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Journal articles on the topic 'Medieval Spanish poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Guzmán Munita, Marisa, and Mario Díaz Díaz. "Propuesta pedagógica constructivista para la enseñanza de literatura española, en 2° año de enseñanza media." Foro Educacional, no. 24 (January 11, 2016): 125. http://dx.doi.org/10.29344/07180772.24.616.

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RESUMENUn desafío para los profesores de castellano en Chile corresponde a la vinculación de los contenidos teóricos con la elaboración de actividades prácticas, que permitan el acercamiento de los estudiantes a diversas temáticas, desde el enfoque constructivista que plantea el currículum nacional. El presente artículo tiene por objetivo proveer de una propuesta pedagógica, que asume este enfoque al orientar metodológicamente la enseñanza de la Literatura Española. Se repara, particularmente, en la poesía ascética medieval, en correspondencia con lo prescrito por el programa de estudio de la

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2

VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working

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López Castro, Armando. "Yehudah Ben Samuel Halevi: el exilio como redención." Medievalia 52, no. 1 (2020): 93–114. http://dx.doi.org/10.19130/medievalia.2020.52.1.0005.

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In medieval poetry of the Spanish Jews, both sacred and profane, late nostalgia for a lost and saved by the tongue homeland. She is his firmer ground, which can restore from the wreck of a hostile situation the fullness of collective memory. In the case of tudelano poet Judah Halevi, whose wanderings took him to visit different courts, Zaragoza, Toledo, Cordoba, Sevilla, Granada, but without settling permanently in any, the exile experience led him to feel like axis of history among the nations, live with the hope of returning to a land identified with paradise. Because poetry involved herself

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SCHIPPERS, Arie. "Medieval Opinions on the Spanish School of Hebrew Poetry and its Epigones." Studia Rosenthaliana 40 (December 31, 2008): 127–38. http://dx.doi.org/10.2143/sr.40.0.2028839.

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5

Liu, Benjamin. "“Un Pueblo Laborioso”: Mudejar Work in the Cantigas." Medieval Encounters 12, no. 3 (2006): 462–74. http://dx.doi.org/10.1163/157006706779166002.

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AbstractThis essay analyzes the idea of “work” as a site of convergence between two meanings of the term mudejar: the sociohistorical, in which the Mudejar is a tax-paying minority Muslim under Christian rule, and the aestheticist, in which mudejar describes a style of architectural and artisanal craftsmanship. Both senses—minority labor as taxable production and as cultural product—are studied in the poetic and social contexts of medieval Spanish poetry, with specific attention to thirteenth-century Galician-Portuguese poetry. The essay concludes by identifying a shift, described in terms art

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Danylych, V. S. "The formation of national functions of literature of medieval Iberian Romania." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 36 (2019): 50–64. http://dx.doi.org/10.17721/2663-6530.2019.36.04.

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The article focuses on the development of national literature in the process of historical evolution of society and its language, historical relations with other cultures which have some influence on the general literary activity in Medieval Iberian Romania. It was singled out the dominating role of epics as the main genre in the majority of occidental and oriental literatures, which confirms the importance of moral and political meaning of military honor which grew to the scale of the ideal of the epoch. It was stated the significant role of borrowed genres, plots, topics, motives from the po

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Talvet, Jüri. "Some Considerations on (Un)translatability of (Dante Alighieri’s and Juhan Liiv’s) Poetry." Interlitteraria 21, no. 2 (2017): 182. http://dx.doi.org/10.12697/il.2016.21.2.2.

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First, I would like to comment on the motto of the EACL 11th International Conference (Tartu, September, 2015) derived from Juhan Liiv’s Poem “A Coffin”, in which the poet-philosopher suspects that translation as such, instead of enriching a national culture, would curb and suppress it, if not destroying national creative energy and talent. After that I proceed to enlighten some passages of poetry translating practice from the history of Estonian literature and world literature (medieval epics, etc., and especially Dante Alighieri’s Commedia). My main purpose is to undermine and specify both c

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8

Llamedo-Pandiella, Gonzalo. "La representación del occitano en los estudios filológicos de grado y máster de las universidades españolas." Studia Romanistica 24, no. 1 (2024): 27–51. http://dx.doi.org/10.15452/sr.2024.24.0002.

