Relevant bibliographies by topics / Medieval Women and literature Women in literature Poetry

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  2. Dissertations / Theses
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Academic literature on the topic 'Medieval Women and literature Women in literature Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Medieval Women and literature Women in literature Poetry"

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Borg, Gert. "Love Poetry by Arab Women A Survey." Arabica 54, no. 4 (2007): 425–65. http://dx.doi.org/10.1163/157005807782322445.

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AbstractPoetry by Arab women has often been neglected to a point, that many thought of it as hardly playing any role at all in the Arabic literary heritage, an exception being pre-Islamic marātī. This contribution tries to assess the importance of medieval love poetry by women in relation to Bauers far reaching conclusions about male love poetry in his Liebe und Liebesdichtung, etc. and its outline of Arab medieval "Mentalitätsgeschichte".The contribution that female love poetry offers to understand medieval Arab society is disappointing for two reasons:1. It is very much inspired by the everyday, almost banal vicissitudes that come with love;2. It hardly contains any wasf of the beloved, the means by which the poet(ess) might have been able to construct the necessary perspective to understand the emotional implications of love and passion and the intellectual reflection on it.
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Lees, Clare A. "Women Write the Past: Medieval Scholarship, Old English and New Literature." Bulletin of the John Rylands Library 93, no. 2 (September 2017): 3–22. http://dx.doi.org/10.7227/bjrl.93.2.2.

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This article explores the contributions of women scholars, writers and artists to our understanding of the medieval past. Beginning with a contemporary artists book by Liz Mathews that draws on one of Boethius‘s Latin lyrics from the Consolation of Philosophy as translated by Helen Waddell, it traces a network of medieval women scholars of the nineteenth and twentieth centuries associated with Manchester and the John Rylands Library, such as Alice Margaret Cooke and Mary Bateson. It concludes by examining the translation of the Old English poem, The Wife‘s Lament, by contemporary poet, Eavan Boland. The art of Liz Mathews and poetry of Eavan Boland and the scholarship of women like Alice Cooke, Mary Bateson, Helen Waddell and Eileen Power show that women‘s writing of the past – creative, public, scholarly – forms a strand of an archive of women‘s history that is still being put together.
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Leglu, C. "Did women perform satirical poetry? Trobairitz and Soldadeiras in Medieval Occitan poetry." Forum for Modern Language Studies 37, no. 1 (January 1, 2001): 15–25. http://dx.doi.org/10.1093/fmls/37.1.15.

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Mérida Jiménez, Rafael M. "«El corpus medieval de la lírica popular catalana con voz femenina»." Revista de Literatura Medieval 30 (December 31, 2018): 219–32. http://dx.doi.org/10.37536/rpm.2018.30.0.74051.

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Resumen: El presente trabajo tiene como objetivo analizar la presencia de la voz femenina en el corpus de la lírica popular catalana de la Edad Media. Con tal propósito, y tras presentar los resultados de las líneas de investigación principales en el área románica, se estudiará el Corpus d’antiga poesia popular de Josep Romeu i Figueras y serán comentadas las características temáticas y formales de este conjunto formado por veinticuatro poemas. Por último, se propone la inclusión de tres piezas adicionales, de origen diverso, que nos permitirán reflexionar sobre cuestiones relacionadas con sus tipologías textuales, culturales y lingüísticas.Palabras clave: Lírica catalana de la Edad Media, Poesía tradicional europea, La mujer en la literatura catalana medieval, Estudios de género, Josep Romeu i Figueras.Abstract: The goal of this essay is the analysis of female voices in Catalan traditional poetry from the Middle Ages. After introducing the main achievements of previous research in Romance literatures, we will study Josep Romeu i Figueras’ Corpus d’antiga poesia popular as well as the formal and thematic traits of the extant group of 24 poems. Last, the article suggests to include 3 more texts, whose presence will offer the opportunity to think about some issues related to textual, cultural and linguistic typologies.Keywords: Medieval Catalan Poetry, European Traditional Poetry, Women in Medieval Catalan Literature, Genre Studies, Josep Romeu i Figueras.
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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (March 2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.

