Relevant bibliographies by topics / Melville, Herman (1819-1891). Clarel

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  2. Dissertations / Theses
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Academic literature on the topic 'Melville, Herman (1819-1891). Clarel'

Author: Grafiati
Published: 25 January 2025
Last updated: 19 July 2025

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Journal articles on the topic "Melville, Herman (1819-1891). Clarel"

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de Souza, Leonardo Cruz, Antônio Lúcio Teixeira, Guilherme Nogueira M. de Oliveira, Paulo Caramelli, and Francisco Cardoso. "A critique of phrenology in Moby-Dick." Neurology 89, no. 10 (2017): 1087–90. http://dx.doi.org/10.1212/wnl.0000000000004335.

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Phrenology has a fascinating, although controversial, place in the history of localizationism of brain and mental functions. The 2 main proponents of phrenology were 2 German-speaking doctors, Joseph Gall (1758–1828) and Johann Spurzheim (1776–1832). According to their theory, a careful examination of skull morphology could disclose personality characters. Phrenology was initially restricted to medical circles and then diffused outside scientific societies, reaching nonscientific audiences in Europe and North America. Phrenology deeply penetrated popular culture in the 19th century and its ten
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Menzhulin, Vadym. "The Image of Philosophy in Herman Melville’s Story Cock-A-Doodle-Do! or, the Crowing of the Noble Cock Beneventano." NaUKMA Research Papers in Philosophy and Religious Studies 13 (July 2, 2024): 73–97. http://dx.doi.org/10.18523/2617-1678.2024.13.73-97.

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The work of the outstanding American writer Herman Melville (1819–1891) is widely acknowledged for its profound philosophical depth. It parallels various philosophical and religious traditions, works, figures, ideas, etc. However, the author’s philosophical position remains insufficiently researched. Among his works, one key in this regard is the short story “Cock-A-Doodle-Do! or, The Crowing of the Noble Cock Beneventano” (1853). It offers Melville’s feedback on a few ideas of such representatives of American transcendentalism as Ralph Waldo Emerson (1803–1882) and Henry David Thoreau (1817–1
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Lima e Silva, Luis Filipe, and Larissa Santos Ciríaco. "Individuação de autoria e identificação de estilo: análise de dados linguísticos com auxílio do R." Fórum Linguístico 19, no. 3 (2022): 8214–31. http://dx.doi.org/10.5007/1984-8412.2022.e79086.

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Este artigo soma-se aos trabalhos disponíveis sobre Processamento de Língua Natural ao fornecer uma demonstração de como linguagens de programação como o R (R CORE TEAM, 2020) podem ser úteis na detecção de autoria e na identificação do estilo do autor em obras literárias. Foram selecionados dois autores e duas obras de cada, a saber: The Adventures of Tom Sawyer (1876) e Adventures of Huckleberry Finn (1884), do autor Mark Twain (1835-1910), e Typee: A Peep at Polynesian Life (1846) e Omoo: A Narrative of Adventures in the South Seas (1847), do autor Herman Melville (1819-1891). Posteriorment
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"“Preferiría no hacerlo”." Revista Universidad Católica Luis Amigó, no. 3 (January 1, 2019): 8–11. http://dx.doi.org/10.21501/25907565.3254.

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Herman Melville, Escritor norteamericano, nacido en New York en 1819-1891, autor de la obra épica Moby Dick (1851), para la crítica literaria, es una de las obras de mayor trascendencia universal. En ella se narra una alegoría, desde la cual se ausculta lo humano y su capacidad para sobrevivir. En ella, nos asalta la dualidad de su naturaleza: el bien y el mal, una convivencia que se vive en altar mar. Obcecación por parte del capitán Ahab por cazar a la ballena blanca. De esta manera:
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Santos, Géssica Brito. "Devir e escrita na filosofia de Deleuze e Guattari." Revista Científica Multidisciplinar Núcleo do Conhecimento, January 27, 2021, 191–204. http://dx.doi.org/10.32749/nucleodoconhecimento.com.br/letras/devir-e-escrita.

