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1

Zak, Vladimir Ilʹich. O zakonomernosti︠a︡kh pesennoĭ melodiki. Moskva: "Sov. kompozitor", 1990.

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2

Aliberti, Francesco. Analisi della linearità melodica. Capua] (Caserta): Esarmonia, 2010.

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3

Andrews, V. C. Melody. Paris: France loisirs, 1999.

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4

Andrews, V. C. Melody. New York: Pocket Books, 1996.

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5

Andrews, V. C. Melody. New York [etc.]: Pocket Star Books, 1996.

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6

Aldridge, Gudrun. Melody in music therapy: A therapeutic narrative analysis. London: J. Kingsley, 2008.

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7

Gaddis, Peggy. Caribbean melody. Anstey: F. A. Thorpe, 1996.

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8

Pomeraning, Denise Ortman. Operation Melody. Minneapolis: Augsburg, 1994.

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9

Baldwin, Kaylee. Meg's Melody. Springville, Utah: Bonneville Books, 2010.

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10

Haskell, Mary. Stardust melody. New York: Jove Publications, 1985.

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11

Vickie, Britton, ed. Bitter melody. Casper, WY: Whickey Creek Press, 2004.

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12

Temperley, David. Melody. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0005.

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Like melody in general, rock melody is understood to have a hierarchical “grouping structure,” with sub-phrases combining into phrases and then into larger units. A fundamental issue in rock melody is the alignment of melodic groups with meter; while “beginning-accented” groups are the norm, “end-accented” patterns and more irregular patterns also occur. Patterns of repetition—pitch and rhythmic repetition, as well as rhyme—are also important aspects of rock melody. Rock melody sometimes shows independence from the underlying harmony, a phenomenon known as “melodic-harmonic divorce.” Of particular interest is the use of the 3 and flat-3 scale degrees, which are sometimes used in rock melodies in close proximity; related to this is the issue of “blue notes,” notes which fall between the cracks of conventional chromatic-scale categories.
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13

Andrews, V. C. Melody 1 Melody. de Kern, 2001.

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14

Melody Queen: Melody Queen. Lantana Publishing, 2023.

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15

Karned'esign, Edition Edition. Melody: Carnet de Notes Personnalisé MELODY - Cahier MELODY - Journal Intime MELODY. Independently Published, 2021.

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16

Andrews, V. C. Melody. Editorial Planeta, S.A. (Barcelona), 1997.

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17

Howe, Richards Laura Elizabeth. Melody. IndyPublish.com, 2003.

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18

Andrews, V. C. Melody. Goldmann, 2002.

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19

Andrews, V. C. Melody. Simon & Schuster (Trade Division), 1996.

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20

Melody. Unknown, 1985.

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21

Andrews, V. C. Melody. Simon & Schuster, Limited, 2008.

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22

Andrews, V. C. Melody. Goldmann, 1998.

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23

Andrews, V. C. Melody. Simon & Schuster (Trade Division), 1997.

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24

Melody. Pan Macmillan, 2019.

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25

Young, Maddie. Melody. Independently Published, 2021.

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26

Groustra, Sarah. Melody. Blurb, 2023.

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27

Melody. Xlibris Corporation, 2009.

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28

Melody. Penguin Canada, 2018.

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29

Melody. Strebor Books, 2008.

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30

Howe, Richards Laura Elizabeth. Melody. Kessinger Publishing, LLC, 2007.

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31

Howe, Richards Laura Elizabeth. Melody. IndyPublish.com, 2003.

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32

Andrews, V. C. Melody. ISIS Audio Books, 2005.

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33

Gould, Judith. Melody. Editorial Planeta, 1998.

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34

Melody. Pocket Books, 2004.

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35

Eitreim, Dan. Melody. Independently Published, 2018.

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36

Howe, Richards Laura Elizabeth. Melody. Echo Library, 2007.

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37

Melody. Pocket Books, 1997.

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38

Clemmons, Caroline, and Angel Creek Christmas Brides. Melody. Independently Published, 2019.

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39

Howe, Richards Laura Elizabeth. Melody. Kessinger Publishing, LLC, 2005.

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40

Kachulis, Jimmy. Melody. Leonard Corporation, Hal, 2003.

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41

Publications, Old Soul. Melody. Independently Published, 2018.

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42

Melody. Brownlow Publishing Company, 2000.

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43

Stacy-Deanne. Melody. Simon & Schuster, Limited, 2008.

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44

Andrews, V. C. Melody. G K Hall & Co, 1996.

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45

MAXWELL, Douglas. Melody. Oberon Books, 2006.

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46

Roland, Blake. Melody. Independently Published, 2018.

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47

Burla, Oded, Ilana Kurshan, and Assaf Benharroch. Melody. Endless Mountains Publishing, 2022.

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48

Crace, Jim. Melody. Pan Macmillan, 2018.

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49

Howe, Richards Laura Elizabeth. Melody. Tandem Library, 2003.

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50

Maxwell, Douglas. Melody. Oberon Books, 2006. http://dx.doi.org/10.5040/9781350432314.

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