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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Romance lyrics—young girls in love in the Mozarabic kharjas, idealized ladies in troubadour songs, and passionate aristocratic women in the poetry of the Occitan trobairitz.
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Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en varias etapas de la composición poética y propone una reconsideración de las aproximaciones a la autoría femenina (y masculina).Palabras clave: Cancionero, mujeres escritoras, poesía medieval, poesía renacentista.Abstract: Female authorship was a contentious subject in fifteenth- and early sixteen-century Iberia. During the period, a substantial amount of poetic production was associated with social interaction, which enabled a complex negotiation of authorship and gender roles. While female discourse was central to poetic writing and to the cultural practices connected to it, editorial practices worked to erase women’s contributions to poetic writing. The study shows a textual imbrication of female and male discourse at several stages of poetic composition and proposes a reconsideration of existing approaches to female (and male) authorship.Keywords: Cancionero, Women writers, medieval poetry, renaissance poetry.
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Mojeiko, Marina A. "Phenomenon of Donna: the glamour and poverty of Fair Lady." Journal of the Belarusian State University. Sociology, no. 3 (September 28, 2020): 120–38. http://dx.doi.org/10.33581/2521-6821-2020-3-120-138.

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It is devoted to identifying the causes of the formation of Donna’s phenomenon in the courteous tradition and the essence of the cult of the Fair Lady as the foundation of troubadours’ poetry. The specificity of womenʼs position in society in the period of 10th–13th centuries has been revealed. The situation of woman in marriage and its alternatives have been considered. The directions of womenʼs activity in various areas of medieval life have been analysed: economy, politics, religion, art. The mechanisms of limitations of this activity have been discovered. The features of the position of women in the southern French region have been described. The interpretation of woman in the courteous literature has been reconstructed.
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Classen, Albrecht. "The Works of Gwerful Mechain, ed. and trans. Katie Gramich. Peterborough, Ont.: Broadview Press, 2018, pp. 157." Mediaevistik 31, no. 1 (January 1, 2018): 449. http://dx.doi.org/10.3726/med012018_449.

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Two desiderata in Medieval Studies continue to be rather troublesome because they have not been tackled effectively by many scholars. First, most of us are not familiar with medieval Welsh language and literature; second, we are still rather uncertain about the actual contribution by women to medieval poetry, for instance. But our Welsh colleagues have already determined for quite some time that the late medieval Gwerful Mechain was a powerful voice and offered many intriguing perspectives as a woman, addressing also sexuality in a rather shockingly open manner. She was the daughter of Hywel Fychan from Mechain in Powys in north-east Wales. She lived from ca. 1460 to ca. 1502 and was a contemporary of the major Welsh poets Dafydd Llwyd and Llywelyn ap Gutyn. She might have been Dafydd’s lover and she certainly exchanged poems with Llywelyn. Not untypically for her age, which the present editor and translator Katie Gramich observes with strange surprise, Gwerful combined strongly religious with equally strongly erotic—some would say, pornographic—poetry. Gramich refers, for instance, to the Ambraser Liederbuch, where we can encounter a similar situation, but it seems unlikely that she has any idea what this songbook was, in reality (there are no further explanations, comments, or references to the relevant scholarship). She also mentions Christine de Pizan, who was allegedly “forced to take up the pen” (10), which appears to be a wrong assessment altogether. There is no indication whatsoever that Gramich might be familiar with the rich research on late medieval continental and English women writers, but this does not diminish the value of her translation.
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Olson, Katharine K. "‘Y Ganrif Fawr’? Piety, Literature and Patronage in Fifteenth- and Sixteenth-Century Wales." Studies in Church History 48 (2012): 107–23. http://dx.doi.org/10.1017/s0424208400001261.

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This essay offers a reconsideration of the idea of ‘The Great Century’ of Welsh literature (1435–1535) and related assumptions of periodization for understanding the development of lay piety and literature in fifteenth- and sixteenth-century Wales. It focuses on the origins of these ideas in (and their debt to) modern Welsh nationalist and Protestant and Catholic confessional thought, and their significance for the interpretation of Welsh literature and history. In addition, it questions their accuracy and usefulness in the light of contemporary patterns of manuscript production, patronage and devotional content of Welsh books of poetry and prose produced by the laity during and after this ‘golden age’ of literature. Despite the existence of over a hundred printed works in Welsh by 1660, the vernacular manuscript tradition remained robust; indeed, ‘native culture for the most part continued to be transmitted as it had been transmitted for centuries, orally or in manuscript’ until the eighteenth century. Bardic poetry’s value as a fundamental source for the history of medieval Ireland and Wales has been rightly acknowledged. However, more generally, Welsh manuscripts of both poetry and prose must be seen as a crucial historical source. They tell us much about contemporary views, interests and priorities, and offer a significant window onto the devotional world of medieval and early modern Welsh men and women. Drawing on recent work on Welsh literature, this paper explores the production and patronage of such books and the dynamics of cultural and religious change. Utilizing National Library of Wales Llanstephan MS 117D as a case study, it also examines their significance and implications for broader trends in lay piety and the nature of religious change in Wales.
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Cornish, Alison. "A Lady Asks: The Gender of Vulgarization in Late Medieval Italy." PMLA/Publications of the Modern Language Association of America 115, no. 2 (March 2000): 166–80. http://dx.doi.org/10.2307/463254.