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From a glottopolitical approach, Romance sociolinguistics is interested in the socio-discursive representations of minoritised Romance languages, since discourses reveal the relationship between language, society and power. In accordance with this scope, this paper analyses how Occitan language and literature are present in undergraduate and master’s philological studies in Spain, in order to obtain an overview of their academic representation. For this purpose, a census study was carried out by consulting the official websites of the Spanish university institutions listed in the Spanish Regis

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Pla Colomer, Francisco Pedro. "Fundamentos para una fraseometría histórica del español." Rhythmica. Revista Española de Métrica Comparada, no. 15 (February 2, 2018): 87. http://dx.doi.org/10.5944/rhythmica.21192.

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La presente investigación tiene como fi nalidad analizar contrastivamente las variantes fraseológicas documentadas en textos poéticos medievales, tomando como base aquellos que se corresponden con el segundo ciclo de la escuela del mester de clerezía, compuestos en el entorno cultural del siglo XIV. Con ello se pretende asentar las bases de una fraseometría histórica que dé cuenta de la relación existente entre métrica y proceso de fi jación de las variantes locucionales en el devenir de la lengua.The current research has the aim to describe the evolution of idioms, and its variants, documente

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Oceánide, O'Donoghue Bernard, Paddy Bushe, and Suso De Toro. "Literary Contributions by Paddy Bushe, Bernard O'Donoghue and Suso de Toro." Oceánide 13 (February 9, 2020): 127–31. http://dx.doi.org/10.37668/oceanide.v13i.49.

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Paddy Bushe was born in Dublin in 1948 and now lives in Waterville, Co. Kerry. He writes in Irish and in English. His collections include "Poems With Amergin" (1989), "Digging Towards The Light" (1994), "In Ainneoin na gCloch" (2001), "Hopkins on Skellig Michael" (2001) and "The Nitpicking of Cranes" (2004). "To Ring in Silence: New and Selected Poems" was published in 2008. He edited the anthology "Voices at the World’s Edge: Irish Poets on Skellig Michael" (Dedalus, 2010). His latest collections are "My Lord Buddha of Carraig Eanna" (2012), "On A Turning Wing" (2016) and "Móinéar an Chroí" (

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11

Classen, Albrecht. "Allegory and the Poetic Self: First-Person Narration in Late Medieval Literature, ed R. Barton Palmer, Katharina Philipowski, and Julia Rüthermann. Gainesville, Tallahasse, et al.: University Press of Florida, 2022, vii, 316 pp." Mediaevistik 36, no. 1 (2023): 266–68. http://dx.doi.org/10.3726/med.2023.01.13.

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Narratologically speaking, the emergence of the poetic “I” in late medieval and early modern European literature constitutes a major benchmark of a long-term paradigm shift which ultimately transcended into the Baroque novel written entirely from the first-person perspective, such as the anonymous Spanish Lazarillo de Tormes (1552) and Grimmelshausen German Simplicissimus (1668). However, already high medieval romances such as Wolfram von Eschenbach’s Parzival (ca. 1205) or allegorical narratives such as Hartmann von Aue’s Klagebüchlein (ca. 1180) contain remarkable elements of the playful eng

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Timakova, A. A. "From Antiquity to Renaissance: Poetic Translation in Pages of “Russian Messenger”." Nauchnyi dialog 13, no. 9 (2024): 269–87. http://dx.doi.org/10.24224/2227-1295-2024-13-9-269-287.

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This article explores the reception of poetry from antiquity, the Middle Ages, and the Renaissance within the journal “Russian Messenger,” examining the editorial policies that shaped its content. The study is based on a complete set of issues from “Russian Messenger” published between 1856 and 1906. Analyzing poetic translations, adaptations, and interpretations provides insight into the ideological framework of one of the leading journals of the late 19th century. The relevance of this article is underscored by the recent surge in interest from both the humanities and the broader public towa

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Ishay, Haviva. "Yosef Tobi, Between Hebrew and Arabic Poetry: Studies in Spanish Medieval Hebrew Poetry. (Medieval and Renaissance Authors and Texts 5.) Leiden: Brill, 2010. Pp. x, 520. $230. ISBN: 9789004184992." Speculum 88, no. 1 (2013): 351–53. http://dx.doi.org/10.1017/s003871341300047x.

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14

Nirenberg, David. "Figures of Thought and Figures of Flesh: "Jews" and "Judaism" in Late-Medieval Spanish Poetry and Politics." Speculum 81, no. 2 (2006): 398–426. http://dx.doi.org/10.1017/s0038713400002633.