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A escrita é sempre inacabada por estar sempre produzindo novas relações de multiplicidades e por ser detentora de um enunciado que fala por si. Ela é impessoal por ter a capacidade de criar artifícios para se conjugar novos enunciados, cujo centro não é o indivíduo, mas, todas as relações de agenciamentos que existem em torno dele e de outros agentes, relações homem e natureza, homem e tempo, homem e objeto. Essa é a ideia de desterritorialização da escrita definida pelos filósofos franceses Gilles Deleuze (1925-1995) e Félix Guattari (1930-1992). O presente artigo tem como objetivo indagar em
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Dissertations / Theses on the topic "Melville, Herman (1819-1891). Clarel"

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Hildebrandt, Caroline. "Du Confidence-Man à Clarel : sécularisation et démythologisation dans l'oeuvre de Herman Melville (1857-1876)." Electronic Thesis or Diss., Lyon, École normale supérieure, 2024. http://www.theses.fr/2024ENSL0071.

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Ce travail propose une lecture de l’œuvre tardive de Herman Melville, afin de faire émerger une pensée de la sécularisation dans ses textes, tout en interrogeant la pertinence de la notion et des théories afférentes. Le corpus analysé comporte la dernière œuvre en prose publiée de Melville, The Confidence-Man (1857), le recueil de poésie Battle-Pieces (1866) et, enfin, le long poème épique Clarel (1876). L'analyse s'appuie sur la théologie herméneutique de Rudolf Bultmann et son concept central de « démythologisation », conçue comme une réinterprétation sceptique des textes bibliques et de leu
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López, Peña Laura. "Beyond the Walls-Potentiality Aborted. The Politics of Intersubjective Universalism in Herman Melville’s Clarel." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/128332.

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This dissertation argues that Herman Melville’s Clarel: A Poem and Pilgrimage in the Holy Land (1876) is a universalist poem which analyzes the necessity, political potentiality, and challenges of intersubjectivity to the creation of more democratic human relationships beyond the walls of individualism and of traditional communities such as those organized around the notions of nation-state, ‘race’, culture, religious affiliation, or sexual identities. My argument is that, in Clarel, Melville conceives what I have termed ‘intersubjective universalism’ as an ethicopolitical process subjected to
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Midan, Marc. "Milton & Melville : le démon de l'allusion." Paris 7, 2014. http://www.theses.fr/2014PA070086.

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Milton & Melville : Le Démon de l'allusion étudie la signification de l'allusion à Milton dans Taïpi, Moby¬Dick, L'Escroc à la confiance et Billy-Budd, Marin. Un état détaillé de la recherche sur les rapports entre les deux auteurs montre la prédominance d'une conception de l'allusion comme moyen d'identifier le sens d'un texte incertain à celui d'un autre, supposé stable ; or, il s'agit, en réalité, d'une relation dynamique et réciproque. Ludique, satirique, impie, ou érotique, l'allusion melvillienne est multiforme et variable ¬ondoiement qui la dérobe à une approche trop générale, mais
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Dove-Rumé, Janine. "Quête, communication et connaissance étude des "gams" dans "Moby-Dick" or "The Whale" de Herman Melville." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37597439w.

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Ott, Sara. "Paradox and philosophical anticipation in Melville’s Moby-Dick." Thesis, Wichita State University, 2006. http://hdl.handle.net/10057/385.

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Much of the current critical literature on Moby-Dick lacks a unifying focus. This essay attempts to provide a thread of continuity for Moby-Dick by proving that paradox and Herman Melville’s anticipation of the early existential movement hold the key to a full reading of this text. By viewing the text itself, Melville’s personal correspondence, and the writings of Emerson, Hegel, Kierkegaard, and Nietzsche, the paradoxical tension by which this text must be read comes into clearer focus.<br>Thesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences.<br>"May 2006."<br>Includ
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Maufort, Marc. "Visions of the American experience: the O'Neill-Melville connection." Doctoral thesis, Universite Libre de Bruxelles, 1986. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213576.

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Jabalpurwala, Inez. "Reading that brow : interpretive strategies and communities in Melville's Moby-dick." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60042.

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This thesis considers Herman Melville's Moby-Dick as a textual strategy of possible, alternative models of reading, as well as a text in itself. I approach the text as a drama of interpretations and argue that the individual consciousnesses of different interpreters represent different interpretive strategies, and that these differences suggest distinct structures of community. This approach becomes more focussed in the discussion of Ahab and Ishmael as representatives of two contrasting interpretive possibilities, of "reading" the text as a "pasteboard mask" which conceals a stable identity a
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Imbert, Michel. "L'esprit des échanges : les signes économiques et la foi dans l'oeuvre d'Herman Melville." Paris 7, 1993. http://www.theses.fr/1993PA070008.

