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Dissertations / Theses on the topic 'Medtner'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kalendarev, Natalya. "Medtner : his beliefs, influences and work /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11435.

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2

Chernaya-Oh, Ekaterina. "The Skazki (Fairy tales) of Nikolai Medtner the evolution and characteristics of the genre with compositional and performance aspects of selected fairy tales /." Thesis, Recital, recorded Sept. 25, 2006, in digital collections. Access restricted to the University of North Texas campus. connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9115.

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Thesis (D.M.A.)--University of North Texas, 2008.<br>System requirements: Adobe Acrobat Reader. Accompanied by 3 recitals, recorded Nov. 3, 2003, Sept. 25, 2006, and Nov. 26, 2007. Includes bibliographical references (p. 53-56).

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3

Choi, Hanna. "Documenting developing performance : rethinking Nikolai Medtner at the piano." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/16528.

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This research illustrates the performer-researcher's artistic process of reaching an understanding of music through performance, and explores how an effort to understand music at the instrument and in the context of music-making could influence our critical evaluation of the music. Engaged in the process of learning music, I seek to document my artistic practices as a reflective practitioner: to open up the performer-researcher's workspace, communicate the performativity of the music, and reveal my embodied doing-thinking as a performer. By involving in the performer-researcher's physical and

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4

Karpeyev, Alexander. "New light on Nikolay Medtner as pianist and teacher." Thesis, City University London, 2014. http://openaccess.city.ac.uk/13011/.

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This dissertation introduces the ‘Edna Iles’s Medtner Collection’ (EIMC), held by the British Library in London, and provides a detailed analysis of her ‘Notes on the Interpretation of Medtner’s Works’. Nikolay Medtner (1880–1951) was one of Russia’s leading, early-20th-century composers, who spent the latter part of his life in the UK. He wrote mainly for the piano, composing 14 piano sonatas, three piano concertos, 108 songs, three violin sonatas, a piano quintet and more than 90 pieces for solo piano. Although he performed and recorded, and was considered a prominent composer while he was r

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5

Pitts, James L. "Symmetrical features of Medtner's language the Grozovaya sonata, opus 53, no. 2 /." view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses/open/19993/pitts%5Fjames%5Fl/index.htm.

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6

Tauscheck, Jonathan Paul. "A performance guide to two fairy tales of Nickolai Medtner." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3544.

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7

Gavel, Leo. "Nikolai Medtner Sonata Reminiscenza Op. 38 no. 1 : analys av form och musikaliskt innehåll." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1834.

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I detta examensarbete analyseras den ryska kompositören Nikolai Medtners Sonata Reminiscenza Op. 38 no. 1 från ett harmoniskt, motiviskt och strukturellt perspektiv. Denna analys innefattar också reflektioner kring några av författarens interpretationsmässiga val. Syftet med studien är att undersöka hur styckets form och harmonik kopplar det samman såväl med den klassiska kompositionskonstens regler som med Medtners artistiska/poetiska mål. Studiens resultat påvisar att verket är såväl kompositionstekniskt fulländat som känslomässigt rikligt. Sonatformen är på ett sofistikerat vis implementera

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8

Hsu, Shu-Hao. "Nicolai Medtner's Piano concerto no. 3, op. 60: musical style and performance strategies." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3469.

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Nicolai Medtner (1880-1951) is regarded as an accomplished composer and one of the most brilliant pianists of his time. He composed numerous compositions for piano that fall into three main categories: piano solo, piano with voice, and piano chamber music. He composed four large-ensemble pieces, including three concerti and the piano quartet in C major. This essay will concentrate on the lesser-known Piano Concerto No. 3, subtitled "Ballade." This three- movement work is extremely challenging because of its large and complex structure. Gaining a clear understanding of the structure and its for

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9

Ponomarchuk, Aleksandr. "Tempo and rhythmical principles al rigore and flessibile in selected works by Nikolai Medtner: a study and recording." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6486.

