Log in

Relevant bibliographies by topics / Melodi / Books

To see the other types of publications on this topic, follow the link: Melodi.

Books on the topic 'Melodi'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Melodi.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Johnson, Geir. Norge i Melodi Grand Prix. [Oslo]: Atheneum, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Melodi: Kokoanyo ya diterama tsa Setswana. Pretoria: De Jager-HAUM, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Handi, Dimas, ed. Fonetik dan Fonologi Melodi Bahasa: Prosodi. Bandung, Indonesia: Penerbit Alfabeta, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Janarto, Herry Gendut. Teguh, Srimulat: Berpacu dalam komedi dan melodi. Jakarta: Gramedia, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Mangunwijaya, Y. B. Balada becak, atau, Sebuah riwayat melodi Yus-Riri. Jakarta: Balai Pustaka, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Märta, Ramsten, Johnson Jill Ann, Kungl Musikaliska akademien (Sweden), and Svenskt visarkiv, eds. La folia: En europeisk melodi i svenska musikmiljöer. Göteborg: Bo Ejeby Förlag, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Vår fonetiska geografi: Om svenskans accenter, melodi och uttal. Lund: Studentlitteratur, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bergfors, Per-Gosta. Mitt hjärtas melodi: En bok om Sven-Eric Johanson. Göteborg: Bo Ejeby, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Wagman, Anna Kåring. Stadens melodi: Information och reklam i Stockholms kommun 1930-1980. Stockholm: Stockholmia, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Eriksson, Mats. Metodik ett resultat av professionalism: Bas-Ackord-Melodi-Metoden för gruppundervisning. Malmköping: MEREC, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Zak, Vladimir Ilʹich. O zakonomernosti︠a︡kh pesennoĭ melodiki. Moskva: "Sov. kompozitor", 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Motiv i muzykalʹnoe formoobrazovanie: Issledovanie. Leningrad: "Muzyka", 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Nilsson, Brita. Savnets tone i ensomhetens melodi: Ensomhet hos aleneboende personer med alvorlig psykisk lidelse. Åbo: Åbo Akademis förlag, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Thomsen, Claus Blok. Den falske melodi: En personlig og kritisk skildring af regeringens stramninger på udlændingeområdet. [Copenhagen]: Politiken, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Wikshåland, Ståle. En melodi som unnslipper, en innskrift som består: Studier i Claudio Monteverdi og musikalsk barokk. Oslo: Universitetsforlaget, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Lange, Thomas. Thomas Lange: Genesi Würth e melodia apocalittica = Genesis Würth und apokalyptische Melodie = Genesis Würth and apocalyptic melody. Künzelsau: Swiridoff, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Aldridge, Gudrun. Melody in music therapy: A therapeutic narrative analysis. London: J. Kingsley, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Pakpahan, Saut M. Analisis melodi kucapi Pakpak-Dairi: Studi kasus permainan J.H. Kabeakan di Kelurahan Batang Beruh, Kecamatan Sidikalang, Kabupaten Dairi. Medan: Universitas Sumatera Utara, Fakultas Sastra, Jurusan Etnomusikologi, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Imran, Zainul. Penyajian slawatan Arab-araban di Desa Paya Bengkuang, Kecamatan Gebang, Kabupaten Langkat, Sumatera Utara: Analisis melodi dan ritme tabuhan. Medan: Universitas Sumatera Utara, Fakultas Sastra, Jurusan Etnomusikologi, Program Studi Etnomusikologi, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Nababan, Isnawan br. Pertunjukan tari topeng sidhakarya pada upacara piodalan di Pura Agung Raksa Bhuwana, Kelurahan Polonia, Medan: Kajian analisis dan transkripsi melodi reportoar sidhakarya. Medan: Universitas Sumatera Utara, Fakultas Sastra, Jurusan Etnomusikologi, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Weissman, Dick. Creating melodies: A songwriter's guide to understanding, writing, and polishing melodies. Cincinnati: Writer's Digest Books, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Chenoweth, Vida. Melodic perception and analysis: A manual on etic-emic analysis of ethnic melody. 3rd ed. Lansdale, PA: Virginia Whitney, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

The analysis and cognition of basic melodic structures: The implication-realization model. Chicago: University of Chicago Press, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Andrews, V. C. Melody. Paris: France loisirs, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Andrews, V. C. Melody. New York [etc.]: Pocket Star Books, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Veselov, V. R. Melodii. Kostroma: Obshchestvo "Znanie", 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Andrews, V. C. Melody. New York: Pocket Books, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Andrews, V. C. Melody. G.K. Hall & Co., 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Hawaiian melody. Bath, England: Chivers Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

(Firm), Bantam Books, and Copyright Paperback Collection (Library of Congress), eds. Moonlight melody. New York: Bantam Books, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Jane's melody. Seattle, Wash: Birch Paper Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Cosgrove, Stephen. Melody Moth. Los Angeles: Price Stern Sloan, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Caruso, Alfio. Willy Melodia. Torino: Einaudi, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Summer Melody. Seattle, WA: Booktrope, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Lima, Maria Laura Furtado. Eviterna melodia. s.l: ACORES, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Nkadimeng, A. P. Melodi Ya Bjale. J L Van Schaik, South Africa, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Temperley, David. Melody. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0005.

