijo. Los sonidos de la lírica medieval hispánica. Edited by Universidad Nacional Autónoma de México. Instituto de Investigaciones Filológicas. Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas, 2013.

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9

Vitalino, Valcárcel, and Pérez González Carlos, eds. Poesía medieval : (historia literaria y transmisíon textos). Fundación Instituto Castellano y Leonés de ,la Lengua, 1995.

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Martos, Josep Lluís, 1971- editor, ed. De poesía medieval: Con sus glosas agora nuevamente añadidas. Universitat d'Alacant, 2014.

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Book chapters on the topic "Medieval Spanish poetry"

1

Escourido, Juan. "Textual Games and Virtuality in Spanish Cancionero Poetry." In Games and Gaming in Medieval Literature. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137497529_10.

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Beresford, Andrew M. "The poetry of medieval Spain." In The Cambridge History of Spanish Literature. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521806183.006.

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Schippers, Arie. "Medieval Iberian Peninsula." In Spanish Hebrew Poetry and the Arabic Literary Tradition. BRILL, 1993. http://dx.doi.org/10.1163/9789004624221_019.

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Granat, Yehoshua. "2 The Poetry of Sefarad: Secular and Liturgical Hebrew Verse in Medieval Iberia." In Jewish Literatures in Spanish and Portuguese. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110563795-003.

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Rogers, Gayle. "“Splintered Staves”." In Incomparable Empires. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231178563.003.0002.

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Examines Ezra Pound’s aborted career as a Hispanist and translator of Spanish texts, from the late medieval Poema del Cid to romanceros (ballads), and his attacks on Germanic philology and his promotion of a comparative, poeticized mode of scholarship. His overlapping poetry and scholarship, dramatized the historical decline of Spanish literature, but insisted that imperial and literary flourishing must be separated. Together with Dos Passos, Pound illustrates the investment of modernist aesthetics, especially the signature style of fragmentation, in the new academic formations of the early tw
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Aguirre, Mercedes, and Richard Buxton. "From the Medieval to the Baroque." In Cyclops. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198713777.003.0010.

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This chapter is the first of the authors’ two substantial investigations into the post-classical reception of Cyclopean mythology. The account begins in the European Middle Ages, with representations of ‘races’ of Wild Men, some of whom are one-eyed. A more explicit echo of the classical Cyclopes occurs in numerous allegorical readings of the Ulysses–Polyphemus and Polyphemus–Galatea–Acis encounters. For all the apparent implausibility of such readings, it is important to realize that in allegory myths constitute a site for the allegorist’s display of interpretative prowess. The myths’ continu
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"Chapter Six. Music And Musical Instruments In Spanish Medieval Hebrew Poetry: The Poem Of Yosef Ibn Ṣaddīq (Justo) In Praise Of Yiṣḥaq Ibn Barun." In Between Hebrew and Arabic Poetry. BRILL, 2010. http://dx.doi.org/10.1163/ej.9789004184992.i-520.38.

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Lewis, C. S. "The Close of the Middle Ages in Scotland." In Poetry and Prose in The Sixteenth Century. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198122319.003.0002.

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Abstract In 1488, raised by the rebellion which dethroned and killed his father and of which he repented his own share, wearing an iron girdle while he lived, James IV was crowned at Scone. Though patrons cannot create poets, and though James was no great patron, it is deeply appropriate that the court poetry which will mainly concern us in this chapter should have been written under such a king; for in him and in it alike, as also in the dress and architecture of the period, all that is bright, reckless, and fantastical in the late medieval tradition finds superb expression. He was primarily
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Balbuena, Monique R. "Archaeology of the Language / Archaeology of the Self." In Homeless Tongues. Stanford University Press, 2016. http://dx.doi.org/10.11126/stanford/9780804760119.003.0004.

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Chapter 3, about Argentine Ashkenazi poet Juan Gelman, destabilizes notions of fixed identity and breaks down dichotomic divisions of ethnic origins as it traces Gelman’s gradual rewriting of himself as a Sephardic Jew at the very moment when he most identifies as a Jew. It reads Gelman’s bilingual Ladino-Spanish collection Dibaxu as the culmination of his rewritings of Spanish canonical authors. It focuses on the “process of self-Sephardization,” initially triggered by Gelman’s historical condition as a political exile, and then fed by his translation and rewriting of canonical medieval Spani
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Kraemer, David. "Medieval Jewish Teachings on Exile." In Embracing Exile. Oxford University PressNew York, 2025. https://doi.org/10.1093/oso/9780197623541.003.0005.

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Abstract This chapter examines medieval Jewish teachings that justify exile. By the early Middle Ages, Jews found their way to diasporas across the world. In the eighth century, the center of world Jewry was Baghdad. Then, with the decline of Baghdad, vibrant new Jewish communities emerged, particularly in Muslim Spain. One of the most famous of Spanish Jews was poet and philosopher, Judah Halevi, who wrote odes to the Holy Land. But even Halevi understood that the life of Torah in exile was superior to life without Torah, and he articulated this view plainly. During the same period, smaller J
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