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Nikolai Medtner (1880-1951) was a Russian composer, pianist, and piano teacher. His musical output consists of 61 opuses, most of which are compositions for piano. These include 3 piano concerti, 14 piano sonatas, 38 Tales, the 3 cycles of Forgotten Melodies and many other works. In recent years, interest in Medtner has surged. International festivals, conferences, and competitions dedicated to Medtner have taken place in Europe and Russia, with scholars and performers devoting greater attention to his work. All of Medtner’s piano works are now available on CD. However, the interpretation of M

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10

Koh, Min Yu. "Medtner's Acht Stimmungsbilder, Op. 1: A Pedagogical Guide with Analysis." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/748.

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Rachmaninov regarded Nikolai Medtner as the greatest composer he had ever known, yet Medtner's music is often neglected in the standard repertoire. Lack of public awareness, as well as the technical and musical difficulties in these works, both contribute to their inaccessibility. Unlike Rachmaninov's music, Medtner's music possesses none of the romance and sentimentality, thus lacking in immediate appeal. However, with repeated listening, it gradually reveals its beauty and brilliance. This document examines Medtner's Acht Stimmungsbilder, Op. 1, from a pedagogical viewpoint. Chapter O

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11

Pitts, James L. "Symmetrical Features of Nikolai Medtner's Language: The Grzovaya Sonata, Opus 53 No. 2." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2271/.

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Nikolai Medtner's works evidence an intense interest in symmetrical designs. This concern is manifest at all levels, from the large scale proportions of his numerous ingenious sonata forms to the symmetrically constructed themes and motives. Medtner's works include several instances of palindromic themes and periods. Some palindromic contours are achieved through immediate inversion, creating expansive, symmetrical waves. One of Medtner's thumbprints, symmetrical contrary voice-leading, consists of two or more voices which systematically expand or contract in exact mirror fa

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12

Kafarova, Saida Allen Gregory Pearsall Edward. "An introduction to Nikolai Medtner and performance analysis in dialogue form of his works for two pianos - Russian round dance and Knight errant." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3110726.

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13

szu-en, Chen, and 陳思恩. "A Study of “Sonata minacciosa” by Nicolai Medtner." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/4z33fd.

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碩士<br>國立高雄師範大學<br>音樂學系<br>99<br>Among modern Russian musicians, Medtner did not acquire apparent status in the international music status. Although Medtner, born in Russia, had identities of both pianist and composer, he hardly performed in public. Instead, Medtner was devoted to composing pianistic pieces and received high praise from some composers. He worshiped L. v. Beethoven all his life, and his pianistic compositions had usually followed traditional forms which was different from either Nationalism composing techniques or Modernism prevailing at that time. Therefore, Medtner was unable

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14

Yeh, Huey-jing, and 葉惠菁. "A Research and Interpretation of Piano Sonata “Reminiscenza” by Nikolai Medtner." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/86947111484437813808.

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碩士<br>東吳大學<br>音樂學系<br>97<br>Medtner is a composer who was almost forgotten by the people in the music world. He was born in Russia and studied at the Moscow Music Conservatory. He got the highest honor, the “Golden Medal” when he was graduated from the piano department in the school. As being a composer and pianist of exceptionally high caliber, all of his compositions involve the piano, including the piano concerto, piano sonata, piano pieces, vocal pieces and chamber music. He is expecially known by his characteristic music- the fairy tales. Although his compositions relied totally on tra

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15

"The Opus 41 Vocalises of Nikolai Medtner: Background, Analysis, and Performer's Guide." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.44157.

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abstract: The concert vocalise, a dazzling wordless vocal etude intended for performance, is largely a phenomenon of the twentieth century. Made famous by composers such as Sergei Rachmaninoff and Maurice Ravel, the concert vocalise is generally a short, non-programmatic work with a relatively simple form. In contrast, Nikolai Medtner’s two monumental Op. 41 vocalises, the Sonata-Vocalise mit einem Motto “Geweihter Platz and the Suite Vocalise, are staggering in their length and formal complexity. They are also programmatically conceived, sharing the Goethe poem “Geweihter Platz” as their i

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16

Hou, Yi-Wen, and 侯依妏. "An Analysis and Interpretation of Sonata Triad Op.11 by Nikolai Medtner." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/24616197683299548722.