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15

Casey, Denis. "The Pedigree of D. Felipe/Philip V of Spain (1700-46) in the Ó Cléirigh Book of Genealogies: A Jacobite Statement." Estudios Irlandeses, no. 20 (March 17, 2025): 36–51. https://doi.org/10.24162/ei2025-13193.

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Medieval and early modern genealogies are rarely simple records of biological descent, but rather are ideological statements used to establish political and cultural connections, create hierarchy, and order society. Ireland possessed one of the most developed aristocratic genealogical traditions in medieval Europe, which reached its culmination in the middle of the seventeenth century in manuscripts like the Ó Cléirigh Book of Genealogies (Royal Irish Academy MS 23 D 17). To that manuscript a later scribe added a patrilinear genealogy of Felipe/Philip V, first Bourbon king of Spain (1700-24 an

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16

Bahjat, Munjid Mustafa, Tahraoui Ramdane, and Abdul Shakour Preece. "Muslim Andalusia: New Insights into Linguistic and Literary Exchanges between the East and the West." Asiatic: IIUM Journal of English Language and Literature 12, no. 1 (2018): 166–79. http://dx.doi.org/10.31436/asiatic.v12i1.1216.

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This paper offers a new perspective on the cultural relations between Arab Muslims of the East and Christians of the West, in medieval Iberia (known as al-Andalus by the Muslims) from 711 to 1031 C.E, identifying the benefits that emerged from such relations. Evidence has been extracted from primary historical sources, including the travel writings of Ibn Hayyan and Ibn Jubayr, along with other Western sources and writings born out of the academic exchange of ideas and literature between Muslim Spain and the European states of the time. The discussion also draws upon manuscripts and studies th

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17

Sanz Mingo, Carlos. "Eric fighting in Guatemala. Adaptation and proximation of medieval Arthurian literature in Manuel Vázquez Montalbán’s Erec y Enide ." Journal of the International Arthurian Society 11, no. 1 (2023): 83–104. http://dx.doi.org/10.1515/jias-2023-0005.

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Abstract Europe boasts a large number of traditions and cultures which coexist in a relatively small space. However, despite this, different literary motifs and topics have been readapted and transformed into other different traditions. The Arthurian legend is a prime example of this. Whilst it originated in the British Isles, it rapidly expanded throughout the continent in many different cultural manifestations, from poetry to decorative arts, music to drama. The Arthurian legend acquired special importance in France, where Chrétien de Troyes’s Erec et Enide gave it a courtly touch. The Welsh

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18

Asensio, Jiménez Nicolás. "«Con la grande polvareda»: The Ballad of La pérdida de don Beltrán in the Spanish Golden Age / «Con la grande polvareda»: El romance de La pérdida de don Beltrán en el Siglo de Oro." Revista de Cancioneros impresos y manuscritos 11 (January 7, 2022): 1–54. https://doi.org/10.14198/rcim.2022.11.01.

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<em>La pérdida de don Beltrán</em> is one of the most iconic romances (traditional Spanish ballads) of the Carolingian cycle. It has been associated with an episode of the Battle of Roncevaux and is possibly derived from a <em>chanson de geste</em> circulating in oral tradition. It tells the story of an veteran solider that returns to the battlefield in search of his son’s body. The ballad was very popular during the 16th and the 17th centuries, transmitted orally and in manuscript and print sources. Moreover, many writers of that time made adaptations of or allusions to th

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19

Sikorski, Tomasz. "„Klatka Ezry”. Między poezją a polityką." Studia nad Autorytaryzmem i Totalitaryzmem 38, no. 3 (2017): 53–73. http://dx.doi.org/10.19195/2300-7249.38.3.4.

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EZRA’S CAGE”. BETWEEN POETRY AND POLITICSEzra Pound 1885–1975 was, next to Thomas Stearns Eliot, the most prominent American poet of modernist. He was considered the creator of vorticism and imagism — modern trends in art and world culture. In his works he reached to different eras and cultural trends. He was as well fascinated by medieval Provençal, Spanish and Italian literature, and Japanese art of haiku. On his work also had an impact scholasticism, Confucianism and Far East literature. In addition to poetry, Pound was also involved in literary criticism, painting and sculpture, he wrote h

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20

Revyakina, Nina. "Juan Luis Vives on the use of Ancient literature in education." Hypothekai 5 (September 2021): 214–35. http://dx.doi.org/10.32880/2587-7127-2021-5-5-214-235.