Full text

Abstract:

Like melody in general, rock melody is understood to have a hierarchical “grouping structure,” with sub-phrases combining into phrases and then into larger units. A fundamental issue in rock melody is the alignment of melodic groups with meter; while “beginning-accented” groups are the norm, “end-accented” patterns and more irregular patterns also occur. Patterns of repetition—pitch and rhythmic repetition, as well as rhyme—are also important aspects of rock melody. Rock melody sometimes shows independence from the underlying harmony, a phenomenon known as “melodic-harmonic divorce.” Of particular interest is the use of the 3 and flat-3 scale degrees, which are sometimes used in rock melodies in close proximity; related to this is the issue of “blue notes,” notes which fall between the cracks of conventional chromatic-scale categories.

APA, Harvard, Vancouver, ISO, and other styles

38

Ditsele, M. D. C. Melodi: Kokoanyo ya diterama tsa Setswana (African language literature series). De Jager-HAUM, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

(Editor), Paul Maas, and Constantine A. Trypanis (Editor), eds. Sancti Romani Melodi Cantica Cantica Ge (Oxford University Press Academic Monograph Reprints). Oxford Univ Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Melodia Para Dos: (Melody For Two) (Julia). Harlequin, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Schmuckler, Mark A. Components of melodic processing. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0009.

Full text

Abstract:

Melody is the most ubiquitous form of musical structure, with which listeners come into contact on a daily basis. Mirroring the prevalence and importance of melody, research in music cognition has focused extensively on the processes involved in perceiving and remembering melodic structure. Despite these years of study, however, our understanding of pitch structure in melody can be described simply, with respect to the two components of tonality and pitch contour. Although the importance of these two components has been recognized over the years, it is only recently that workable models of these components have been proposed. This article describes such models of tonality and melodic contour, and discusses the role of these components in listeners' perceptions of and memory for melody.

APA, Harvard, Vancouver, ISO, and other styles

42

Aldridge, David, and Gudrun Aldridge. Melody In Music Therapy: A Therapeutic Narrative Analysis. Jessica Kingsley Publishers, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Perkembangan lagu anak-anak pada tahun 1965 dan tahun 2000: Satu tinjauan terhadap melodi, lirik, harmoni : laporan penelitian seni. [Yogyakarta]: Lembaga Penelitian, Institut Seni Indonesia Yogyakarta, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Thomas, Oliver. Music in Euripides’ Medea. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0005.

Full text

Abstract:

This chapter argues that a tricky passage of Athenaeus, about Euripides’ use of melodic responsion in the play’s odes (453c–454a), is worth taking seriously. The reasons for doubting its information are not overwhelming, and moreover the effects of such responsion tie in excellently with what a number of the characters within the play (especially the chorus in the first and third stasima) have to say about music. In testing the hypothesis that Euripides employed ‘melodic responsion’ in the Medea, the chapter shows that melodic structure could have reinforced the odes’ semantics and themes, but also that it would have been a crucial element in the characterization of the chorus. This use of melody is also examined in the context of existing scholarship on Euripides’ adoption of various ‘New Musical’ forms later in his career.

APA, Harvard, Vancouver, ISO, and other styles

45

D’Angour, Armand. The Musical Setting of Ancient Greek Texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0003.

Full text

Abstract:

This chapter discusses the relationship between melody and language in Homer, the musical fragment of Euripides’ Orestes, and the ‘Seikilos Song’. Readings of Homeric passages draw on statistical analysis of the pitch-structures of the hexameter to show how melody may have been used to mark significant junctures, bridge syntactically conjoined verses, and demarcate the narrative. The musical scores of the two later texts demonstrate the interaction of semantic meaning with melodic and rhythmical patterns, and contextualizes these interactions against the backdrop of wider developments in Greek performance culture. The (probably) Euripidean melody on the Vienna papyrus should be seen in relation to the techniques of the ‘New Musicians’, and viewed as a move towards a more emotionally ‘programmatic’ melodization. The chapter also argues for an overall continuity of techniques for creating musical effects from ancient Greek to later traditions of Western music.

APA, Harvard, Vancouver, ISO, and other styles

46

Wolf, Richard K. Tone and Stroke. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038587.003.0003.

Full text

Abstract:

This chapter examines the importance of tone and stroke melody in the rhythmic patterns of South Asian drumming traditions. Many musicians and listeners in South Asia are interested in the relation of what they consider classical music to what they consider folk music. Some emphasize the distinction when wishing to make a point about what constitutes true musical knowledge (usually knowledge associated with the “classical”). This chapter explores the practice of naming and defining drum patterns based on the author's fieldwork in a number of cities, towns, and rural regions in India and Pakistan. It also discusses the role of melody and rhythm in the definition of patterns by looking at examples of (tone-) melodies accompanied by drums, such as functionally specific genres that combine wind-instrument melodies with drum patterns. The chapter highlights the complex ways in which tone and stroke melodies may vie for primacy within a genre or across different items in the drum repertoire.

APA, Harvard, Vancouver, ISO, and other styles

47

Psaroudakes, Stelios. Mesomedes’ Hymn to the Sun. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0006.

Full text

Abstract:

This chapter investigates the relationship between the lyrics and the music of Mesomedes’ Hymn to the Sun. There are many instances of word painting in music. The chapter argues that Mesomedes’ Hymn to the Sun is a piece of music well thought through by the composer. The song’s melodic contours reflect and accentuate the meaning of the words, which can affectively be brought forth in sound if the performer is musically sensitive and is aware of the word-melody relationships. It is argued that the song was most probably composed for monodic performance.

APA, Harvard, Vancouver, ISO, and other styles

48

Melody. Brownlow Publishing Company, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Howe, Richards Laura Elizabeth. Melody. IndyPublish.com, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Melody. Unknown, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!