Relevant bibliographies by topics / Melbourne International Exhibition, 1880

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  2. Dissertations / Theses
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  4. Conference papers

Academic literature on the topic 'Melbourne International Exhibition, 1880'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Melbourne International Exhibition, 1880"

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McKeich, Cherie. "A ‘Barbaric Display of Oriental Magnificence’: Indian Art at the Melbourne International Exhibition, 1880–1881." Australian and New Zealand Journal of Art 16, no. 2 (July 2, 2016): 134–48. http://dx.doi.org/10.1080/14434318.2016.1240650.

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Cole, Suzanne. "‘As Much by Force of Circumstances as by Ambition’: The Programming Practices of the Melbourne Liedertafel Societies, 1880–1905." Nineteenth-Century Music Review 2, no. 2 (November 2005): 107–32. http://dx.doi.org/10.1017/s1479409800002226.

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Two male-voice singing societies – the Metropolitan Liedertafel and the Melbourne Liedertafel – occupied prominent positions in the concert life of Melbourne during the prosperous 1880s. At this time the Metropolitan Liedertafel, formed in 1870, had between 80 and 100 performing members and regularly attracted audiences of over two thousand to its ‘Social Evenings for Ladies and Gentlemen’. A concert described as the ‘greatest gathering of its kind every [sic] seen in this city’, given at the recently completed Exhibition Buildings on 7 July 1881 and attended by the Princes Albert Victor and George, drew a crowd of between five and six thousand. The farewell concert given on 13 February 1882 for the Mendelssohn Quintette Club, visiting from Boston, had an audience of approximately two thousand, even though as one of the society's ‘smoke nights’, attendance was limited to men. The Metropolitan Liedertafel played host to a number of other visiting international musicians, including Henri Kowalski, August Wilhelmj, Carlotta Patti, Ernest de Munck, and, somewhat later, Sir Charles and Lady Hallé. In the early 1880s, the Metropolitan was identified as the city's leading musical society; an 1881 review in the Argus made so bold as to suggest that it was ‘the most successful association of its kind ever established here – or probably anywhere else’! This sentiment is reflected in a satirical piece in Town Talk in October 1881 in which the Metropolitan's conductor, Julius Herz, refers to himself, in a mock German accent, as ‘the subreme conductor of the greatest musical organisation in the vorld“.
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Письмак, Юрий. "Viennese vase painted in Dresden (architectural, artistic, stylistic, morphological and structural features)." Arta 30, no. 1 (August 2021): 54–62. http://dx.doi.org/10.52603/arta.2021.30-1.08.

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The article examines the architectural, artistic, stylistic, morphological and structural features of an old porcelain vase from a private Odessa collection. The unpainted vase was made in 1860s at Vienna Porcelain Manufactory. This vase was painted in Helena Wolfsohn’s studio in Dresden between 1864 and 1878 (?). Helena Wolfsohn lived and worked in a significant center of European civilization, culture and arts of her time. The images are painted on the vase using the technique of manual overglaze painting. Amazingly arranged bouquets of flowers are painted on the turquoise background of the oval-shaped body of the vase, and gallant scenes in the Watteau style are depicted on the white parts of the body. On the bottom of the vase base an underglaze blue mark is applied: a shield. The painting of the vase is notable for a vivid pictorial effect, a successful composition, harmony and restraint of color shades. Similar vases painted at Helena Wolfsohn’s studio were exhibited at the International Exhibition in Sydney (1879) and at the World Exhibition in Melbourne (1880). Decorative porcelain vases play an important role in creating the architectural and artistic ensemble of the interior, whose main compositional principle is architectonics.
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Murphy, Kerry. "Choral Concert Life in the Late Nineteenth-Century ‘Metropolis of the Southern Hemisphere’." Nineteenth-Century Music Review 2, no. 2 (November 2005): xi—xiv. http://dx.doi.org/10.1017/s1479409800002172.

