Journal articles: 'Mellon (Paul)'

1

Ballinger, Brian R. "John Paul Mellon." Psychiatric Bulletin 16, no. 5 (May 1992): 318. http://dx.doi.org/10.1192/pb.16.5.318.

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2

Huerta, Ana Maria Suàrez. "Paul Mellon Centre Rome Fellowship." Papers of the British School at Rome 79 (October 31, 2011): 363–64. http://dx.doi.org/10.1017/s0068246211000158.

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3

Gallo, Luciana. "Paul Mellon Centre Rome Fellowships." Papers of the British School at Rome 81 (September 26, 2013): 390–91. http://dx.doi.org/10.1017/s0068246213000299.

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4

Temple, Nicholas. "Paul Mellon Centre Rome Fellowships." Papers of the British School at Rome 81 (September 26, 2013): 392–93. http://dx.doi.org/10.1017/s0068246213000305.

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5

Yarker, Jonathan. "Paul Mellon Centre Rome Fellowships." Papers of the British School at Rome 81 (September 26, 2013): 393–94. http://dx.doi.org/10.1017/s0068246213000317.

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6

Bentley, G. E. "Paul Mellon as a Blake Collector." Notes and Queries 64, no. 1 (February 28, 2017): 62–72. http://dx.doi.org/10.1093/notesj/gjw077.

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7

Moore, Andrew. "Paul Mellon Rome Fellowships: Thomas Coke's Grand Tour." Papers of the British School at Rome 76 (November 2008): 313–14. http://dx.doi.org/10.1017/s0068246200000556.

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8

Corp, Edward. "Paul Mellon Centre Rome Fellowship: The Stuart Court in Italy, 1717–66." Papers of the British School at Rome 74 (November 2006): 374–75. http://dx.doi.org/10.1017/s0068246200003342.

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9

Floyd, Emma. "Not just a collection of old books: Making the most of donations at the Paul Mellon Centre Library." Art Libraries Journal 45, no. 3 (July 2020): 100–105. http://dx.doi.org/10.1017/alj.2020.15.

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AbstractThis article shows how large donations of books have transformed the library of the Paul Mellon Centre for Studies in British Art in recent years. Not only have they augmented the collection but they have enhanced the Centre's wider outreach effort and its ability to engage with new audiences.

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10

Prodger, Phillip. "Paul Mellon Centre Rome Fellowship: Oscar Rejlander and British art photography in Rome." Papers of the British School at Rome 85 (October 2017): 339–40. http://dx.doi.org/10.1017/s0068246217000149.

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11

Ventrella, Francesco. "Paul Mellon Centre Rome Fellowship: Performing ancient sculpture: Vernon Lee and psychological aesthetics." Papers of the British School at Rome 87 (October 2019): 350–51. http://dx.doi.org/10.1017/s0068246219000230.

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12

Vesely, S. A. "Review: America Pictured to the Life: Illustrated Works from the Paul Mellon Bequest." Library 4, no. 3 (September 1, 2003): 316–17. http://dx.doi.org/10.1093/library/4.3.316.

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13

Chard, Chloe. "Paul Mellon Centre Rome Fellowships: Laughter, wit and humour in literature of the Grand Tour." Papers of the British School at Rome 75 (November 2007): 291. http://dx.doi.org/10.1017/s0068246200003615.

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14

Bremner, G. A. "Paul Mellon Centre Rome Fellowship: G.E. Street in Rome: a Victorian architect and his churches." Papers of the British School at Rome 82 (October 2014): 359–60. http://dx.doi.org/10.1017/s0068246214000385.

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15

Scutt, Thomas, and Sarah Victoria Turner. "A ‘collection of broken dreams’? Making the Paul Mellon Centre's photo archive accessible in 2019 and beyond." Art Libraries Journal 45, no. 1 (January 2020): 12–18. http://dx.doi.org/10.1017/alj.2019.33.

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This article focuses on the research that the Paul Mellon Centre for Studies in British Art has conducted with users in the process of digitising its photo archive. Converting this resource from photographs mounted on card to digital assets appears, at first glance, a relatively straightforward digitisation project. However, the questions, challenges and issues raised by this project have prompted us to not only focus on the ‘how’ (the process of this conversion), but also the ‘why’. As the project has progressed, these questions about why we are digitising our photo archive and what benefit/s this will have to users and its impact on the field of British art history in the future have grown more voluble.