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Rebours de l'evangile de lar richesse, melville met en lumiere l'experience de la depossession. Alors que triomphe le messianisme nationaliste, il devoile les deviations de la "destinee manifeste" et les captations illegitimes de l'heritage religieux. Il demasque la volonte de puissance qui opere sous le voile de la foi partagee. Or, paradoxalement, le monde despiritualise du marche pourrait etre malgre ces travestissements de la foi le theatre d'une revelation ambigue dans la mesure ou le destin christique du depuillement semble s'y rejouer. Mais en derniere instance, on ne saurait departager
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Urbas, Joseph. "La contingence dans les romans de maturité de Herman Melville." Paris 7, 1993. http://www.theses.fr/1993PA070033.

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Cette étude vise à affirmer la place centrale de l'idée de contingence dans les romans de maturité de Herman Melville à travers une analyse de Moby-Dick, Pierre et l'Escroc à la confiance. Une brève lecture de l'oeuvre posthume Billy fait apparaître la persistance de ce thème dans la pensée de l'auteur<br>The aims of this study is to assert the key role of the idea of contingency in the late novels of Herman Melville through an analysis of Moby-Dick, Pierre, and the confidence-man. A brief reading of the posthumous work Billy shows the continuing importance of this theme in Melville's thought
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Gambarotto, Bruno. "Modernidade e mistificação em Moby-Dick, de Herman Melville." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-14032013-104328/.

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Neste estudo de análise e interpretação de Moby-Dick (1851), de Herman Melville (1819-1891), pretendemos formular e esclarecer questões relativas ao momento de definição do romance norte-americano, bem como à obra que se traduz como o esforço mais radical de um norte-americano na tentativa de, então, levar a forma romance ao estudo e reflexão sobre sua sociedade. Para tanto, recuperamos da leitura da obra os aspectos que mais fortemente tematizam tal intento: a crise ideológica de fins da década de 1840, quando os ideais revolucionários de igualdade da antiga república são finalmente confronta
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Books on the topic "Melville, Herman (1819-1891). Clarel"

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Goldman, Stan. Melville's protest theism: The hidden and silent God in Clarel. Northern Illinois University Press, 1993.

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C, Metcalf Paul, ed. Enter Isabel: The Herman Melville correspondence of Clare Spark and Paul Metcalf. University of New Mexico Press, 1991.

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Harold, Bloom, ed. Herman Melville. Chelsea House Publishers, 2005.

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Meltzer, Milton. Herman Melville: A biography. Twenty-First Century Books, 2006.

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Kelley, Wyn. Herman Melville: An introduction. Blackwell Pub., 2008.

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Harold, Bloom, ed. Herman Melville. Chelsea House Publishers, 1999.

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Arvin, Newton. Herman Melville. Grove Press, 2002.

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J, Budd Louis, and Cady Edwin Harrison, eds. On Melville. Duke University Press, 1988.

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Zimmerman, Brett. Herman Melville: Stargazer. McGill-Queen's University Press, 1998.

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1919-, Ōhashi Kenzaburō, ed. Melville and Melville studies in Japan. Greenwood Press, 1993.

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Book chapters on the topic "Melville, Herman (1819-1891). Clarel"

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Kreutzberger, Wolfgang. "Herman Melville (1819–1891)." In Frauenliebe Männerliebe. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_60.

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Hayes, Kevin J. "The Daguerreotype Devil: Herman Melville (1819–1891)." In Celebrity Authorship and Afterlives in English and American Literature. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55868-8_5.

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"Herman Melville (1819–1891)." In “… The Real War Will Never Get in the Books”, edited by Louis P. Masur. Oxford University Press, 1995. http://dx.doi.org/10.1093/acprof:oso/9780195098372.003.0011.

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Schlarb, Damien B. "8 Herman Melville (1819–1891)." In Handbook of the American Short Story. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110587647-009.

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"10. Silence Herman Melville (1819–1891)." In Last Works. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300231427-012.

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Milder, Robert. "Herman Melville 1819–1891 A Brief Biography." In A Historical Guide to Herman Melville. Oxford University Press, 2005. http://dx.doi.org/10.1093/acprof:oso/9780195142822.003.0002.

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