Relevant bibliographies by topics / Melodien

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Melodien'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Melodien"

1

Leaver, Robin A. "Die Melodien bis 1570, Teil 3, Melodien aus Gesangbuchern II (review)." Notes 59, no. 3 (2003): 664–67. http://dx.doi.org/10.1353/not.2003.0026.

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Meyer, Christian, Joachim Stalmann, Karl Günther Hartmann, et al. "Das deutsche Kirchenlied. Kritische Gesamtausgabe der Melodien. Abteilung III: Die Melodien aus gedruckten Quellen bis 1680. Band 1: Die Melodien bis 1570. Teil 1: Melodien aus Autorendrucken und Liederblättern." Revue de musicologie 80, no. 2 (1994): 332. http://dx.doi.org/10.2307/947067.

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Braun, Hartmut, Gesellschaft zur wissenschaftlichen, Joachim Stalmann, Karl-Gunther Hartmann, Hans-Otto Korth, and Jurgen Grimm. "Das deutsche Kirchenlied. Kritische Gesamtausgabe der Melodien. Abteilung III: Die Melodien aus gedruckten Quellen bis 1680. Bd. 1: Die Melodien bis 1570. T. 1: Melodien aus Autorendrucken und Liederblattern." Jahrbuch für Volksliedforschung 43 (1998): 256. http://dx.doi.org/10.2307/848156.

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Kuhn, Hans. "Grundtvig and the War that changed Danish Identity." Grundtvig-Studier 51, no. 1 (2000): 190–202. http://dx.doi.org/10.7146/grs.v51i1.16365.

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Grundtvig og den krig, som ændrede den danske identitetAf Hans KuhnGrundtvig var længe, som Kierkegaard, en outsider i sin tids København. Hans vision af en kristeligt inspireret national og social fornyelse vandt ringe genklang hos guldalderens æsteter (som parret Heiberg), hvor teatret var den centrale kulturelle institution, og hos de liberale aktivister (som Lehmann og Ploug), for hvilke enevældens afskaffelse var hovedmålet. Den nationalistiske bølge, som Treårskrigen fremkaldte, gav ham en chance for at nå et publikum i alle regioner og samfundslag, ikke fordi hans ugeblad »Danskeren« sp
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Leaver, Robin A., and Joachim Stalmann. "Melodien aus Autorendrucken und Liederblattern." Notes 54, no. 4 (1998): 907. http://dx.doi.org/10.2307/900068.

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Jersild, Margareta, Goran Rygert, and Lars Weinhardt. "Olands folkliga visor och melodier genom tiderna (Olands volkstumliche Lieder und Melodien durch die Zeiten)." Jahrbuch für Volksliedforschung 35 (1990): 184. http://dx.doi.org/10.2307/848234.

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Michael, Wolfgang F., and Wolfgang Suppan. "Texte und Melodien der "Erlauer Spiele"." Jahrbuch für Volksliedforschung 37 (1992): 163. http://dx.doi.org/10.2307/848565.

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Schulze, Hans-Joachim. "Melodiezitate und Mehrtextigkeit in der Bauernkantate und in den Goldbergvariationen." Bach-Jahrbuch 62 (March 22, 2018): 58–72. http://dx.doi.org/10.13141/bjb.v19762016.

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Wie wir seit langem wissen, sollen die Melodien volkstümlicher Herkunft ("Gassenhauer"), die im ersten Rezitativ der Bauernkantate zu hören sind, den Hörer reflexartig dazu anregen, den populären Text mental zu ergänzen. Eine vergleichbare Interpretation wird in anderen Teilen der Bauernkantate angeboten, in denen ähnliche Melodien zu hören sind. Die melodischen Zitate im Quodlibet der Goldberg-Variationen müssen hingegen eher bildlich als wörtlich genommen werden. (Übertragung des englischen Resümees am Ende des Bandes)
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Baca‐Lobera, Ignacio. "György Ligeti's melodien, a work of transition." Interface 20, no. 2 (1991): 65–78. http://dx.doi.org/10.1080/09298219108570578.

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Gerhard, Anselm. "Primat der Melodie." Die Musikforschung 59, no. 4 (2021): 311–27. http://dx.doi.org/10.52412/mf.2006.h4.590.

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Um vor dem Hintergrund der seltenen Analysen von Melodien aufzuzeigen, wie viel eine radikal an der Melodie orientierte musikalische Analyse leisten kann, werden ausgewählte Schlüsselszenen aus Verdis Oeuvre unter dem Kriterium der gestischen Einfühlung und des dramatischen Kontexts möglichst genau beschrieben - unter bewusster Vernachlässigung der Orchesterbegleitung. Neben den konkreten Analysen von Szenen aus "Un ballo in maschera", "Aida", "Otello" und "Don Carlos" stehen Überlegungen, die über den Einzelfall und über Verdi hinausweisen sollen. An einem Chor aus "I masnadieri" wird die The
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Dissertations / Theses on the topic "Melodien"

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Auhagen, Wolfgang. "Experimentelle Untersuchungen zur auditiven Tonalitätsbestimmung in Melodien." Kassel : G. Bosse, 1994. http://books.google.com/books?id=4tBFAAAAMAAJ.