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Classical texts were extensively translated into the vernacular in Italy during the period when Italian poetry began, and the “mentality” of translation is traceable in this early verse. Vernacularization is gendered female, especially in the conventions of lyric poetry. As exemplified in some thirteenth- and fourteenth-century poems and their prose commentaries, “vulgarization” is often presented as a discourse to women, who are conceived as a superior rather than an inferior audience. Instead of demeaning the Latin original, this kind of vulgarization paradoxically ennobles both the learned or scientific content and the young language in which it is written. This peculiar moment of Italian literary history contrasts with concurrent translation in France, with the subsequent abandonment of vulgarization under the influence of Petrarch, and with modern notions of the politics of translation.
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Dissertations / Theses on the topic "Medieval Women and literature Women in literature Poetry"

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Halloran, Susan Margaret. "The Mirror Speaks : the female voice in Medieval dialogue poetry and drama /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1998.

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Ward, Jessica D. "Conjugal Rights in Flux in Medieval Poetry." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500176/.

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This study explores how four medieval poems—the Junius manuscript’s Genesis B and Christ and Satan and Geoffrey Chaucer’s Troilus and Criseyde and The Parliament of Fowls—engage with medieval conjugal rights through their depictions of agentive female protagonists. Although many laws at this time sought to suppress the rights of women, especially those of wives’, both pre- and post-conquest poets illustrate women who act as subjects, exercising legal rights. Medieval canon and common law supported a certain amount of female agency in marriage but was not consistent in its understanding of what that was. By considering the shifts in law from Anglo-Saxon and fourteenth century England in relation to wives’ rights and female consent, my project asserts that the authors of Genesis B and Christ and Satan and the late-medieval poet Chaucer position their heroines to defend legislation that supports female agency in matters of marriage. The Anglo-Saxon authors do so by conceiving of Eve’s role in the Fall and harrowing of hell as similar to the legal role of a forespeca. Through Eve’s mimesis of Satan’s rhetoric, she is able to reveal an alternate way of conceiving of the law as merciful instead of legalistic. Chaucer also engages with a woman’s position in society under the law through his representation of Criseyde’s role in her courtship with Troilus in his epic romance, Troilus and Criseyde. Chaucer disrupts his audiences’ expectations by placing Criseyde as the more agentive party in her courtship with Troilus and shows that women might hope to the most authority in marriage by withholding their consent. In his last dream vision, The Parliament of Fowls, Chaucer engages again with the importance of female consent in marriage but takes his interrogation of conjugal rights a step further by imagining an alternate legal system through Nature, a female authority who gives equal consideration to all classes and genders.
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Castro, Lingl Vera. "Assertive women in medieval Spanish literature." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.704745.

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Gentry, Jennifer R. "Wives and whetters the dichotomous nature of women in Medieval Iceland /." Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1313914851&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Da, Soller Claudio. "The beautiful woman in medieval Iberia rhetoric, cosmetics, and evolution /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4175.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2005.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 17, 2006) Vita. Includes bibliographical references.
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Hassan, Saman Salah. "Women and literature : a feminist reading of Kurdish women's poetry." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/13903.