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碩士<br>輔仁大學<br>音樂研究所<br>101<br>Russian composer Nikolai Karlovich Medtner (1880 - 1951) studied composition and piano at the Moscow Music Conservatory. He won the Glinka Prize twice in his career. He was not only a composer, but also a distinguished pianist. Piano music and songs are the most representative in his works. Medtner admired Beethoven very much. His compositions relied on classical tradition form, attached importance to the structure, and followed out the Romanticism style. Medtner wrote 14 piano sonatas, which have very important position in his creations. Sonata Triad (Opus 11) wa

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17

Kafarova, Saida. "An introduction to Nikolai Medtner and performance analysis in dialogue form of his works for two pianos - Russian round dance and Knight errant." 2003. http://hdl.handle.net/2152/11980.

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18

Kuan, Ta-Wei, and 官大為. "An Interpretation and Analysis on Nikolai Medtner''s "Forgotten Melodies I, Op. 38"." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/4duybp.

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19

Lu, Yi-Chen, and 呂宜蓁. "An Analysis and Interpretation of Fairy Tales, Op.14, 26, 48 by Nikolai Karlovich Medtner." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/nr7szb.

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碩士<br>國立臺灣師範大學<br>音樂學系<br>106<br>The Russian composer N. K. Medtner’s works mainly include piano music. One of his greatest contributions to the art of music is the creation of a new piano genre—“Skazki”. Medtner’s compositional career is divided into five periods, and his Skazki pieces were written in his golden age. In this thesis, one piece of Medtners’ Skazki music produced in each of the three periods is respectively selected for further analysis, namely Op. 14, Op. 26 and Op. 48. This thesis consists of six chapters. Chapter One is an introduction of the current study. The second chapter

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20

Tseng, Shao-Wen, and 曾劭玟. "Analysis and Interpretation of 2 Fairy Tales, Op. 20 by Nikolai Karlovich Medtner/Shao-Wen Tseng Piano Recital." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/69814348235536563568.

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碩士<br>東吳大學<br>音樂學系<br>100<br>At the end of 19th century to the early 20th century, under the influence of political background, States the rise of nationalism, all nationalist strong-rich Western music music appeared in color, this article is intended to take a short work of the two fairy tales (Two Fairy Tales) to explore the Russian composers in this period Methner (Nikolai Karlovich Medtner, 1880-1951) composed of features and style. Russian composers of the period with Methner Rachmaninoff (Sergey Rachmaninoff, 1873-1943) on the writing techniques and Methner different, through the analysi

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21

Shin, Haeshin. "Nikolai Medtner's Forgotten Melodies, op. 38: sources, analysis, and interpretation." Thesis, 2018. https://hdl.handle.net/2144/30197.

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Nikolai Karlovich Medtner (1880-1951) was a Russian composer, pianist and pedagogue. While active during the period of Modernism, he was one of the last descendants of the nineteenth-century tradition. Without a doubt, Medtner was considered one of the most brilliant successors of the Russian piano school, though his compositions did not particularly bring him a great deal of popularity in his time. Nonetheless, his unique style of writing has always attracted a small circle of musicians and admirers, and more recently, there has been a remarkable resurgence of interest in Medtner’s music. In

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22

Bitzan, Wendelin. "The Sonata as an Ageless Principle: Nikolai Medtner’s Early Piano Sonatas: Analytic Studies on their Genesis, Style, and Compositional Technique." 2018. https://slub.qucosa.de/id/qucosa%3A35073.

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The dissertation focuses on the early piano sonatas of Russian composer Nikolai Karlovich Medtner (1880–1951). It approaches them in the context of genre history, confronts them with other composers' works, and discusses them from various analytic perspectives. A special goal is to consider the pieces in the aesthetic environment of their time, and to regard them as peculiar instances of the ›sonata principle‹, an ageless conception of musical form. The study is subdivided in three large parts, the first of which presents a summary of sonata composition before Medtner, exploring lines of tradi

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23

Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music." Thesis, 2003. http://hdl.handle.net/1959.13/24961.

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The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which closely reflected their culture, personalities and ideologies. There are several approaches to studying performance practice. One is to study the interpretations of other pianists. While this does have many advantages, it

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24

Smith, Gregory Michael. "Performance Practice Issues in Russian Piano Music." 2003. http://hdl.handle.net/1959.13/24961.

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The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which closely reflected their culture, personalities and ideologies. There are several approaches to studying performance practice. One is to study the interpretations of other pianists. While this does have many advantages, it

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