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Relevant bibliographies by topics / Melbourne Society of Women Painters and Sculptors

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Academic literature on the topic 'Melbourne Society of Women Painters and Sculptors'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Melbourne Society of Women Painters and Sculptors"

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Ivanytska, L. "LIFE PATH AND CREATIVITY OF PROPERZIA DE ROSSI IN THE CYCLE OF CONCEPTS “MEDIEVAL WOMAN”, “ART”, “SOCIETY”." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 139 (2018): 35–41. http://dx.doi.org/10.17721/1728-2640.2018.139.06.

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The article raises questions about the role and place of women in medieval society and the artistic space. The possibilities for realizing the artistic potential of female artists and female sculptors are explored. The historiography of the outlined problem is analyzed. It is noted that the main obstacles to full creative self-realization of the female artists were numerous social stereotypes, limited access to professional artistic education and artistic practice, lack of social and economic independence, social discrimination and harassment in the process of becoming part of the androcentric

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Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer

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Jønsson, Sarah Huss. "Den brede vitalisme - køns- og kropsdyrkelse i den vitalistiske kunst i Danmark i begyndelsen af det 20. århundrede eksemplificeret ved fire værker." Forum for Idræt 24, no. 1 (2008). http://dx.doi.org/10.7146/ffi.v24i1.31654.

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Artiklen undersøger om den vitalistiske kunst er domineret af en mandighedsdyrkelse og om forholdet mellem kunstnernes liv og deres værk har haft betydning for den vitalistiske interesse. Dette gøres med udgangspunkt i fire kunstneriske værker.Sarah Huss Jønsson: The cultivation of gender and body within the vitalistic art in Denmark in the beginning of the 20th century.Vitalism was a cultural current that emphasized the cultivation of the sensuous human body in close contact with nature. It found expression in philosophy, art and the broad body cultures in the period 1890-1945. The cultivatio

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Daniel, Ryan. "Artists and the Rite of Passage North to the Temperate Zone." M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1357.

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IntroductionThree broad stages of Australia’s arts and culture sectors may be discerned with reference to the Northern Hemisphere. The first is in Australia’s early years where artists travelled to the metropoles of Europe to learn from acknowledged masters, to view the great works and to become part of a broader cultural scene. The second is where Australian art was promoted internationally, which to some extent began in the 1960s with exhibitions such as the 1961 ‘Survey of recent Australian painting’ at the Whitechapel gallery. The third relates to the strong promotion and push to display a

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Books on the topic "Melbourne Society of Women Painters and Sculptors"

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Peers, Juliet. More than just gumtrees: A personal, social, and artistic history of the Melbourne Society of Women Painters and Sculptors. The Society in association with Dawn Revival Press, 1993.

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