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This research work is a detailed feminist reading of the poetry of a selected group of Kurdish women poets which has been written in Sorani Kurdish. The poets come from two different locations, but are originally from Iraqi Kurdistan. A group of them live in the diaspora and the rest are home-based. Thus, it is the study of the Sorani-written poetry produced by Kurdish women poets locally and externally. The study chooses the time extending from 1990 to 2009 as its scope. There are clear reasons for the selection of this time as it stands for the most hectic period when Kurdish women’s poetry flourishes at a fast pace in southern Kurdistan. The study argues that the liberation of southern Kurdistan in 1991 from the overthrown Iraqi Ba’th regime plays a vital role in the productive reemergence of Kurdish women’s poetry after decades of silence and suppression being inflicted by the male-dominated Kurdish literature. Reliance on Anglo-American feminist criticism, Showalter’s gynocritics and some limited theories about the relation between gender and nationalism for the thematic analysis of the poetry of Kurdish women poets is another influential aspect of this study. The study justifies the importance of these theories for giving Kurdish women’s poetry the literary and social value it deserves and placing it within the larger repertoire of Kurdish literature. It is these theories that reveal the misjudgment and misapprehension of Kurdish women’s poetry by Kurdish male critics. Meanwhile, an extensive thematic analysis of the poetry of diasporic and home Kurdish women poets forms the core content of this work. The work studies the poetic texts of seventeen Kurdish women poets, seven from the diaspora, and ten from home. The themes to be focused on significantly represent the life realities of Kurdish women and the attitudes of Kurdish society towards their rights and existence. Through the exposition of the themes, this study aims to present a realistic picture of Kurdish women and urge for actions required to guarantee gender justice in southern Kurdistan. The themes symbolise a long-term war waged jointly by Kurdish women poets at home and in exile against the classic Kurdish patriarchy and its misogynistic laws. They reflect the injustice committed against women in a century when the respect of women’s rights have taken big steps forward elsewhere and should theoretically be ensured. The conclusion the study reaches is an emphasis on the overall condition of Kurdish women’s poetry and the challenges lying ahead of it. It indicates the level of progress Kurdish women’s poetry has made in southern Kurdistan and the role feminist criticism in unison with certain gender theories that criticise the link between women and nation can play in further developing this type of poetry. Moreover, a rather detailed comparison between the thematic structure and form of the poetry of diasporic and home Kurdish women poets is what enriches the conclusion. The influence of exile on diasporic Kurdish women poets and its relation to freedom of expression is also underlined and measured against opposite conditions back at home. Finally, the point where the poets of the two different localities converge is not omitted.
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O'Shea, Regina L. "Queening: Chess and Women in Medieval and Renaissance France." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2416.

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This work explores the correlation between the game of chess and social conditions for women in both medieval and Renaissance France. Beginning with an introduction to the importance and symbolism of the game in European society and the teaching of the game to European nobility, this study theorizes how chess relates to gender politics in early modern France and how the game's evolution reflects the changing role of women. I propose that modifications to increase the directional and quantitative abilities of the Queen piece made at the close of the fifteenth century reflect changing attitudes towards women of the period, especially women in power. In correlation with this, I also assert that the action of queening, or promotion of a Pawn to a Queen, demonstrates evolving conceptions of women as well. This work seeks to add to the growing body of work devoted to the exploration of connections between chess and political and social circumstances during the periods under consideration. As the question of the interconnectedness between the game and gender relations is in its beginning stages of exploration, this thesis is offered as a further analysis of the gender anxieties and conceptions present in the game's theory and history.
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Rahija, Robin L. "House of Women." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/43.

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Goldsmith, Jenna L. "Life Matter: Women Subjects and Women's Objects in Innovative American Poetry." UKnowledge, 2016. http://uknowledge.uky.edu/english_etds/47.

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Gertrude Stein, Lyn Hejinian, and Juliana Spahr employ innovative poetic practices attuned to nature and environment in order to understand their personal lives and depict these understandings for readers. My dissertation investigates how these poets enact an inclusive posture toward environment that many innovative and experimental women poets of the twentieth and twenty-first centuries possess, but are rarely recognized for. To this end, my dissertation provides counterarguments to characterizations of innovative or experimental poetic practices as reclusive, language-centric, opaque, and/or disconnected from the material world. I offer readings of poems, prose pieces, film, and art, to illustrate how materially innovative poetry compels an equally material framework for reading that is, at a foundational level, by and about the world.
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Spriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.