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Hermann, von Salzburg März Christoph. "Die weltlichen Lieder des Mönchs von Salzburg : Texte und Melodien /." Tübingen : M. Niemeyer, 1999. http://catalogue.bnf.fr/ark:/12148/cb37732938t.

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Texte remanié de: Habil-Schr.--Philosophische Fakultät--Erlangen-Nürnberg--Friedrich-Alexander-Universität, 1993.<br>Textes en moyen-haut allemand ; introd. et comment. en allemand. Bibliogr. p. [509]-535. Index.
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Wälli, Silvia. "Melodien aus mittelalterlichen Horaz-Handschriften : Edition und Interpretation der Quellen /." Kassel ; Basel ; London : Bärenreiter, 2002. http://catalogue.bnf.fr/ark:/12148/cb389498812.

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Maier, Franz Michael. "Becketts Melodien die Musik und die Idee des Zusammenhangs bei Schopenhauer, Proust und Beckett." Würzburg Königshausen und Neumann, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2883802&prov=M&dok_var=1&dok_ext=htm.

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Brusniak, Friedhelm. "Sehnsucht nach dem Frühling und andere Kinderlieder mit eigenen Melodien von August Heinrich Hoffmann von Fallersleben (1798–1874)." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71901.

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Genova, Gina 1961. "Carl Philipp Emanuel Bach's Neue Lieder-Melodien nebst einer Kantate zum singen beym Klavier (1789) and the development of the German Lied." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/558241.

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Ehlert, Hanna [Verfasser], Kathleen [Gutachter] Wermke, and Wafaa [Gutachter] Shehata-Dieler. "Eigenschaften von Tonintervallen in Melodien von Babylauten als Referenzgrößen für vokale Regelleistungen in der Vorsprachlichen Diagnostik / Hanna Ehlert ; Gutachter: Kathleen Wermke, Wafaa Shehata-Dieler." Würzburg : Universität Würzburg, 2019. http://d-nb.info/1194836259/34.

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Frieler, Klaus. "Mathematik und kognitive Melodieforschung : Grundlagen für quantitative Modelle /." Hamburg : Dr. Kovač, 2009. http://d-nb.info/990907074/04.

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Batke, Johann-Markus. "Untersuchung von Melodiesuchsystemen sowie Verfahren zu ihrer Funtionsprüfung." [S.l.] : [s.n.], 2006. http://opus.kobv.de/tuberlin/volltexte/2007/1452.

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Cooke, Stewart J. "Received melodies : the new, old novel." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75693.

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New, old novels, contemporary fictions that parody the forms, conventions, and devices of eighteenth- and nineteenth-century novels, form a significant and increasingly popular subclass of postmodernist fiction. Paradoxically combining realistic and metafictional conventions, these works establish an ironic dialogue with the past, employing yet simultaneously subverting traditional fictional techniques.<br>In this dissertation, I subject five new, old novels--John Barth's The Sot-Weed Factor and LETTERS, Erica Jong's Fanny, T. Coraghessan Boyle's Water Music, and John Fowles's The French Lieut
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Books on the topic "Melodien"

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Janota, Johannes, and Ute Evers, eds. Die Melodien der lateinischen Osterfeiern. DE GRUYTER, 2013. http://dx.doi.org/10.1515/9783110288049.

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Janota, Johannes, and Wolfgang Suppan. Texte und Melodien der "Erlauer Spiele". H. Schneider, 1990.

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Maria, Wolf Helga, ed. Menschen und Melodien im alten Österreich. Pichler, 1998.

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Bruckner, Gerhard. Sisis Melodien: Die Musik der Kaiserin Elisabeth. Stokker, 1998.

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Auhagen, Wolfgang. Experimentelle Untersuchungen zur auditiven Tonalitätsbestimmung in Melodien. G. Bosse, 1994.

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Melodien, oder, Nachträge zum quecksilbernen Zeitalter: Roman. Dumont, 2014.

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Krausser, Helmut. Melodien, oder, Nachträge zum quecksilbernen Zeitalter: Roman. List, 1993.

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Peter Schreier: Melodien eines Lebens : eine Bildbiografie. Verlag der Kunst, 2008.

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Wegerth, Reinhard. Wienerlied, frisch begrünt: Alternative Texte zu beliebten Melodien. Edition Umbruch, 1990.

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Gringmuth, Winfried. Literaturverzeichnis für Posaunenchöre zu den Melodien des EKG (Stammteil). Strube, 1989.

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Book chapters on the topic "Melodien"

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Schweikle, Günther. "Melodien zum Minnesang." In Minnesang. J.B. Metzler, 1989. http://dx.doi.org/10.1007/978-3-476-03946-0_2.

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Schweikle, Günther. "Melodien zum Minnesang." In Minnesang. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-04108-1_2.

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Batke, Jan-Mark. "Wie Sich Melodien Finden Lassen." In Die Google-Gesellschaft, edited by Kai Lehmann and Michael Schetsche. transcript Verlag, 2007. http://dx.doi.org/10.14361/9783839407806-011.