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The work “On Education” (De tradendis disciplinis) by the Spanish humanist Juan Luis Vives (1492/3–1540) is considered from the perspective of the use of ancient literature during the in-itial period of child school training (from 7 to 15 years). Vives’ appreciation of the Latin language, a positive attitude towards teaching Greek at school, and the influence of ancient languages on modern European languages — Italian, Spanish, and French are discussed. The article draws attention to some features in teaching the Latin language that are not characteristic of the hu-manists who preceded Vives a

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21

Haxen, Ulf. "The Near and Middle East - Arie Schippers: Spanish Hebrew poetry and the Arabic literary tradition. Arabic themes in Hebrew Andalusian poetry. (Medieval Iberian Peninsula Texts and Studies, 7.) xiv, 376 pp. Leiden: E. J. Brill, 1994. Guilders 204.50, $128.50." Bulletin of the School of Oriental and African Studies 60, no. 2 (1997): 355–56. http://dx.doi.org/10.1017/s0041977x00036545.

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22

Rhodes, Elizabeth. "Ignacio Navarrete. Orphans of Petrarch: Poetry and Theory in the Spanish Renaissance. (Publication of the Center for Medieval and Renaissance Studies, 25.) Berkeley and Los Angeles: University of California Press, 1994. 297 pp. $40. ISBN: 0-520-08373-3." Renaissance Quarterly 51, no. 1 (1998): 225–26. http://dx.doi.org/10.2307/2901683.

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23

Cohen and Katz. "MUSICO-POETIC ARABIC TRADITIONS: A COMPARISON BETWEEN THE ORAL PALESTINIAN AND THE WRITTEN MEDIEVAL SPANISH." Revista de Musicología 16, no. 4 (1993): 1917. http://dx.doi.org/10.2307/20796056.

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Sandbank, Shimon. "Arie Ludwig Strauss: “A Psalm Returns Home”." Naharaim 8, no. 2 (2014). http://dx.doi.org/10.1515/naha-2014-0016.

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AbstractThis is an attempt to describe the bi-lingual poet Arie Ludwig Strauss’s journey from his poetry in German to his Hebrew poetry. Steeped as he was in the German poetic tradition, from Old Germanic Stabreim to Hölderlin and particularly Stefan George, and preoccupied with the phonetic, musical aspects of verse, Strauss was determined, on discovering his Hebrew heritage, to apply George’s sound devices to the Hebrew poems he began writing after his immigration to Palestine. This paper focuses on Strauss’s struggle to find a Hebrew parallel to the music of his German verse. It argues that

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25

Fernández Moreno, Sergio. "«Las kenningar» (1933) de Jorge Luis Borges: la poesía escáldica islandesa en la encrucijada del ultraísmo y la poesía barroca." Philobiblion: revista de literaturas hispánicas, no. 4 (May 31, 2017). http://dx.doi.org/10.15366/philobiblion2016.4.009.

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Uno de los primeros textos en que se materializó el interés de Borges por la literatura germánica medieval es «Las kenningar», un ensayo publicado en 1933 por Francisco Colombo en el que tratará de analizar un tipo singular de metáfora «los kenningar» que actúa como pilar estilístico fundamental de la poesía escáldica desarrollada en la literatura escandinava desde el siglo ix d. C. Dado que este análisis se circunscribe a un contexto de evolución desde su anterior poética ultraísta, el objetivo del presente artículo es dilucidar en qué medida su vinculación a este movimiento influye en la val

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26

Pilter, Lauri. "Jüri Talvet maailmaluule tõlgendajana / Jüri Talvet’s Interpretations of World Poetry." Methis. Studia humaniora Estonica 14, no. 17/18 (2017). http://dx.doi.org/10.7592/methis.v14i17/18.13211.

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Teesid: Tartu Ülikooli maailmakirjanduse professori, luuletaja, kirjandusteadlase ja hispaaniakeelse kirjanduse spetsialisti Jüri Talveti tõlketegevuse viljade hulka kuulub luulet ja proosat nii sajandeid vanast Hispaania klassikast kui ka 20. sajandil või tänapäeval romaani keeltes või inglise keeles loodud teostest. Käesolev artikkel keskendub sellele, kuidas professor Talvet on tõlgendanud luule ja poeetika, kuid ka kirjandusajaloo, iseäranis barokk-kirjanduse alaseid küsimusi oma kirjandusteaduslikes esseedes. Vaadeldakse ka tema tõlketegevuse mahtu ja tõlketöö põhimõtteid. Jüri Talvet (bo

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27

Curran, Bev. "Portraits of the Translator as an Artist." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1923.