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This issue of the Nineteenth-Century Music Review is devoted to Australia and more specifically to music-making in colonial Melbourne. The colony of Victoria was acknowledged as the cultural heart of Australia during the second half of the nineteenth century. Melbourne hosted two International Exhibitions in the 1880s and welcomed innumerable travelling musicians to its shores, where significant amounts of money could be made. Because of Melbourne's standing and cultural significance at the time and the extensive body of material available for study, the articles in this journal focus on this ‘metropolis of the Southern Hemisphere’. However, the activities discussed here can all be found, to varying degrees, in other parts of Australia as well. Liedertafels, for instance, were very prominent in Adelaide and its surrounding areas (and indeed still exist today), because of the significant German migration there. Philharmonic choirs were also widely established.
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VEIT-BRAUSE, IRMLINE. "German-Australian Relations at the Time of the Centennial International Exhibition, Melbourne, 1888*." Australian Journal of Politics & History 32, no. 2 (April 7, 2008): 201–16. http://dx.doi.org/10.1111/j.1467-8497.1986.tb00348.x.

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Price, J. "5th International Conference & Exhibition, Operating Pressure Equipment, Melbourne, Australia 19–21 April, 1999." International Journal of Pressure Vessels and Piping 77, no. 2-3 (February 2000): 83. http://dx.doi.org/10.1016/s0308-0161(99)00084-8.

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Mackie, Steve. "AAPG/SEG 2015 International Conference & Exhibition set in Melbourne on 13–16 September." Leading Edge 34, no. 2 (February 2015): 230. http://dx.doi.org/10.1190/tle34020230.1.

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Tillotson, Giles. "The Jaipur Exhibition of 1883." Journal of the Royal Asiatic Society of Great Britain & Ireland 14, no. 2 (July 2004): 111–26. http://dx.doi.org/10.1017/s1356186304003700.

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The exhibition of decorative and industrial arts that was held in Jaipur in 1883 under the patronage of Maharaja Sawai Madho Singh II (1880–1922) brought together the work of artists and craftsmen from many regions of India, but gave special treatment to the neighbouring states of Rajasthan, and to the pupils of Jaipur's own recently established School of Art. It led to the establishment of a permanent museum of industrial arts in Jaipur, which still exists and continues to hold many of the original exhibits. One of many ambitious exhibitions that followed in the wake of the Great Exhibition of 1851, the Jaipur Exhibition was the first such to be held in an Indian state, coinciding with the International Exhibition in Calcutta and preceding the Indian and Colonial Exhibition in London of 1886.
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Cocker, Alan. "Photographers Hart, Campbell and Company: The role of photography in exploration, tourism and national promotion in nineteenth century New Zealand." Back Story Journal of New Zealand Art, Media & Design History, no. 2 (July 1, 2017): 93–103. http://dx.doi.org/10.24135/backstory.vi2.24.

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It has been argued that “the history of New Zealand is unique because the period of pioneer colonization closely coincided with the invention and development of photography”1. However, as the first successfully recorded photograph in the country was not made until the late 1840s, the widespread use of photography came after the initial European settlement and its influence coincided more closely with the development of early tourism and with the exploration and later promotion of the country’s wild and remote places. The photographic partnership of William Hart and Charles Campbell followed the path of the gold miners into the hinterland of the South Island aware of its potential commercial photographic value. Photographers understood the “great public interest in what the colony looked like and inthe potential for features that would command international attention”2. Photography was promoted as presenting the world as it was, free of the interpretation of the artist. By the early 1880s the Hart, Campbell portfolio was extensive and their work featured at exhibitions in London, Sydney and Melbourne. Yet their photographs were criticised for fakery and William Hart’s photograph of Sutherland Falls, ‘the world’s highest waterfall’, promoted a quite inaccurate claim.
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MIURA, Yushi. "Report about 5th International Energy Conversion Congress and Exhibition for the Asia/Pacific Region." Journal of the Japan Institute of Power Electronics 39 (2013): 217. http://dx.doi.org/10.5416/jipe.39.217.

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Dissertations / Theses on the topic "Melbourne International Exhibition, 1880"

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Orr, Kirsten School of Architecture UNSW. "A force for Federation: international exhibitions and the formation of Australian ethos (1851-1901)." Awarded by:University of New South Wales. School of Architecture, 2006. http://handle.unsw.edu.au/1959.4/23987.