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16

Sears, Elizabeth. "Paul Mellon Centre Rome Fellowship: Academic politics: art historians in Rome in the 1920s and 1930s." Papers of the British School at Rome 73 (November 2005): 275–76. http://dx.doi.org/10.1017/s006824620000307x.

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17

Wilton-Ely, John. "Paul Mellon Centre Rome Fellowships: Italian sources and influences on the formation of the Adam Style." Papers of the British School at Rome 75 (November 2007): 292–93. http://dx.doi.org/10.1017/s0068246200003627.

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18

Tobe, Renée. "Paul Mellon Centre Rome Fellowship: Ventri Architectus: reproducing classical idioms of power and culture in film." Papers of the British School at Rome 86 (October 2018): 343–44. http://dx.doi.org/10.1017/s006824621800020x.

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19

Crowley, John E. "Sarah Thomas. Witnessing Slavery: Art and Travel in the Age of Abolition. The Paul Mellon Centre for Studies in British Art. New Haven: The Paul Mellon Centre for Studies in British Art, 2019. Pp. 304. $55.00 (cloth)." Journal of British Studies 59, no. 4 (October 2020): 966–67. http://dx.doi.org/10.1017/jbr.2020.75.

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20

Richardson, Carol M. "Paul Mellon Rome Fellowships: The Venerable English College: a study in Anglo-Roman cultural relations, 1361–1920." Papers of the British School at Rome 76 (November 2008): 314–15. http://dx.doi.org/10.1017/s0068246200000568.

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21

Pearson, Caspar. "Paul Mellon Centre Rome Fellowship: The renaissance of the Renaissance? Architecture and urbanism between Italy and England." Papers of the British School at Rome 84 (September 20, 2016): 344–45. http://dx.doi.org/10.1017/s0068246216000301.

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22

Coltman, Viccy. "Paul Mellon Centre Rome Fellowship: Marble mania: the art history and historiography of sculpture in Britain since 1790." Papers of the British School at Rome 77 (November 2009): 302–3. http://dx.doi.org/10.1017/s0068246200000155.

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23

Kirsch, Thomas B. "Memories of Development Paul Mellon , with John Baskett .Reflections in a Silver Spoon. New York, William Morrow, 1992." San Francisco Jung Institute Library Journal 12, no. 1 (March 1993): 69–73. http://dx.doi.org/10.1525/jung.1.1993.12.1.69.

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24

Vega, Fernando E., Kimberley Fisher, and Tony Willis. "Dorothea Eliza Smith, artist of “The Fruits of the Lima market”." Archives of Natural History 41, no. 2 (October 2014): 223–29. http://dx.doi.org/10.3366/anh.2014.0243.

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An unpublished collection of watercolours entitled “The Fruits of the Lima market. by Mrs. D. E. Smith, between the years 1850 & ”53” can be credited to Dorothea Eliza Smith (1804–1864), wife of the Scottish physician Archibald Smith (1797–1868) who published Peru as it is. The watercolours were once in the Crewe Hall library and were purchased by Paul and Rachel Mellon in 1957. They are now in the Oak Spring Garden Library in Virginia, USA. The identification of the artist has also revealed fascinating aspects in the life of the Smith family, including a tragedy at sea off the coast of Peru and a personal art collection that included works by van Dyck, Murillo, Jordaens, Andrea del Sarto, and Zurbarán, among others.

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25

Durrenberger, E. Paul. "Jane Rissler and Margaret Mellon. The Ecological Risks of Engineered Crops. Cambridge, MA: The MIT Press. 1996. Reviewed by E. Paul Durrenberger." Journal of Political Ecology 4, no. 1 (December 1, 1997): 50. http://dx.doi.org/10.2458/v4i1.21389.

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26

Eisler, William. "Paul Mellon Centre Rome Fellowship: The medals of Martin Folkes: art, Newtonian science and Masonic sociability in the age of the Grand Tour." Papers of the British School at Rome 78 (November 2010): 301–2. http://dx.doi.org/10.1017/s0068246200000933.

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27

Staley, Allen. "BOOK REVIEW: Sanford Schwartz.WILLIAM NICHOLSON. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2004." Victorian Studies 48, no. 2 (January 2006): 352–54. http://dx.doi.org/10.2979/vic.2006.48.2.352.