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The effects of translation have been felt in the development of most languages, but it is particularly marked in English language and literature, where it is a highly charged topic because of its fundamental connection with colonial expansion. Britain shaped a "national" literary identity through borrowing from other languages and infected and inflected other languages and literatures in the course of cultural migrations that occurred in Europe since at least the medieval period onward. As Stephen Greenblatt points out in his essay, "Racial Memory and Literary History," the discovery that Engl

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28

"Buchbesprechungen." Volume 62 · 2021 62, no. 1 (2021): 341–498. http://dx.doi.org/10.3790/ljb.62.1.341.

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Angela Schrott/Christoph Strosetzki (Hgg.): Gelungene Gespräche als Praxis der Gemeinschaftsbildung. Literatur, Sprache und Gesellschaft (Historische Dialogforschung, Band 5), Berlin/Boston: De Gruyter, 2020 (Sybille Große) Julia Weitbrecht/Maximilian Benz/Andreas Hammer/Elke Koch/Nina Nowakowski/Stephanie Seidl/Johannes Traulsen: Legendarisches Erzählen. Optionen und Modelle in Spätantike und Mittelalter (Philologische Studien und Quellen, Band 273), Berlin: Erich Schmidt Verlag, 2019 (Beatrice von Lüpke) Anastasija Ropa/Timothy Dawson (eds.): The Horse in Premodern European Culture (Studies

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Kaplan, Gregory B., Alessia Frassani, Soledad Pérez-Abadín Barro, et al. "Reviews of BooksJONATHAN RAY, Jewish Life in Medieval Spain: A New History . Philadelphia: University of Pennsylvania Press. 2023. 343 pp.CHARLENE VILLASEÑOR BLACK, Transforming Saints: From Spain to New Spain . Nashville: Vanderbilt University Press. 2022. 383 pp. + 126 colour illustrations Quevedo en su contexto poético: la silva. Actas del Congreso Internacional, Santiago de Compostela, 21 y 22 de octubre de 2021 . Edición a cargo de María José Alonso Veloso. Santiago de Compostela: Universidade de Santiago de Compostela. 2022. 562 pp. A Companion to Calderón de la Barca . Edited by Roy Norton and Jonathan Thacker. Woodbridge: Tamesis. 2021. xvii + 393 pp.NICHOLAS WOLTERS, Masculine Figures: Fashioning Men & the Novel in Nineteenth-Century Spain . Nashville: Vanderbilt University Press. 2022. xi + 299 pp.EMILIA PARDO BAZÁN, La Quimera . Edición de Marina Mayoral. Madrid: Cátedra. 2022. 661pp. Jewish Imaginaries of the Spanish Civil War: In Search of Poetic Justice . Edited by Cynthia Gabbay. New York/London/Oxford: Bloomsbury Academic. 2022. xxi + 242.CATHERINE O’LEARY & MICHAEL THOMPSON, Theatre Censorship in Spain, 1931–1985 . Cardiff: University of Wales Press. 2023. xxxvi + 519 pp.ÁLVARO TORRENTE & RUI CABRAL LOPES, Pliegos de villancicos portugueses . Kassel: Edition Reichenberger. 2022. xxx + 583 pp. The Conquest of Mexico: 500 Years of Reinventions . Edited by Peter B. Villella and Pablo García Loaeza. Preface by Matthew Restall. Norman: University of Oklahoma Press. 2022. 314 pp. 12 black-and-white illustrations.JUAN E. DE CASTRO, Borges and Kafka, Bolaño and Bloom: Latin American Authors and the Western Canon . Nashville: Vanderbilt University Press. 2022. 216 pp.LYNN STEPHEN, Stories that Make History: Mexico through Elena Poniatowska’s ‘Crónicas’ . Durham, NC: Duke University Press. 2021. 312 pp.ANTONIO JOSÉ BACELAR DA SILVA, Between Brown and Black: Anti-Racist Activism in Brazil . New Brunswick, NJ: Rutgers University Press. 2022. 182 pp." Bulletin of Spanish Studies, May 7, 2024, 1–21. http://dx.doi.org/10.1080/14753820.2024.2347748.

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