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“Women of the Apocalypse: Feminist Afrospeculative Writers,” seeks to address the problematic ‘Exodus narrative,’ a convention that has helped shape Black American liberation politics dating back to the writings of Phyllis Wheatley. Novels by Zora Neale Hurston, Octavia Butler, and Alice Walker undermine and complicate this narrative by challenging the trope of a single charismatic male leader who leads an entire race to a utopic promised land. For these writers, the Exodus narrative is unsustainable for a number of reasons, not the least of which is because there is no room for women to operate outside of the role of supportive wives. The mode of speculative fiction is well suited to crafting counter-narratives to Exodus mythology because of its ability to place marginalized voices in the center from the stance of ‘What next?’ My project is a hybrid in that I combine critical theory with original poems. The prose section of each chapter contextualizes a novel and its author with regard to Exodus mythology. However, because novels can only reveal so much about character development, I identify spaces to engage and elaborate upon the conversation incited by these authors’ feminist protagonists. In the tradition of Black American poets such as, Ai, Patricia Smith, Rita Dove, and Tyehimba Jess, in my own personal creative work, I regularly engage historical figures through recovering the narratives of underrepresented voices. To write in persona or limited omniscient, spotlighting an event where the reader possesses incomplete information surrounding a character’s experience, the result becomes a kind of call-and-response interaction with these novels.
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Books on the topic "Medieval Women and literature Women in literature Poetry"

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Performing women: Sex, gender and the medieval Iberian lyric. New York: Palgrave Macmillan, 2005.

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Gradín, Pilar Lorenzo. La canción de mujer en la lírica medieval. [Santiago de Compostela]: Universidade de Santiago de Compostela, 1990.

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Femmes poètes du moyen-âge, les trobairitz. Paris: Harmattan, 2012.

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The female voice in medieval Romance lyric. New York: P. Lang, 1988.

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Sheba's daughters: Whitening and demonizing the Saracen woman in medieval French epic. New York: Garland Pub., 1998.

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Women Latin poets: Language, gender, and authority, from antiquity to the eighteenth century. Oxford: Oxford University Press, 2005.

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Brides and doom: Gender, property, and power in medieval German women's epic. Philadelphia: University of Pennsylvania Press, 1994.

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Von zweier vrouwen bâgen wart vil manic helt verlorn: Untersuchungen zur Geschlechterkonstruktion in der mittelalterlichen Nibelungendichtung. Trier: WVT, 1999.

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Ström, Annika. Lachrymae Catharinae: Five collections of funeral poetry from 1628. Stockholm, Sweden: Almqvist & Wiksell International, 1994.

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Poet heroines in medieval French narrative: Gender and fictions of literary creation. New York: Palgrave Macmillan, 2012.

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Book chapters on the topic "Medieval Women and literature Women in literature Poetry"

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Kennedy, Kathleen E. "Attaining Women." In Maintenance, Meed, and Marriage in Medieval English Literature, 31–59. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230621626_3.

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Blumenfeld-Kosinski, Renate. "Satirical Views of the Beguines in Northern French Literature." In Medieval Women: Texts and Contexts, 237–49. Turnhout: Brepols Publishers, 1999. http://dx.doi.org/10.1484/m.mwtc-eb.3.4739.

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Pearman, Tory Vandeventer. "Introduction: Medieval Authoritative Discourse and the Disabled Female Body." In Women and Disability in Medieval Literature, 1–17. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_1.

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Pearman, Tory Vandeventer. "(Dis)Pleasure and (Dis)Ability: The Topos of Reproduction in Dame Sirith and the “Merchant’s Tale”." In Women and Disability in Medieval Literature, 19–44. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_2.

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Pearman, Tory Vandeventer. "Physical Education: Excessive Wives and Bodily Punishment in the Book of the Knight and the “Wife of Bath’s Prologue”." In Women and Disability in Medieval Literature, 45–71. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_3.

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Pearman, Tory Vandeventer. "Refiguring Disability: Deviance, Punishment, and the Supernatural in Bisclavret, Sir Launfal, and the Testament of Cresseid." In Women and Disability in Medieval Literature, 73–111. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_4.

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Pearman, Tory Vandeventer. "Embodied Transcendence: Disability and the Procreative Body in the Book of Margery Kempe." In Women and Disability in Medieval Literature, 113–49. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_5.

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Pearman, Tory Vandeventer. "Conclusion." In Women and Disability in Medieval Literature, 151–54. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117563_6.

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Lloyd-Morgan, Ceridwen. "The ‘Querelle des femmes’: A Continuing Tradition in Welsh Women’s Literature." In Medieval Women: Texts and Contexts, 101–14. Turnhout: Brepols Publishers, 2000. http://dx.doi.org/10.1484/m.mwtc-eb.3.3637.

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Baldwin, Anna. "The Urban Middle Class: Tales of Women and Marriage." In An Introduction to Medieval English Literature, 100–123. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-59582-9_5.

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