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28

Tittler, Robert. "Susan Foister. Holbein and England. London: Paul Mellon Centre for British Art; New Haven, CT: Yale University Press, 2004. Pp. xii+308. $65.00 (cloth)." Journal of British Studies 45, no. 2 (April 2006): 394–95. http://dx.doi.org/10.1086/504190.

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29

Lutz, Gerhard. "Paul Binski, Gothic Sculpture. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2019. Pp. vii, 287; many color figures. $55. ISBN: 978-0-3002-4143-3." Speculum 96, no. 1 (January 1, 2021): 180–81. http://dx.doi.org/10.1086/712192.

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30

Rodner, William S. "Richard Dorment. Alfred Gilbert. New Haven & London: Yale University Press for the Paul Mellon Centre for Studies in British Art. 1985. Pp. vii, 350, $29.95." Albion 18, no. 1 (1986): 124–25. http://dx.doi.org/10.2307/4048734.

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31

Campbell, Ian. "MARK GIROUARD, Elizabethan Architecture: Its Rise and Fall, 1540–1640, Yale University Press (Paul Mellon Centre for Studies in British Art), 2009, ISBN-13: 978-0300093865, £45.00." Architectural Heritage 21, no. 1 (November 2010): 109–11. http://dx.doi.org/10.3366/arch.2011.0009.

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32

Dethloff, Diana. "Nicholas Hilliard: Life of an Artist. Elizabeth Goldring. Paul Mellon Centre for Studies in British Art. New Haven, CT: Yale University Press, 2019. xiv + 338 pp. $55." Renaissance Quarterly 73, no. 3 (2020): 1023–25. http://dx.doi.org/10.1017/rqx.2020.144.

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33

Tittler, Robert. "Elizabeth Goldring. Nicholas Hilliard: Life of an Artist. The Paul Mellon Centre for Studies in British Art. New Haven: Yale University Press, 2019. Pp. 337. $55.00 (cloth)." Journal of British Studies 58, no. 4 (October 2019): 811–12. http://dx.doi.org/10.1017/jbr.2019.144.

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34

Borsay, Peter. "James Ayres, Building the Georgian City. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1998. vii + 280pp. 345 figures. £45.00." Urban History 27, no. 3 (December 2000): 405–37. http://dx.doi.org/10.1017/s0963926800270351.

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35

Grove, Carol. "James Ayres. Building the Georgian City. (Paul Mellon Centre for Studies in British Art.) New Haven: Yale University Press. 1998. Pp. vii, 280. $65.00. ISBN 0-30-07548-0." Albion 31, no. 4 (1999): 656–57. http://dx.doi.org/10.1017/s0095139000063742.

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36

Ryu, Catherine. "Elizabethan Globalism: England, China and the Rainbow Portrait. Matthew Dimmock. New Haven, CT: Yale University Press; London: Paul Mellon Centre for Studies in British Art, 2019. xii + 324 pp. £50." Renaissance Quarterly 74, no. 1 (2021): 258–59. http://dx.doi.org/10.1017/rqx.2020.341.

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37

Wilson, Kristina. "Lucie Rie: Modernist Potter.Emmanuel CooperNew Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2012.328 pp.; 110 b/w and color ills.Cloth $55.00ISBN 9780300152005The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and the Counterculture.Tanya HarrodNew Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2012.457 pp.; 128 b/w and color ills.Cloth $45.00ISBN 9780300100167." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 21, no. 1 (March 2014): 127–30. http://dx.doi.org/10.1086/677873.

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38

Roach, Catherine. "Kate Retford. The Conversation Piece: Making Modern Art in Eighteenth-Century Britain. The Paul Mellon Centre for Studies in British Art. New Haven: Yale University Press, 2017. Pp. 440. $55.00 (cloth)." Journal of British Studies 59, no. 3 (July 2020): 680–81. http://dx.doi.org/10.1017/jbr.2020.64.

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39

Steane, John. "Westminster Abbey and the Plantagenets: Kingship and the Representation of Power, 1200–1400. By Paul Binski. 280mm. Pp. viii + 241, 270 figs. New Haven/London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1995. ISBN 0-300-05980-9. £45.00." Antiquaries Journal 76 (March 1996): 298–99. http://dx.doi.org/10.1017/s0003581500047843.