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In 1879 the British Colony of New South Wales hosted the first international exhibition in the Southern Hemisphere. This was immediately followed by the Melbourne International Exhibition of 1880 in the colony of Victoria and the success of these exhibitions inspired the Melbourne Centennial Exhibition, which was held in 1888 to celebrate the centenary of white settlement in Australia. My thesis is that these international exhibitions had a profound impact on the development of our cities, the evolution of an Australian ethos and the gaining of nationhood. The immense popularity and comprehensive nature of the exhibitions made them the only major events in late nineteenth-century Australia that brought the people together in an almost universally shared experience. The exhibitions conveyed official ideologies from the organising elites to ordinary people and encouraged the dissemination of new cultural sentiments, political aspirations, and moral and educational ideals. Many exhibition commissioners, official observers and ideologues were also predominantly involved in the Federation movement and the wider cultural sphere. The international exhibitions assisted the development of an Australian urban ethos, which to a large extent replaced the older pastoral / frontier image. Many of the more enduring ideas emanating from the exhibitions were physically expressed in the consequent development of our cities ??? particularly Sydney and Melbourne, both of which had achieved metropolitan status and global significance by the end of the nineteenth century. The new urban ethos, dramatically triggered by Sydney 1879, combined with and strengthened the national aspirations and sentiments of the Federation movement. Thus the exhibitions created an immediate connection between colonial pride in urban development and European and American ideals of nation building. They also created an increasing cultural sophistication and a growing involvement in social movements and political associations at the national level. The international exhibitions, more than any other single event, convinced the colonials that they were all Australians together and that their destiny was to be united as one nation. At that time, Australians began to think about national objectives. The exhibitions not only promulgated national sentiment and a new ethos, but also provided opportunities for independent colonial initiatives, inter-colonial cooperation and a more equal position in the imperial alliance. Thus they became a powerful impetus, hitherto unrecognised, for the complex of social, political and economic developments that made Federation possible.
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Books on the topic "Melbourne International Exhibition, 1880"

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Australia) Australasian Asian Pacific Conference on Aluminium Cast House Technology (12th 2011 Melbourne. Aluminium cast house technology XII: Selected, peer reviewed papers from the 12th international conference and exhibition, on aluminium cast house technology, September 11-14, 2011, Melbourne, Australia. Switzerland: Trans Tech Publications, 2011.

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Conference papers on the topic "Melbourne International Exhibition, 1880"

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McDowell*, Bryan, and Piret Plink-Björklund. "A New Look at the Williams Fork Formation: Tight-Gas Sands in the American Rocky Mountains." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2191214.

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Nwaobi*, Victor U. "Economic Appraisal of Unconventional Gas Development in the United Kingdom." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2194458.

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Salad Hersi*, Osman. "Mesozoic Sedimentary Cover of Puntland State of Somalia and Its Hydrocarbon Potential." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2207374.

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McInnes, Brent. "A Review of the New Ireland Basin, Papua New Guinea: Architecture, Sediment History and Petroleum Systems." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2208601.

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Elliott*, Lindsay G. "Using Biodegradation to Date Hydrocarbon Entry Into Reservoirs: Examples From the Cooper/Eromanga Basin, Australia." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2210537.

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Elliott*, Lindsay G. "Water Washing: A Major Hydrocarbon Alteration Process. Part 2 – Processes, Controls and Hydrocarbon Type Prediction." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2210540.

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Thornton*, Scott E. "The History of Oil Exploration in the Union of Myanmar." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2210594.

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Bufarale, Giada, and Lindsay Collins. "Mid-Late Holocene Development of the Mixed Carbonate Clastic System of the Faure Channel-Bank Complex and Wooramel Delta (Shark Bay, Australia)." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2205837.

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Peng*, Nyujia, and Sheng He. "Specific Surface Area and Characteristics of Nanopores Structures in Jiaoshiba Area, China." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2208943.

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Niyomborwornwat*, Nantaporn, and Philip Rowell. "Seismic Geomorphology of Fluvial Systems, Pattani Basin, Gulf of Thailand." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2209437.

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