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Schachtner, Christina. "Warum und wie? Auf der Suche nach neuen Melodien." In Entdecken und Erfinden. VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-322-83414-0_4.

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Belotti, Michael. "„Wol dem der weit von hohen dingen“ Textfassungen und Melodien eines Lieds von Martin Opitz." In Martin Opitz (1597–1639), edited by Stefanie Arend and Johann Anselm Steiger. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110664966-015.

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Maier, Michael. "Melodisch/Melodie." In Ästhetische Grundbegriffe. J.B. Metzler, 2010. http://dx.doi.org/10.1007/978-3-476-00533-5_2.

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"MELODIEN-QUADRILLE." In Strauß-Elementar-Verzeichnis (SEV). Hollitzer Verlag, 1992. http://dx.doi.org/10.2307/j.ctvg8p2fj.14.

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"III. Melodien." In Hadewijch: Lieder, edited by Veerle Fraeters and Frank Willaert. De Gruyter, 2016. http://dx.doi.org/10.1515/9783050093512-004.

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"NEUE MELODIEN-QUADRILLE." In Strauß-Elementar-Verzeichnis (SEV). Hollitzer Verlag, 1995. http://dx.doi.org/10.2307/j.ctvg8p4jw.5.

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Brunner, Horst. "Melodien zu Minneliedern." In Handbuch Minnesang. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110351859-012.

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Conference papers on the topic "Melodien"

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Tsuchiya, Takahiko, and Jason Freeman. "A Study of Exploratory Analysis in Melodic Sonification with Structural and Durational Time Scales." In The 24th International Conference on Auditory Display. The International Community for Auditory Display, 2018. http://dx.doi.org/10.21785/icad2018.031.

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Melodic sonification is one of the most common methods of sonification: data modulates the pitch of an audio synthesizer over time. This simple sonification, however, still raises questions about how we listen to a melody and perceive the motions and patterns characterized by the underlying data. We argue that analytical listening to such melodies may focus on different ranges of the melody at different times and discover the pitch (and data) relationships gradually over time and after repeated listening. To examine such behaviors in real-time listening to a melodic sonification, we conducted
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Pfleging, Bastian, Florian Alt, and Albrecht Schmidt. "Meaningful melodies." In the 14th international conference. ACM Press, 2012. http://dx.doi.org/10.1145/2371664.2371706.

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Ahmetovic, Dragan, Valeria Alampi, Cristian Bernareggi, Andrea Gerino, and Sergio Mascetti. "Math Melodies." In W4A '17: Web For All 2017 - The Future of Accessible Work. ACM, 2017. http://dx.doi.org/10.1145/3058555.3058583.

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Gomes, Cláudio, Josue Da Silva, Marco Leal, and Thiago Nascimento. "3A: mAchine learning Algorithm Applied to emotions in melodies." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10450.

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At every moment, innumerable emotions can indicate and provide questions about daily attitudes. These emotions can interfere or stimulate different goals. Whether in school, home or social life, the environment increases the itinerant part of the process of attitudes. The musician is also passive of these emotions and incorporates them into his compositions for various reasons. Thus, the musical composition has innumerable sources, for example, academic formation, experiences, influences and perceptions of the musical scene. In this way, this work develops the mAchine learning Algorithm Applie
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Nees, Michael A., Joanna Harris, and Peri Leong. "How Do People Think They Remember Melodies and Timbres? Phenomenological Reports of Memory for Nonverbal Sounds." In The 23rd International Conference on Auditory Display. The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.068.

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Memory for nonverbal sounds such as those used in sonifications has been recognized as a priority for cognitive-perceptual research in the field of auditory display. Yet memory processes for nonverbal sounds are not well understood, and existing theory and research have not provided a consensus on a mechanism of memory for nonverbal sounds. We report a new analysis of a qualitative question that asked participants to report the strategy they used to retain nonverbal sounds—both melodies and sounds discriminable primarily by timbre. The question was originally posed as part of the debriefing pr
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MIURA, Takao, and Isamu SHIOYA. "Similarity among melodies for music information retrieval." In the twelfth international conference. ACM Press, 2003. http://dx.doi.org/10.1145/956863.956877.

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Huang, Tiansheng, and Yibiao Yu. "Pitch and Mode Recognition of Humming Melodies." In 2018 International Conference on Audio, Language and Image Processing (ICALIP). IEEE, 2018. http://dx.doi.org/10.1109/icalip.2018.8455558.

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Yang, Qinwen. "Characteristics of Melodies in Bellini's Art Songs." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.58.

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Ramakrishnan A, Ananth, Sankar Kuppan, and Sobha Lalitha Devi. "Automatic generation of Tamil lyrics for melodies." In the Workshop. Association for Computational Linguistics, 2009. http://dx.doi.org/10.3115/1642011.1642017.

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Mohajer, Kamyar. "Melodis Corporation Technologies." In 2008 5th IEEE Consumer Communications and Networking Conference. IEEE, 2008. http://dx.doi.org/10.1109/ccnc08.2007.288.

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