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40

Jung, Jacqueline. "Peter Draper. The Formation of English Gothic: Architecture and Identity. New Haven, CT, and London: Paul Mellon Centre for Studies in British Art and Yale University Press, 2007. Pp. 287. $80.00 (cloth)." Journal of British Studies 47, no. 4 (October 2008): 909–10. http://dx.doi.org/10.1086/592884.

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41

Tudor-Craig, Pamela. "Becket's Crown: Art and Imagination in Gothic England 1170–1300. By Paul Binski. 290mm. Pp xvi + 343, 210 b&w ills, 80 col pls. New Haven and London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2004. ISBN 0300105096. £40 (hbk)." Antiquaries Journal 86 (September 2006): 440–42. http://dx.doi.org/10.1017/s000358150000055x.

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42

Murray, Stephen. "Paul Binski, Gothic Wonder: Art, Artifice and the Decorated Style, 1290–1350. New Haven, CT: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2014. Pp. ix, 454; 175 black-and-white and 140 color figures. $75. ISBN: 978-0-300-20400-1." Speculum 91, no. 3 (July 2016): 760–61. http://dx.doi.org/10.1086/686915.

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43

Mays, Deborah. "Sir Howard Colvin, A Biographical Dictionary of British Architects 1600–1840, Yale, published for Paul Mellon Centre for Studies in British Art, 1995, 1,264 pages, ISBN 0 300 0609 1 2. Hardback £50." Architectural Heritage 10, no. 1 (November 1999): 90–91. http://dx.doi.org/10.3366/arch.1999.10.1.90.

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44

Mays, Deborah. "Sir Howard Colvin,A Biographical Dictionary of British Architects 1600–1840, Yale, published for Paul Mellon Centre for Studies in British Art, 1995, 1,264 pages, ISBN 0 300 0609 1 2. Hardback £50." Architectural Heritage 10, no. 10 (January 1999): 90–91. http://dx.doi.org/10.3366/arch.1999.10.10.90.

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45

Hoock, Holger. "Jason M. Kelly . The Society of Dilettanti: Archaeology and Identity in the British Enlightenment . New Haven : Yale University Press , for the Paul Mellon Centre for Studies in British Art. 2009 . Pp. xvii, 366. $75.00." American Historical Review 115, no. 5 (December 2010): 1525–26. http://dx.doi.org/10.1086/ahr.115.5.1525.

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46

Ritok, Christine. "Inventing Boston, Design Production, and Consumption, 1680–1720. By Edward S. Cooke Jr. (New Haven: Published for the Paul Mellon Center for Studies in British Art by Yale University Press, 2019. Pp. 232. $60.00 hardcover.)." New England Quarterly 93, no. 2 (June 2020): 325–29. http://dx.doi.org/10.1162/tneq_r_00829.

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47

Renn, Derek. "Medieval London Houses. By John Schofield. 300mm. Pp. 272, 300 ills (11 col.). New Haven/London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1995. ISBN 0-300-05578-1. £40.00." Antiquaries Journal 76 (March 1996): 297–98. http://dx.doi.org/10.1017/s000358150004782x.

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48

Moore, John E. "Mark Girouard. Elizabethan Architecture: Its Rise and Fall, 1540–1640. The Paul Mellon Centre for British Art. New Haven: Yale University Press, 2009. xx + 516 pp. index. illus. bibl. $65. ISBN: 978–0–300–09386–5." Renaissance Quarterly 63, no. 4 (2010): 1409–10. http://dx.doi.org/10.1086/658609.

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49

Holmes, Stephen Mark. "The Architecture of the Scottish Medieval Church, 1100–1560. By Richard Fawcett. Pp. xiii, 456. ISBN: 9780300170498. New Haven and London: Yale University Press (published for the Paul Mellon Centre for Studies in British Art), 2011. £50.00." Scottish Historical Review 93, no. 1 (April 2014): 142–44. http://dx.doi.org/10.3366/shr.2014.0202.

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50

Warren, John. "A Bibliographical Dictionary of British Architects, 1600–1840. By Howard Colvin. 3rd edn. 240mm. Pp. 1264. London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 1995. ISBN 0-300-06091-2. £50.00." Antiquaries Journal 77 (March 1997): 429–30. http://dx.doi.org/10.1017/s0003581500075521.

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Journal articles on the topic 'Mellon (Paul)'

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